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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #505EE5 it is the complementary color #AFA11A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #505EE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #505EE5 shade: #555EE0, #6670F3, #7782FF, #8894FF and #99A6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #505EE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #505EE5 shade: #505EE5, #3F4CD2, #2E3ABF, #1D28AC and #0C1699

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #505EE5 shade: #5260E5, #6C52E5, #9452E5, #BB52E5 and #E352E5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #505EE5 shade: #5260E5 and #5252E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #505EE5 shade matches the following richer shades: #5260E5 and #4253F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #505EE5 shade: #5260E5, #626DD5, #727AC5, #8287B5 and #9294A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #505EE5 shade: #52AFE5, #5288E5, #5261E5, #6A52E5 and #9252E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #505EE5 shade: #1E2EC7, #2E3FE0, #5260E5, #7681EB and #9AA2F0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #505EE5 shade: #505EE5, #E552D6 and #9CE552

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #505EE5 shade: #505EE5, #E55261 and #61E552

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #505EE5 shade: #505EE5, #E552D6, #E5D652 and #52E561

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #505EE5 shade: #505EE5, #E552AA, #E5D652 and #52E58D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 59 / 0 / 10

HEX #505EE5

RGB 80 94 229

HSL 234.36, 0.74%, 0.61%

LAB 46.13, 36.61, -70.26

 

Complementary color

CMYK 0 / 8 / 85 / 31

HEX #AFA11A

RGB 175 161 26

HSL 54.36, 0.74%, 0.39%

LAB 65.5, -8.56, 64.16

 

CMYK 62 / 58 / 0 / 12

HEX #555EE0

RGB 85 94 224

HSL 236.12, 0.69%, 0.61%

LAB 46.07, 35.71, -67.52

 

CMYK 58 / 54 / 0 / 5

HEX #6670F3

RGB 102 112 243

HSL 235.74, 0.85%, 0.68%

LAB 52.82, 33.86, -67.2

 

CMYK 53 / 49 / 0 / 0

HEX #7782FF

RGB 119 130 255

HSL 235.15, 1%, 0.73%

LAB 59.07, 30.09, -63.71

 

CMYK 47 / 42 / 0 / 0

HEX #8894FF

RGB 136 148 255

HSL 233.95, 1%, 0.77%

LAB 64.67, 23.17, -54.7

 

CMYK 40 / 35 / 0 / 0

HEX #99A6FF

RGB 153 166 255

HSL 232.35, 1%, 0.8%

LAB 70.36, 16.94, -45.64

 

CMYK 65 / 59 / 0 / 10

HEX #505EE5

RGB 80 94 229

HSL 234.36, 0.74%, 0.61%

LAB 46.13, 36.61, -70.26

 

CMYK 70 / 64 / 0 / 18

HEX #3F4CD2

RGB 63 76 210

HSL 234.69, 0.62%, 0.54%

LAB 39.38, 38.92, -70.49

 

CMYK 76 / 70 / 0 / 25

HEX #2E3ABF

RGB 46 58 191

HSL 235.03, 0.61%, 0.46%

LAB 32.63, 41.52, -70.53

 

CMYK 83 / 77 / 0 / 33

HEX #1D28AC

RGB 29 40 172

HSL 235.38, 0.71%, 0.39%

LAB 26.03, 44.27, -70.16

 

CMYK 92 / 86 / 0 / 40

HEX #0C1699

RGB 12 22 153

HSL 235.74, 0.85%, 0.32%

LAB 19.85, 46.62, -68.88

 

CMYK 64 / 58 / 0 / 10

HEX #5260E5

RGB 82 96 229

HSL 234.29, 0.74%, 0.61%

LAB 46.73, 35.69, -69.28

 

CMYK 53 / 64 / 0 / 10

HEX #6C52E5

RGB 108 82 229

HSL 250.61, 0.74%, 0.61%

LAB 45.47, 48.17, -71.25

 

CMYK 35 / 64 / 0 / 10

HEX #9452E5

RGB 148 82 229

HSL 266.94, 0.74%, 0.61%

LAB 49.48, 55.8, -64.55

 

CMYK 18 / 64 / 0 / 10

HEX #BB52E5

RGB 187 82 229

HSL 282.86, 0.74%, 0.61%

LAB 54.3, 64.21, -56.55

 

CMYK 1 / 64 / 0 / 10

HEX #E352E5

RGB 227 82 229

HSL 299.18, 0.74%, 0.61%

LAB 59.91, 73.28, -47.28

 

CMYK 64 / 58 / 0 / 10

HEX #5260E5

RGB 82 96 229

HSL 234.29, 0.74%, 0.61%

LAB 46.73, 35.69, -69.28

 

CMYK 64 / 64 / 0 / 10

HEX #5252E5

RGB 82 82 229

HSL 240, 0.74%, 0.61%

LAB 43.49, 44.13, -74.57

 

CMYK 64 / 58 / 0 / 10

HEX #5260E5

RGB 82 96 229

HSL 234.29, 0.74%, 0.61%

LAB 46.73, 35.69, -69.28

 

CMYK 73 / 66 / 0 / 4

HEX #4253F5

RGB 66 83 245

HSL 234.3, 0.9%, 0.61%

LAB 44.14, 46.93, -82.55

 

CMYK 64 / 58 / 0 / 10

HEX #5260E5

RGB 82 96 229

HSL 234.29, 0.74%, 0.61%

LAB 46.73, 35.69, -69.28

 

