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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5071A4 it is the complementary color #AF8E5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5071A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5071A4 shade: #55719F, #6683B2, #7795C5, #88A7D8 and #99B9EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5071A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5071A4 shade: #5071A4, #3F5F91, #2E4D7E, #1D3B6B and #0C2958

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5071A4 shade: #5171A4, #515BA4, #5D51A4, #7351A4 and #8A51A4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5071A4 shade: #5171A4, #515BA4 and #5151A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5071A4 shade matches the following richer shades: #5171A4, #3D6DB8, #2969CC, #1565DF and #0261F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5071A4 shade: #5171A4, #657690, #787A7C, #8C7E69 and #A08255

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5071A4 shade: #519EA4, #5188A4, #5172A4, #515CA4 and #5C51A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5071A4 shade: #364B6D, #435E88, #5171A4, #6987B5 and #859DC3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5071A4 shade: #5071A4, #9351A4 and #93A451

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5071A4 shade: #5071A4, #A45172 and #72A451

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5071A4 shade: #5071A4, #9351A4, #A48351 and #61A451

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5071A4 shade: #5071A4, #A4519C, #A48351 and #51A459

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 31 / 0 / 36

HEX #5071A4

RGB 80 113 164

HSL 216.43, 0.34%, 0.48%

LAB 47.23, 3.04, -31.06

 

Complementary color

CMYK 0 / 19 / 48 / 31

HEX #AF8E5B

RGB 175 142 91

HSL 36.43, 0.34%, 0.52%

LAB 60.97, 5.76, 31.77

 

CMYK 47 / 29 / 0 / 38

HEX #55719F

RGB 85 113 159

HSL 217.3, 0.3%, 0.48%

LAB 47.29, 2.74, -28

 

CMYK 43 / 26 / 0 / 30

HEX #6683B2

RGB 102 131 178

HSL 217.11, 0.33%, 0.55%

LAB 54.31, 2.19, -28.05

 

CMYK 40 / 24 / 0 / 23

HEX #7795C5

RGB 119 149 197

HSL 216.92, 0.4%, 0.62%

LAB 61.18, 1.75, -28.14

 

CMYK 37 / 23 / 0 / 15

HEX #88A7D8

RGB 136 167 216

HSL 216.75, 0.51%, 0.69%

LAB 67.89, 1.37, -28.26

 

CMYK 35 / 21 / 0 / 8

HEX #99B9EB

RGB 153 185 235

HSL 216.59, 0.67%, 0.76%

LAB 74.49, 1.05, -28.4

 

CMYK 51 / 31 / 0 / 36

HEX #5071A4

RGB 80 113 164

HSL 216.43, 0.34%, 0.48%

LAB 47.23, 3.04, -31.06

 

CMYK 57 / 34 / 0 / 43

HEX #3F5F91

RGB 63 95 145

HSL 216.59, 0.39%, 0.41%

LAB 40.06, 3.89, -31.1

 

CMYK 63 / 39 / 0 / 51

HEX #2E4D7E

RGB 46 77 126

HSL 216.75, 0.47%, 0.34%

LAB 32.69, 5.03, -31.18

 

CMYK 73 / 45 / 0 / 58

HEX #1D3B6B

RGB 29 59 107

HSL 216.92, 0.57%, 0.27%

LAB 25.11, 6.65, -31.3

 

CMYK 86 / 53 / 0 / 65

HEX #0C2958

RGB 12 41 88

HSL 217.11, 0.76%, 0.2%

LAB 17.31, 9.08, -31.41

 

CMYK 51 / 31 / 0 / 36

HEX #5171A4

RGB 81 113 164

HSL 216.87, 0.34%, 0.48%

LAB 47.29, 3.28, -30.97

 

CMYK 51 / 45 / 0 / 36

HEX #515BA4

RGB 81 91 164

HSL 232.77, 0.34%, 0.48%

LAB 41.08, 17, -40.77

 

