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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #506CB8CE it is the complementary color #AF9347CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #506CB8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #506CB8CE shade: #556CB3CE, #667EC6CE, #7790D9CE, #88A2ECCE and #99B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #506CB8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #506CB8CE shade: #506CB8CE, #3F5AA5CE, #2E4892CE, #1D367FCE and #0C246CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #506CB8CE shade: #516DB8, #5151B8, #6D51B8, #8951B8 and #A451B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #506CB8CE shade: #516DB8 and #5151B8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #506CB8CE shade matches the following richer shades: #516DB8, #3D64CC, #2A5BE0 and #1651F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #506CB8CE shade: #516DB8, #6576A4, #797F90, #8D887D and #A09169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #506CB8CE shade: #51A5B8, #518AB8, #516EB8, #5153B8 and #6B51B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #506CB8CE shade: #354A82, #415A9F, #516DB8, #6E85C4 and #8C9ED0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #506CB8CE shade: #506CB8, #AF51B8 and #97B851

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #506CB8CE shade: #506CB8, #B8516E and #6EB851

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #506CB8CE shade: #506CB8, #AF51B8, #B89B51 and #5AB851

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #506CB8CE shade: #506CB8, #B851A2, #B89B51 and #51B867

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 33 / 0 / 23

HEX #506CB8CE

RGBA 80 108 184 0.81

HSLA 223.85, 0.42%, 0.52%, 0.81

LABA 46.83, 12.66, -43.36, 0.81

 

Complementary color

CMYK 0 / 13 / 48 / 25

HEX #AF9347CE

RGBA 175 147 71 0.81

HSLA 43.85, 0.42%, 0.48%, 0.81

LABA 62.03, 1.24, 43.42, 0.81

 

CMYK 43 / 32 / 0 / 24

HEX #556CB3CE

RGBA 85 108 179 0.81

HSLA 225.32, 0.38%, 0.52%, 0.81

LABA 46.86, 12.12, -40.39, 0.81

 

CMYK 39 / 29 / 0 / 18

HEX #667EC6CE

RGBA 102 126 198 0.81

HSLA 225, 0.46%, 0.59%, 0.81

LABA 53.84, 11.15, -40.23, 0.81

 

CMYK 37 / 27 / 0 / 12

HEX #7790D9CE

RGBA 119 144 217 0.81

HSLA 224.69, 0.56%, 0.66%, 0.81

LABA 60.67, 10.34, -40.12, 0.81

 

CMYK 34 / 25 / 0 / 6

HEX #88A2ECCE

RGBA 136 162 236 0.81

HSLA 224.4, 0.72%, 0.73%, 0.81

LABA 67.38, 9.66, -40.05, 0.81

 

CMYK 32 / 24 / 0 / 0

HEX #99B4FFCE

RGBA 153 180 255 0.81

HSLA 224.12, 1%, 0.8%, 0.81

LABA 73.96, 9.07, -40.02, 0.81

 

CMYK 46 / 33 / 0 / 23

HEX #506CB8CE

RGBA 80 108 184 0.81

HSLA 223.85, 0.42%, 0.52%, 0.81

LABA 46.83, 12.66, -43.36, 0.81

 

CMYK 50 / 37 / 0 / 29

HEX #3F5AA5CE

RGBA 63 90 165 0.81

HSLA 224.12, 0.45%, 0.45%, 0.81

LABA 39.72, 14.06, -43.59, 0.81

 

CMYK 55 / 41 / 0 / 35

HEX #2E4892CE

RGBA 46 72 146 0.81

HSLA 224.4, 0.52%, 0.38%, 0.81

LABA 32.46, 15.87, -43.85, 0.81

 

CMYK 63 / 47 / 0 / 41

HEX #1D367FCE

RGBA 29 54 127 0.81

HSLA 224.69, 0.63%, 0.31%, 0.81

LABA 25.05, 18.27, -44.1, 0.81

 

CMYK 72 / 54 / 0 / 47

HEX #0C246CCE

RGBA 12 36 108 0.81

HSLA 225, 0.8%, 0.24%, 0.81

LABA 17.57, 21.5, -44.19, 0.81

 

