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Color name
HEX #507C0C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #507C0C it is the complementary color #AF83F3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #507C0C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #507C0C shade: #557C07, #668E1A, #77A02D, #88B240 and #99C453

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #507C0C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #507C0C shade: #507C0C, #3F6A00, #2E5800, #1D4600 and #0C3400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #507C0C shade: #517D0C, #6F7D0C, #7D6D0C, #7D4E0C and #7D300C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #507C0C shade: #517D0C, #337D0C, #147D0C, #0C7D23 and #0C7D42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #507C0C shade matches the following richer shades: #517D0C and #538801

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #507C0C shade: #517D0C, #4F7218, #4C6723, #4A5C2E and #475139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #507C0C shade: #7D6C0C, #707D0C, #527D0C, #347D0C and #167D0C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #507C0C shade: #203205, #395809, #517D0C, #69A310 and #81C814

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #507C0C shade: #507C0C, #0C7D4E and #7B0C7D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #507C0C shade: #507C0C, #0C527D and #7D0C52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #507C0C shade: #507C0C, #0C7D4E, #380C7D and #7D0C3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #507C0C shade: #507C0C, #0C7D70, #380C7D and #7D0C1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 90 / 51

HEX #507C0C

RGB 80 124 12

HSL 83.57, 0.82%, 0.27%

LAB 47.17, -31.73, 49.13

 

Complementary color

CMYK 28 / 46 / 0 / 5

HEX #AF83F3

RGB 175 131 243

HSL 263.57, 0.82%, 0.73%

LAB 63.19, 39.41, -50.27

 

CMYK 31 / 0 / 94 / 51

HEX #557C07

RGB 85 124 7

HSL 80, 0.89%, 0.26%

LAB 47.45, -29.87, 50.5

 

CMYK 28 / 0 / 82 / 44

HEX #668E1A

RGB 102 142 26

HSL 80.69, 0.69%, 0.33%

LAB 54.29, -30.74, 52.23

 

CMYK 26 / 0 / 72 / 37

HEX #77A02D

RGB 119 160 45

HSL 81.39, 0.56%, 0.4%

LAB 61, -31.32, 52.49

 

CMYK 24 / 0 / 64 / 30

HEX #88B240

RGB 136 178 64

HSL 82.11, 0.47%, 0.47%

LAB 67.61, -31.71, 51.99

 

CMYK 22 / 0 / 58 / 23

HEX #99C453

RGB 153 196 83

HSL 82.83, 0.49%, 0.55%

LAB 74.11, -31.95, 51.12

 

CMYK 35 / 0 / 90 / 51

HEX #507C0C

RGB 80 124 12

HSL 83.57, 0.82%, 0.27%

LAB 47.17, -31.73, 49.13

 

CMYK 41 / 0 / 100 / 58

HEX #3F6A00

RGB 63 106 0

HSL 84.34, 1%, 0.21%

LAB 40.19, -30.59, 45.8

 

CMYK 48 / 0 / 100 / 65

HEX #2E5800

RGB 46 88 0

HSL 88.64, 1%, 0.17%

LAB 33.05, -28.99, 39.86

 

CMYK 59 / 0 / 100 / 73

HEX #1D4600

RGB 29 70 0

HSL 95.14, 1%, 0.14%

LAB 25.69, -27.19, 33.51

 

CMYK 77 / 0 / 100 / 80

HEX #0C3400

RGB 12 52 0

HSL 106.15, 1%, 0.1%

LAB 18.07, -24.9, 25.2

 

CMYK 35 / 0 / 90 / 51

HEX #517D0C

RGB 81 125 12

HSL 83.36, 0.82%, 0.27%

LAB 47.55, -31.8, 49.48

 

CMYK 11 / 0 / 90 / 51

HEX #6F7D0C

RGB 111 125 12

HSL 67.43, 0.82%, 0.27%

LAB 49.58, -18.92, 52

 