CMYK 43 / 51 / 0 / 36

HEX #5D51A4

RGB 93 81 164

HSL 248.67, 0.34%, 0.48%

LAB 39.4, 26.26, -43.39

 

CMYK 30 / 51 / 0 / 36

HEX #7351A4

RGB 115 81 164

HSL 264.58, 0.34%, 0.48%

LAB 41.55, 32.07, -39.84

 

CMYK 16 / 51 / 0 / 36

HEX #8A51A4

RGB 138 81 164

HSL 281.2, 0.34%, 0.48%

LAB 44.19, 38.58, -35.49

 

CMYK 51 / 31 / 0 / 36

HEX #5171A4

RGB 81 113 164

HSL 216.87, 0.34%, 0.48%

LAB 47.29, 3.28, -30.97

 

CMYK 51 / 45 / 0 / 36

HEX #515BA4

RGB 81 91 164

HSL 232.77, 0.34%, 0.48%

LAB 41.08, 17, -40.77

 

CMYK 51 / 51 / 0 / 36

HEX #5151A4

RGB 81 81 164

HSL 240, 0.34%, 0.48%

LAB 38.4, 23.37, -45.04

 

CMYK 51 / 31 / 0 / 36

HEX #5171A4

RGB 81 113 164

HSL 216.87, 0.34%, 0.48%

LAB 47.29, 3.28, -30.97

 

CMYK 67 / 41 / 0 / 28

HEX #3D6DB8

RGB 61 109 184

HSL 216.59, 0.5%, 0.48%

LAB 46.16, 8.39, -44.48

 

CMYK 80 / 49 / 0 / 20

HEX #2969CC

RGB 41 105 204

HSL 216.44, 0.67%, 0.48%

LAB 45.54, 15.69, -57.05

 

CMYK 91 / 55 / 0 / 13

HEX #1565DF

RGB 21 101 223

HSL 216.24, 0.83%, 0.48%

LAB 45.35, 24.18, -68.23

 

CMYK 99 / 60 / 0 / 5

HEX #0261F3

RGB 2 97 243

HSL 216.35, 0.98%, 0.48%

LAB 45.68, 33.88, -78.97

 

CMYK 51 / 31 / 0 / 36

HEX #5171A4

RGB 81 113 164

HSL 216.87, 0.34%, 0.48%

LAB 47.29, 3.28, -30.97

 

CMYK 30 / 18 / 0 / 44

HEX #657690

RGB 101 118 144

HSL 216.28, 0.18%, 0.48%

LAB 49.18, 0.11, -16.19

 

CMYK 3 / 2 / 0 / 51

HEX #787A7C

RGB 120 122 124

HSL 210, 0.02%, 0.48%

LAB 51.11, -0.34, -1.36

 

CMYK 0 / 10 / 25 / 45

HEX #8C7E69

RGB 140 126 105

HSL 36, 0.14%, 0.48%

LAB 53.51, 1.82, 13.39

 

CMYK 0 / 19 / 47 / 37

HEX #A08255

RGB 160 130 85

HSL 36, 0.31%, 0.48%

LAB 56.18, 5.42, 28.63

 

CMYK 51 / 4 / 0 / 36

HEX #519EA4

RGB 81 158 164

HSL 184.34, 0.34%, 0.48%

LAB 60.68, -22.03, -10.46

 

CMYK 51 / 17 / 0 / 36

HEX #5188A4

RGB 81 136 164

HSL 200.24, 0.34%, 0.48%

LAB 54.07, -10.18, -20.47

 

CMYK 51 / 30 / 0 / 36

HEX #5172A4

RGB 81 114 164

HSL 216.14, 0.34%, 0.48%

LAB 47.58, 2.67, -30.51

 

CMYK 51 / 44 / 0 / 36

HEX #515CA4

RGB 81 92 164

HSL 232.05, 0.34%, 0.48%

LAB 41.35, 16.37, -40.34

 

