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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50472ACE it is the complementary color #AFB8D5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50472ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50472ACE shade: #554725CE, #665938CE, #776B4BCE, #887D5ECE and #998F71CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50472ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50472ACE shade: #50472ACE, #3F3517CE, #2E2304CE, #1D1100CE and #0C0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50472ACE shade: #50472A, #503D2A, #50332A and #502A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50472ACE shade: #50472A, #4F502A, #45502A, #3A502A and #30502A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50472ACE shade matches the following richer shades: #50472A, #5A4C20, #645216, #6E570D and #785C03

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50472ACE shade: #50472A, #464234, #3C3D3E, #323848 and #293252

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50472ACE shade: #50322A, #503D2A, #50472A, #50502A and #45502A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50472ACE shade: #1A170E, #352F1C, #50472A, #6B5F38 and #867747

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50472ACE shade: #50472A, #2C502A and #382A50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50472ACE shade: #50472A, #2A5047 and #472A50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50472ACE shade: #50472A, #2C502A, #2A3450 and #4E2A50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50472ACE shade: #50472A, #2A5034, #2A3450 and #502A47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 38 / 56

HEX #50472ACE

RGBA 80 71 42 0.81

HSLA 45.79, 0.31%, 0.24%, 0.81

LABA 30.35, -0.92, 18.8, 0.81

 

Complementary color

CMYK 14 / 11 / 0 / 13

HEX #AFB8D5CE

RGBA 175 184 213 0.81

HSLA 225.79, 0.31%, 0.76%, 0.81

LABA 74.95, 2.88, -15.63, 0.81

 

CMYK 0 / 13 / 46 / 54

HEX #554725CE

RGBA 85 71 37 0.81

HSLA 42.5, 0.39%, 0.24%, 0.81

LABA 30.81, 0.94, 22.5, 0.81

 

CMYK 0 / 10 / 37 / 49

HEX #665938CE

RGBA 102 89 56 0.81

HSLA 43.04, 0.29%, 0.31%, 0.81

LABA 38.3, 0.15, 21.02, 0.81

 

CMYK 0 / 8 / 30 / 43

HEX #776B4BCE

RGBA 119 107 75 0.81

HSLA 43.64, 0.23%, 0.38%, 0.81

LABA 45.56, -0.43, 19.68, 0.81

 

CMYK 0 / 7 / 25 / 38

HEX #887D5ECE

RGBA 136 125 94 0.81

HSLA 44.29, 0.18%, 0.45%, 0.81

LABA 52.63, -0.89, 18.45, 0.81

 

CMYK 0 / 5 / 21 / 32

HEX #998F71CE

RGBA 153 143 113 0.81

HSLA 45, 0.16%, 0.52%, 0.81

LABA 59.53, -1.25, 17.33, 0.81

 

CMYK 0 / 9 / 38 / 56

HEX #50472ACE

RGBA 80 71 42 0.81

HSLA 45.79, 0.31%, 0.24%, 0.81

LABA 30.35, -0.92, 18.8, 0.81

 

CMYK 0 / 13 / 51 / 61

HEX #3F3517CE

RGBA 63 53 23 0.81

HSLA 45, 0.47%, 0.17%, 0.81

LABA 22.53, -0.09, 20.32, 0.81

 

CMYK 0 / 19 / 74 / 66

HEX #2E2304CE

RGBA 46 35 4 0.81

HSLA 44.29, 0.84%, 0.1%, 0.81

LABA 14.35, 1.19, 19.48, 0.81

 

CMYK 0 / 34 / 81 / 72

HEX #1D1100CE

RGBA 29 17 0 0.81

HSLA 35.17, 1%, 0.06%, 0.81

LABA 5.98, 3.19, 9.02, 0.81

 

CMYK 0 / 81 / 81 / 77

HEX #0C0000CE

RGBA 12 0 0 0.81

HSLA 0, 1%, 0.02%, 0.81

LABA 0.71, 3.17, 1.12, 0.81

 

CMYK 0 / 11 / 48 / 69

HEX #50472A

RGB 80 71 42

HSL 45.79, 0.31%, 0.24%

LAB 30.35, -0.92, 18.8

 

