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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #502140 it is the complementary color #AFDEBF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #502140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #502140 shade: #55213B, #66334E, #774561, #885774 and #996987

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #502140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #502140 shade: #502140, #3F0F2D, #2E001A, #1D0007 and #0C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #502140 shade: #502140, #502133, #502126 and #502121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #502140 shade: #502140, #50214C, #462150, #3A2150 and #2D2150

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #502140 shade matches the following richer shades: #502140, #591743, #620E45 and #6B0548

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #502140 shade: #502140, #472A3D, #3E333A, #343C37 and #2B4534

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #502140 shade: #462150, #50214D, #502140, #502133 and #502127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #502140 shade: #150911, #321528, #502140, #6D2D57 and #8A386E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #502140 shade: #502140, #503A21 and #21504D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #502140 shade: #502140, #405021 and #214050

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #502140 shade: #502140, #503A21, #215030 and #213750

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #502140 shade: #502140, #504821, #215030 and #212850

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 20 / 69

HEX #502140

RGB 80 33 64

HSL 320.43, 0.42%, 0.22%

LAB 20.69, 26.39, -9.35

 

Complementary color

CMYK 21 / 0 / 14 / 13

HEX #AFDEBF

RGB 175 222 191

HSL 140.43, 0.42%, 0.78%

LAB 84.54, -21.31, 10.25

 

CMYK 0 / 61 / 31 / 67

HEX #55213B

RGB 85 33 59

HSL 330, 0.44%, 0.23%

LAB 21.34, 27.4, -4.84

 

CMYK 0 / 50 / 24 / 60

HEX #66334E

RGB 102 51 78

HSL 328.24, 0.33%, 0.3%

LAB 28.75, 26.57, -6.23

 

CMYK 0 / 42 / 18 / 53

HEX #774561

RGB 119 69 97

HSL 326.4, 0.27%, 0.37%

LAB 36.06, 25.68, -7.25

 

CMYK 0 / 36 / 15 / 47

HEX #885774

RGB 136 87 116

HSL 324.49, 0.22%, 0.44%

LAB 43.23, 24.83, -8.08

 

CMYK 0 / 31 / 12 / 40

HEX #996987

RGB 153 105 135

HSL 322.5, 0.19%, 0.51%

LAB 50.25, 24.05, -8.78

 

CMYK 0 / 59 / 20 / 69

HEX #502140

RGB 80 33 64

HSL 320.43, 0.42%, 0.22%

LAB 20.69, 26.39, -9.35

 

CMYK 0 / 76 / 29 / 75

HEX #3F0F2D

RGB 63 15 45

HSL 322.5, 0.62%, 0.15%

LAB 13.16, 26.78, -7.67

 

CMYK 0 / 100 / 43 / 82

HEX #2E001A

RGB 46 0 26

HSL 326.09, 1%, 0.09%

LAB 5.92, 25.49, -4.57

 

CMYK 0 / 100 / 76 / 89

HEX #1D0007

RGB 29 0 7

HSL 345.52, 1%, 0.06%

LAB 2.5, 11.56, 1.08

 

CMYK 0 / 100 / 100 / 95

HEX #0C0000

RGB 12 0 0

HSL 0, 1%, 0.02%

LAB 0.71, 3.17, 1.12

 

CMYK 0 / 59 / 20 / 69

HEX #502140

RGB 80 33 64

HSL 320.43, 0.42%, 0.22%

LAB 20.69, 26.39, -9.35

 

CMYK 0 / 59 / 36 / 69

HEX #502133

RGB 80 33 51

HSL 337.02, 0.42%, 0.22%

LAB 20.17, 24.29, -1.12

 

CMYK 0 / 59 / 53 / 69

HEX #502126

RGB 80 33 38

HSL 353.62, 0.42%, 0.22%

LAB 19.77, 22.6, 7.38

 

CMYK 0 / 59 / 59 / 69

HEX #502121

RGB 80 33 33

HSL 0, 0.42%, 0.22%

LAB 19.65, 22.07, 10.69

 

CMYK 0 / 59 / 20 / 69

HEX #502140

RGB 80 33 64

HSL 320.43, 0.42%, 0.22%

LAB 20.69, 26.39, -9.35

 

CMYK 0 / 59 / 5 / 69

HEX #50214C

RGB 80 33 76

HSL 305.11, 0.42%, 0.22%

LAB 21.26, 28.66, -16.65

 

CMYK 13 / 59 / 0 / 69

HEX #462150

RGB 70 33 80

HSL 287.23, 0.42%, 0.22%

LAB 19.92, 26.29, -21.57

 

CMYK 28 / 59 / 0 / 69

HEX #3A2150

RGB 58 33 80

HSL 271.91, 0.42%, 0.22%

LAB 18.22, 22.53, -24.38

 

CMYK 44 / 59 / 0 / 69

HEX #2D2150

RGB 45 33 80

HSL 255.32, 0.42%, 0.22%

LAB 16.63, 18.68, -27.01

 

CMYK 0 / 59 / 20 / 69

HEX #502140

RGB 80 33 64

HSL 320.43, 0.42%, 0.22%

LAB 20.69, 26.39, -9.35

 

CMYK 0 / 74 / 25 / 65

HEX #591743

RGB 89 23 67

HSL 320, 0.59%, 0.22%

LAB 20.6, 34.91, -11.4

 

CMYK 0 / 86 / 30 / 62

HEX #620E45

RGB 98 14 69

HSL 320.71, 0.75%, 0.22%

LAB 21.36, 40.98, -11.46

 

CMYK 0 / 95 / 33 / 58

HEX #6B0548

RGB 107 5 72

HSL 320.59, 0.91%, 0.22%

LAB 22.66, 45.77, -11.35

 

