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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #506D86 it is the complementary color #AF9279. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #506D86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #506D86 shade: #556D81, #667F94, #7791A7, #88A3BA and #99B5CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #506D86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #506D86 shade: #506D86, #3F5B73, #2E4960, #1D374D and #0C253A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #506D86 shade: #506D86, #505F86, #505086, #5F5086 and #6D5086

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #506D86 shade: #506D86, #505F86 and #505086

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #506D86 shade matches the following richer shades: #506D86, #3F6E97, #2E70A9, #1C71BA and #0B72CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #506D86 shade: #506D86, #626C75, #736B63, #846952 and #966841

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #506D86 shade: #508681, #507C86, #506E86, #505F86 and #505186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #506D86 shade: #314352, #41586C, #506D86, #6082A0 and #7A96AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #506D86 shade: #506D86, #735086 and #838650

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #506D86 shade: #506D86, #86506E and #6E8650

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #506D86 shade: #506D86, #735086, #866850 and #638650

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #506D86 shade: #506D86, #835086, #866850 and #538650

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 19 / 0 / 47

HEX #506D86

RGB 80 109 134

HSL 207.78, 0.25%, 0.42%

LAB 44.75, -3.71, -17.13

 

Complementary color

CMYK 0 / 17 / 31 / 31

HEX #AF9279

RGB 175 146 121

HSL 27.78, 0.25%, 0.58%

LAB 62.55, 7.1, 17.32

 

CMYK 34 / 16 / 0 / 49

HEX #556D81

RGB 85 109 129

HSL 207.27, 0.21%, 0.42%

LAB 44.88, -3.62, -13.92

 

CMYK 31 / 14 / 0 / 42

HEX #667F94

RGB 102 127 148

HSL 207.39, 0.18%, 0.49%

LAB 52, -3.77, -14.24

 

CMYK 29 / 13 / 0 / 35

HEX #7791A7

RGB 119 145 167

HSL 207.5, 0.21%, 0.56%

LAB 58.94, -3.91, -14.58

 

CMYK 27 / 12 / 0 / 27

HEX #88A3BA

RGB 136 163 186

HSL 207.6, 0.27%, 0.63%

LAB 65.73, -4.03, -14.93

 

CMYK 25 / 12 / 0 / 20

HEX #99B5CD

RGB 153 181 205

HSL 207.69, 0.34%, 0.7%

LAB 72.38, -4.14, -15.29

 

CMYK 40 / 19 / 0 / 47

HEX #506D86

RGB 80 109 134

HSL 207.78, 0.25%, 0.42%

LAB 44.75, -3.71, -17.13

 

CMYK 45 / 21 / 0 / 55

HEX #3F5B73

RGB 63 91 115

HSL 207.69, 0.29%, 0.35%

LAB 37.44, -3.41, -16.89

 

CMYK 52 / 24 / 0 / 62

HEX #2E4960

RGB 46 73 96

HSL 207.6, 0.35%, 0.28%

LAB 29.89, -3, -16.68

 

CMYK 62 / 29 / 0 / 70

HEX #1D374D

RGB 29 55 77

HSL 207.5, 0.45%, 0.21%

LAB 22.05, -2.35, -16.5

 

CMYK 79 / 36 / 0 / 77

HEX #0C253A

RGB 12 37 58

HSL 207.39, 0.66%, 0.14%

LAB 13.87, -1.21, -16.35

 

CMYK 40 / 19 / 0 / 47

HEX #506D86

RGB 80 109 134

HSL 207.78, 0.25%, 0.42%

LAB 44.75, -3.71, -17.13

 

CMYK 40 / 29 / 0 / 47

HEX #505F86

RGB 80 95 134

HSL 223.33, 0.25%, 0.42%

LAB 40.59, 4.82, -23.54

 

CMYK 40 / 40 / 0 / 47

HEX #505086

RGB 80 80 134

HSL 240, 0.25%, 0.42%

LAB 36.3, 14.34, -30.26

 

