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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #504E2B it is the complementary color #AFB1D4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #504E2B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #504E2B shade: #554E26, #666039, #77724C, #88845F and #999672

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #504E2B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #504E2B shade: #504E2B, #3F3C18, #2E2A05, #1D1800 and #0C0600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #504E2B shade: #504E2B, #50442B, #503A2B, #50302B and #502B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #504E2B shade: #504E2B, #48502B, #3E502B, #34502B and #2B502C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #504E2B shade matches the following richer shades: #504E2B, #595621, #635F17, #6D680D and #777103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #504E2B shade: #504E2B, #464535, #3C3C3F, #323349 and #282A52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #504E2B shade: #503A2B, #50432B, #504D2B, #48502B and #3E502B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #504E2B shade: #1A190E, #35331C, #504E2B, #6A6839 and #858248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #504E2B shade: #504E2B, #2B5030 and #3E2B50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #504E2B shade: #504E2B, #2B504D and #4D2B50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #504E2B shade: #504E2B, #2B5030, #2B2D50 and #502B4B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #504E2B shade: #504E2B, #2B503B, #2B2D50 and #502B40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 46 / 69

HEX #504E2B

RGB 80 78 43

HSL 56.76, 0.3%, 0.24%

LAB 32.54, -5.1, 20.97

 

Complementary color

CMYK 17 / 17 / 0 / 17

HEX #AFB1D4

RGB 175 177 212

HSL 236.76, 0.3%, 0.76%

LAB 73.1, 6.48, -17.88

 

CMYK 0 / 8 / 55 / 67

HEX #554E26

RGB 85 78 38

HSL 51.06, 0.38%, 0.24%

LAB 32.96, -3.27, 24.51

 

CMYK 0 / 6 / 44 / 60

HEX #666039

RGB 102 96 57

HSL 52, 0.28%, 0.31%

LAB 40.39, -3.89, 23.11

 

CMYK 0 / 4 / 36 / 53

HEX #77724C

RGB 119 114 76

HSL 53.02, 0.22%, 0.38%

LAB 47.6, -4.34, 21.79

 

CMYK 0 / 3 / 30 / 47

HEX #88845F

RGB 136 132 95

HSL 54.15, 0.18%, 0.45%

LAB 54.62, -4.69, 20.57

 

CMYK 0 / 2 / 25 / 40

HEX #999672

RGB 153 150 114

HSL 55.38, 0.16%, 0.52%

LAB 61.48, -4.96, 19.44

 

CMYK 0 / 2 / 46 / 69

HEX #504E2B

RGB 80 78 43

HSL 56.76, 0.3%, 0.24%

LAB 32.54, -5.1, 20.97

 

CMYK 0 / 5 / 62 / 75

HEX #3F3C18

RGB 63 60 24

HSL 55.38, 0.45%, 0.17%

LAB 24.81, -4.48, 22.39

 

CMYK 0 / 9 / 89 / 82

HEX #2E2A05

RGB 46 42 5

HSL 54.15, 0.8%, 0.1%

LAB 16.74, -3.48, 22.09

 

CMYK 0 / 17 / 100 / 89

HEX #1D1800

RGB 29 24 0

HSL 49.66, 1%, 0.06%

LAB 8.26, -1.46, 12.34

 

CMYK 0 / 50 / 100 / 95

HEX #0C0600

RGB 12 6 0

HSL 30, 1%, 0.02%

LAB 1.88, 0.76, 2.83

 

CMYK 0 / 2 / 46 / 69

HEX #504E2B

RGB 80 78 43

HSL 56.76, 0.3%, 0.24%

LAB 32.54, -5.1, 20.97

 

CMYK 0 / 15 / 46 / 69

HEX #50442B

RGB 80 68 43

HSL 40.54, 0.3%, 0.24%

LAB 29.45, 1.08, 17.03

 

CMYK 0 / 28 / 46 / 69

HEX #503A2B

RGB 80 58 43

HSL 24.32, 0.3%, 0.24%

LAB 26.47, 7.47, 13.11

 

