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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #508EEE it is the complementary color #AF7111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #508EEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #508EEE shade: #558EE9, #66A0FC, #77B2FF, #88C4FF and #99D6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #508EEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #508EEE shade: #508EEE, #3F7CDB, #2E6AC8, #1D58B5 and #0C46A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #508EEE shade: #4F8DEE, #4F62EE, #664FEE, #914FEE and #BC4FEE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #508EEE shade: #4F8DEE, #4F62EE and #4F4FEE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #508EEE shade matches the following richer shades: #4F8DEE and #3F8AFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #508EEE shade: #4F8DEE, #5E90DE, #6E94CE, #7E97BF and #8D9AAF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #508EEE shade: #4FE3EE, #4FB9EE, #4F8EEE, #4F64EE and #644FEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #508EEE shade: #1560D5, #2975EA, #4F8DEE, #74A5F1 and #9ABEF5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #508EEE shade: #508EEE, #CE4FEE and #CEEE4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #508EEE shade: #508EEE, #EE4F8E and #8EEE4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #508EEE shade: #508EEE, #CE4FEE, #EEAE4F and #6EEE4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #508EEE shade: #508EEE, #EE4FDE, #EEAE4F and #4FEE5F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 40 / 0 / 7

HEX #508EEE

RGB 80 142 238

HSL 216.46, 0.82%, 0.62%

LAB 59.18, 10.27, -54.28

 

Complementary color

CMYK 0 / 35 / 90 / 31

HEX #AF7111

RGB 175 113 17

HSL 36.46, 0.82%, 0.38%

LAB 52.91, 17.61, 56.28

 

CMYK 64 / 39 / 0 / 9

HEX #558EE9

RGB 85 142 233

HSL 216.89, 0.77%, 0.62%

LAB 59.12, 9.39, -51.59

 

CMYK 60 / 37 / 0 / 1

HEX #66A0FC

RGB 102 160 252

HSL 216.8, 0.96%, 0.69%

LAB 65.74, 8.14, -51.49

 

CMYK 53 / 30 / 0 / 0

HEX #77B2FF

RGB 119 178 255

HSL 213.97, 1%, 0.73%

LAB 71.54, 2.22, -43.93

 

CMYK 47 / 23 / 0 / 0

HEX #88C4FF

RGB 136 196 255

HSL 209.75, 1%, 0.77%

LAB 77.24, -3.89, -35

 

CMYK 40 / 16 / 0 / 0

HEX #99D6FF

RGB 153 214 255

HSL 204.12, 1%, 0.8%

LAB 82.96, -9.3, -26.14

 

CMYK 66 / 40 / 0 / 7

HEX #508EEE

RGB 80 142 238

HSL 216.46, 0.82%, 0.62%

LAB 59.18, 10.27, -54.28

 

CMYK 71 / 43 / 0 / 14

HEX #3F7CDB

RGB 63 124 219

HSL 216.54, 0.68%, 0.55%

LAB 52.49, 11.97, -54.38

 

CMYK 77 / 47 / 0 / 22

HEX #2E6AC8

RGB 46 106 200

HSL 216.62, 0.63%, 0.48%

LAB 45.71, 14.07, -54.47

 

CMYK 84 / 51 / 0 / 29

HEX #1D58B5

RGB 29 88 181

HSL 216.71, 0.72%, 0.41%

LAB 38.86, 16.7, -54.51

 

CMYK 93 / 57 / 0 / 36

HEX #0C46A2

RGB 12 70 162

HSL 216.8, 0.86%, 0.34%

LAB 31.96, 20.02, -54.42

 

CMYK 67 / 41 / 0 / 7

HEX #4F8DEE

RGB 79 141 238

HSL 216.6, 0.82%, 0.62%

LAB 58.87, 10.71, -54.78

 

CMYK 67 / 59 / 0 / 7

HEX #4F62EE

RGB 79 98 238

HSL 232.83, 0.82%, 0.62%

LAB 47.71, 37.06, -72.75

 

CMYK 57 / 67 / 0 / 7

HEX #664FEE

RGB 102 79 238

HSL 248.68, 0.82%, 0.62%

LAB 45.07, 51.52, -77.01

 

CMYK 39 / 67 / 0 / 7

HEX #914FEE

RGB 145 79 238

HSL 264.91, 0.82%, 0.62%

LAB 49.23, 58.89, -70.04

 

CMYK 21 / 67 / 0 / 7

HEX #BC4FEE

RGB 188 79 238

HSL 281.13, 0.82%, 0.62%

LAB 54.51, 67.53, -61.26

 

CMYK 67 / 41 / 0 / 7

HEX #4F8DEE

RGB 79 141 238

HSL 216.6, 0.82%, 0.62%

LAB 58.87, 10.71, -54.78

 

CMYK 67 / 59 / 0 / 7

HEX #4F62EE

RGB 79 98 238

HSL 232.83, 0.82%, 0.62%

LAB 47.71, 37.06, -72.75

 

CMYK 67 / 67 / 0 / 7

HEX #4F4FEE

RGB 79 79 238

HSL 240, 0.82%, 0.62%

LAB 43.4, 48.39, -79.81

 

CMYK 67 / 41 / 0 / 7

HEX #4F8DEE

RGB 79 141 238

HSL 216.6, 0.82%, 0.62%

LAB 58.87, 10.71, -54.78

 

CMYK 75 / 45 / 0 / 1

HEX #3F8AFD

RGB 63 138 253

HSL 216.32, 0.98%, 0.62%

LAB 58.34, 15.64, -63.92

 

CMYK 67 / 41 / 0 / 7

HEX #4F8DEE

RGB 79 141 238

HSL 216.6, 0.82%, 0.62%

LAB 58.87, 10.71, -54.78

 

