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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #507C90 it is the complementary color #AF836F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #507C90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #507C90 shade: #557C8B, #668E9E, #77A0B1, #88B2C4 and #99C4D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #507C90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #507C90 shade: #507C90, #3F6A7D, #2E586A, #1D4657 and #0C3444

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #507C90 shade: #507C91, #506B91, #505991, #585091 and #695091

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #507C90 shade: #507C91, #506B91, #505991 and #505091

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #507C90 shade matches the following richer shades: #507C91, #3E83A3, #2B8AB5, #1991C7 and #0798D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #507C90 shade: #507C91, #62767F, #746F6C, #86685A and #986148

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #507C90 shade: #509182, #508F91, #507D91, #506C91 and #505B91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #507C90 shade: #324F5C, #416676, #507C91, #6192A8 and #7CA5B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #507C90 shade: #507C90, #705091 and #918A50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #507C90 shade: #507C90, #91507D and #7D9150

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #507C90 shade: #507C90, #705091, #916350 and #709150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #507C90 shade: #507C90, #845091, #916350 and #5D9150

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 14 / 0 / 44

HEX #507C90

RGB 80 124 144

HSL 198.75, 0.29%, 0.44%

LAB 49.66, -9.55, -15.57

 

Complementary color

CMYK 0 / 25 / 37 / 31

HEX #AF836F

RGB 175 131 111

HSL 18.75, 0.29%, 0.56%

LAB 58.5, 14.17, 17.4

 

CMYK 39 / 11 / 0 / 45

HEX #557C8B

RGB 85 124 139

HSL 196.67, 0.24%, 0.44%

LAB 49.75, -9.57, -12.47

 

CMYK 35 / 10 / 0 / 38

HEX #668E9E

RGB 102 142 158

HSL 197.14, 0.22%, 0.51%

LAB 56.72, -9.64, -12.89

 

CMYK 33 / 10 / 0 / 31

HEX #77A0B1

RGB 119 160 177

HSL 197.59, 0.27%, 0.58%

LAB 63.54, -9.7, -13.3

 

CMYK 31 / 9 / 0 / 23

HEX #88B2C4

RGB 136 178 196

HSL 198, 0.34%, 0.65%

LAB 70.22, -9.74, -13.71

 

CMYK 29 / 9 / 0 / 16

HEX #99C4D7

RGB 153 196 215

HSL 198.39, 0.44%, 0.72%

LAB 76.77, -9.78, -14.11

 

CMYK 44 / 14 / 0 / 44

HEX #507C90

RGB 80 124 144

HSL 198.75, 0.29%, 0.44%

LAB 49.66, -9.55, -15.57

 

CMYK 50 / 15 / 0 / 51

HEX #3F6A7D

RGB 63 106 125

HSL 198.39, 0.33%, 0.37%

LAB 42.53, -9.32, -15.2

 

CMYK 57 / 17 / 0 / 58

HEX #2E586A

RGB 46 88 106

HSL 198, 0.39%, 0.3%

LAB 35.2, -8.97, -14.82

 

CMYK 67 / 20 / 0 / 66

HEX #1D4657

RGB 29 70 87

HSL 197.59, 0.5%, 0.23%

LAB 27.65, -8.4, -14.4

 

CMYK 82 / 24 / 0 / 73

HEX #0C3444

RGB 12 52 68

HSL 197.14, 0.7%, 0.16%

LAB 19.85, -7.36, -13.92

 

CMYK 45 / 14 / 0 / 43

HEX #507C91

RGB 80 124 145

HSL 199.38, 0.29%, 0.44%

LAB 49.7, -9.26, -16.1

 

CMYK 45 / 26 / 0 / 43

HEX #506B91

RGB 80 107 145

HSL 215.08, 0.29%, 0.44%

LAB 44.61, 0.76, -23.91

 

CMYK 45 / 39 / 0 / 43

HEX #505991

RGB 80 89 145

HSL 231.69, 0.29%, 0.44%

LAB 39.4, 11.97, -32.05

 