CMYK 29 / 40 / 0 / 47

HEX #5F5086

RGB 95 80 134

HSL 256.67, 0.25%, 0.42%

LAB 37.65, 18.83, -28.04

 

CMYK 19 / 40 / 0 / 47

HEX #6D5086

RGB 109 80 134

HSL 272.22, 0.25%, 0.42%

LAB 39.09, 23.29, -25.69

 

CMYK 40 / 19 / 0 / 47

HEX #506D86

RGB 80 109 134

HSL 207.78, 0.25%, 0.42%

LAB 44.75, -3.71, -17.13

 

CMYK 40 / 29 / 0 / 47

HEX #505F86

RGB 80 95 134

HSL 223.33, 0.25%, 0.42%

LAB 40.59, 4.82, -23.54

 

CMYK 40 / 40 / 0 / 47

HEX #505086

RGB 80 80 134

HSL 240, 0.25%, 0.42%

LAB 36.3, 14.34, -30.26

 

CMYK 40 / 19 / 0 / 47

HEX #506D86

RGB 80 109 134

HSL 207.78, 0.25%, 0.42%

LAB 44.75, -3.71, -17.13

 

CMYK 58 / 27 / 0 / 41

HEX #3F6E97

RGB 63 110 151

HSL 207.95, 0.41%, 0.42%

LAB 44.86, -3.33, -27.16

 

CMYK 73 / 34 / 0 / 34

HEX #2E70A9

RGB 46 112 169

HSL 207.8, 0.57%, 0.42%

LAB 45.68, -1.29, -36.53

 

CMYK 85 / 39 / 0 / 27

HEX #1C71BA

RGB 28 113 186

HSL 207.72, 0.74%, 0.42%

LAB 46.45, 2.5, -45.24

 

CMYK 95 / 44 / 0 / 20

HEX #0B72CB

RGB 11 114 203

HSL 207.81, 0.9%, 0.42%

LAB 47.52, 7.57, -53.33

 

CMYK 40 / 19 / 0 / 47

HEX #506D86

RGB 80 109 134

HSL 207.78, 0.25%, 0.42%

LAB 44.75, -3.71, -17.13

 

CMYK 16 / 8 / 0 / 54

HEX #626C75

RGB 98 108 117

HSL 208.42, 0.09%, 0.42%

LAB 45.09, -1.73, -6.3

 

CMYK 0 / 7 / 14 / 55

HEX #736B63

RGB 115 107 99

HSL 30, 0.07%, 0.42%

LAB 45.72, 1.63, 5.6

 

CMYK 0 / 20 / 38 / 48

HEX #846952

RGB 132 105 82

HSL 27.6, 0.23%, 0.42%

LAB 46.47, 7.33, 17.02

 

CMYK 0 / 31 / 57 / 41

HEX #966841

RGB 150 104 65

HSL 27.53, 0.4%, 0.42%

LAB 47.96, 13.96, 29.17

 

CMYK 40 / 0 / 4 / 47

HEX #508681

RGB 80 134 129

HSL 174.44, 0.25%, 0.42%

LAB 52.22, -19.15, -2.96

 

CMYK 40 / 7 / 0 / 47

HEX #507C86

RGB 80 124 134

HSL 191.11, 0.25%, 0.42%

LAB 49.3, -12.37, -10.23

 

CMYK 40 / 18 / 0 / 47

HEX #506E86

RGB 80 110 134

HSL 206.67, 0.25%, 0.42%

LAB 45.05, -4.31, -16.67

 

CMYK 40 / 29 / 0 / 47

HEX #505F86

RGB 80 95 134

HSL 223.33, 0.25%, 0.42%

LAB 40.59, 4.82, -23.54

 

CMYK 40 / 40 / 0 / 47

HEX #505186

RGB 80 81 134

HSL 238.89, 0.25%, 0.42%

LAB 36.58, 13.7, -29.82

 

