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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5058784C it is the complementary color #AFA7874C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5058784C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5058784C shade: #5558734C, #666A864C, #777C994C, #888EAC4C and #99A0BF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5058784C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5058784C shade: #5058784C, #3F46654C, #2E34524C, #1D223F4C and #0C102C4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5058784C shade: #505877, #525077, #5D5077, #685077 and #735077

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5058784C shade: #505877 and #505077

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5058784C shade matches the following richer shades: #505877, #3F4E87, #2F4498, #1F3BA8 and #0F31B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5058784C shade: #505877, #606167, #706B57, #807447 and #907E37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5058784C shade: #506D77, #506277, #505877, #525077 and #5D5077

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5058784C shade: #2F3346, #3F455F, #505877, #606A90 and #767FA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5058784C shade: #505878, #775077 and #677750

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5058784C shade: #505878, #775058 and #587750

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5058784C shade: #505878, #775077, #776F50 and #507750

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5058784C shade: #505878, #77506B, #776F50 and #50775B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 8 / 0 / 16

HEX #5058784C

RGBA 80 88 120 0.3

HSLA 228, 0.2%, 0.39%, 0.3

LABA 37.92, 5.12, -19.14, 0.3

 

Complementary color

CMYK 0 / 1 / 7 / 9

HEX #AFA7874C

RGBA 175 167 135 0.3

HSLA 48, 0.2%, 0.61%, 0.3

LABA 68.39, -2.41, 17.62, 0.3

 

CMYK 8 / 7 / 0 / 16

HEX #5558734C

RGBA 85 88 115 0.3

HSLA 234, 0.15%, 0.39%, 0.3

LABA 38.11, 5.39, -15.73, 0.3

 

CMYK 7 / 6 / 0 / 14

HEX #666A864C

RGBA 102 106 134 0.3

HSLA 232.5, 0.14%, 0.46%, 0.3

LABA 45.43, 5.02, -15.95, 0.3

 

CMYK 7 / 6 / 0 / 12

HEX #777C994C

RGBA 119 124 153 0.3

HSLA 231.18, 0.14%, 0.53%, 0.3

LABA 52.55, 4.7, -16.2, 0.3

 

CMYK 6 / 5 / 0 / 10

HEX #888EAC4C

RGBA 136 142 172 0.3

HSLA 230, 0.18%, 0.6%, 0.3

LABA 59.49, 4.41, -16.48, 0.3

 

CMYK 6 / 5 / 0 / 8

HEX #99A0BF4C

RGBA 153 160 191 0.3

HSLA 228.95, 0.23%, 0.67%, 0.3

LABA 66.27, 4.15, -16.78, 0.3

 

CMYK 10 / 8 / 0 / 16

HEX #5058784C

RGBA 80 88 120 0.3

HSLA 228, 0.2%, 0.39%, 0.3

LABA 37.92, 5.12, -19.14, 0.3

 

CMYK 11 / 9 / 0 / 18

HEX #3F46654C

RGBA 63 70 101 0.3

HSLA 228.95, 0.23%, 0.32%, 0.3

LABA 30.34, 5.64, -19.07, 0.3

 

CMYK 13 / 11 / 0 / 20

HEX #2E34524C

RGBA 46 52 82 0.3

HSLA 230, 0.28%, 0.25%, 0.3

LABA 22.46, 6.33, -19.1, 0.3

 

CMYK 16 / 14 / 0 / 23

HEX #1D223F4C

RGBA 29 34 63 0.3

HSLA 231.18, 0.37%, 0.18%, 0.3

LABA 14.2, 7.32, -19.26, 0.3

 

CMYK 22 / 19 / 0 / 25

HEX #0C102C4C

RGBA 12 16 44 0.3

HSLA 232.5, 0.57%, 0.11%, 0.3

LABA 5.7, 7.87, -19.15, 0.3

 

CMYK 33 / 26 / 0 / 53

HEX #505877

RGB 80 88 119

HSL 227.69, 0.2%, 0.39%

LAB 37.87, 4.83, -18.59

 