CMYK 56 / 41 / 0 / 28

HEX #516DB8

RGB 81 109 184

HSL 223.69, 0.42%, 0.52%

LAB 47.17, 12.25, -42.82

 

CMYK 56 / 56 / 0 / 28

HEX #5151B8

RGB 81 81 184

HSL 240, 0.42%, 0.52%

LAB 39.74, 29.87, -54.72

 

CMYK 41 / 56 / 0 / 28

HEX #6D51B8

RGB 109 81 184

HSL 256.31, 0.42%, 0.52%

LAB 42.15, 35.96, -50.72

 

CMYK 26 / 56 / 0 / 28

HEX #8951B8

RGB 137 81 184

HSL 272.62, 0.42%, 0.52%

LAB 45.17, 42.91, -45.71

 

CMYK 11 / 56 / 0 / 28

HEX #A451B8

RGB 164 81 184

HSL 288.35, 0.42%, 0.52%

LAB 48.56, 50.02, -40.12

 

CMYK 56 / 41 / 0 / 28

HEX #516DB8

RGB 81 109 184

HSL 223.69, 0.42%, 0.52%

LAB 47.17, 12.25, -42.82

 

CMYK 56 / 56 / 0 / 28

HEX #5151B8

RGB 81 81 184

HSL 240, 0.42%, 0.52%

LAB 39.74, 29.87, -54.72

 

CMYK 56 / 41 / 0 / 28

HEX #516DB8

RGB 81 109 184

HSL 223.69, 0.42%, 0.52%

LAB 47.17, 12.25, -42.82

 

CMYK 70 / 51 / 0 / 20

HEX #3D64CC

RGB 61 100 204

HSL 223.64, 0.58%, 0.52%

LAB 44.89, 21.33, -58.07

 

CMYK 81 / 59 / 0 / 12

HEX #2A5BE0

RGB 42 91 224

HSL 223.85, 0.75%, 0.52%

LAB 43.3, 32.35, -72.12

 

CMYK 91 / 67 / 0 / 5

HEX #1651F3

RGB 22 81 243

HSL 223.98, 0.9%, 0.52%

LAB 42.04, 44.47, -84.94

 

CMYK 56 / 41 / 0 / 28

HEX #516DB8

RGB 81 109 184

HSL 223.69, 0.42%, 0.52%

LAB 47.17, 12.25, -42.82

 

CMYK 38 / 28 / 0 / 36

HEX #6576A4

RGB 101 118 164

HSL 223.81, 0.26%, 0.52%

LAB 49.98, 5.6, -26.67

 

CMYK 16 / 12 / 0 / 44

HEX #797F90

RGB 121 127 144

HSL 224.35, 0.09%, 0.52%

LAB 53.23, 1.49, -9.92

 

CMYK 0 / 4 / 11 / 45

HEX #8D887D

RGB 141 136 125

HSL 41.25, 0.07%, 0.52%

LAB 56.83, -0.16, 6.56

 

CMYK 0 / 9 / 34 / 37

HEX #A09169

RGB 160 145 105

HSL 43.64, 0.22%, 0.52%

LAB 60.56, -0.6, 23.29

 

CMYK 56 / 10 / 0 / 28

HEX #51A5B8

RGB 81 165 184

HSL 191.07, 0.42%, 0.52%

LAB 63.44, -19.94, -17.54

 

CMYK 56 / 25 / 0 / 28

HEX #518AB8

RGB 81 138 184

HSL 206.8, 0.42%, 0.52%

LAB 55.47, -5.14, -29.78

 

CMYK 56 / 40 / 0 / 28

HEX #516EB8

RGB 81 110 184

HSL 223.11, 0.42%, 0.52%

LAB 47.45, 11.63, -42.38

 

CMYK 56 / 55 / 0 / 28

HEX #5153B8

RGB 81 83 184

HSL 238.83, 0.42%, 0.52%

LAB 40.24, 28.61, -53.91

 

