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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #506AB44C it is the complementary color #AF954B4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #506AB44C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #506AB44C shade: #556AAF4C, #667CC24C, #778ED54C, #88A0E84C and #99B2FB4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #506AB44C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #506AB44C shade: #506AB44C, #3F58A14C, #2E468E4C, #1D347B4C and #0C22684C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #506AB44C shade: #506AB4, #5150B4, #6C50B4, #8750B4 and #A250B4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #506AB44C shade: #506AB4 and #5050B4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #506AB44C shade matches the following richer shades: #506AB4, #3C60C8, #2857DC and #134DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #506AB44C shade: #506AB4, #6474A0, #797D8C, #8D8777 and #A19163

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #506AB44C shade: #50A0B4, #5085B4, #506BB4, #5050B4 and #6B50B4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #506AB44C shade: #35487C, #425899, #506AB4, #6D83C0 and #8A9BCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #506AB44C shade: #506AB4, #AD50B4 and #93B450

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #506AB44C shade: #506AB4, #B4506B and #6BB450

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #506AB44C shade: #506AB4, #AD50B4, #B49950 and #57B450

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #506AB44C shade: #506AB4, #B4509D, #B49950 and #50B467

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 12 / 0 / 9

HEX #506AB44C

RGBA 80 106 180 0.3

HSLA 224.4, 0.4%, 0.51%, 0.3

LABA 46.05, 12.57, -42.27, 0.3

 

Complementary color

CMYK 0 / 4 / 17 / 9

HEX #AF954B4C

RGBA 175 149 75 0.3

HSLA 44.4, 0.4%, 0.49%, 0.3

LABA 62.61, 0.46, 42.11, 0.3

 

CMYK 15 / 12 / 0 / 9

HEX #556AAF4C

RGBA 85 106 175 0.3

HSLA 226, 0.36%, 0.51%, 0.3

LABA 46.09, 12.08, -39.27, 0.3

 

CMYK 14 / 11 / 0 / 7

HEX #667CC24C

RGBA 102 124 194 0.3

HSLA 225.65, 0.43%, 0.58%, 0.3

LABA 53.1, 11.13, -39.11, 0.3

 

CMYK 13 / 10 / 0 / 5

HEX #778ED54C

RGBA 119 142 213 0.3

HSLA 225.32, 0.53%, 0.65%, 0.3

LABA 59.95, 10.34, -39.01, 0.3

 

CMYK 12 / 9 / 0 / 3

HEX #88A0E84C

RGBA 136 160 232 0.3

HSLA 225, 0.68%, 0.72%, 0.3

LABA 66.67, 9.68, -38.95, 0.3

 

CMYK 12 / 9 / 0 / 0

HEX #99B2FB4C

RGBA 153 178 251 0.3

HSLA 224.69, 0.92%, 0.79%, 0.3

LABA 73.27, 9.11, -38.93, 0.3

 

CMYK 17 / 12 / 0 / 9

HEX #506AB44C

RGBA 80 106 180 0.3

HSLA 224.4, 0.4%, 0.51%, 0.3

LABA 46.05, 12.57, -42.27, 0.3

 

CMYK 18 / 14 / 0 / 11

HEX #3F58A14C

RGBA 63 88 161 0.3

HSLA 224.69, 0.44%, 0.44%, 0.3

LABA 38.91, 13.94, -42.5, 0.3

 

CMYK 20 / 15 / 0 / 13

HEX #2E468E4C

RGBA 46 70 142 0.3

HSLA 225, 0.51%, 0.37%, 0.3

LABA 31.61, 15.71, -42.77, 0.3

 

CMYK 23 / 17 / 0 / 16

HEX #1D347B4C

RGBA 29 52 123 0.3

HSLA 225.32, 0.62%, 0.3%, 0.3

LABA 24.15, 18.07, -43.04, 0.3

 

CMYK 27 / 20 / 0 / 18

HEX #0C22684C

RGBA 12 34 104 0.3

HSLA 225.65, 0.79%, 0.23%, 0.3

LABA 16.61, 21.26, -43.15, 0.3

 