CMYK 58 / 35 / 0 / 13

HEX #5E90DE

RGB 94 144 222

HSL 216.56, 0.66%, 0.62%

LAB 59.53, 6.25, -44.81

 

CMYK 47 / 28 / 0 / 19

HEX #6E94CE

RGB 110 148 206

HSL 216.25, 0.49%, 0.62%

LAB 60.74, 2.56, -33.9

 

CMYK 34 / 21 / 0 / 25

HEX #7E97BF

RGB 126 151 191

HSL 216.92, 0.34%, 0.62%

LAB 61.94, 0.96, -23.55

 

CMYK 19 / 12 / 0 / 31

HEX #8D9AAF

RGB 141 154 175

HSL 217.06, 0.18%, 0.62%

LAB 63.23, -0.05, -12.49

 

CMYK 67 / 5 / 0 / 7

HEX #4FE3EE

RGB 79 227 238

HSL 184.15, 0.82%, 0.62%

LAB 83.32, -35.19, -16.85

 

CMYK 67 / 22 / 0 / 7

HEX #4FB9EE

RGB 79 185 238

HSL 200, 0.82%, 0.62%

LAB 71.24, -14.24, -35.32

 

CMYK 67 / 40 / 0 / 7

HEX #4F8EEE

RGB 79 142 238

HSL 216.23, 0.82%, 0.62%

LAB 59.14, 10.11, -54.34

 

CMYK 67 / 58 / 0 / 7

HEX #4F64EE

RGB 79 100 238

HSL 232.08, 0.82%, 0.62%

LAB 48.2, 35.83, -71.97

 

CMYK 58 / 67 / 0 / 7

HEX #644FEE

RGB 100 79 238

HSL 247.92, 0.82%, 0.62%

LAB 44.91, 51.22, -77.28

 

CMYK 90 / 55 / 0 / 16

HEX #1560D5

RGB 21 96 213

HSL 216.56, 0.82%, 0.46%

LAB 43.26, 23.53, -65.94

 

CMYK 82 / 50 / 0 / 8

HEX #2975EA

RGB 41 117 234

HSL 216.37, 0.82%, 0.54%

LAB 50.84, 19.46, -65.5

 

CMYK 67 / 41 / 0 / 7

HEX #4F8DEE

RGB 79 141 238

HSL 216.6, 0.82%, 0.62%

LAB 58.87, 10.71, -54.78

 

CMYK 52 / 32 / 0 / 5

HEX #74A5F1

RGB 116 165 241

HSL 216.48, 0.82%, 0.7%

LAB 67.26, 4.68, -43.05

 

CMYK 37 / 22 / 0 / 4

HEX #9ABEF5

RGB 154 190 245

HSL 216.26, 0.82%, 0.78%

LAB 76.25, 1.17, -31.09

 

CMYK 66 / 40 / 0 / 7

HEX #508EEE

RGB 80 142 238

HSL 216.46, 0.82%, 0.62%

LAB 59.18, 10.27, -54.28

 

CMYK 13 / 67 / 0 / 7

HEX #CE4FEE

RGB 206 79 238

HSL 287.92, 0.82%, 0.62%

LAB 56.96, 71.35, -57.18

 

CMYK 13 / 0 / 67 / 7

HEX #CEEE4F

RGB 206 238 79

HSL 72.08, 0.82%, 0.62%

LAB 89.32, -31.22, 70.18

 

CMYK 66 / 40 / 0 / 7

HEX #508EEE

RGB 80 142 238

HSL 216.46, 0.82%, 0.62%

LAB 59.18, 10.27, -54.28

 

CMYK 0 / 67 / 40 / 7

HEX #EE4F8E

RGB 238 79 142

HSL 336.23, 0.82%, 0.62%

LAB 57.77, 65.67, -0.43

 

CMYK 40 / 0 / 67 / 7

HEX #8EEE4F

RGB 142 238 79

HSL 96.23, 0.82%, 0.62%

LAB 85.74, -54.27, 65.35

 

CMYK 66 / 40 / 0 / 7

HEX #508EEE

RGB 80 142 238

HSL 216.46, 0.82%, 0.62%

LAB 59.18, 10.27, -54.28

 

CMYK 13 / 67 / 0 / 7

HEX #CE4FEE

RGB 206 79 238

HSL 287.92, 0.82%, 0.62%

LAB 56.96, 71.35, -57.18

 

CMYK 0 / 27 / 67 / 7

HEX #EEAE4F

RGB 238 174 79

HSL 35.85, 0.82%, 0.62%

LAB 75.46, 14.21, 56.44

 

CMYK 54 / 0 / 67 / 7

HEX #6EEE4F

RGB 110 238 79

HSL 108.3, 0.82%, 0.62%

LAB 84.5, -63.5, 63.66

 

CMYK 66 / 40 / 0 / 7

HEX #508EEE

RGB 80 142 238

HSL 216.46, 0.82%, 0.62%

LAB 59.18, 10.27, -54.28

 

CMYK 0 / 67 / 7 / 7

HEX #EE4FDE

RGB 238 79 222

HSL 306.04, 0.82%, 0.62%

LAB 60.82, 75.82, -41.8

 

CMYK 0 / 27 / 67 / 7

HEX #EEAE4F

RGB 238 174 79

HSL 35.85, 0.82%, 0.62%

LAB 75.46, 14.21, 56.44

 

CMYK 67 / 0 / 60 / 7

HEX #4FEE5F

RGB 79 238 95

HSL 126.04, 0.82%, 0.62%

LAB 83.78, -68.76, 56.07

 

Description

Color code: HEX #508EEE | qconv.com Color code: HEX #508EEE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 142 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 142 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 40 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 40% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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