CMYK 39 / 45 / 0 / 43

HEX #585091

RGB 88 80 145

HSL 247.38, 0.29%, 0.44%

LAB 37.58, 19.9, -34.89

 

CMYK 28 / 45 / 0 / 43

HEX #695091

RGB 105 80 145

HSL 263.08, 0.29%, 0.44%

LAB 39.22, 24.83, -32.2

 

CMYK 45 / 14 / 0 / 43

HEX #507C91

RGB 80 124 145

HSL 199.38, 0.29%, 0.44%

LAB 49.7, -9.26, -16.1

 

CMYK 45 / 26 / 0 / 43

HEX #506B91

RGB 80 107 145

HSL 215.08, 0.29%, 0.44%

LAB 44.61, 0.76, -23.91

 

CMYK 45 / 39 / 0 / 43

HEX #505991

RGB 80 89 145

HSL 231.69, 0.29%, 0.44%

LAB 39.4, 11.97, -32.05

 

CMYK 45 / 45 / 0 / 43

HEX #505091

RGB 80 80 145

HSL 240, 0.29%, 0.44%

LAB 36.91, 17.73, -36

 

CMYK 45 / 14 / 0 / 43

HEX #507C91

RGB 80 124 145

HSL 199.38, 0.29%, 0.44%

LAB 49.7, -9.26, -16.1

 

CMYK 62 / 20 / 0 / 36

HEX #3E83A3

RGB 62 131 163

HSL 199.01, 0.45%, 0.44%

LAB 51.73, -11.8, -23.56

 

CMYK 76 / 24 / 0 / 29

HEX #2B8AB5

RGB 43 138 181

HSL 198.7, 0.62%, 0.44%

LAB 54.06, -12.59, -30.36

 

CMYK 87 / 27 / 0 / 22

HEX #1991C7

RGB 25 145 199

HSL 198.62, 0.78%, 0.44%

LAB 56.66, -11.73, -36.54

 

CMYK 97 / 30 / 0 / 15

HEX #0798D9

RGB 7 152 217

HSL 198.57, 0.94%, 0.44%

LAB 59.44, -9.87, -42.29

 

CMYK 45 / 14 / 0 / 43

HEX #507C91

RGB 80 124 145

HSL 199.38, 0.29%, 0.44%

LAB 49.7, -9.26, -16.1

 

CMYK 23 / 7 / 0 / 50

HEX #62767F

RGB 98 118 127

HSL 198.62, 0.13%, 0.44%

LAB 48.37, -5.18, -7.38

 

CMYK 0 / 4 / 7 / 55

HEX #746F6C

RGB 116 111 108

HSL 22.5, 0.04%, 0.44%

LAB 47.19, 1.35, 2.35

 

CMYK 0 / 22 / 33 / 47

HEX #86685A

RGB 134 104 90

HSL 19.09, 0.2%, 0.44%

LAB 46.59, 9.86, 12.48

 

CMYK 0 / 36 / 53 / 40

HEX #986148

RGB 152 97 72

HSL 18.75, 0.36%, 0.44%

LAB 46.57, 19.52, 23.45

 

CMYK 45 / 0 / 10 / 43

HEX #509182

RGB 80 145 130

HSL 166.15, 0.29%, 0.44%

LAB 55.65, -24.6, 1.48

 

CMYK 45 / 1 / 0 / 43

HEX #508F91

RGB 80 143 145

HSL 181.85, 0.29%, 0.44%

LAB 55.48, -19.68, -7.4

 

CMYK 45 / 14 / 0 / 43

HEX #507D91

RGB 80 125 145

HSL 198.46, 0.29%, 0.44%

LAB 50, -9.83, -15.64

 

CMYK 45 / 26 / 0 / 43

HEX #506C91

RGB 80 108 145

HSL 214.15, 0.29%, 0.44%

LAB 44.91, 0.15, -23.45

 

CMYK 45 / 37 / 0 / 43

HEX #505B91

RGB 80 91 145

HSL 229.85, 0.29%, 0.44%

LAB 39.97, 10.7, -31.16

 

