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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #504D474C it is the complementary color #AFB2B84C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #504D474C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #504D474C shade: #554D424C, #665F554C, #7771684C, #88837B4C and #99958E4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #504D474C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #504D474C shade: #504D474C, #3F3B344C, #2E29214C, #1D170E4C and #0C05004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #504D474C shade: #514E48, #514C48, #514948 and #514848

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #504D474C shade: #514E48, #515148, #4F5148, #4D5148 and #4A5148

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #504D474C shade matches the following richer shades: #514E48, #5D523C, #6A562F, #765A23 and #835F16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #504D474C shade: #514E48, #454A54, #384661, #2C426D and #203E79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #504D474C shade: #514948, #514C48, #514E48, #515048 and #4F5148

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #504D474C shade: #252421, #3B3935, #514E48, #67635B and #7D786F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #504D474C shade: #504D47, #495148 and #4A4851

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #504D474C shade: #504D47, #48514E and #4E4851

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #504D474C shade: #504D47, #495148, #484B51 and #504851

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #504D474C shade: #504D47, #485149, #484B51 and #514850

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 1 / 3 / 21

HEX #504D474C

RGBA 80 77 71 0.3

HSLA 40, 0.06%, 0.3%, 0.3

LABA 32.85, 0.01, 3.99, 0.3

 

Complementary color

CMYK 1 / 1 / 0 / 8

HEX #AFB2B84C

RGBA 175 178 184 0.3

HSLA 220, 0.06%, 0.7%, 0.3

LABA 72.51, 0.11, -3.43, 0.3

 

CMYK 0 / 3 / 7 / 20

HEX #554D424C

RGBA 85 77 66 0.3

HSLA 34.74, 0.13%, 0.3%, 0.3

LABA 33.21, 1.25, 7.73, 0.3

 

CMYK 0 / 2 / 5 / 18

HEX #665F554C

RGBA 102 95 85 0.3

HSLA 35.29, 0.09%, 0.37%, 0.3

LABA 40.68, 0.91, 6.73, 0.3

 

CMYK 0 / 2 / 4 / 16

HEX #7771684C

RGBA 119 113 104 0.3

HSLA 36, 0.07%, 0.44%, 0.3

LABA 47.92, 0.63, 5.82, 0.3

 

CMYK 0 / 1 / 3 / 14

HEX #88837B4C

RGBA 136 131 123 0.3

HSLA 36.92, 0.05%, 0.51%, 0.3

LABA 54.97, 0.38, 4.98, 0.3

 

CMYK 0 / 1 / 2 / 12

HEX #99958E4C

RGBA 153 149 142 0.3

HSLA 38.18, 0.05%, 0.58%, 0.3

LABA 61.84, 0.17, 4.2, 0.3

 

CMYK 0 / 1 / 3 / 21

HEX #504D474C

RGBA 80 77 71 0.3

HSLA 40, 0.06%, 0.3%, 0.3

LABA 32.85, 0.01, 3.99, 0.3

 

CMYK 0 / 2 / 5 / 23

HEX #3F3B344C

RGBA 63 59 52 0.3

HSLA 38.18, 0.1%, 0.23%, 0.3

LABA 25.05, 0.29, 4.96, 0.3

 

CMYK 0 / 3 / 8 / 25

HEX #2E29214C

RGBA 46 41 33 0.3

HSLA 36.92, 0.16%, 0.15%, 0.3

LABA 16.88, 0.66, 6.09, 0.3

 

CMYK 0 / 6 / 16 / 27

HEX #1D170E4C

RGBA 29 23 14 0.3

HSLA 36, 0.35%, 0.08%, 0.3

LABA 8.18, 1.26, 6.33, 0.3

 

CMYK 0 / 18 / 30 / 29

HEX #0C05004C

RGBA 12 5 0 0.3

HSLA 25, 1%, 0.02%, 0.3

LABA 1.69, 1.16, 2.55, 0.3

 

CMYK 0 / 4 / 11 / 68

HEX #514E48

RGB 81 78 72

HSL 40, 0.06%, 0.3%

LAB 33.28, 0.01, 3.99

 