CMYK 0 / 13 / 90 / 51

HEX #7D6D0C

RGB 125 109 12

HSL 51.5, 0.82%, 0.27%

LAB 46.07, -3.55, 49.67

 

CMYK 0 / 38 / 90 / 51

HEX #7D4E0C

RGB 125 78 12

HSL 35.04, 0.82%, 0.27%

LAB 37.55, 14.68, 42.79

 

CMYK 0 / 62 / 90 / 51

HEX #7D300C

RGB 125 48 12

HSL 19.12, 0.82%, 0.27%

LAB 30.64, 31.66, 37.21

 

CMYK 35 / 0 / 90 / 51

HEX #517D0C

RGB 81 125 12

HSL 83.36, 0.82%, 0.27%

LAB 47.55, -31.8, 49.48

 

CMYK 59 / 0 / 90 / 51

HEX #337D0C

RGB 51 125 12

HSL 99.29, 0.82%, 0.27%

LAB 46.17, -42.09, 47.76

 

CMYK 84 / 0 / 90 / 51

HEX #147D0C

RGB 20 125 12

HSL 115.75, 0.82%, 0.27%

LAB 45.42, -48.49, 46.81

 

CMYK 90 / 0 / 72 / 51

HEX #0C7D23

RGB 12 125 35

HSL 132.21, 0.82%, 0.27%

LAB 45.45, -47.7, 39.19

 

CMYK 90 / 0 / 47 / 51

HEX #0C7D42

RGB 12 125 66

HSL 148.67, 0.82%, 0.27%

LAB 45.82, -43.16, 24.14

 

CMYK 35 / 0 / 90 / 51

HEX #517D0C

RGB 81 125 12

HSL 83.36, 0.82%, 0.27%

LAB 47.55, -31.8, 49.48

 

CMYK 39 / 0 / 99 / 47

HEX #538801

RGB 83 136 1

HSL 83.56, 0.99%, 0.27%

LAB 51.21, -36.26, 54.61

 

CMYK 35 / 0 / 90 / 51

HEX #517D0C

RGB 81 125 12

HSL 83.36, 0.82%, 0.27%

LAB 47.55, -31.8, 49.48

 

CMYK 31 / 0 / 79 / 55

HEX #4F7218

RGB 79 114 24

HSL 83.33, 0.65%, 0.27%

LAB 43.89, -26.87, 42.69

 

CMYK 26 / 0 / 66 / 60

HEX #4C6723

RGB 76 103 35

HSL 83.82, 0.49%, 0.27%

LAB 40.18, -21.8, 34.16

 

CMYK 20 / 0 / 50 / 64

HEX #4A5C2E

RGB 74 92 46

HSL 83.48, 0.33%, 0.27%

LAB 36.57, -15.58, 24.12

 

CMYK 12 / 0 / 30 / 68

HEX #475139

RGB 71 81 57

HSL 85, 0.17%, 0.27%

LAB 32.96, -8.91, 12.84

 

CMYK 0 / 14 / 90 / 51

HEX #7D6C0C

RGB 125 108 12

HSL 50.97, 0.82%, 0.27%

LAB 45.79, -2.98, 49.44

 

CMYK 10 / 0 / 90 / 51

HEX #707D0C

RGB 112 125 12

HSL 66.9, 0.82%, 0.27%

LAB 49.66, -18.46, 52.1

 

CMYK 34 / 0 / 90 / 51

HEX #527D0C

RGB 82 125 12

HSL 82.83, 0.82%, 0.27%

LAB 47.61, -31.4, 49.55

 

CMYK 58 / 0 / 90 / 51

HEX #347D0C

RGB 52 125 12

HSL 98.76, 0.82%, 0.27%

LAB 46.21, -41.81, 47.8

 

CMYK 82 / 0 / 90 / 51

HEX #167D0C

RGB 22 125 12

HSL 114.69, 0.82%, 0.27%

LAB 45.45, -48.22, 46.84

 