CMYK 44 / 51 / 0 / 36

HEX #5C51A4

RGB 92 81 164

HSL 247.95, 0.34%, 0.48%

LAB 39.31, 26.01, -43.54

 

CMYK 50 / 31 / 0 / 57

HEX #364B6D

RGB 54 75 109

HSL 217.09, 0.34%, 0.32%

LAB 31.63, 2.26, -22.19

 

CMYK 51 / 31 / 0 / 47

HEX #435E88

RGB 67 94 136

HSL 216.52, 0.34%, 0.4%

LAB 39.54, 2.49, -26.45

 

CMYK 51 / 31 / 0 / 36

HEX #5171A4

RGB 81 113 164

HSL 216.87, 0.34%, 0.48%

LAB 47.29, 3.28, -30.97

 

CMYK 42 / 25 / 0 / 29

HEX #6987B5

RGB 105 135 181

HSL 216.32, 0.34%, 0.56%

LAB 55.75, 1.53, -27.52

 

CMYK 32 / 19 / 0 / 24

HEX #859DC3

RGB 133 157 195

HSL 216.77, 0.34%, 0.64%

LAB 64.19, 0.64, -22.3

 

CMYK 51 / 31 / 0 / 36

HEX #5071A4

RGB 80 113 164

HSL 216.43, 0.34%, 0.48%

LAB 47.23, 3.04, -31.06

 

CMYK 10 / 51 / 0 / 36

HEX #9351A4

RGB 147 81 164

HSL 287.71, 0.34%, 0.48%

LAB 45.32, 41.19, -33.64

 

CMYK 10 / 0 / 51 / 36

HEX #93A451

RGB 147 164 81

HSL 72.29, 0.34%, 0.48%

LAB 64.44, -18.89, 40.69

 

CMYK 51 / 31 / 0 / 36

HEX #5071A4

RGB 80 113 164

HSL 216.43, 0.34%, 0.48%

LAB 47.23, 3.04, -31.06

 

CMYK 0 / 51 / 30 / 36

HEX #A45172

RGB 164 81 114

HSL 336.14, 0.34%, 0.48%

LAB 45.62, 38.04, -2.89

 

CMYK 30 / 0 / 51 / 36

HEX #72A451

RGB 114 164 81

HSL 96.14, 0.34%, 0.48%

LAB 62.27, -31.79, 37.57

 

CMYK 51 / 31 / 0 / 36

HEX #5071A4

RGB 80 113 164

HSL 216.43, 0.34%, 0.48%

LAB 47.23, 3.04, -31.06

 

CMYK 10 / 51 / 0 / 36

HEX #9351A4

RGB 147 81 164

HSL 287.71, 0.34%, 0.48%

LAB 45.32, 41.19, -33.64

 

CMYK 0 / 20 / 51 / 36

HEX #A48351

RGB 164 131 81

HSL 36.14, 0.34%, 0.48%

LAB 56.8, 6.18, 31.69

 

CMYK 41 / 0 / 51 / 36

HEX #61A451

RGB 97 164 81

HSL 108.43, 0.34%, 0.48%

LAB 61.38, -37.69, 36.28

 

CMYK 51 / 31 / 0 / 36

HEX #5071A4

RGB 80 113 164

HSL 216.43, 0.34%, 0.48%

LAB 47.23, 3.04, -31.06

 

CMYK 0 / 51 / 5 / 36

HEX #A4519C

RGB 164 81 156

HSL 305.78, 0.34%, 0.48%

LAB 47.21, 44.69, -25.77

 

CMYK 0 / 20 / 51 / 36

HEX #A48351

RGB 164 131 81

HSL 36.14, 0.34%, 0.48%

LAB 56.8, 6.18, 31.69

 

CMYK 51 / 0 / 46 / 36

HEX #51A459

RGB 81 164 89

HSL 125.78, 0.34%, 0.48%

LAB 60.8, -41.42, 31.28

 

Description

Color code: HEX #5071A4 | qconv.com Color code: HEX #5071A4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 113 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 113 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 31 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 31% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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