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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #503FBA3F it is the complementary color #AFC0453F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #503FBA3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #503FBA3F shade: #553FB53F, #6651C83F, #7763DB3F, #8875EE3F and #9987FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #503FBA3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #503FBA3F shade: #503FBA3F, #3F2DA73F, #2E1B943F, #1D09813F and #0C006E3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #503FBA3F shade: #5140BA, #7240BA, #9340BA, #B440BA and #BA40A0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #503FBA3F shade: #5140BA and #4040BA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #503FBA3F shade matches the following richer shades: #5140BA, #422CCE, #3317E3 and #2503F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #503FBA3F shade: #5140BA, #5F54A6, #6E6892, #7D7C7E and #8B9169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #503FBA3F shade: #4071BA, #4050BA, #5040BA, #7140BA and #9140BA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #503FBA3F shade: #362B7D, #43359B, #5140BA, #6B5CC7 and #877BD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #503FBA3F shade: #503FBA, #BA4091 and #60BA40

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #503FBA3F shade: #503FBA, #BA5040 and #40BA50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #503FBA3F shade: #503FBA, #BA4091, #AABA40 and #40BA69

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #503FBA3F shade: #503FBA, #BA406D, #AABA40 and #40BA8D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 17 / 0 / 7

HEX #503FBA3F

RGBA 80 63 186 0.25

HSLA 248.29, 0.49%, 0.49%, 0.25

LABA 35.61, 41.29, -62.62, 0.25

 

Complementary color

CMYK 2 / 0 / 16 / 6

HEX #AFC0453F

RGBA 175 192 69 0.25

HSLA 68.29, 0.49%, 0.51%, 0.25

LABA 74.34, -22.36, 57.88, 0.25

 

CMYK 13 / 16 / 0 / 7

HEX #553FB53F

RGBA 85 63 181 0.25

HSLA 251.19, 0.48%, 0.48%, 0.25

LABA 35.64, 40.62, -59.6, 0.25

 

CMYK 12 / 15 / 0 / 5

HEX #6651C83F

RGBA 102 81 200 0.25

HSLA 250.59, 0.52%, 0.55%, 0.25

LABA 42.58, 39.06, -59.37, 0.25

 

CMYK 11 / 14 / 0 / 4

HEX #7763DB3F

RGBA 119 99 219 0.25

HSLA 250, 0.63%, 0.62%, 0.25

LABA 49.45, 37.64, -59.09, 0.25

 

CMYK 11 / 13 / 0 / 2

HEX #8875EE3F

RGBA 136 117 238 0.25

HSLA 249.42, 0.78%, 0.7%, 0.25

LABA 56.22, 36.36, -58.82, 0.25

 

CMYK 10 / 12 / 0 / 0

HEX #9987FF3F

RGBA 153 135 255 0.25

HSLA 249, 1%, 0.76%, 0.25

LABA 62.78, 34.67, -57.64, 0.25

 

CMYK 14 / 17 / 0 / 7

HEX #503FBA3F

RGBA 80 63 186 0.25

HSLA 248.29, 0.49%, 0.49%, 0.25

LABA 35.61, 41.29, -62.62, 0.25

 

CMYK 16 / 18 / 0 / 9

HEX #3F2DA73F

RGBA 63 45 167 0.25

HSLA 248.85, 0.58%, 0.42%, 0.25

LABA 28.7, 43.06, -62.66, 0.25

 

CMYK 17 / 20 / 0 / 10

HEX #2E1B943F

RGBA 46 27 148 0.25

HSLA 249.42, 0.69%, 0.34%, 0.25

LABA 21.95, 44.62, -62.24, 0.25

 

CMYK 19 / 23 / 0 / 12

HEX #1D09813F

RGBA 29 9 129 0.25

HSLA 250, 0.87%, 0.27%, 0.25

LABA 15.7, 45.12, -60.75, 0.25

 

CMYK 22 / 25 / 0 / 14

HEX #0C006E3F

RGBA 12 0 110 0.25

HSLA 246.55, 1%, 0.22%, 0.25

LABA 10.59, 42.82, -57.06, 0.25

 