CMYK 0 / 40 / 46 / 69

HEX #50302B

RGB 80 48 43

HSL 8.11, 0.3%, 0.24%

LAB 23.65, 13.92, 9.31

 

CMYK 0 / 46 / 46 / 69

HEX #502B2B

RGB 80 43 43

HSL 0, 0.3%, 0.24%

LAB 22.33, 17.11, 7.48

 

CMYK 0 / 2 / 46 / 69

HEX #504E2B

RGB 80 78 43

HSL 56.76, 0.3%, 0.24%

LAB 32.54, -5.1, 20.97

 

CMYK 10 / 0 / 46 / 69

HEX #48502B

RGB 72 80 43

HSL 72.97, 0.3%, 0.24%

LAB 32.46, -10.03, 20.71

 

CMYK 23 / 0 / 46 / 69

HEX #3E502B

RGB 62 80 43

HSL 89.19, 0.3%, 0.24%

LAB 31.66, -14.52, 19.53

 

CMYK 35 / 0 / 46 / 69

HEX #34502B

RGB 52 80 43

HSL 105.41, 0.3%, 0.24%

LAB 30.98, -18.69, 18.52

 

CMYK 46 / 0 / 45 / 69

HEX #2B502C

RGB 43 80 44

HSL 121.62, 0.3%, 0.24%

LAB 30.48, -21.91, 17.18

 

CMYK 0 / 2 / 46 / 69

HEX #504E2B

RGB 80 78 43

HSL 56.76, 0.3%, 0.24%

LAB 32.54, -5.1, 20.97

 

CMYK 0 / 3 / 63 / 65

HEX #595621

RGB 89 86 33

HSL 56.79, 0.46%, 0.24%

LAB 35.77, -6.59, 30.6

 

CMYK 0 / 4 / 77 / 61

HEX #635F17

RGB 99 95 23

HSL 56.84, 0.62%, 0.24%

LAB 39.41, -7.67, 39.31

 

CMYK 0 / 5 / 88 / 57

HEX #6D680D

RGB 109 104 13

HSL 56.88, 0.79%, 0.24%

LAB 43.03, -8.39, 46.28

 

CMYK 0 / 5 / 97 / 53

HEX #777103

RGB 119 113 3

HSL 56.9, 0.95%, 0.24%

LAB 46.63, -8.89, 51.82

 

CMYK 0 / 2 / 46 / 69

HEX #504E2B

RGB 80 78 43

HSL 56.76, 0.3%, 0.24%

LAB 32.54, -5.1, 20.97

 

CMYK 0 / 1 / 24 / 73

HEX #464535

RGB 70 69 53

HSL 56.47, 0.14%, 0.24%

LAB 28.94, -2.74, 9.85

 

CMYK 5 / 5 / 0 / 75

HEX #3C3C3F

RGB 60 60 63

HSL 240, 0.02%, 0.24%

LAB 25.42, 0.69, -1.85

 

CMYK 32 / 30 / 0 / 71

HEX #323349

RGB 50 51 73

HSL 237.39, 0.19%, 0.24%

LAB 22.04, 5.51, -13.72

 

CMYK 51 / 49 / 0 / 68

HEX #282A52

RGB 40 42 82

HSL 237.14, 0.34%, 0.24%

LAB 18.87, 11.59, -24.81

 

CMYK 0 / 28 / 46 / 69

HEX #503A2B

RGB 80 58 43

HSL 24.32, 0.3%, 0.24%

LAB 26.47, 7.47, 13.11

 

CMYK 0 / 16 / 46 / 69

HEX #50432B

RGB 80 67 43

HSL 38.92, 0.3%, 0.24%

LAB 29.14, 1.71, 16.63

 

CMYK 0 / 4 / 46 / 69

HEX #504D2B

RGB 80 77 43

HSL 55.14, 0.3%, 0.24%

LAB 32.23, -4.49, 20.58

 

CMYK 10 / 0 / 46 / 69

HEX #48502B

RGB 72 80 43

HSL 72.97, 0.3%, 0.24%

LAB 32.46, -10.03, 20.71

 