CMYK 31 / 33 / 0 / 53

HEX #525077

RGB 82 80 119

HSL 243.08, 0.2%, 0.39%

LAB 35.72, 10.55, -21.91

 

CMYK 22 / 33 / 0 / 53

HEX #5D5077

RGB 93 80 119

HSL 260, 0.2%, 0.39%

LAB 36.74, 14.21, -20.25

 

CMYK 13 / 33 / 0 / 53

HEX #685077

RGB 104 80 119

HSL 276.92, 0.2%, 0.39%

LAB 37.86, 18.01, -18.42

 

CMYK 3 / 33 / 0 / 53

HEX #735077

RGB 115 80 119

HSL 293.85, 0.2%, 0.39%

LAB 39.09, 21.9, -16.42

 

CMYK 33 / 26 / 0 / 53

HEX #505877

RGB 80 88 119

HSL 227.69, 0.2%, 0.39%

LAB 37.87, 4.83, -18.59

 

CMYK 33 / 33 / 0 / 53

HEX #505077

RGB 80 80 119

HSL 240, 0.2%, 0.39%

LAB 35.55, 9.91, -22.19

 

CMYK 33 / 26 / 0 / 53

HEX #505877

RGB 80 88 119

HSL 227.69, 0.2%, 0.39%

LAB 37.87, 4.83, -18.59

 

CMYK 53 / 42 / 0 / 47

HEX #3F4E87

RGB 63 78 135

HSL 227.5, 0.36%, 0.39%

LAB 34.51, 11.43, -33.79

 

CMYK 69 / 55 / 0 / 40

HEX #2F4498

RGB 47 68 152

HSL 228, 0.53%, 0.39%

LAB 31.82, 20.99, -48.54

 

CMYK 82 / 65 / 0 / 34

HEX #1F3BA8

RGB 31 59 168

HSL 227.74, 0.69%, 0.39%

LAB 30.03, 31.16, -61.17

 

CMYK 92 / 73 / 0 / 28

HEX #0F31B8

RGB 15 49 184

HSL 227.93, 0.85%, 0.39%

LAB 28.8, 42.54, -72.77

 

CMYK 33 / 26 / 0 / 53

HEX #505877

RGB 80 88 119

HSL 227.69, 0.2%, 0.39%

LAB 37.87, 4.83, -18.59

 

CMYK 7 / 6 / 0 / 60

HEX #606167

RGB 96 97 103

HSL 231.43, 0.04%, 0.39%

LAB 41.24, 0.91, -3.54

 

CMYK 0 / 4 / 22 / 56

HEX #706B57

RGB 112 107 87

HSL 48, 0.13%, 0.39%

LAB 45.15, -1.67, 11.93

 

CMYK 0 / 9 / 45 / 50

HEX #807447

RGB 128 116 71

HSL 47.37, 0.29%, 0.39%

LAB 48.93, -2.15, 26.51

 

CMYK 0 / 13 / 62 / 44

HEX #907E37

RGB 144 126 55

HSL 47.87, 0.45%, 0.39%

LAB 53.09, -2.13, 40.33

 

CMYK 33 / 8 / 0 / 53

HEX #506D77

RGB 80 109 119

HSL 195.38, 0.2%, 0.39%

LAB 44.2, -7.89, -8.97

 

CMYK 33 / 18 / 0 / 53

HEX #506277

RGB 80 98 119

HSL 212.31, 0.2%, 0.39%

LAB 40.85, -1.35, -14.02

 

CMYK 33 / 26 / 0 / 53

HEX #505877

RGB 80 88 119

HSL 227.69, 0.2%, 0.39%

LAB 37.87, 4.83, -18.59

 

CMYK 31 / 33 / 0 / 53

HEX #525077

RGB 82 80 119

HSL 243.08, 0.2%, 0.39%

LAB 35.72, 10.55, -21.91

 