CMYK 56 / 41 / 0 / 29

HEX #506AB4

RGB 80 106 180

HSL 224.4, 0.4%, 0.51%

LAB 46.05, 12.57, -42.27

 

CMYK 55 / 56 / 0 / 29

HEX #5150B4

RGB 81 80 180

HSL 240.6, 0.4%, 0.51%

LAB 39.21, 29.19, -53.23

 

CMYK 40 / 56 / 0 / 29

HEX #6C50B4

RGB 108 80 180

HSL 256.8, 0.4%, 0.51%

LAB 41.56, 35.19, -49.31

 

CMYK 25 / 56 / 0 / 29

HEX #8750B4

RGB 135 80 180

HSL 273, 0.4%, 0.51%

LAB 44.49, 41.99, -44.46

 

CMYK 10 / 56 / 0 / 29

HEX #A250B4

RGB 162 80 180

HSL 289.2, 0.4%, 0.51%

LAB 47.9, 49.18, -38.85

 

CMYK 56 / 41 / 0 / 29

HEX #506AB4

RGB 80 106 180

HSL 224.4, 0.4%, 0.51%

LAB 46.05, 12.57, -42.27

 

CMYK 56 / 56 / 0 / 29

HEX #5050B4

RGB 80 80 180

HSL 240, 0.4%, 0.51%

LAB 39.14, 28.99, -53.35

 

CMYK 56 / 41 / 0 / 29

HEX #506AB4

RGB 80 106 180

HSL 224.4, 0.4%, 0.51%

LAB 46.05, 12.57, -42.27

 

CMYK 70 / 52 / 0 / 22

HEX #3C60C8

RGB 60 96 200

HSL 224.57, 0.56%, 0.51%

LAB 43.5, 22.29, -58.01

 

CMYK 82 / 60 / 0 / 14

HEX #2857DC

RGB 40 87 220

HSL 224.33, 0.72%, 0.51%

LAB 41.9, 33.26, -72.13

 

CMYK 92 / 68 / 0 / 5

HEX #134DF1

RGB 19 77 241

HSL 224.32, 0.89%, 0.51%

LAB 40.89, 46.1, -85.71

 

CMYK 56 / 41 / 0 / 29

HEX #506AB4

RGB 80 106 180

HSL 224.4, 0.4%, 0.51%

LAB 46.05, 12.57, -42.27

 

CMYK 38 / 28 / 0 / 37

HEX #6474A0

RGB 100 116 160

HSL 224, 0.24%, 0.51%

LAB 49.18, 5.38, -25.59

 

CMYK 14 / 11 / 0 / 45

HEX #797D8C

RGB 121 125 140

HSL 227.37, 0.08%, 0.51%

LAB 52.54, 1.74, -8.62

 

CMYK 0 / 4 / 16 / 45

HEX #8D8777

RGB 141 135 119

HSL 43.64, 0.09%, 0.51%

LAB 56.41, -0.63, 9.41

 

CMYK 0 / 10 / 39 / 37

HEX #A19163

RGB 161 145 99

HSL 44.52, 0.25%, 0.51%

LAB 60.54, -0.93, 26.6

 

CMYK 56 / 11 / 0 / 29

HEX #50A0B4

RGB 80 160 180

HSL 192, 0.4%, 0.51%

LAB 61.78, -18.7, -17.83

 

CMYK 56 / 26 / 0 / 29

HEX #5085B4

RGB 80 133 180

HSL 208.2, 0.4%, 0.51%

LAB 53.79, -3.74, -30.11

 

CMYK 56 / 41 / 0 / 29

HEX #506BB4

RGB 80 107 180

HSL 223.8, 0.4%, 0.51%

LAB 46.33, 11.95, -41.82

 

CMYK 56 / 56 / 0 / 29

HEX #5050B4

RGB 80 80 180

HSL 240, 0.4%, 0.51%

LAB 39.14, 28.99, -53.35

 

