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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #507A0F it is the complementary color #AF85F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #507A0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #507A0F shade: #557A0A, #668C1D, #779E30, #88B043 and #99C256

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #507A0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #507A0F shade: #507A0F, #3F6800, #2E5600, #1D4400 and #0C3200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #507A0F shade: #507B0F, #6D7B0F, #7B6B0F, #7B4E0F and #7B310F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #507A0F shade: #507B0F, #337B0F, #167B0F, #0F7B25 and #0F7B42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #507A0F shade matches the following richer shades: #507B0F and #538604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #507A0F shade: #507B0F, #4E6F1A, #4C6425, #495931 and #474E3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #507A0F shade: #7B6A0F, #6E7B0F, #517B0F, #357B0F and #187B0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #507A0F shade: #203106, #38560B, #507B0F, #689F14 and #81C418

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #507A0F shade: #507A0F, #0F7B4E and #790F7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #507A0F shade: #507A0F, #0F517B and #7B0F51

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #507A0F shade: #507A0F, #0F7B4E, #380F7B and #7B0F3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #507A0F shade: #507A0F, #0F7B6E, #380F7B and #7B0F1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 88 / 52

HEX #507A0F

RGB 80 122 15

HSL 83.55, 0.78%, 0.27%

LAB 46.52, -30.7, 47.88

 

Complementary color

CMYK 27 / 45 / 0 / 6

HEX #AF85F0

RGB 175 133 240

HSL 263.55, 0.78%, 0.73%

LAB 63.49, 37.58, -48.14

 

CMYK 30 / 0 / 92 / 52

HEX #557A0A

RGB 85 122 10

HSL 79.82, 0.85%, 0.26%

LAB 46.81, -28.84, 49.37

 

CMYK 27 / 0 / 79 / 45

HEX #668C1D

RGB 102 140 29

HSL 80.54, 0.66%, 0.33%

LAB 53.67, -29.65, 50.72

 

CMYK 25 / 0 / 70 / 38

HEX #779E30

RGB 119 158 48

HSL 81.27, 0.53%, 0.4%

LAB 60.42, -30.18, 50.72

 

CMYK 23 / 0 / 62 / 31

HEX #88B043

RGB 136 176 67

HSL 82.02, 0.45%, 0.48%

LAB 67.04, -30.52, 50.07

 

CMYK 21 / 0 / 56 / 24

HEX #99C256

RGB 153 194 86

HSL 82.78, 0.47%, 0.55%

LAB 73.56, -30.74, 49.12

 

CMYK 34 / 0 / 88 / 52

HEX #507A0F

RGB 80 122 15

HSL 83.55, 0.78%, 0.27%

LAB 46.52, -30.7, 47.88

 

CMYK 39 / 0 / 100 / 59

HEX #3F6800

RGB 63 104 0

HSL 83.65, 1%, 0.2%

LAB 39.51, -29.68, 45.27

 

CMYK 47 / 0 / 100 / 66

HEX #2E5600

RGB 46 86 0

HSL 87.91, 1%, 0.17%

LAB 32.34, -28.09, 39.31

 

CMYK 57 / 0 / 100 / 73

HEX #1D4400

RGB 29 68 0

HSL 94.41, 1%, 0.13%

LAB 24.94, -26.31, 32.8

 

CMYK 76 / 0 / 100 / 80

HEX #0C3200

RGB 12 50 0

HSL 105.6, 1%, 0.1%

LAB 17.27, -24.07, 24.24

 

CMYK 35 / 0 / 88 / 52

HEX #507B0F

RGB 80 123 15

HSL 83.89, 0.78%, 0.27%

LAB 46.85, -31.17, 48.16

 

CMYK 11 / 0 / 88 / 52

HEX #6D7B0F

RGB 109 123 15

HSL 67.78, 0.78%, 0.27%

LAB 48.82, -18.69, 50.63

 