CMYK 36 / 0 / 90 / 80

HEX #203205

RGB 32 50 5

HSL 84, 0.82%, 0.11%

LAB 18.36, -15.74, 23.76

 

CMYK 35 / 0 / 90 / 65

HEX #395809

RGB 57 88 9

HSL 83.54, 0.81%, 0.19%

LAB 33.71, -24.13, 37.74

 

CMYK 35 / 0 / 90 / 51

HEX #517D0C

RGB 81 125 12

HSL 83.36, 0.82%, 0.27%

LAB 47.55, -31.8, 49.48

 

CMYK 36 / 0 / 90 / 36

HEX #69A310

RGB 105 163 16

HSL 83.67, 0.82%, 0.35%

LAB 60.99, -39.41, 60.5

 

CMYK 36 / 0 / 90 / 22

HEX #81C814

RGB 129 200 20

HSL 83.67, 0.82%, 0.43%

LAB 73.56, -46.24, 70.74

 

CMYK 35 / 0 / 90 / 51

HEX #507C0C

RGB 80 124 12

HSL 83.57, 0.82%, 0.27%

LAB 47.17, -31.73, 49.13

 

CMYK 90 / 0 / 38 / 51

HEX #0C7D4E

RGB 12 125 78

HSL 155.04, 0.82%, 0.27%

LAB 46.04, -40.69, 17.66

 

CMYK 2 / 90 / 0 / 51

HEX #7B0C7D

RGB 123 12 125

HSL 298.94, 0.82%, 0.27%

LAB 29.3, 55.6, -35.44

 

CMYK 35 / 0 / 90 / 51

HEX #507C0C

RGB 80 124 12

HSL 83.57, 0.82%, 0.27%

LAB 47.17, -31.73, 49.13

 

CMYK 90 / 34 / 0 / 51

HEX #0C527D

RGB 12 82 125

HSL 202.83, 0.82%, 0.27%

LAB 33.12, -3.45, -29.95

 

CMYK 0 / 90 / 34 / 51

HEX #7D0C52

RGB 125 12 82

HSL 322.83, 0.82%, 0.27%

LAB 27.39, 49.91, -10.54

 

CMYK 35 / 0 / 90 / 51

HEX #507C0C

RGB 80 124 12

HSL 83.57, 0.82%, 0.27%

LAB 47.17, -31.73, 49.13

 

CMYK 90 / 0 / 38 / 51

HEX #0C7D4E

RGB 12 125 78

HSL 155.04, 0.82%, 0.27%

LAB 46.04, -40.69, 17.66

 

CMYK 55 / 90 / 0 / 51

HEX #380C7D

RGB 56 12 125

HSL 263.36, 0.82%, 0.27%

LAB 18.3, 45.14, -53.82

 

CMYK 0 / 90 / 53 / 51

HEX #7D0C3B

RGB 125 12 59

HSL 335.04, 0.82%, 0.27%

LAB 26.56, 47.6, 3.74

 

CMYK 35 / 0 / 90 / 51

HEX #507C0C

RGB 80 124 12

HSL 83.57, 0.82%, 0.27%

LAB 47.17, -31.73, 49.13

 

CMYK 90 / 0 / 10 / 51

HEX #0C7D70

RGB 12 125 112

HSL 173.1, 0.82%, 0.27%

LAB 46.86, -31.74, -1.08

 

CMYK 55 / 90 / 0 / 51

HEX #380C7D

RGB 56 12 125

HSL 263.36, 0.82%, 0.27%

LAB 18.3, 45.14, -53.82

 

CMYK 0 / 90 / 79 / 51

HEX #7D0C1A

RGB 125 12 26

HSL 352.57, 0.82%, 0.27%

LAB 25.85, 45.58, 25.07

 

Description

Color code: HEX #507C0C | qconv.com Color code: HEX #507C0C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 124 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 124 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 90 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 90% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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