CMYK 0 / 24 / 48 / 69

HEX #503D2A

RGB 80 61 42

HSL 30, 0.31%, 0.24%

LAB 27.33, 5.41, 14.89

 

CMYK 0 / 36 / 48 / 69

HEX #50332A

RGB 80 51 42

HSL 14.21, 0.31%, 0.24%

LAB 24.45, 11.86, 11.06

 

CMYK 0 / 48 / 48 / 69

HEX #502A2A

RGB 80 42 42

HSL 0, 0.31%, 0.24%

LAB 22.05, 17.61, 7.77

 

CMYK 0 / 11 / 48 / 69

HEX #50472A

RGB 80 71 42

HSL 45.79, 0.31%, 0.24%

LAB 30.35, -0.92, 18.8

 

CMYK 1 / 0 / 48 / 69

HEX #4F502A

RGB 79 80 42

HSL 61.58, 0.31%, 0.24%

LAB 33.06, -6.9, 22.19

 

CMYK 14 / 0 / 48 / 69

HEX #45502A

RGB 69 80 42

HSL 77.37, 0.31%, 0.24%

LAB 32.19, -11.54, 20.91

 

CMYK 28 / 0 / 48 / 69

HEX #3A502A

RGB 58 80 42

HSL 94.74, 0.31%, 0.24%

LAB 31.36, -16.38, 19.68

 

CMYK 40 / 0 / 48 / 69

HEX #30502A

RGB 48 80 42

HSL 110.53, 0.31%, 0.24%

LAB 30.72, -20.42, 18.74

 

CMYK 0 / 11 / 48 / 69

HEX #50472A

RGB 80 71 42

HSL 45.79, 0.31%, 0.24%

LAB 30.35, -0.92, 18.8

 

CMYK 0 / 16 / 64 / 65

HEX #5A4C20

RGB 90 76 32

HSL 45.52, 0.48%, 0.24%

LAB 32.8, -0.16, 27.82

 

CMYK 0 / 18 / 78 / 61

HEX #645216

RGB 100 82 22

HSL 46.15, 0.64%, 0.24%

LAB 35.6, 0.46, 36.07

 

CMYK 0 / 21 / 88 / 57

HEX #6E570D

RGB 110 87 13

HSL 45.77, 0.79%, 0.24%

LAB 38.13, 2.03, 42.19

 

CMYK 0 / 23 / 98 / 53

HEX #785C03

RGB 120 92 3

HSL 45.64, 0.95%, 0.24%

LAB 40.66, 3.71, 47.46

 

CMYK 0 / 11 / 48 / 69

HEX #50472A

RGB 80 71 42

HSL 45.79, 0.31%, 0.24%

LAB 30.35, -0.92, 18.8

 

CMYK 0 / 6 / 26 / 73

HEX #464234

RGB 70 66 52

HSL 46.67, 0.15%, 0.24%

LAB 27.97, -1.02, 9.15

 

CMYK 3 / 2 / 0 / 76

HEX #3C3D3E

RGB 60 61 62

HSL 210, 0.02%, 0.24%

LAB 25.7, -0.19, -0.77

 

CMYK 31 / 22 / 0 / 72

HEX #323848

RGB 50 56 72

HSL 223.64, 0.18%, 0.24%

LAB 23.59, 1.81, -10.68

 

CMYK 50 / 39 / 0 / 68

HEX #293252

RGB 41 50 82

HSL 226.83, 0.33%, 0.24%

LAB 21.44, 6.2, -20.74

 

CMYK 0 / 38 / 48 / 69

HEX #50322A

RGB 80 50 42

HSL 12.63, 0.31%, 0.24%

LAB 24.17, 12.51, 10.69

 

CMYK 0 / 24 / 48 / 69

HEX #503D2A

RGB 80 61 42

HSL 30, 0.31%, 0.24%

LAB 27.33, 5.41, 14.89

 

CMYK 0 / 11 / 48 / 69

HEX #50472A

RGB 80 71 42

HSL 45.79, 0.31%, 0.24%

LAB 30.35, -0.92, 18.8

 

