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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #508C7E it is the complementary color #AF7381. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #508C7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #508C7E shade: #558C79, #669E8C, #77B09F, #88C2B2 and #99D4C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #508C7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #508C7E shade: #508C7E, #3F7A6B, #2E6858, #1D5645 and #0C4432

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #508C7E shade: #508B7D, #508B6D, #508B5E, #538B50 and #638B50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #508C7E shade: #508B7D, #50898B, #50798B, #50698B and #50598B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #508C7E shade matches the following richer shades: #508B7D, #3E9D87, #2DAF90, #1BC09A and #09D2A3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #508C7E shade: #508B7D, #627A74, #74686B, #855661 and #974458

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #508C7E shade: #508B5E, #508B6E, #508B7D, #50898B and #50798B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #508C7E shade: #32574E, #417166, #508B7D, #61A494 and #7BB3A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #508C7E shade: #508C7E, #50528B and #8B6650

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #508C7E shade: #508C7E, #7D508B and #8B7D50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #508C7E shade: #508C7E, #50528B, #8B505E and #8B8950

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #508C7E shade: #508C7E, #60508B, #8B505E and #7B8B50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 0 / 10 / 45

HEX #508C7E

RGB 80 140 126

HSL 166, 0.27%, 0.43%

LAB 53.99, -23.04, 1.37

 

Complementary color

CMYK 0 / 34 / 26 / 31

HEX #AF7381

RGB 175 115 129

HSL 346, 0.27%, 0.57%

LAB 55.03, 25.62, 2.1

 

CMYK 39 / 0 / 14 / 45

HEX #558C79

RGB 85 140 121

HSL 159.27, 0.24%, 0.44%

LAB 54.1, -22.8, 4.44

 

CMYK 35 / 0 / 11 / 38

HEX #669E8C

RGB 102 158 140

HSL 160.71, 0.22%, 0.51%

LAB 60.93, -22.58, 3.58

 

CMYK 32 / 0 / 10 / 31

HEX #77B09F

RGB 119 176 159

HSL 162.11, 0.27%, 0.58%

LAB 67.63, -22.37, 2.79

 

CMYK 30 / 0 / 8 / 24

HEX #88C2B2

RGB 136 194 178

HSL 163.45, 0.32%, 0.65%

LAB 74.21, -22.18, 2.04

 

CMYK 28 / 0 / 7 / 17

HEX #99D4C5

RGB 153 212 197

HSL 164.75, 0.41%, 0.72%

LAB 80.68, -22.01, 1.33

 

CMYK 43 / 0 / 10 / 45

HEX #508C7E

RGB 80 140 126

HSL 166, 0.27%, 0.43%

LAB 53.99, -23.04, 1.37

 

CMYK 48 / 0 / 12 / 52

HEX #3F7A6B

RGB 63 122 107

HSL 164.75, 0.32%, 0.36%

LAB 47.02, -23.19, 2.27

 

CMYK 56 / 0 / 15 / 59

HEX #2E6858

RGB 46 104 88

HSL 163.45, 0.39%, 0.29%

LAB 39.89, -23.28, 3.28

 

CMYK 66 / 0 / 20 / 66

HEX #1D5645

RGB 29 86 69

HSL 162.11, 0.5%, 0.23%

LAB 32.58, -23.21, 4.45

 

CMYK 82 / 0 / 26 / 73

HEX #0C4432

RGB 12 68 50

HSL 160.71, 0.7%, 0.16%

LAB 25.08, -22.77, 5.89

 

CMYK 42 / 0 / 10 / 45

HEX #508B7D

RGB 80 139 125

HSL 165.76, 0.27%, 0.43%

LAB 53.66, -22.77, 1.46

 

CMYK 42 / 0 / 22 / 45

HEX #508B6D

RGB 80 139 109

HSL 149.49, 0.27%, 0.43%

LAB 53.25, -26.49, 10.1

 

CMYK 42 / 0 / 32 / 45

HEX #508B5E

RGB 80 139 94

HSL 134.24, 0.27%, 0.43%

LAB 52.93, -29.56, 18.2

 

