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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #503297 it is the complementary color #AFCD68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #503297. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #503297 shade: #553292, #6644A5, #7756B8, #8868CB and #997ADE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #503297. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #503297 shade: #503297, #3F2084, #2E0E71, #1D005E and #0C004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #503297 shade: #4F3295, #6A3295, #853295, #95328B and #953270

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #503297 shade: #4F3295, #343295 and #323295

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #503297 shade matches the following richer shades: #4F3295, #4922A5, #4212B5 and #3C01C5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #503297 shade: #4F3295, #564285, #5C5275, #636265 and #697255

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #503297 shade: #324B95, #333295, #4E3295, #683295 and #833295

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #503297 shade: #2E1D57, #3F2776, #4F3295, #603CB4 and #7654C6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #503297 shade: #503297, #953265 and #3D9532

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #503297 shade: #503297, #954E32 and #32954E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #503297 shade: #503297, #953265, #799532 and #329562

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #503297 shade: #503297, #953247, #799532 and #329580

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 67 / 0 / 41

HEX #503297

RGB 80 50 151

HSL 257.82, 0.5%, 0.39%

LAB 29.96, 38.2, -50.82

 

Complementary color

CMYK 15 / 0 / 49 / 20

HEX #AFCD68

RGB 175 205 104

HSL 77.82, 0.5%, 0.61%

LAB 78.33, -25.73, 46.61

 

CMYK 42 / 66 / 0 / 43

HEX #553292

RGB 85 50 146

HSL 261.88, 0.49%, 0.38%

LAB 30.13, 37.81, -47.47

 

CMYK 38 / 59 / 0 / 35

HEX #6644A5

RGB 102 68 165

HSL 261.03, 0.42%, 0.46%

LAB 37.25, 36.62, -47.38

 

CMYK 35 / 53 / 0 / 28

HEX #7756B8

RGB 119 86 184

HSL 260.2, 0.41%, 0.53%

LAB 44.29, 35.47, -47.23

 

CMYK 33 / 49 / 0 / 20

HEX #8868CB

RGB 136 104 203

HSL 259.39, 0.49%, 0.6%

LAB 51.21, 34.41, -47.08

 

CMYK 31 / 45 / 0 / 13

HEX #997ADE

RGB 153 122 222

HSL 258.6, 0.6%, 0.67%

LAB 58, 33.43, -46.94

 

CMYK 47 / 67 / 0 / 41

HEX #503297

RGB 80 50 151

HSL 257.82, 0.5%, 0.39%

LAB 29.96, 38.2, -50.82

 

CMYK 52 / 76 / 0 / 48

HEX #3F2084

RGB 63 32 132

HSL 258.6, 0.61%, 0.32%

LAB 22.85, 39.42, -50.74

 

CMYK 59 / 88 / 0 / 56

HEX #2E0E71

RGB 46 14 113

HSL 259.39, 0.78%, 0.25%

LAB 15.94, 40, -50.03

 

CMYK 69 / 100 / 0 / 63

HEX #1D005E

RGB 29 0 94

HSL 258.51, 1%, 0.18%

LAB 9.56, 39.08, -48.12

 

CMYK 84 / 100 / 0 / 71

HEX #0C004B

RGB 12 0 75

HSL 249.6, 1%, 0.15%

LAB 5.29, 31.4, -42.22

 

CMYK 47 / 66 / 0 / 42

HEX #4F3295

RGB 79 50 149

HSL 257.58, 0.5%, 0.39%

LAB 29.7, 37.41, -50.04

 

CMYK 29 / 66 / 0 / 42

HEX #6A3295

RGB 106 50 149

HSL 273.94, 0.5%, 0.39%

LAB 32.95, 43.33, -44.61

 

CMYK 11 / 66 / 0 / 42

HEX #853295

RGB 133 50 149

HSL 290.3, 0.5%, 0.39%

LAB 36.81, 49.8, -38.21

 

CMYK 0 / 66 / 7 / 42

HEX #95328B

RGB 149 50 139

HSL 306.06, 0.5%, 0.39%

LAB 38.79, 52.02, -28.82

 

CMYK 0 / 66 / 25 / 42

HEX #953270

RGB 149 50 112

HSL 322.42, 0.5%, 0.39%

LAB 37.55, 47.86, -13.99

 

CMYK 47 / 66 / 0 / 42

HEX #4F3295

RGB 79 50 149

HSL 257.58, 0.5%, 0.39%

LAB 29.7, 37.41, -50.04

 

CMYK 65 / 66 / 0 / 42

HEX #343295

RGB 52 50 149

HSL 241.21, 0.5%, 0.39%

LAB 27.24, 32.55, -54.14

 

CMYK 66 / 66 / 0 / 42

HEX #323295

RGB 50 50 149

HSL 240, 0.5%, 0.39%

LAB 27.1, 32.25, -54.38

 

CMYK 47 / 66 / 0 / 42

HEX #4F3295

RGB 79 50 149

HSL 257.58, 0.5%, 0.39%

LAB 29.7, 37.41, -50.04

 

CMYK 56 / 79 / 0 / 35

HEX #4922A5

RGB 73 34 165

HSL 257.86, 0.66%, 0.39%

LAB 27.51, 49.37, -63.39

 

CMYK 64 / 90 / 0 / 29

HEX #4212B5

RGB 66 18 181

HSL 257.67, 0.82%, 0.39%

LAB 26.53, 58.9, -74.65

 

CMYK 70 / 99 / 0 / 23

HEX #3C01C5

RGB 60 1 197

HSL 258.06, 0.99%, 0.39%

LAB 26.77, 66.13, -83.74

 