CMYK 56 / 66 / 0 / 27

HEX #5140BA

RGB 81 64 186

HSL 248.36, 0.49%, 0.49%

LAB 35.91, 40.87, -62.12

 

CMYK 39 / 66 / 0 / 27

HEX #7240BA

RGB 114 64 186

HSL 264.59, 0.49%, 0.49%

LAB 39.22, 47.15, -56.59

 

CMYK 21 / 66 / 0 / 27

HEX #9340BA

RGB 147 64 186

HSL 280.82, 0.49%, 0.49%

LAB 43.38, 54.39, -49.67

 

CMYK 3 / 66 / 0 / 27

HEX #B440BA

RGB 180 64 186

HSL 297.05, 0.49%, 0.49%

LAB 48.15, 62.08, -41.78

 

CMYK 0 / 66 / 14 / 27

HEX #BA40A0

RGB 186 64 160

HSL 312.79, 0.49%, 0.49%

LAB 47.81, 59.34, -26.95

 

CMYK 56 / 66 / 0 / 27

HEX #5140BA

RGB 81 64 186

HSL 248.36, 0.49%, 0.49%

LAB 35.91, 40.87, -62.12

 

CMYK 66 / 66 / 0 / 27

HEX #4040BA

RGB 64 64 186

HSL 240, 0.49%, 0.49%

LAB 34.6, 38.24, -64.31

 

CMYK 56 / 66 / 0 / 27

HEX #5140BA

RGB 81 64 186

HSL 248.36, 0.49%, 0.49%

LAB 35.91, 40.87, -62.12

 

CMYK 68 / 79 / 0 / 19

HEX #422CCE

RGB 66 44 206

HSL 248.15, 0.65%, 0.49%

LAB 32.74, 55.79, -79.09

 

CMYK 78 / 90 / 0 / 11

HEX #3317E3

RGB 51 23 227

HSL 248.24, 0.82%, 0.49%

LAB 31.49, 68.68, -93.31

 

CMYK 85 / 99 / 0 / 3

HEX #2503F7

RGB 37 3 247

HSL 248.36, 0.98%, 0.49%

LAB 32.2, 77.15, -103.51

 

CMYK 56 / 66 / 0 / 27

HEX #5140BA

RGB 81 64 186

HSL 248.36, 0.49%, 0.49%

LAB 35.91, 40.87, -62.12

 

CMYK 43 / 49 / 0 / 35

HEX #5F54A6

RGB 95 84 166

HSL 248.05, 0.33%, 0.49%

LAB 40.45, 25.49, -42.89

 

CMYK 25 / 29 / 0 / 43

HEX #6E6892

RGB 110 104 146

HSL 248.57, 0.17%, 0.49%

LAB 46.03, 11.94, -22.13

 

CMYK 1 / 2 / 0 / 51

HEX #7D7C7E

RGB 125 124 126

HSL 270, 0.01%, 0.49%

LAB 52.15, 0.78, -0.96

 

CMYK 4 / 0 / 28 / 43

HEX #8B9169

RGB 139 145 105

HSL 69, 0.16%, 0.49%

LAB 58.75, -9.18, 20.56

 

CMYK 66 / 39 / 0 / 27

HEX #4071BA

RGB 64 113 186

HSL 215.9, 0.49%, 0.49%

LAB 47.55, 7.12, -43.42

 

CMYK 66 / 57 / 0 / 27

HEX #4050BA

RGB 64 80 186

HSL 232.13, 0.49%, 0.49%

LAB 38.5, 28.16, -57.96

 

CMYK 57 / 66 / 0 / 27

HEX #5040BA

RGB 80 64 186

HSL 247.87, 0.49%, 0.49%

LAB 35.82, 40.7, -62.26

 

CMYK 39 / 66 / 0 / 27

HEX #7140BA

RGB 113 64 186

HSL 264.1, 0.49%, 0.49%

LAB 39.11, 46.94, -56.78

 

