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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5070B8 it is the complementary color #AF8F47. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5070B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5070B8 shade: #5570B3, #6682C6, #7794D9, #88A6EC and #99B8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5070B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5070B8 shade: #5070B8, #3F5EA5, #2E4C92, #1D3A7F and #0C286C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5070B8 shade: #5171B8, #5155B8, #6951B8, #8551B8 and #A051B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5070B8 shade: #5171B8, #5155B8 and #5151B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5070B8 shade matches the following richer shades: #5171B8, #3D69CC, #2A62E0 and #165AF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5070B8 shade: #5171B8, #6578A4, #798090, #8D887D and #A08F69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5070B8 shade: #51A9B8, #518DB8, #5172B8, #5156B8 and #6751B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5070B8 shade: #354D82, #415E9F, #5171B8, #6E89C4 and #8CA1D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5070B8 shade: #5070B8, #AC51B8 and #9BB851

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5070B8 shade: #5070B8, #B85172 and #72B851

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5070B8 shade: #5070B8, #AC51B8, #B89751 and #5DB851

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5070B8 shade: #5070B8, #B851A5, #B89751 and #51B864

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 39 / 0 / 28

HEX #5070B8

RGB 80 112 184

HSL 221.54, 0.42%, 0.52%

LAB 47.95, 10.18, -41.58

 

Complementary color

CMYK 0 / 18 / 59 / 31

HEX #AF8F47

RGB 175 143 71

HSL 41.54, 0.42%, 0.48%

LAB 60.97, 3.44, 42.2

 

CMYK 53 / 37 / 0 / 30

HEX #5570B3

RGB 85 112 179

HSL 222.77, 0.38%, 0.52%

LAB 47.97, 9.65, -38.62

 

CMYK 48 / 34 / 0 / 22

HEX #6682C6

RGB 102 130 198

HSL 222.5, 0.46%, 0.59%

LAB 54.94, 8.75, -38.5

 

CMYK 45 / 32 / 0 / 15

HEX #7794D9

RGB 119 148 217

HSL 222.24, 0.56%, 0.66%

LAB 61.75, 8.01, -38.43

 

CMYK 42 / 30 / 0 / 7

HEX #88A6EC

RGB 136 166 236

HSL 222, 0.72%, 0.73%

LAB 68.43, 7.39, -38.4

 

CMYK 40 / 28 / 0 / 0

HEX #99B8FF

RGB 153 184 255

HSL 221.76, 1%, 0.8%

LAB 75, 6.85, -38.4

 

CMYK 57 / 39 / 0 / 28

HEX #5070B8

RGB 80 112 184

HSL 221.54, 0.42%, 0.52%

LAB 47.95, 10.18, -41.58

 

CMYK 62 / 43 / 0 / 35

HEX #3F5EA5

RGB 63 94 165

HSL 221.76, 0.45%, 0.45%

LAB 40.86, 11.49, -41.77

 

CMYK 68 / 48 / 0 / 43

HEX #2E4C92

RGB 46 76 146

HSL 222, 0.52%, 0.38%

LAB 33.62, 13.18, -41.99

 

CMYK 77 / 54 / 0 / 50

HEX #1D3A7F

RGB 29 58 127

HSL 222.24, 0.63%, 0.31%

LAB 26.21, 15.46, -42.22

 

CMYK 89 / 63 / 0 / 58

HEX #0C286C

RGB 12 40 108

HSL 222.5, 0.8%, 0.24%

LAB 18.71, 18.58, -42.33

 

CMYK 56 / 39 / 0 / 28

HEX #5171B8

RGB 81 113 184

HSL 221.36, 0.42%, 0.52%

LAB 48.29, 9.77, -41.05

 

CMYK 56 / 54 / 0 / 28

HEX #5155B8

RGB 81 85 184

HSL 237.67, 0.42%, 0.52%

LAB 40.75, 27.36, -53.1

 