CMYK 0 / 13 / 88 / 52

HEX #7B6B0F

RGB 123 107 15

HSL 51.11, 0.78%, 0.27%

LAB 45.3, -3.29, 48.19

 

CMYK 0 / 37 / 88 / 52

HEX #7B4E0F

RGB 123 78 15

HSL 35, 0.78%, 0.27%

LAB 37.29, 13.82, 41.46

 

CMYK 0 / 60 / 88 / 52

HEX #7B310F

RGB 123 49 15

HSL 18.89, 0.78%, 0.27%

LAB 30.5, 30.4, 35.64

 

CMYK 35 / 0 / 88 / 52

HEX #507B0F

RGB 80 123 15

HSL 83.89, 0.78%, 0.27%

LAB 46.85, -31.17, 48.16

 

CMYK 59 / 0 / 88 / 52

HEX #337B0F

RGB 51 123 15

HSL 100, 0.78%, 0.27%

LAB 45.5, -41.2, 46.46

 

CMYK 82 / 0 / 88 / 52

HEX #167B0F

RGB 22 123 15

HSL 116.11, 0.78%, 0.27%

LAB 44.76, -47.44, 45.51

 

CMYK 88 / 0 / 70 / 52

HEX #0F7B25

RGB 15 123 37

HSL 132.22, 0.78%, 0.27%

LAB 44.8, -46.54, 37.64

 

CMYK 88 / 0 / 46 / 52

HEX #0F7B42

RGB 15 123 66

HSL 148.33, 0.78%, 0.27%

LAB 45.17, -42.15, 23.3

 

CMYK 35 / 0 / 88 / 52

HEX #507B0F

RGB 80 123 15

HSL 83.89, 0.78%, 0.27%

LAB 46.85, -31.17, 48.16

 

CMYK 38 / 0 / 97 / 47

HEX #538604

RGB 83 134 4

HSL 83.54, 0.94%, 0.27%

LAB 50.57, -35.3, 53.54

 

CMYK 35 / 0 / 88 / 52

HEX #507B0F

RGB 80 123 15

HSL 83.89, 0.78%, 0.27%

LAB 46.85, -31.17, 48.16

 

CMYK 30 / 0 / 77 / 56

HEX #4E6F1A

RGB 78 111 26

HSL 83.29, 0.62%, 0.27%

LAB 42.86, -25.69, 40.91

 

CMYK 24 / 0 / 63 / 61

HEX #4C6425

RGB 76 100 37

HSL 82.86, 0.46%, 0.27%

LAB 39.21, -20.05, 32.11

 

CMYK 18 / 0 / 45 / 65

HEX #495931

RGB 73 89 49

HSL 84, 0.29%, 0.27%

LAB 35.56, -13.93, 21.12

 

CMYK 9 / 0 / 23 / 69

HEX #474E3C

RGB 71 78 60

HSL 83.33, 0.13%, 0.27%

LAB 32.07, -6.58, 9.74

 

CMYK 0 / 14 / 88 / 52

HEX #7B6A0F

RGB 123 106 15

HSL 50.56, 0.78%, 0.27%

LAB 45.02, -2.72, 47.95

 

CMYK 11 / 0 / 88 / 52

HEX #6E7B0F

RGB 110 123 15

HSL 67.22, 0.78%, 0.27%

LAB 48.9, -18.24, 50.73

 

CMYK 34 / 0 / 88 / 52

HEX #517B0F

RGB 81 123 15

HSL 83.33, 0.78%, 0.27%

LAB 46.91, -30.77, 48.23

 

CMYK 57 / 0 / 88 / 52

HEX #357B0F

RGB 53 123 15

HSL 98.89, 0.78%, 0.27%

LAB 45.58, -40.62, 46.55

 

CMYK 80 / 0 / 88 / 52

HEX #187B0F

RGB 24 123 15

HSL 115, 0.78%, 0.27%

LAB 44.79, -47.15, 45.55

 