CMYK 22 / 33 / 0 / 53

HEX #5D5077

RGB 93 80 119

HSL 260, 0.2%, 0.39%

LAB 36.74, 14.21, -20.25

 

CMYK 33 / 27 / 0 / 73

HEX #2F3346

RGB 47 51 70

HSL 229.57, 0.2%, 0.23%

LAB 21.63, 3.53, -12.35

 

CMYK 34 / 27 / 0 / 63

HEX #3F455F

RGB 63 69 95

HSL 228.75, 0.2%, 0.31%

LAB 29.76, 4.5, -16.14

 

CMYK 33 / 26 / 0 / 53

HEX #505877

RGB 80 88 119

HSL 227.69, 0.2%, 0.39%

LAB 37.87, 4.83, -18.59

 

CMYK 33 / 26 / 0 / 44

HEX #606A90

RGB 96 106 144

HSL 227.5, 0.2%, 0.47%

LAB 45.37, 5.74, -22.05

 

CMYK 28 / 23 / 0 / 36

HEX #767FA4

RGB 118 127 164

HSL 228.26, 0.2%, 0.55%

LAB 53.72, 5.37, -20.81

 

CMYK 33 / 27 / 0 / 53

HEX #505878

RGB 80 88 120

HSL 228, 0.2%, 0.39%

LAB 37.92, 5.12, -19.14

 

CMYK 0 / 33 / 0 / 53

HEX #775077

RGB 119 80 119

HSL 300, 0.2%, 0.39%

LAB 39.57, 23.33, -15.66

 

CMYK 13 / 0 / 33 / 53

HEX #677750

RGB 103 119 80

HSL 84.62, 0.2%, 0.39%

LAB 47.82, -13.34, 19.55

 

CMYK 33 / 27 / 0 / 53

HEX #505878

RGB 80 88 120

HSL 228, 0.2%, 0.39%

LAB 37.92, 5.12, -19.14

 

CMYK 0 / 33 / 26 / 53

HEX #775058

RGB 119 80 88

HSL 347.69, 0.2%, 0.39%

LAB 38.49, 17.62, 1.97

 

CMYK 26 / 0 / 33 / 53

HEX #587750

RGB 88 119 80

HSL 107.69, 0.2%, 0.39%

LAB 46.77, -19.26, 17.96

 

CMYK 33 / 27 / 0 / 53

HEX #505878

RGB 80 88 120

HSL 228, 0.2%, 0.39%

LAB 37.92, 5.12, -19.14

 

CMYK 0 / 33 / 0 / 53

HEX #775077

RGB 119 80 119

HSL 300, 0.2%, 0.39%

LAB 39.57, 23.33, -15.66

 

CMYK 0 / 7 / 33 / 53

HEX #776F50

RGB 119 111 80

HSL 47.69, 0.2%, 0.39%

LAB 46.8, -2.07, 18.42

 

CMYK 33 / 0 / 33 / 53

HEX #507750

RGB 80 119 80

HSL 120, 0.2%, 0.39%

LAB 46.28, -22.22, 17.21

 

CMYK 33 / 27 / 0 / 53

HEX #505878

RGB 80 88 120

HSL 228, 0.2%, 0.39%

LAB 37.92, 5.12, -19.14

 

CMYK 0 / 33 / 10 / 53

HEX #77506B

RGB 119 80 107

HSL 318.46, 0.2%, 0.39%

LAB 39.11, 20.95, -8.94

 

CMYK 0 / 7 / 33 / 53

HEX #776F50

RGB 119 111 80

HSL 47.69, 0.2%, 0.39%

LAB 46.8, -2.07, 18.42

 

CMYK 33 / 0 / 24 / 53

HEX #50775B

RGB 80 119 91

HSL 136.92, 0.2%, 0.39%

LAB 46.52, -20.09, 11.11

 

Description

Color code: HEX #5058784C | qconv.com Color code: HEX #5058784C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 88 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 88 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 8 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 8% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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