CMYK 0 / 6 / 11 / 68

HEX #514C48

RGB 81 76 72

HSL 26.67, 0.06%, 0.3%

LAB 32.67, 1.26, 3.11

 

CMYK 0 / 10 / 11 / 68

HEX #514948

RGB 81 73 72

HSL 6.67, 0.06%, 0.3%

LAB 31.77, 3.15, 1.81

 

CMYK 0 / 11 / 11 / 68

HEX #514848

RGB 81 72 72

HSL 0, 0.06%, 0.3%

LAB 31.47, 3.78, 1.38

 

CMYK 0 / 4 / 11 / 68

HEX #514E48

RGB 81 78 72

HSL 40, 0.06%, 0.3%

LAB 33.28, 0.01, 3.99

 

CMYK 0 / 0 / 11 / 68

HEX #515148

RGB 81 81 72

HSL 60, 0.06%, 0.3%

LAB 34.19, -1.84, 5.3

 

CMYK 2 / 0 / 11 / 68

HEX #4F5148

RGB 79 81 72

HSL 73.33, 0.06%, 0.3%

LAB 34.01, -2.69, 5.01

 

CMYK 5 / 0 / 11 / 68

HEX #4D5148

RGB 77 81 72

HSL 86.67, 0.06%, 0.3%

LAB 33.84, -3.53, 4.74

 

CMYK 9 / 0 / 11 / 68

HEX #4A5148

RGB 74 81 72

HSL 106.67, 0.06%, 0.3%

LAB 33.58, -4.77, 4.34

 

CMYK 0 / 4 / 11 / 68

HEX #514E48

RGB 81 78 72

HSL 40, 0.06%, 0.3%

LAB 33.28, 0.01, 3.99

 

CMYK 0 / 12 / 35 / 64

HEX #5D523C

RGB 93 82 60

HSL 40, 0.22%, 0.3%

LAB 35.38, 0.8, 14.59

 

CMYK 0 / 19 / 56 / 58

HEX #6A562F

RGB 106 86 47

HSL 39.66, 0.39%, 0.3%

LAB 37.71, 2.84, 25.62

 

CMYK 0 / 24 / 70 / 54

HEX #765A23

RGB 118 90 35

HSL 39.76, 0.54%, 0.3%

LAB 40.06, 5.18, 35.15

 

CMYK 0 / 27 / 83 / 49

HEX #835F16

RGB 131 95 22

HSL 40.18, 0.71%, 0.3%

LAB 42.86, 7.77, 44.16

 

CMYK 0 / 4 / 11 / 68

HEX #514E48

RGB 81 78 72

HSL 40, 0.06%, 0.3%

LAB 33.28, 0.01, 3.99

 

CMYK 18 / 12 / 0 / 67

HEX #454A54

RGB 69 74 84

HSL 220, 0.1%, 0.3%

LAB 31.35, 0.39, -6.62

 

CMYK 42 / 28 / 0 / 62

HEX #384661

RGB 56 70 97

HSL 219.51, 0.27%, 0.3%

LAB 29.62, 2.2, -17.67

 

CMYK 60 / 39 / 0 / 57

HEX #2C426D

RGB 44 66 109

HSL 219.69, 0.42%, 0.3%

LAB 28.21, 5.69, -27.6

 

CMYK 74 / 49 / 0 / 53

HEX #203E79

RGB 32 62 121

HSL 219.78, 0.58%, 0.3%

LAB 27.11, 10.68, -36.99

 

CMYK 0 / 10 / 11 / 68

HEX #514948

RGB 81 73 72

HSL 6.67, 0.06%, 0.3%

LAB 31.77, 3.15, 1.81

 

CMYK 0 / 6 / 11 / 68

HEX #514C48

RGB 81 76 72

HSL 26.67, 0.06%, 0.3%

LAB 32.67, 1.26, 3.11

 

CMYK 0 / 4 / 11 / 68

HEX #514E48

RGB 81 78 72

HSL 40, 0.06%, 0.3%

LAB 33.28, 0.01, 3.99

 