CMYK 42 / 56 / 0 / 28

HEX #6B51B8

RGB 107 81 184

HSL 255.15, 0.42%, 0.52%

LAB 41.96, 35.49, -51.04

 

CMYK 59 / 43 / 0 / 49

HEX #354A82

RGB 53 74 130

HSL 223.64, 0.42%, 0.36%

LAB 32.41, 9.99, -34.08

 

CMYK 59 / 43 / 0 / 38

HEX #415A9F

RGB 65 90 159

HSL 224.04, 0.42%, 0.44%

LAB 39.48, 12.36, -40.4

 

CMYK 56 / 41 / 0 / 28

HEX #516DB8

RGB 81 109 184

HSL 223.69, 0.42%, 0.52%

LAB 47.17, 12.25, -42.82

 

CMYK 44 / 32 / 0 / 23

HEX #6E85C4

RGB 110 133 196

HSL 223.95, 0.42%, 0.6%

LAB 56.16, 8.38, -35.41

 

CMYK 33 / 24 / 0 / 18

HEX #8C9ED0

RGB 140 158 208

HSL 224.12, 0.42%, 0.68%

LAB 65.42, 5.46, -27.62

 

CMYK 57 / 41 / 0 / 28

HEX #506CB8

RGB 80 108 184

HSL 223.85, 0.42%, 0.52%

LAB 46.83, 12.66, -43.36

 

CMYK 5 / 56 / 0 / 28

HEX #AF51B8

RGB 175 81 184

HSL 294.76, 0.42%, 0.52%

LAB 50.05, 52.97, -37.67

 

CMYK 18 / 0 / 56 / 28

HEX #97B851

RGB 151 184 81

HSL 79.22, 0.42%, 0.52%

LAB 70.49, -27.21, 47.87

 

CMYK 57 / 41 / 0 / 28

HEX #506CB8

RGB 80 108 184

HSL 223.85, 0.42%, 0.52%

LAB 46.83, 12.66, -43.36

 

CMYK 0 / 56 / 40 / 28

HEX #B8516E

RGB 184 81 110

HSL 343.11, 0.42%, 0.52%

LAB 48.51, 44.51, 4.11

 

CMYK 40 / 0 / 56 / 28

HEX #6EB851

RGB 110 184 81

HSL 103.11, 0.42%, 0.52%

LAB 68.16, -42.16, 44.56

 

CMYK 57 / 41 / 0 / 28

HEX #506CB8

RGB 80 108 184

HSL 223.85, 0.42%, 0.52%

LAB 46.83, 12.66, -43.36

 

CMYK 5 / 56 / 0 / 28

HEX #AF51B8

RGB 175 81 184

HSL 294.76, 0.42%, 0.52%

LAB 50.05, 52.97, -37.67

 

CMYK 0 / 16 / 56 / 28

HEX #B89B51

RGB 184 155 81

HSL 43.11, 0.42%, 0.52%

LAB 65.14, 1.58, 42.3

 

CMYK 51 / 0 / 56 / 28

HEX #5AB851

RGB 90 184 81

HSL 114.76, 0.42%, 0.52%

LAB 67.31, -48.25, 43.35

 

CMYK 57 / 41 / 0 / 28

HEX #506CB8

RGB 80 108 184

HSL 223.85, 0.42%, 0.52%

LAB 46.83, 12.66, -43.36

 

CMYK 0 / 56 / 12 / 28

HEX #B851A2

RGB 184 81 162

HSL 312.82, 0.42%, 0.52%

LAB 50.32, 51.66, -24.28

 

CMYK 0 / 16 / 56 / 28

HEX #B89B51

RGB 184 155 81

HSL 43.11, 0.42%, 0.52%

LAB 65.14, 1.58, 42.3

 

CMYK 56 / 0 / 44 / 28

HEX #51B867

RGB 81 184 103

HSL 132.82, 0.42%, 0.52%

LAB 67.28, -47.49, 32.3

 

Description

Color code: HEX #506CB8CE | qconv.com Color code: HEX #506CB8CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 108 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 108 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 33 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 33% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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