CMYK 47 / 66 / 0 / 42

HEX #4F3295

RGB 79 50 149

HSL 257.58, 0.5%, 0.39%

LAB 29.7, 37.41, -50.04

 

CMYK 35 / 50 / 0 / 48

HEX #564285

RGB 86 66 133

HSL 257.91, 0.34%, 0.39%

LAB 33.07, 24.7, -34.72

 

CMYK 21 / 30 / 0 / 54

HEX #5C5275

RGB 92 82 117

HSL 257.14, 0.18%, 0.39%

LAB 37.1, 12.09, -18.45

 

CMYK 2 / 3 / 0 / 60

HEX #636265

RGB 99 98 101

HSL 260, 0.02%, 0.39%

LAB 41.73, 1.02, -1.57

 

CMYK 8 / 0 / 25 / 55

HEX #697255

RGB 105 114 85

HSL 78.62, 0.15%, 0.39%

LAB 46.57, -8.93, 14.98

 

CMYK 66 / 50 / 0 / 42

HEX #324B95

RGB 50 75 149

HSL 224.85, 0.5%, 0.39%

LAB 33.73, 15.68, -43.62

 

CMYK 66 / 66 / 0 / 42

HEX #333295

RGB 51 50 149

HSL 240.61, 0.5%, 0.39%

LAB 27.17, 32.4, -54.26

 

CMYK 48 / 66 / 0 / 42

HEX #4E3295

RGB 78 50 149

HSL 256.97, 0.5%, 0.39%

LAB 29.59, 37.21, -50.21

 

CMYK 30 / 66 / 0 / 42

HEX #683295

RGB 104 50 149

HSL 272.73, 0.5%, 0.39%

LAB 32.69, 42.87, -45.05

 

CMYK 12 / 66 / 0 / 42

HEX #833295

RGB 131 50 149

HSL 289.09, 0.5%, 0.39%

LAB 36.51, 49.31, -38.71

 

CMYK 47 / 67 / 0 / 66

HEX #2E1D57

RGB 46 29 87

HSL 257.59, 0.5%, 0.23%

LAB 16.24, 23.91, -32.35

 

CMYK 47 / 67 / 0 / 54

HEX #3F2776

RGB 63 39 118

HSL 258.23, 0.5%, 0.31%

LAB 23.05, 31.26, -41.53

 

CMYK 47 / 66 / 0 / 42

HEX #4F3295

RGB 79 50 149

HSL 257.58, 0.5%, 0.39%

LAB 29.7, 37.41, -50.04

 

CMYK 47 / 67 / 0 / 29

HEX #603CB4

RGB 96 60 180

HSL 258, 0.5%, 0.47%

LAB 36.01, 44.07, -58.35

 

CMYK 40 / 58 / 0 / 22

HEX #7654C6

RGB 118 84 198

HSL 257.89, 0.5%, 0.55%

LAB 44.62, 40.2, -54.85

 

CMYK 47 / 67 / 0 / 41

HEX #503297

RGB 80 50 151

HSL 257.82, 0.5%, 0.39%

LAB 29.96, 38.2, -50.82

 

CMYK 0 / 66 / 32 / 42

HEX #953265

RGB 149 50 101

HSL 329.09, 0.5%, 0.39%

LAB 37.13, 46.38, -7.7

 

CMYK 59 / 0 / 66 / 42

HEX #3D9532

RGB 61 149 50

HSL 113.33, 0.5%, 0.39%

LAB 54.78, -45.85, 43.06

 

CMYK 47 / 67 / 0 / 41

HEX #503297

RGB 80 50 151

HSL 257.82, 0.5%, 0.39%

LAB 29.96, 38.2, -50.82

 

CMYK 0 / 48 / 66 / 42

HEX #954E32

RGB 149 78 50

HSL 16.97, 0.5%, 0.39%

LAB 41.32, 27.22, 29.59

 

CMYK 66 / 0 / 48 / 42

HEX #32954E

RGB 50 149 78

HSL 136.97, 0.5%, 0.39%

LAB 54.79, -44.64, 29.22

 

CMYK 47 / 67 / 0 / 41

HEX #503297

RGB 80 50 151

HSL 257.82, 0.5%, 0.39%

LAB 29.96, 38.2, -50.82

 

CMYK 0 / 66 / 32 / 42

HEX #953265

RGB 149 50 101

HSL 329.09, 0.5%, 0.39%

LAB 37.13, 46.38, -7.7

 

CMYK 19 / 0 / 66 / 42

HEX #799532

RGB 121 149 50

HSL 76.97, 0.5%, 0.39%

LAB 57.84, -24.85, 47.25

 

CMYK 66 / 0 / 34 / 42

HEX #329562

RGB 50 149 98

HSL 149.09, 0.5%, 0.39%

LAB 55.13, -40.86, 18.76

 

CMYK 47 / 67 / 0 / 41

HEX #503297

RGB 80 50 151

HSL 257.82, 0.5%, 0.39%

LAB 29.96, 38.2, -50.82

 

CMYK 0 / 66 / 52 / 42

HEX #953247

RGB 149 50 71

HSL 347.27, 0.5%, 0.39%

LAB 36.23, 43.11, 10.12

 

CMYK 19 / 0 / 66 / 42

HEX #799532

RGB 121 149 50

HSL 76.97, 0.5%, 0.39%

LAB 57.84, -24.85, 47.25

 

CMYK 66 / 0 / 14 / 42

HEX #329580

RGB 50 149 128

HSL 167.27, 0.5%, 0.39%

LAB 55.82, -33.72, 2.74

 

Description

Color code: HEX #503297 | qconv.com Color code: HEX #503297 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 50 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 50 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 67 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 67% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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