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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5072EB it is the complementary color #AF8D14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5072EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5072EB shade: #5572E6, #6684F9, #7796FF, #88A8FF and #99BAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5072EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5072EB shade: #5072EB, #3F60D8, #2E4EC5, #1D3CB2 and #0C2A9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5072EB shade: #5273EB, #5952EB, #8352EB, #AC52EB and #D552EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5072EB shade: #5273EB and #5252EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5072EB shade matches the following richer shades: #5273EB and #426AFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5072EB shade: #5273EB, #617CDB, #7185CB, #818EBC and #9096AC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5072EB shade: #52C7EB, #529EEB, #5275EB, #5752EB and #7F52EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5072EB shade: #1941D1, #2D55E6, #5273EB, #7691EF and #9BAFF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5072EB shade: #5072EB, #E652EB and #B3EB52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5072EB shade: #5072EB, #EB5275 and #75EB52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5072EB shade: #5072EB, #E652EB, #EBC752 and #57EB52

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5072EB shade: #5072EB, #EB52C2, #EBC752 and #52EB7A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 51 / 0 / 8

HEX #5072EB

RGB 80 114 235

HSL 226.84, 0.79%, 0.62%

LAB 51.54, 26.31, -64.86

 

Complementary color

CMYK 0 / 19 / 89 / 31

HEX #AF8D14

RGB 175 141 20

HSL 46.84, 0.79%, 0.38%

LAB 60.08, 2.08, 61.18

 

CMYK 63 / 50 / 0 / 10

HEX #5572E6

RGB 85 114 230

HSL 228, 0.74%, 0.62%

LAB 51.47, 25.4, -62.16

 

CMYK 59 / 47 / 0 / 2

HEX #6684F9

RGB 102 132 249

HSL 227.76, 0.92%, 0.69%

LAB 58.2, 23.74, -61.87

 

CMYK 53 / 41 / 0 / 0

HEX #7796FF

RGB 119 150 255

HSL 226.32, 1%, 0.73%

LAB 64.12, 18.28, -55.64

 

CMYK 47 / 34 / 0 / 0

HEX #88A8FF

RGB 136 168 255

HSL 223.87, 1%, 0.77%

LAB 69.8, 11.65, -46.61

 

CMYK 40 / 27 / 0 / 0

HEX #99BAFF

RGB 153 186 255

HSL 220.59, 1%, 0.8%

LAB 75.52, 5.74, -37.59

 

CMYK 66 / 51 / 0 / 8

HEX #5072EB

RGB 80 114 235

HSL 226.84, 0.79%, 0.62%

LAB 51.54, 26.31, -64.86

 

CMYK 71 / 56 / 0 / 15

HEX #3F60D8

RGB 63 96 216

HSL 227.06, 0.66%, 0.55%

LAB 44.77, 28.48, -65.13

 

CMYK 77 / 60 / 0 / 23

HEX #2E4EC5

RGB 46 78 197

HSL 227.28, 0.62%, 0.48%

LAB 37.95, 31.06, -65.32

 

CMYK 84 / 66 / 0 / 30

HEX #1D3CB2

RGB 29 60 178

HSL 227.52, 0.72%, 0.41%

LAB 31.13, 34.13, -65.34

 

CMYK 92 / 74 / 0 / 38

HEX #0C2A9F

RGB 12 42 159

HSL 227.76, 0.86%, 0.34%

LAB 24.44, 37.61, -64.94

 

CMYK 65 / 51 / 0 / 8

HEX #5273EB

RGB 82 115 235

HSL 227.06, 0.79%, 0.62%

LAB 51.9, 26, -64.28

 

CMYK 62 / 65 / 0 / 8

HEX #5952EB

RGB 89 82 235

HSL 242.75, 0.79%, 0.62%

LAB 44.46, 47.02, -76.36

 

CMYK 44 / 65 / 0 / 8

HEX #8352EB

RGB 131 82 235

HSL 259.22, 0.79%, 0.62%

LAB 48.08, 53.98, -70.29

 

CMYK 27 / 65 / 0 / 8

HEX #AC52EB

RGB 172 82 235

HSL 275.29, 0.79%, 0.62%

LAB 52.73, 62.21, -62.54

 

CMYK 9 / 65 / 0 / 8

HEX #D552EB

RGB 213 82 235

HSL 291.37, 0.79%, 0.62%

LAB 58.21, 71.15, -53.47

 

CMYK 65 / 51 / 0 / 8

HEX #5273EB

RGB 82 115 235

HSL 227.06, 0.79%, 0.62%

LAB 51.9, 26, -64.28

 

CMYK 65 / 65 / 0 / 8

HEX #5252EB

RGB 82 82 235

HSL 240, 0.79%, 0.62%

LAB 43.98, 46.07, -77.15

 

CMYK 65 / 51 / 0 / 8

HEX #5273EB

RGB 82 115 235

HSL 227.06, 0.79%, 0.62%

LAB 51.9, 26, -64.28

 

CMYK 74 / 58 / 0 / 2

HEX #426AFA

RGB 66 106 250

HSL 226.96, 0.95%, 0.62%

LAB 49.94, 34.66, -75.86

 

CMYK 65 / 51 / 0 / 8

HEX #5273EB

RGB 82 115 235

HSL 227.06, 0.79%, 0.62%

LAB 51.9, 26, -64.28

 

CMYK 56 / 43 / 0 / 14

HEX #617CDB

RGB 97 124 219

HSL 226.72, 0.63%, 0.62%

LAB 54.1, 17.87, -51.72

 