CMYK 40 / 18 / 0 / 68

HEX #314352

RGB 49 67 82

HSL 207.27, 0.25%, 0.26%

LAB 27.51, -2.76, -11.29

 

CMYK 40 / 19 / 0 / 58

HEX #41586C

RGB 65 88 108

HSL 207.91, 0.25%, 0.34%

LAB 36.34, -3.1, -14.23

 

CMYK 40 / 19 / 0 / 47

HEX #506D86

RGB 80 109 134

HSL 207.78, 0.25%, 0.42%

LAB 44.75, -3.71, -17.13

 

CMYK 40 / 19 / 0 / 37

HEX #6082A0

RGB 96 130 160

HSL 208.13, 0.25%, 0.5%

LAB 52.94, -4.02, -19.82

 

CMYK 30 / 14 / 0 / 31

HEX #7A96AF

RGB 122 150 175

HSL 208.3, 0.25%, 0.58%

LAB 60.82, -3.79, -16.26

 

CMYK 40 / 19 / 0 / 47

HEX #506D86

RGB 80 109 134

HSL 207.78, 0.25%, 0.42%

LAB 44.75, -3.71, -17.13

 

CMYK 14 / 40 / 0 / 47

HEX #735086

RGB 115 80 134

HSL 278.89, 0.25%, 0.42%

LAB 39.75, 25.25, -24.6

 

CMYK 2 / 0 / 40 / 47

HEX #838650

RGB 131 134 80

HSL 63.33, 0.25%, 0.42%

LAB 54.51, -9.85, 28.68

 

CMYK 40 / 19 / 0 / 47

HEX #506D86

RGB 80 109 134

HSL 207.78, 0.25%, 0.42%

LAB 44.75, -3.71, -17.13

 

CMYK 0 / 40 / 18 / 47

HEX #86506E

RGB 134 80 110

HSL 326.67, 0.25%, 0.42%

LAB 41.11, 27.11, -7.6

 

CMYK 18 / 0 / 40 / 47

HEX #6E8650

RGB 110 134 80

HSL 86.67, 0.25%, 0.42%

LAB 52.89, -18.55, 26.29

 

CMYK 40 / 19 / 0 / 47

HEX #506D86

RGB 80 109 134

HSL 207.78, 0.25%, 0.42%

LAB 44.75, -3.71, -17.13

 

CMYK 14 / 40 / 0 / 47

HEX #735086

RGB 115 80 134

HSL 278.89, 0.25%, 0.42%

LAB 39.75, 25.25, -24.6

 

CMYK 0 / 22 / 40 / 47

HEX #866850

RGB 134 104 80

HSL 26.67, 0.25%, 0.42%

LAB 46.38, 8.53, 18.11

 

CMYK 26 / 0 / 40 / 47

HEX #638650

RGB 99 134 80

HSL 98.89, 0.25%, 0.42%

LAB 52.15, -22.86, 25.19

 

CMYK 40 / 19 / 0 / 47

HEX #506D86

RGB 80 109 134

HSL 207.78, 0.25%, 0.42%

LAB 44.75, -3.71, -17.13

 

CMYK 2 / 40 / 0 / 47

HEX #835086

RGB 131 80 134

HSL 296.67, 0.25%, 0.42%

LAB 41.66, 30.55, -21.48

 

CMYK 0 / 22 / 40 / 47

HEX #866850

RGB 134 104 80

HSL 26.67, 0.25%, 0.42%

LAB 46.38, 8.53, 18.11

 

CMYK 38 / 0 / 40 / 47

HEX #538650

RGB 83 134 80

HSL 116.67, 0.25%, 0.42%

LAB 51.23, -28.65, 23.81

 

Description

Color code: HEX #506D86 | qconv.com Color code: HEX #506D86 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 109 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 109 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, 19 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 19% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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