CMYK 0 / 59 / 20 / 69

HEX #502140

RGB 80 33 64

HSL 320.43, 0.42%, 0.22%

LAB 20.69, 26.39, -9.35

 

CMYK 0 / 41 / 14 / 72

HEX #472A3D

RGB 71 42 61

HSL 320.69, 0.26%, 0.22%

LAB 21.33, 16.83, -6.45

 

CMYK 0 / 18 / 6 / 76

HEX #3E333A

RGB 62 51 58

HSL 321.82, 0.1%, 0.22%

LAB 22.64, 6.39, -2.57

 

CMYK 13 / 0 / 8 / 76

HEX #343C37

RGB 52 60 55

HSL 142.5, 0.07%, 0.22%

LAB 24.44, -4.53, 1.96

 

CMYK 38 / 0 / 25 / 73

HEX #2B4534

RGB 43 69 52

HSL 140.77, 0.23%, 0.22%

LAB 26.79, -14.29, 7.17

 

CMYK 13 / 59 / 0 / 69

HEX #462150

RGB 70 33 80

HSL 287.23, 0.42%, 0.22%

LAB 19.92, 26.29, -21.57

 

CMYK 0 / 59 / 4 / 69

HEX #50214D

RGB 80 33 77

HSL 303.83, 0.42%, 0.22%

LAB 21.32, 28.87, -17.24

 

CMYK 0 / 59 / 20 / 69

HEX #502140

RGB 80 33 64

HSL 320.43, 0.42%, 0.22%

LAB 20.69, 26.39, -9.35

 

CMYK 0 / 59 / 36 / 69

HEX #502133

RGB 80 33 51

HSL 337.02, 0.42%, 0.22%

LAB 20.17, 24.29, -1.12

 

CMYK 0 / 59 / 51 / 69

HEX #502127

RGB 80 33 39

HSL 352.34, 0.42%, 0.22%

LAB 19.8, 22.71, 6.72

 

CMYK 0 / 57 / 19 / 92

HEX #150911

RGB 21 9 17

HSL 320, 0.4%, 0.06%

LAB 3.57, 5.42, -2.14

 

CMYK 0 / 58 / 20 / 80

HEX #321528

RGB 50 21 40

HSL 320.69, 0.41%, 0.14%

LAB 11.74, 17.69, -6.38

 

CMYK 0 / 59 / 20 / 69

HEX #502140

RGB 80 33 64

HSL 320.43, 0.42%, 0.22%

LAB 20.69, 26.39, -9.35

 

CMYK 0 / 59 / 20 / 57

HEX #6D2D57

RGB 109 45 87

HSL 320.63, 0.42%, 0.3%

LAB 28.94, 33.88, -11.73

 

CMYK 0 / 59 / 20 / 46

HEX #8A386E

RGB 138 56 110

HSL 320.49, 0.42%, 0.38%

LAB 36.66, 41.45, -14.26

 

CMYK 0 / 59 / 20 / 69

HEX #502140

RGB 80 33 64

HSL 320.43, 0.42%, 0.22%

LAB 20.69, 26.39, -9.35

 

CMYK 0 / 28 / 59 / 69

HEX #503A21

RGB 80 58 33

HSL 31.91, 0.42%, 0.22%

LAB 26.28, 6.3, 19.22

 

CMYK 59 / 0 / 4 / 69

HEX #21504D

RGB 33 80 77

HSL 176.17, 0.42%, 0.22%

LAB 30.87, -16.76, -3.09

 

CMYK 0 / 59 / 20 / 69

HEX #502140

RGB 80 33 64

HSL 320.43, 0.42%, 0.22%

LAB 20.69, 26.39, -9.35

 

CMYK 20 / 0 / 59 / 69

HEX #405021

RGB 64 80 33

HSL 80.43, 0.42%, 0.22%

LAB 31.66, -14.94, 25.33

 

CMYK 59 / 20 / 0 / 69

HEX #214050

RGB 33 64 80

HSL 200.43, 0.42%, 0.22%

LAB 25.47, -6.17, -13.18

 

CMYK 0 / 59 / 20 / 69

HEX #502140

RGB 80 33 64

HSL 320.43, 0.42%, 0.22%

LAB 20.69, 26.39, -9.35

 

CMYK 0 / 28 / 59 / 69

HEX #503A21

RGB 80 58 33

HSL 31.91, 0.42%, 0.22%

LAB 26.28, 6.3, 19.22

 

CMYK 59 / 0 / 40 / 69

HEX #215030

RGB 33 80 48

HSL 139.15, 0.42%, 0.22%

LAB 30.09, -24.34, 14.14

 

CMYK 59 / 31 / 0 / 69

HEX #213750

RGB 33 55 80

HSL 211.91, 0.42%, 0.22%

LAB 22.43, -0.22, -17.9

 

CMYK 0 / 59 / 20 / 69

HEX #502140

RGB 80 33 64

HSL 320.43, 0.42%, 0.22%

LAB 20.69, 26.39, -9.35

 

CMYK 0 / 10 / 59 / 69

HEX #504821

RGB 80 72 33

HSL 49.79, 0.42%, 0.22%

LAB 30.52, -2.54, 24.34

 

CMYK 59 / 0 / 40 / 69

HEX #215030

RGB 33 80 48

HSL 139.15, 0.42%, 0.22%

LAB 30.09, -24.34, 14.14

 

CMYK 59 / 50 / 0 / 69

HEX #212850

RGB 33 40 80

HSL 231.06, 0.42%, 0.22%

LAB 17.55, 10.42, -25.59

 

Description

Color code: HEX #502140 | qconv.com Color code: HEX #502140 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 33 green and 64 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 33 64 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 20 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 20% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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