CMYK 35 / 0 / 88 / 81

HEX #203106

RGB 32 49 6

HSL 83.72, 0.78%, 0.11%

LAB 17.99, -15.08, 22.91

 

CMYK 35 / 0 / 87 / 66

HEX #38560B

RGB 56 86 11

HSL 84, 0.77%, 0.19%

LAB 32.96, -23.46, 36.44

 

CMYK 35 / 0 / 88 / 52

HEX #507B0F

RGB 80 123 15

HSL 83.89, 0.78%, 0.27%

LAB 46.85, -31.17, 48.16

 

CMYK 35 / 0 / 87 / 38

HEX #689F14

RGB 104 159 20

HSL 83.74, 0.78%, 0.35%

LAB 59.7, -37.92, 58.59

 

CMYK 34 / 0 / 88 / 23

HEX #81C418

RGB 129 196 24

HSL 83.37, 0.78%, 0.43%

LAB 72.37, -44.46, 69.05

 

CMYK 34 / 0 / 88 / 52

HEX #507A0F

RGB 80 122 15

HSL 83.55, 0.78%, 0.27%

LAB 46.52, -30.7, 47.88

 

CMYK 88 / 0 / 37 / 52

HEX #0F7B4E

RGB 15 123 78

HSL 155, 0.78%, 0.27%

LAB 45.38, -39.64, 16.78

 

CMYK 2 / 88 / 0 / 52

HEX #790F7B

RGB 121 15 123

HSL 298.89, 0.78%, 0.27%

LAB 29, 54.29, -34.67

 

CMYK 34 / 0 / 88 / 52

HEX #507A0F

RGB 80 122 15

HSL 83.55, 0.78%, 0.27%

LAB 46.52, -30.7, 47.88

 

CMYK 88 / 34 / 0 / 52

HEX #0F517B

RGB 15 81 123

HSL 203.33, 0.78%, 0.27%

LAB 32.74, -3.38, -29.31

 

CMYK 0 / 88 / 34 / 52

HEX #7B0F51

RGB 123 15 81

HSL 323.33, 0.78%, 0.27%

LAB 27.15, 48.67, -10.27

 

CMYK 34 / 0 / 88 / 52

HEX #507A0F

RGB 80 122 15

HSL 83.55, 0.78%, 0.27%

LAB 46.52, -30.7, 47.88

 

CMYK 88 / 0 / 37 / 52

HEX #0F7B4E

RGB 15 123 78

HSL 155, 0.78%, 0.27%

LAB 45.38, -39.64, 16.78

 

CMYK 54 / 88 / 0 / 52

HEX #380F7B

RGB 56 15 123

HSL 262.78, 0.78%, 0.27%

LAB 18.42, 43.58, -52.34

 

CMYK 0 / 88 / 51 / 52

HEX #7B0F3C

RGB 123 15 60

HSL 335, 0.78%, 0.27%

LAB 26.39, 46.49, 2.75

 

CMYK 34 / 0 / 88 / 52

HEX #507A0F

RGB 80 122 15

HSL 83.55, 0.78%, 0.27%

LAB 46.52, -30.7, 47.88

 

CMYK 88 / 0 / 11 / 52

HEX #0F7B6E

RGB 15 123 110

HSL 172.78, 0.78%, 0.27%

LAB 46.17, -31.18, -0.91

 

CMYK 54 / 88 / 0 / 52

HEX #380F7B

RGB 56 15 123

HSL 262.78, 0.78%, 0.27%

LAB 18.42, 43.58, -52.34

 

CMYK 0 / 88 / 77 / 52

HEX #7B0F1C

RGB 123 15 28

HSL 352.78, 0.78%, 0.27%

LAB 25.67, 44.4, 23.45

 

Description

Color code: HEX #507A0F | qconv.com Color code: HEX #507A0F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 122 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 122 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 88 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 88% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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