CMYK 54 / 49 / 0 / 16

HEX #626DD5

RGB 98 109 213

HSL 234.26, 0.58%, 0.61%

LAB 49.9, 25.31, -55.04

 

CMYK 42 / 38 / 0 / 23

HEX #727AC5

RGB 114 122 197

HSL 234.22, 0.42%, 0.61%

LAB 53.52, 16.26, -40.1

 

CMYK 28 / 25 / 0 / 29

HEX #8287B5

RGB 130 135 181

HSL 234.12, 0.26%, 0.61%

LAB 57.47, 8.76, -24.73

 

CMYK 12 / 10 / 0 / 35

HEX #9294A5

RGB 146 148 165

HSL 233.68, 0.1%, 0.61%

LAB 61.66, 2.77, -9.16

 

CMYK 64 / 24 / 0 / 10

HEX #52AFE5

RGB 82 175 229

HSL 202.04, 0.74%, 0.61%

LAB 68.1, -11.26, -35.28

 

CMYK 64 / 41 / 0 / 10

HEX #5288E5

RGB 82 136 229

HSL 217.96, 0.74%, 0.61%

LAB 57.13, 11.11, -52.54

 

CMYK 64 / 58 / 0 / 10

HEX #5261E5

RGB 82 97 229

HSL 233.88, 0.74%, 0.61%

LAB 46.97, 35.07, -68.88

 

CMYK 54 / 64 / 0 / 10

HEX #6A52E5

RGB 106 82 229

HSL 249.8, 0.74%, 0.61%

LAB 45.3, 47.83, -71.54

 

CMYK 36 / 64 / 0 / 10

HEX #9252E5

RGB 146 82 229

HSL 266.12, 0.74%, 0.61%

LAB 49.26, 55.39, -64.93

 

CMYK 85 / 77 / 0 / 22

HEX #1E2EC7

RGB 30 46 199

HSL 234.32, 0.74%, 0.45%

LAB 30.29, 50.07, -79.12

 

CMYK 79 / 72 / 0 / 12

HEX #2E3FE0

RGB 46 63 224

HSL 234.27, 0.74%, 0.53%

LAB 36.96, 49.84, -82.52

 

CMYK 64 / 58 / 0 / 10

HEX #5260E5

RGB 82 96 229

HSL 234.29, 0.74%, 0.61%

LAB 46.73, 35.69, -69.28

 

CMYK 50 / 45 / 0 / 8

HEX #7681EB

RGB 118 129 235

HSL 234.36, 0.75%, 0.69%

LAB 57.61, 24.35, -55

 

CMYK 36 / 33 / 0 / 6

HEX #9AA2F0

RGB 154 162 240

HSL 234.42, 0.74%, 0.77%

LAB 68.75, 15.45, -40

 

CMYK 65 / 59 / 0 / 10

HEX #505EE5

RGB 80 94 229

HSL 234.36, 0.74%, 0.61%

LAB 46.13, 36.61, -70.26

 

CMYK 0 / 64 / 7 / 10

HEX #E552D6

RGB 229 82 214

HSL 306.12, 0.74%, 0.61%

LAB 59.48, 71.36, -39.5

 

CMYK 32 / 0 / 64 / 10

HEX #9CE552

RGB 156 229 82

HSL 89.8, 0.74%, 0.61%

LAB 83.82, -45.66, 62.33

 

CMYK 65 / 59 / 0 / 10

HEX #505EE5

RGB 80 94 229

HSL 234.36, 0.74%, 0.61%

LAB 46.13, 36.61, -70.26

 

CMYK 0 / 64 / 58 / 10

HEX #E55261

RGB 229 82 97

HSL 353.88, 0.74%, 0.61%

LAB 55.64, 57.89, 22.86

 

CMYK 58 / 0 / 64 / 10

HEX #61E552

RGB 97 229 82

HSL 113.88, 0.74%, 0.61%

LAB 81.4, -63.24, 59

 

CMYK 65 / 59 / 0 / 10

HEX #505EE5

RGB 80 94 229

HSL 234.36, 0.74%, 0.61%

LAB 46.13, 36.61, -70.26

 

CMYK 0 / 64 / 7 / 10

HEX #E552D6

RGB 229 82 214

HSL 306.12, 0.74%, 0.61%

LAB 59.48, 71.36, -39.5

 

CMYK 0 / 7 / 64 / 10

HEX #E5D652

RGB 229 214 82

HSL 53.88, 0.74%, 0.61%

LAB 84.67, -10.11, 64.73

 

CMYK 64 / 0 / 58 / 10

HEX #52E561

RGB 82 229 97

HSL 126.12, 0.74%, 0.61%

LAB 81.12, -64.9, 52.15

 

CMYK 65 / 59 / 0 / 10

HEX #505EE5

RGB 80 94 229

HSL 234.36, 0.74%, 0.61%

LAB 46.13, 36.61, -70.26

 

CMYK 0 / 64 / 26 / 10

HEX #E552AA

RGB 229 82 170

HSL 324.08, 0.74%, 0.61%

LAB 57.65, 65.14, -17.12

 

CMYK 0 / 7 / 64 / 10

HEX #E5D652

RGB 229 214 82

HSL 53.88, 0.74%, 0.61%

LAB 84.67, -10.11, 64.73

 

CMYK 64 / 0 / 38 / 10

HEX #52E58D

RGB 82 229 141

HSL 144.08, 0.74%, 0.61%

LAB 81.71, -58.35, 31.69

 

Description

Color code: HEX #505EE5 | qconv.com Color code: HEX #505EE5 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 94 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 94 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 59 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 59% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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