CMYK 41 / 56 / 0 / 29

HEX #6B50B4

RGB 107 80 180

HSL 256.2, 0.4%, 0.51%

LAB 41.47, 34.95, -49.48

 

CMYK 57 / 42 / 0 / 51

HEX #35487C

RGB 53 72 124

HSL 223.94, 0.4%, 0.35%

LAB 31.46, 9.18, -31.87

 

CMYK 57 / 42 / 0 / 40

HEX #425899

RGB 66 88 153

HSL 224.83, 0.4%, 0.43%

LAB 38.62, 11.78, -38.17

 

CMYK 56 / 41 / 0 / 29

HEX #506AB4

RGB 80 106 180

HSL 224.4, 0.4%, 0.51%

LAB 46.05, 12.57, -42.27

 

CMYK 43 / 32 / 0 / 25

HEX #6D83C0

RGB 109 131 192

HSL 224.1, 0.4%, 0.59%

LAB 55.37, 8.13, -34.38

 

CMYK 33 / 24 / 0 / 20

HEX #8A9BCD

RGB 138 155 205

HSL 224.78, 0.4%, 0.67%

LAB 64.37, 5.8, -27.59

 

CMYK 56 / 41 / 0 / 29

HEX #506AB4

RGB 80 106 180

HSL 224.4, 0.4%, 0.51%

LAB 46.05, 12.57, -42.27

 

CMYK 4 / 56 / 0 / 29

HEX #AD50B4

RGB 173 80 180

HSL 295.8, 0.4%, 0.51%

LAB 49.4, 52.16, -36.38

 

CMYK 18 / 0 / 56 / 29

HEX #93B450

RGB 147 180 80

HSL 79.8, 0.4%, 0.51%

LAB 69.06, -26.95, 46.61

 

CMYK 56 / 41 / 0 / 29

HEX #506AB4

RGB 80 106 180

HSL 224.4, 0.4%, 0.51%

LAB 46.05, 12.57, -42.27

 

CMYK 0 / 56 / 41 / 29

HEX #B4506B

RGB 180 80 107

HSL 343.8, 0.4%, 0.51%

LAB 47.63, 43.28, 4.58

 

CMYK 41 / 0 / 56 / 29

HEX #6BB450

RGB 107 180 80

HSL 103.8, 0.4%, 0.51%

LAB 66.78, -41.54, 43.38

 

CMYK 56 / 41 / 0 / 29

HEX #506AB4

RGB 80 106 180

HSL 224.4, 0.4%, 0.51%

LAB 46.05, 12.57, -42.27

 

CMYK 4 / 56 / 0 / 29

HEX #AD50B4

RGB 173 80 180

HSL 295.8, 0.4%, 0.51%

LAB 49.4, 52.16, -36.38

 

CMYK 0 / 15 / 56 / 29

HEX #B49950

RGB 180 153 80

HSL 43.8, 0.4%, 0.51%

LAB 64.21, 0.86, 41.61

 

CMYK 52 / 0 / 56 / 29

HEX #57B450

RGB 87 180 80

HSL 115.8, 0.4%, 0.51%

LAB 65.94, -47.6, 42.17

 

CMYK 56 / 41 / 0 / 29

HEX #506AB4

RGB 80 106 180

HSL 224.4, 0.4%, 0.51%

LAB 46.05, 12.57, -42.27

 

CMYK 0 / 56 / 13 / 29

HEX #B4509D

RGB 180 80 157

HSL 313.8, 0.4%, 0.51%

LAB 49.34, 50.15, -22.87

 

CMYK 0 / 15 / 56 / 29

HEX #B49950

RGB 180 153 80

HSL 43.8, 0.4%, 0.51%

LAB 64.21, 0.86, 41.61

 

CMYK 56 / 0 / 43 / 29

HEX #50B467

RGB 80 180 103

HSL 133.8, 0.4%, 0.51%

LAB 66, -46.1, 30.64

 

Description

Color code: HEX #506AB44C | qconv.com Color code: HEX #506AB44C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 106 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 106 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 12 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 12% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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