CMYK 0 / 1 / 11 / 68

HEX #515048

RGB 81 80 72

HSL 53.33, 0.06%, 0.3%

LAB 33.89, -1.23, 4.86

 

CMYK 2 / 0 / 11 / 68

HEX #4F5148

RGB 79 81 72

HSL 73.33, 0.06%, 0.3%

LAB 34.01, -2.69, 5.01

 

CMYK 0 / 3 / 11 / 85

HEX #252421

RGB 37 36 33

HSL 45, 0.06%, 0.14%

LAB 14.2, -0.24, 2.17

 

CMYK 0 / 3 / 10 / 77

HEX #3B3935

RGB 59 57 53

HSL 40, 0.05%, 0.22%

LAB 24.04, -0, 2.8

 

CMYK 0 / 4 / 11 / 68

HEX #514E48

RGB 81 78 72

HSL 40, 0.06%, 0.3%

LAB 33.28, 0.01, 3.99

 

CMYK 0 / 4 / 12 / 60

HEX #67635B

RGB 103 99 91

HSL 40, 0.06%, 0.38%

LAB 42.1, 0.02, 5.1

 

CMYK 0 / 4 / 11 / 51

HEX #7D786F

RGB 125 120 111

HSL 38.57, 0.06%, 0.46%

LAB 50.62, 0.22, 5.62

 

CMYK 0 / 4 / 11 / 69

HEX #504D47

RGB 80 77 71

HSL 40, 0.06%, 0.3%

LAB 32.85, 0.01, 3.99

 

CMYK 10 / 0 / 11 / 68

HEX #495148

RGB 73 81 72

HSL 113.33, 0.06%, 0.3%

LAB 33.5, -5.18, 4.21

 

CMYK 9 / 11 / 0 / 68

HEX #4A4851

RGB 74 72 81

HSL 253.33, 0.06%, 0.3%

LAB 31.08, 2.87, -5.06

 

CMYK 0 / 4 / 11 / 69

HEX #504D47

RGB 80 77 71

HSL 40, 0.06%, 0.3%

LAB 32.85, 0.01, 3.99

 

CMYK 11 / 0 / 4 / 68

HEX #48514E

RGB 72 81 78

HSL 160, 0.06%, 0.3%

LAB 33.59, -4.26, 0.54

 

CMYK 4 / 11 / 0 / 68

HEX #4E4851

RGB 78 72 81

HSL 280, 0.06%, 0.3%

LAB 31.46, 4.46, -4.45

 

CMYK 0 / 4 / 11 / 69

HEX #504D47

RGB 80 77 71

HSL 40, 0.06%, 0.3%

LAB 32.85, 0.01, 3.99

 

CMYK 10 / 0 / 11 / 68

HEX #495148

RGB 73 81 72

HSL 113.33, 0.06%, 0.3%

LAB 33.5, -5.18, 4.21

 

CMYK 11 / 7 / 0 / 68

HEX #484B51

RGB 72 75 81

HSL 220, 0.06%, 0.3%

LAB 31.82, 0.17, -3.98

 

CMYK 1 / 11 / 0 / 68

HEX #504851

RGB 80 72 81

HSL 293.33, 0.06%, 0.3%

LAB 31.66, 5.27, -4.13

 

CMYK 0 / 4 / 11 / 69

HEX #504D47

RGB 80 77 71

HSL 40, 0.06%, 0.3%

LAB 32.85, 0.01, 3.99

 

CMYK 11 / 0 / 10 / 68

HEX #485149

RGB 72 81 73

HSL 126.67, 0.06%, 0.3%

LAB 33.44, -5.37, 3.49

 

CMYK 11 / 7 / 0 / 68

HEX #484B51

RGB 72 75 81

HSL 220, 0.06%, 0.3%

LAB 31.82, 0.17, -3.98

 

CMYK 0 / 11 / 1 / 68

HEX #514850

RGB 81 72 80

HSL 306.67, 0.06%, 0.3%

LAB 31.72, 5.45, -3.38

 

Description

Color code: HEX #504D474C | qconv.com Color code: HEX #504D474C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 77 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 77 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 1 magenta, 3 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 1% 3% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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