CMYK 43 / 56 / 0 / 28

HEX #6951B8

RGB 105 81 184

HSL 253.98, 0.42%, 0.52%

LAB 41.77, 35.03, -51.35

 

CMYK 28 / 56 / 0 / 28

HEX #8551B8

RGB 133 81 184

HSL 270.29, 0.42%, 0.52%

LAB 44.71, 41.89, -46.48

 

CMYK 13 / 56 / 0 / 28

HEX #A051B8

RGB 160 81 184

HSL 286.02, 0.42%, 0.52%

LAB 48.03, 48.96, -40.99

 

CMYK 56 / 39 / 0 / 28

HEX #5171B8

RGB 81 113 184

HSL 221.36, 0.42%, 0.52%

LAB 48.29, 9.77, -41.05

 

CMYK 56 / 54 / 0 / 28

HEX #5155B8

RGB 81 85 184

HSL 237.67, 0.42%, 0.52%

LAB 40.75, 27.36, -53.1

 

CMYK 56 / 56 / 0 / 28

HEX #5151B8

RGB 81 81 184

HSL 240, 0.42%, 0.52%

LAB 39.74, 29.87, -54.72

 

CMYK 56 / 39 / 0 / 28

HEX #5171B8

RGB 81 113 184

HSL 221.36, 0.42%, 0.52%

LAB 48.29, 9.77, -41.05

 

CMYK 70 / 49 / 0 / 20

HEX #3D69CC

RGB 61 105 204

HSL 221.54, 0.58%, 0.52%

LAB 46.25, 18.14, -55.88

 

CMYK 81 / 56 / 0 / 12

HEX #2A62E0

RGB 42 98 224

HSL 221.54, 0.75%, 0.52%

LAB 45.09, 27.87, -69.19

 

CMYK 91 / 63 / 0 / 5

HEX #165AF3

RGB 22 90 243

HSL 221.54, 0.9%, 0.52%

LAB 44.17, 38.87, -81.44

 

CMYK 56 / 39 / 0 / 28

HEX #5171B8

RGB 81 113 184

HSL 221.36, 0.42%, 0.52%

LAB 48.29, 9.77, -41.05

 

CMYK 38 / 27 / 0 / 36

HEX #6578A4

RGB 101 120 164

HSL 221.9, 0.26%, 0.52%

LAB 50.55, 4.4, -25.8

 

CMYK 16 / 11 / 0 / 44

HEX #798090

RGB 121 128 144

HSL 221.74, 0.09%, 0.52%

LAB 53.51, 0.91, -9.5

 

CMYK 0 / 4 / 11 / 45

HEX #8D887D

RGB 141 136 125

HSL 41.25, 0.07%, 0.52%

LAB 56.83, -0.16, 6.56

 

CMYK 0 / 11 / 34 / 37

HEX #A08F69

RGB 160 143 105

HSL 41.45, 0.22%, 0.52%

LAB 60.01, 0.51, 22.57

 

CMYK 56 / 8 / 0 / 28

HEX #51A9B8

RGB 81 169 184

HSL 188.74, 0.42%, 0.52%

LAB 64.63, -22.01, -15.74

 

CMYK 56 / 23 / 0 / 28

HEX #518DB8

RGB 81 141 184

HSL 205.05, 0.42%, 0.52%

LAB 56.35, -6.86, -28.42

 

CMYK 56 / 38 / 0 / 28

HEX #5172B8

RGB 81 114 184

HSL 220.78, 0.42%, 0.52%

LAB 48.57, 9.16, -40.6

 

CMYK 56 / 53 / 0 / 28

HEX #5156B8

RGB 81 86 184

HSL 237.09, 0.42%, 0.52%

LAB 41, 26.72, -52.69

 

CMYK 44 / 56 / 0 / 28

HEX #6751B8

RGB 103 81 184

HSL 252.82, 0.42%, 0.52%

LAB 41.58, 34.56, -51.67

 