CMYK 40 / 0 / 42 / 45

HEX #538B50

RGB 83 139 80

HSL 116.95, 0.27%, 0.43%

LAB 52.82, -31.04, 25.88

 

CMYK 29 / 0 / 42 / 45

HEX #638B50

RGB 99 139 80

HSL 100.68, 0.27%, 0.43%

LAB 53.7, -25.37, 27.19

 

CMYK 42 / 0 / 10 / 45

HEX #508B7D

RGB 80 139 125

HSL 165.76, 0.27%, 0.43%

LAB 53.66, -22.77, 1.46

 

CMYK 42 / 1 / 0 / 45

HEX #50898B

RGB 80 137 139

HSL 182.03, 0.27%, 0.43%

LAB 53.45, -18.12, -6.95

 

CMYK 42 / 13 / 0 / 45

HEX #50798B

RGB 80 121 139

HSL 198.31, 0.27%, 0.43%

LAB 48.57, -9.27, -14.29

 

CMYK 42 / 24 / 0 / 45

HEX #50698B

RGB 80 105 139

HSL 214.58, 0.27%, 0.43%

LAB 43.76, 0.16, -21.65

 

CMYK 42 / 36 / 0 / 45

HEX #50598B

RGB 80 89 139

HSL 230.85, 0.27%, 0.43%

LAB 39.1, 10.11, -28.91

 

CMYK 42 / 0 / 10 / 45

HEX #508B7D

RGB 80 139 125

HSL 165.76, 0.27%, 0.43%

LAB 53.66, -22.77, 1.46

 

CMYK 61 / 0 / 14 / 38

HEX #3E9D87

RGB 62 157 135

HSL 166.11, 0.43%, 0.43%

LAB 58.87, -33.38, 3.22

 

CMYK 74 / 0 / 18 / 31

HEX #2DAF90

RGB 45 175 144

HSL 165.69, 0.59%, 0.43%

LAB 64.35, -41.93, 6.02

 

CMYK 86 / 0 / 20 / 25

HEX #1BC09A

RGB 27 192 154

HSL 166.18, 0.75%, 0.43%

LAB 69.66, -48.28, 8.1

 

CMYK 96 / 0 / 22 / 18

HEX #09D2A3

RGB 9 210 163

HSL 165.97, 0.92%, 0.43%

LAB 75.32, -54.08, 11.29

 

CMYK 42 / 0 / 10 / 45

HEX #508B7D

RGB 80 139 125

HSL 165.76, 0.27%, 0.43%

LAB 53.66, -22.77, 1.46

 

CMYK 20 / 0 / 5 / 52

HEX #627A74

RGB 98 122 116

HSL 165, 0.11%, 0.43%

LAB 49.22, -10.05, 0.39

 

CMYK 0 / 10 / 8 / 55

HEX #74686B

RGB 116 104 107

HSL 345, 0.05%, 0.43%

LAB 45.19, 5.3, 0.04

 

CMYK 0 / 35 / 27 / 48

HEX #855661

RGB 133 86 97

HSL 345.96, 0.21%, 0.43%

LAB 42.01, 21.11, 1.72

 

CMYK 0 / 55 / 42 / 41

HEX #974458

RGB 151 68 88

HSL 345.54, 0.38%, 0.43%

LAB 40.28, 36.87, 5.13

 

CMYK 42 / 0 / 32 / 45

HEX #508B5E

RGB 80 139 94

HSL 134.24, 0.27%, 0.43%

LAB 52.93, -29.56, 18.2

 

CMYK 42 / 0 / 21 / 45

HEX #508B6E

RGB 80 139 110

HSL 150.51, 0.27%, 0.43%

LAB 53.27, -26.27, 9.56

 

CMYK 42 / 0 / 10 / 45

HEX #508B7D

RGB 80 139 125

HSL 165.76, 0.27%, 0.43%

LAB 53.66, -22.77, 1.46

 

CMYK 42 / 1 / 0 / 45

HEX #50898B

RGB 80 137 139

HSL 182.03, 0.27%, 0.43%

LAB 53.45, -18.12, -6.95

 