CMYK 46 / 14 / 0 / 64

HEX #324F5C

RGB 50 79 92

HSL 198.57, 0.3%, 0.28%

LAB 31.9, -6.92, -11.02

 

CMYK 45 / 14 / 0 / 54

HEX #416676

RGB 65 102 118

HSL 198.11, 0.29%, 0.36%

LAB 41.11, -8.56, -13.11

 

CMYK 45 / 14 / 0 / 43

HEX #507C91

RGB 80 124 145

HSL 199.38, 0.29%, 0.44%

LAB 49.7, -9.26, -16.1

 

CMYK 42 / 13 / 0 / 34

HEX #6192A8

RGB 97 146 168

HSL 198.59, 0.29%, 0.52%

LAB 57.97, -10.55, -16.75

 

CMYK 32 / 10 / 0 / 28

HEX #7CA5B7

RGB 124 165 183

HSL 198.31, 0.29%, 0.6%

LAB 65.45, -9.45, -13.75

 

CMYK 44 / 14 / 0 / 44

HEX #507C90

RGB 80 124 144

HSL 198.75, 0.29%, 0.44%

LAB 49.66, -9.55, -15.57

 

CMYK 23 / 45 / 0 / 43

HEX #705091

RGB 112 80 145

HSL 269.54, 0.29%, 0.44%

LAB 39.96, 26.95, -30.98

 

CMYK 0 / 5 / 45 / 43

HEX #918A50

RGB 145 138 80

HSL 53.54, 0.29%, 0.44%

LAB 56.86, -6.05, 31.9

 

CMYK 44 / 14 / 0 / 44

HEX #507C90

RGB 80 124 144

HSL 198.75, 0.29%, 0.44%

LAB 49.66, -9.55, -15.57

 

CMYK 0 / 45 / 14 / 43

HEX #91507D

RGB 145 80 125

HSL 318.46, 0.29%, 0.44%

LAB 43.12, 33.62, -13.62

 

CMYK 14 / 0 / 45 / 43

HEX #7D9150

RGB 125 145 80

HSL 78.46, 0.29%, 0.44%

LAB 57.26, -18.23, 32.06

 

CMYK 44 / 14 / 0 / 44

HEX #507C90

RGB 80 124 144

HSL 198.75, 0.29%, 0.44%

LAB 49.66, -9.55, -15.57

 

CMYK 23 / 45 / 0 / 43

HEX #705091

RGB 112 80 145

HSL 269.54, 0.29%, 0.44%

LAB 39.96, 26.95, -30.98

 

CMYK 0 / 32 / 45 / 43

HEX #916350

RGB 145 99 80

HSL 17.54, 0.29%, 0.44%

LAB 46.34, 16.2, 18.29

 

CMYK 23 / 0 / 45 / 43

HEX #709150

RGB 112 145 80

HSL 90.46, 0.29%, 0.44%

LAB 56.36, -23.42, 30.74

 

CMYK 44 / 14 / 0 / 44

HEX #507C90

RGB 80 124 144

HSL 198.75, 0.29%, 0.44%

LAB 49.66, -9.55, -15.57

 

CMYK 9 / 45 / 0 / 43

HEX #845091

RGB 132 80 145

HSL 288, 0.29%, 0.44%

LAB 42.29, 33.18, -27.16

 

CMYK 0 / 32 / 45 / 43

HEX #916350

RGB 145 99 80

HSL 17.54, 0.29%, 0.44%

LAB 46.34, 16.2, 18.29

 

CMYK 36 / 0 / 45 / 43

HEX #5D9150

RGB 93 145 80

HSL 108, 0.29%, 0.44%

LAB 55.23, -30.46, 29.08

 

Description

Color code: HEX #507C90 | qconv.com Color code: HEX #507C90 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 124 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 124 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 14 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 14% 0% 44% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

57% - Serene | Just anothe...
Link: http://elegantthemes.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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