CMYK 0 / 0 / 48 / 69

HEX #50502A

RGB 80 80 42

HSL 60, 0.31%, 0.24%

LAB 33.16, -6.42, 22.32

 

CMYK 14 / 0 / 48 / 69

HEX #45502A

RGB 69 80 42

HSL 77.37, 0.31%, 0.24%

LAB 32.19, -11.54, 20.91

 

CMYK 0 / 12 / 46 / 90

HEX #1A170E

RGB 26 23 14

HSL 45, 0.3%, 0.08%

LAB 7.81, -0.4, 5.74

 

CMYK 0 / 11 / 47 / 79

HEX #352F1C

RGB 53 47 28

HSL 45.6, 0.31%, 0.16%

LAB 19.53, -0.7, 13.2

 

CMYK 0 / 11 / 48 / 69

HEX #50472A

RGB 80 71 42

HSL 45.79, 0.31%, 0.24%

LAB 30.35, -0.92, 18.8

 

CMYK 0 / 11 / 48 / 58

HEX #6B5F38

RGB 107 95 56

HSL 45.88, 0.31%, 0.32%

LAB 40.57, -1.13, 24.02

 

CMYK 0 / 11 / 47 / 47

HEX #867747

RGB 134 119 71

HSL 45.71, 0.31%, 0.4%

LAB 50.35, -1.21, 28.43

 

CMYK 0 / 11 / 48 / 69

HEX #50472A

RGB 80 71 42

HSL 45.79, 0.31%, 0.24%

LAB 30.35, -0.92, 18.8

 

CMYK 45 / 0 / 48 / 69

HEX #2C502A

RGB 44 80 42

HSL 116.84, 0.31%, 0.24%

LAB 30.5, -21.91, 18.41

 

CMYK 30 / 48 / 0 / 69

HEX #382A50

RGB 56 42 80

HSL 262.11, 0.31%, 0.24%

LAB 20.35, 15.9, -21.02

 

CMYK 0 / 11 / 48 / 69

HEX #50472A

RGB 80 71 42

HSL 45.79, 0.31%, 0.24%

LAB 30.35, -0.92, 18.8

 

CMYK 48 / 0 / 11 / 69

HEX #2A5047

RGB 42 80 71

HSL 165.79, 0.31%, 0.24%

LAB 31.08, -16.06, 1.09

 

CMYK 11 / 48 / 0 / 69

HEX #472A50

RGB 71 42 80

HSL 285.79, 0.31%, 0.24%

LAB 22.21, 21.06, -17.96

 

CMYK 0 / 11 / 48 / 69

HEX #50472A

RGB 80 71 42

HSL 45.79, 0.31%, 0.24%

LAB 30.35, -0.92, 18.8

 

CMYK 45 / 0 / 48 / 69

HEX #2C502A

RGB 44 80 42

HSL 116.84, 0.31%, 0.24%

LAB 30.5, -21.91, 18.41

 

CMYK 48 / 35 / 0 / 69

HEX #2A3450

RGB 42 52 80

HSL 224.21, 0.31%, 0.24%

LAB 22.04, 4.41, -18.45

 

CMYK 2 / 48 / 0 / 69

HEX #4E2A50

RGB 78 42 80

HSL 296.84, 0.31%, 0.24%

LAB 23.19, 23.52, -16.37

 

CMYK 0 / 11 / 48 / 69

HEX #50472A

RGB 80 71 42

HSL 45.79, 0.31%, 0.24%

LAB 30.35, -0.92, 18.8

 

CMYK 48 / 0 / 35 / 69

HEX #2A5034

RGB 42 80 52

HSL 135.79, 0.31%, 0.24%

LAB 30.59, -20.68, 12.4

 

CMYK 48 / 35 / 0 / 69

HEX #2A3450

RGB 42 52 80

HSL 224.21, 0.31%, 0.24%

LAB 22.04, 4.41, -18.45

 

CMYK 0 / 48 / 11 / 69

HEX #502A47

RGB 80 42 71

HSL 314.21, 0.31%, 0.24%

LAB 23.05, 22.36, -10.51

 

Description

Color code: HEX #50472ACE | qconv.com Color code: HEX #50472ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 71 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 71 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 38 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 38% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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