CMYK 42 / 13 / 0 / 45

HEX #50798B

RGB 80 121 139

HSL 198.31, 0.27%, 0.43%

LAB 48.57, -9.27, -14.29

 

CMYK 43 / 0 / 10 / 66

HEX #32574E

RGB 50 87 78

HSL 165.41, 0.27%, 0.27%

LAB 34.08, -15.67, 1.06

 

CMYK 42 / 0 / 10 / 56

HEX #417166

RGB 65 113 102

HSL 166.25, 0.27%, 0.35%

LAB 44.08, -19.18, 0.99

 

CMYK 42 / 0 / 10 / 45

HEX #508B7D

RGB 80 139 125

HSL 165.76, 0.27%, 0.43%

LAB 53.66, -22.77, 1.46

 

CMYK 41 / 0 / 10 / 36

HEX #61A494

RGB 97 164 148

HSL 165.67, 0.27%, 0.51%

LAB 62.7, -25.19, 1.62

 

CMYK 31 / 0 / 7 / 30

HEX #7BB3A6

RGB 123 179 166

HSL 166.07, 0.27%, 0.59%

LAB 68.9, -21.14, 0.79

 

CMYK 43 / 0 / 10 / 45

HEX #508C7E

RGB 80 140 126

HSL 166, 0.27%, 0.43%

LAB 53.99, -23.04, 1.37

 

CMYK 42 / 41 / 0 / 45

HEX #50528B

RGB 80 82 139

HSL 237.97, 0.27%, 0.43%

LAB 37.12, 14.58, -32.01

 

CMYK 0 / 27 / 42 / 45

HEX #8B6650

RGB 139 102 80

HSL 22.37, 0.27%, 0.43%

LAB 46.41, 11.87, 18.25

 

CMYK 43 / 0 / 10 / 45

HEX #508C7E

RGB 80 140 126

HSL 166, 0.27%, 0.43%

LAB 53.99, -23.04, 1.37

 

CMYK 10 / 42 / 0 / 45

HEX #7D508B

RGB 125 80 139

HSL 285.76, 0.27%, 0.43%

LAB 41.15, 29.64, -25.37

 

CMYK 0 / 10 / 42 / 45

HEX #8B7D50

RGB 139 125 80

HSL 45.76, 0.27%, 0.43%

LAB 52.66, -1.4, 26.47

 

CMYK 43 / 0 / 10 / 45

HEX #508C7E

RGB 80 140 126

HSL 166, 0.27%, 0.43%

LAB 53.99, -23.04, 1.37

 

CMYK 42 / 41 / 0 / 45

HEX #50528B

RGB 80 82 139

HSL 237.97, 0.27%, 0.43%

LAB 37.12, 14.58, -32.01

 

CMYK 0 / 42 / 32 / 45

HEX #8B505E

RGB 139 80 94

HSL 345.76, 0.27%, 0.43%

LAB 41.27, 26.53, 2.6

 

CMYK 0 / 1 / 42 / 45

HEX #8B8950

RGB 139 137 80

HSL 57.97, 0.27%, 0.43%

LAB 56.05, -8.08, 30.78

 

CMYK 43 / 0 / 10 / 45

HEX #508C7E

RGB 80 140 126

HSL 166, 0.27%, 0.43%

LAB 53.99, -23.04, 1.37

 

CMYK 31 / 42 / 0 / 45

HEX #60508B

RGB 96 80 139

HSL 256.27, 0.27%, 0.43%

LAB 38, 20.51, -30.53

 

CMYK 0 / 42 / 32 / 45

HEX #8B505E

RGB 139 80 94

HSL 345.76, 0.27%, 0.43%

LAB 41.27, 26.53, 2.6

 

CMYK 12 / 0 / 42 / 45

HEX #7B8B50

RGB 123 139 80

HSL 76.27, 0.27%, 0.43%

LAB 55.33, -15.9, 29.6

 

Description

Color code: HEX #508C7E | qconv.com Color code: HEX #508C7E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 140 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 140 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, none magenta, 10 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 0% 10% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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