CMYK 44 / 34 / 0 / 20

HEX #7185CB

RGB 113 133 203

HSL 226.67, 0.46%, 0.62%

LAB 56.68, 11.2, -38.55

 

CMYK 31 / 24 / 0 / 26

HEX #818EBC

RGB 129 142 188

HSL 226.78, 0.31%, 0.62%

LAB 59.57, 6.2, -25.49

 

CMYK 16 / 13 / 0 / 33

HEX #9096AC

RGB 144 150 172

HSL 227.14, 0.14%, 0.62%

LAB 62.27, 2.51, -12.22

 

CMYK 65 / 15 / 0 / 8

HEX #52C7EB

RGB 82 199 235

HSL 194.12, 0.79%, 0.62%

LAB 75.23, -21.99, -27.54

 

CMYK 65 / 33 / 0 / 8

HEX #529EEB

RGB 82 158 235

HSL 210.2, 0.79%, 0.62%

LAB 63.55, 0.2, -45.7

 

CMYK 65 / 50 / 0 / 8

HEX #5275EB

RGB 82 117 235

HSL 226.27, 0.79%, 0.62%

LAB 52.41, 24.77, -63.45

 

CMYK 63 / 65 / 0 / 8

HEX #5752EB

RGB 87 82 235

HSL 241.96, 0.79%, 0.62%

LAB 44.32, 46.74, -76.59

 

CMYK 46 / 65 / 0 / 8

HEX #7F52EB

RGB 127 82 235

HSL 257.65, 0.79%, 0.62%

LAB 47.68, 53.24, -70.96

 

CMYK 88 / 69 / 0 / 18

HEX #1941D1

RGB 25 65 209

HSL 226.96, 0.79%, 0.46%

LAB 35.18, 42.17, -76.85

 

CMYK 80 / 63 / 0 / 10

HEX #2D55E6

RGB 45 85 230

HSL 227.03, 0.79%, 0.54%

LAB 42.41, 38.58, -76.97

 

CMYK 65 / 51 / 0 / 8

HEX #5273EB

RGB 82 115 235

HSL 227.06, 0.79%, 0.62%

LAB 51.9, 26, -64.28

 

CMYK 51 / 39 / 0 / 6

HEX #7691EF

RGB 118 145 239

HSL 226.61, 0.79%, 0.7%

LAB 61.94, 16.09, -50.33

 

CMYK 36 / 28 / 0 / 5

HEX #9BAFF3

RGB 155 175 243

HSL 226.36, 0.79%, 0.78%

LAB 72.3, 9.19, -36.11

 

CMYK 66 / 51 / 0 / 8

HEX #5072EB

RGB 80 114 235

HSL 226.84, 0.79%, 0.62%

LAB 51.54, 26.31, -64.86

 

CMYK 2 / 65 / 0 / 8

HEX #E652EB

RGB 230 82 235

HSL 298.04, 0.79%, 0.62%

LAB 60.65, 74.95, -49.43

 

CMYK 24 / 0 / 65 / 8

HEX #B3EB52

RGB 179 235 82

HSL 81.96, 0.79%, 0.62%

LAB 86.81, -39.98, 65.9

 

CMYK 66 / 51 / 0 / 8

HEX #5072EB

RGB 80 114 235

HSL 226.84, 0.79%, 0.62%

LAB 51.54, 26.31, -64.86

 

CMYK 0 / 65 / 50 / 8

HEX #EB5275

RGB 235 82 117

HSL 346.27, 0.79%, 0.62%

LAB 57.06, 61.31, 13.19

 

CMYK 50 / 0 / 65 / 8

HEX #75EB52

RGB 117 235 82

HSL 106.27, 0.79%, 0.62%

LAB 83.87, -60.29, 61.88

 

CMYK 66 / 51 / 0 / 8

HEX #5072EB

RGB 80 114 235

HSL 226.84, 0.79%, 0.62%

LAB 51.54, 26.31, -64.86

 

CMYK 2 / 65 / 0 / 8

HEX #E652EB

RGB 230 82 235

HSL 298.04, 0.79%, 0.62%

LAB 60.65, 74.95, -49.43

 

CMYK 0 / 15 / 65 / 8

HEX #EBC752

RGB 235 199 82

HSL 45.88, 0.79%, 0.62%

LAB 81.36, 0.04, 61.38

 

CMYK 63 / 0 / 65 / 8

HEX #57EB52

RGB 87 235 82

HSL 118.04, 0.79%, 0.62%

LAB 82.94, -67.54, 60.61

 

CMYK 66 / 51 / 0 / 8

HEX #5072EB

RGB 80 114 235

HSL 226.84, 0.79%, 0.62%

LAB 51.54, 26.31, -64.86

 

CMYK 0 / 65 / 17 / 8

HEX #EB52C2

RGB 235 82 194

HSL 316.08, 0.79%, 0.62%

LAB 59.52, 69.92, -28

 

CMYK 0 / 15 / 65 / 8

HEX #EBC752

RGB 235 199 82

HSL 45.88, 0.79%, 0.62%

LAB 81.36, 0.04, 61.38

 

CMYK 65 / 0 / 48 / 8

HEX #52EB7A

RGB 82 235 122

HSL 135.69, 0.79%, 0.62%

LAB 83.24, -63.66, 43.07

 

Description

Color code: HEX #5072EB | qconv.com Color code: HEX #5072EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 114 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 114 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 51 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 51% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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