CMYK 22 / 66 / 0 / 27

HEX #9140BA

RGB 145 64 186

HSL 279.84, 0.49%, 0.49%

LAB 43.11, 53.94, -50.12

 

CMYK 57 / 66 / 0 / 51

HEX #362B7D

RGB 54 43 125

HSL 248.05, 0.49%, 0.33%

LAB 23.65, 29.15, -45.05

 

CMYK 57 / 66 / 0 / 39

HEX #43359B

RGB 67 53 155

HSL 248.24, 0.49%, 0.41%

LAB 29.68, 35.19, -53.78

 

CMYK 56 / 66 / 0 / 27

HEX #5140BA

RGB 81 64 186

HSL 248.36, 0.49%, 0.49%

LAB 35.91, 40.87, -62.12

 

CMYK 46 / 54 / 0 / 22

HEX #6B5CC7

RGB 107 92 199

HSL 248.41, 0.49%, 0.57%

LAB 45.5, 33.29, -54.05

 

CMYK 36 / 41 / 0 / 18

HEX #877BD2

RGB 135 123 210

HSL 248.28, 0.49%, 0.65%

LAB 56.06, 24.88, -43.37

 

CMYK 57 / 66 / 0 / 27

HEX #503FBA

RGB 80 63 186

HSL 248.29, 0.49%, 0.49%

LAB 35.61, 41.29, -62.62

 

CMYK 0 / 66 / 22 / 27

HEX #BA4091

RGB 186 64 145

HSL 320.16, 0.49%, 0.49%

LAB 47.17, 57.18, -18.98

 

CMYK 48 / 0 / 66 / 27

HEX #60BA40

RGB 96 186 64

HSL 104.26, 0.49%, 0.49%

LAB 68, -49.11, 51.82

 

CMYK 57 / 66 / 0 / 27

HEX #503FBA

RGB 80 63 186

HSL 248.29, 0.49%, 0.49%

LAB 35.61, 41.29, -62.62

 

CMYK 0 / 57 / 66 / 27

HEX #BA5040

RGB 186 80 64

HSL 7.87, 0.49%, 0.49%

LAB 47.68, 41.72, 30.54

 

CMYK 66 / 0 / 57 / 27

HEX #40BA50

RGB 64 186 80

HSL 127.87, 0.49%, 0.49%

LAB 67.12, -55.41, 43.39

 

CMYK 57 / 66 / 0 / 27

HEX #503FBA

RGB 80 63 186

HSL 248.29, 0.49%, 0.49%

LAB 35.61, 41.29, -62.62

 

CMYK 0 / 66 / 22 / 27

HEX #BA4091

RGB 186 64 145

HSL 320.16, 0.49%, 0.49%

LAB 47.17, 57.18, -18.98

 

CMYK 9 / 0 / 66 / 27

HEX #AABA40

RGB 170 186 64

HSL 67.87, 0.49%, 0.49%

LAB 72.25, -21.8, 57.61

 

CMYK 66 / 0 / 44 / 27

HEX #40BA69

RGB 64 186 105

HSL 140.16, 0.49%, 0.49%

LAB 67.45, -51.66, 31.37

 

CMYK 57 / 66 / 0 / 27

HEX #503FBA

RGB 80 63 186

HSL 248.29, 0.49%, 0.49%

LAB 35.61, 41.29, -62.62

 

CMYK 0 / 66 / 41 / 27

HEX #BA406D

RGB 186 64 109

HSL 337.87, 0.49%, 0.49%

LAB 45.92, 52.79, 1.01

 

CMYK 9 / 0 / 66 / 27

HEX #AABA40

RGB 170 186 64

HSL 67.87, 0.49%, 0.49%

LAB 72.25, -21.8, 57.61

 

CMYK 66 / 0 / 24 / 27

HEX #40BA8D

RGB 64 186 141

HSL 157.87, 0.49%, 0.49%

LAB 68.12, -44.45, 13.08

 

Description

Color code: HEX #503FBA3F | qconv.com Color code: HEX #503FBA3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 63 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 63 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 17 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 17% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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