CMYK 23 / 0 / 46 / 69

HEX #3E502B

RGB 62 80 43

HSL 89.19, 0.3%, 0.24%

LAB 31.66, -14.52, 19.53

 

CMYK 0 / 4 / 46 / 90

HEX #1A190E

RGB 26 25 14

HSL 55, 0.3%, 0.08%

LAB 8.54, -1.87, 6.81

 

CMYK 0 / 4 / 47 / 79

HEX #35331C

RGB 53 51 28

HSL 55.2, 0.31%, 0.16%

LAB 20.86, -3.33, 14.9

 

CMYK 0 / 2 / 46 / 69

HEX #504E2B

RGB 80 78 43

HSL 56.76, 0.3%, 0.24%

LAB 32.54, -5.1, 20.97

 

CMYK 0 / 2 / 46 / 58

HEX #6A6839

RGB 106 104 57

HSL 57.55, 0.3%, 0.32%

LAB 43.15, -6.72, 26.66

 

CMYK 0 / 2 / 46 / 48

HEX #858248

RGB 133 130 72

HSL 57.05, 0.3%, 0.4%

LAB 53.41, -7.71, 31.67

 

CMYK 0 / 2 / 46 / 69

HEX #504E2B

RGB 80 78 43

HSL 56.76, 0.3%, 0.24%

LAB 32.54, -5.1, 20.97

 

CMYK 46 / 0 / 40 / 69

HEX #2B5030

RGB 43 80 48

HSL 128.11, 0.3%, 0.24%

LAB 30.55, -21.16, 14.84

 

CMYK 23 / 46 / 0 / 69

HEX #3E2B50

RGB 62 43 80

HSL 270.81, 0.3%, 0.24%

LAB 21.32, 17.26, -19.44

 

CMYK 0 / 2 / 46 / 69

HEX #504E2B

RGB 80 78 43

HSL 56.76, 0.3%, 0.24%

LAB 32.54, -5.1, 20.97

 

CMYK 46 / 0 / 4 / 69

HEX #2B504D

RGB 43 80 77

HSL 175.14, 0.3%, 0.24%

LAB 31.32, -14.08, -2.39

 

CMYK 4 / 46 / 0 / 69

HEX #4D2B50

RGB 77 43 80

HSL 295.14, 0.3%, 0.24%

LAB 23.29, 22.55, -16.23

 

CMYK 0 / 2 / 46 / 69

HEX #504E2B

RGB 80 78 43

HSL 56.76, 0.3%, 0.24%

LAB 32.54, -5.1, 20.97

 

CMYK 46 / 0 / 40 / 69

HEX #2B5030

RGB 43 80 48

HSL 128.11, 0.3%, 0.24%

LAB 30.55, -21.16, 14.84

 

CMYK 46 / 44 / 0 / 69

HEX #2B2D50

RGB 43 45 80

HSL 236.76, 0.3%, 0.24%

LAB 19.92, 9.63, -21.78

 

CMYK 0 / 46 / 6 / 69

HEX #502B4B

RGB 80 43 75

HSL 308.11, 0.3%, 0.24%

LAB 23.48, 22.56, -12.55

 

CMYK 0 / 2 / 46 / 69

HEX #504E2B

RGB 80 78 43

HSL 56.76, 0.3%, 0.24%

LAB 32.54, -5.1, 20.97

 

CMYK 46 / 0 / 26 / 69

HEX #2B503B

RGB 43 80 59

HSL 145.95, 0.3%, 0.24%

LAB 30.8, -18.79, 8.31

 

CMYK 46 / 44 / 0 / 69

HEX #2B2D50

RGB 43 45 80

HSL 236.76, 0.3%, 0.24%

LAB 19.92, 9.63, -21.78

 

CMYK 0 / 46 / 20 / 69

HEX #502B40

RGB 80 43 64

HSL 325.95, 0.3%, 0.24%

LAB 23.01, 20.41, -5.84

 

Description

Color code: HEX #504E2B | qconv.com Color code: HEX #504E2B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 78 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 78 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 46 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 46% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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