CMYK 59 / 41 / 0 / 49

HEX #354D82

RGB 53 77 130

HSL 221.3, 0.42%, 0.36%

LAB 33.3, 8, -32.66

 

CMYK 59 / 41 / 0 / 38

HEX #415E9F

RGB 65 94 159

HSL 221.49, 0.42%, 0.44%

LAB 40.63, 9.79, -38.57

 

CMYK 56 / 39 / 0 / 28

HEX #5171B8

RGB 81 113 184

HSL 221.36, 0.42%, 0.52%

LAB 48.29, 9.77, -41.05

 

CMYK 44 / 30 / 0 / 23

HEX #6E89C4

RGB 110 137 196

HSL 221.16, 0.42%, 0.6%

LAB 57.26, 6.02, -33.69

 

CMYK 33 / 23 / 0 / 18

HEX #8CA1D0

RGB 140 161 208

HSL 221.47, 0.42%, 0.68%

LAB 66.23, 3.76, -26.38

 

CMYK 57 / 39 / 0 / 28

HEX #5070B8

RGB 80 112 184

HSL 221.54, 0.42%, 0.52%

LAB 47.95, 10.18, -41.58

 

CMYK 7 / 56 / 0 / 28

HEX #AC51B8

RGB 172 81 184

HSL 293.01, 0.42%, 0.52%

LAB 49.64, 52.16, -38.34

 

CMYK 16 / 0 / 56 / 28

HEX #9BB851

RGB 155 184 81

HSL 76.89, 0.42%, 0.52%

LAB 70.76, -25.62, 48.25

 

CMYK 57 / 39 / 0 / 28

HEX #5070B8

RGB 80 112 184

HSL 221.54, 0.42%, 0.52%

LAB 47.95, 10.18, -41.58

 

CMYK 0 / 56 / 38 / 28

HEX #B85172

RGB 184 81 114

HSL 340.78, 0.42%, 0.52%

LAB 48.62, 44.97, 1.86

 

CMYK 38 / 0 / 56 / 28

HEX #72B851

RGB 114 184 81

HSL 100.78, 0.42%, 0.52%

LAB 68.35, -40.83, 44.83

 

CMYK 57 / 39 / 0 / 28

HEX #5070B8

RGB 80 112 184

HSL 221.54, 0.42%, 0.52%

LAB 47.95, 10.18, -41.58

 

CMYK 7 / 56 / 0 / 28

HEX #AC51B8

RGB 172 81 184

HSL 293.01, 0.42%, 0.52%

LAB 49.64, 52.16, -38.34

 

CMYK 0 / 18 / 56 / 28

HEX #B89751

RGB 184 151 81

HSL 40.78, 0.42%, 0.52%

LAB 64.09, 3.75, 41.06

 

CMYK 49 / 0 / 56 / 28

HEX #5DB851

RGB 93 184 81

HSL 113.01, 0.42%, 0.52%

LAB 67.43, -47.4, 43.51

 

CMYK 57 / 39 / 0 / 28

HEX #5070B8

RGB 80 112 184

HSL 221.54, 0.42%, 0.52%

LAB 47.95, 10.18, -41.58

 

CMYK 0 / 56 / 10 / 28

HEX #B851A5

RGB 184 81 165

HSL 311.07, 0.42%, 0.52%

LAB 50.44, 52.14, -25.85

 

CMYK 0 / 18 / 56 / 28

HEX #B89751

RGB 184 151 81

HSL 40.78, 0.42%, 0.52%

LAB 64.09, 3.75, 41.06

 

CMYK 56 / 0 / 46 / 28

HEX #51B864

RGB 81 184 100

HSL 131.07, 0.42%, 0.52%

LAB 67.24, -47.97, 33.78

 

Description

Color code: HEX #5070B8 | qconv.com Color code: HEX #5070B8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 112 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 112 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 39 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 39% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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