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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #502079 it is the complementary color #AFDF86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #502079. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #502079 shade: #552074, #663287, #77449A, #8856AD and #9968C0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #502079. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #502079 shade: #502079, #3F0E66, #2E0053, #1D0040 and #0C002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #502079 shade: #502079, #682079, #792072, #79205A and #792042

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #502079 shade: #502079, #382079 and #202079

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #502079 shade matches the following richer shades: #502079, #511485 and #520792

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #502079 shade: #502079, #4F2D6C, #4E3960, #4D4554 and #4C5247

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #502079 shade: #202079, #382079, #4F2079, #672079 and #792073

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #502079 shade: #250F38, #3A1758, #502079, #662999 and #7B31BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #502079 shade: #502079, #792038 and #20792C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #502079 shade: #502079, #794F20 and #20794F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #502079 shade: #502079, #792038, #4A7920 and #207961

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #502079 shade: #502079, #792320, #4A7920 and #207679

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 74 / 0 / 53

HEX #502079

RGB 80 32 121

HSL 272.36, 0.58%, 0.3%

LAB 24.06, 39.63, -41.7

 

Complementary color

CMYK 22 / 0 / 40 / 13

HEX #AFDF86

RGB 175 223 134

HSL 92.36, 0.58%, 0.7%

LAB 83.76, -30.82, 38.64

 

CMYK 27 / 72 / 0 / 55

HEX #552074

RGB 85 32 116

HSL 277.86, 0.57%, 0.29%

LAB 24.4, 39.5, -37.92

 

CMYK 24 / 63 / 0 / 47

HEX #663287

RGB 102 50 135

HSL 276.71, 0.46%, 0.36%

LAB 31.48, 38.98, -38.4

 

CMYK 23 / 56 / 0 / 40

HEX #77449A

RGB 119 68 154

HSL 275.58, 0.39%, 0.44%

LAB 38.53, 38.16, -38.62

 

CMYK 21 / 50 / 0 / 32

HEX #8856AD

RGB 136 86 173

HSL 274.48, 0.35%, 0.51%

LAB 45.51, 37.27, -38.73

 

CMYK 20 / 46 / 0 / 25

HEX #9968C0

RGB 153 104 192

HSL 273.41, 0.41%, 0.58%

LAB 52.37, 36.39, -38.81

 

CMYK 34 / 74 / 0 / 53

HEX #502079

RGB 80 32 121

HSL 272.36, 0.58%, 0.3%

LAB 24.06, 39.63, -41.7

 

CMYK 38 / 86 / 0 / 60

HEX #3F0E66

RGB 63 14 102

HSL 273.41, 0.76%, 0.23%

LAB 17.13, 39.47, -40.79

 

CMYK 45 / 100 / 0 / 67

HEX #2E0053

RGB 46 0 83

HSL 273.25, 1%, 0.16%

LAB 10.6, 37.69, -38.86

 

CMYK 55 / 100 / 0 / 75

HEX #1D0040

RGB 29 0 64

HSL 267.19, 1%, 0.13%

LAB 5.7, 29.95, -33.7

 

CMYK 73 / 100 / 0 / 82

HEX #0C002D

RGB 12 0 45

HSL 256, 1%, 0.09%

LAB 2.42, 15.19, -25.1

 

CMYK 34 / 74 / 0 / 53

HEX #502079

RGB 80 32 121

HSL 272.36, 0.58%, 0.3%

LAB 24.06, 39.63, -41.7

 

CMYK 14 / 74 / 0 / 53

HEX #682079

RGB 104 32 121

HSL 288.54, 0.58%, 0.3%

LAB 27.73, 44.99, -35.61

 

CMYK 0 / 74 / 6 / 53

HEX #792072

RGB 121 32 114

HSL 304.72, 0.58%, 0.3%

LAB 30.19, 47.77, -27.07

 

CMYK 0 / 74 / 26 / 53

HEX #79205A

RGB 121 32 90

HSL 320.9, 0.58%, 0.3%

LAB 29, 44.03, -13.43

 

CMYK 0 / 74 / 45 / 53

HEX #792042

RGB 121 32 66

HSL 337.08, 0.58%, 0.3%

LAB 28.09, 41.05, 1.12

 

CMYK 34 / 74 / 0 / 53

HEX #502079

RGB 80 32 121

HSL 272.36, 0.58%, 0.3%

LAB 24.06, 39.63, -41.7

 

CMYK 54 / 74 / 0 / 53

HEX #382079

RGB 56 32 121

HSL 256.18, 0.58%, 0.3%

LAB 21.03, 34.91, -46.76

 

CMYK 74 / 74 / 0 / 53

HEX #202079

RGB 32 32 121

HSL 240, 0.58%, 0.3%

LAB 18.89, 31.35, -50.37

 

CMYK 34 / 74 / 0 / 53

HEX #502079

RGB 80 32 121

HSL 272.36, 0.58%, 0.3%

LAB 24.06, 39.63, -41.7

 

CMYK 39 / 85 / 0 / 48

HEX #511485

RGB 81 20 133

HSL 272.39, 0.74%, 0.3%

LAB 23.48, 47.81, -50.23

 

CMYK 44 / 95 / 0 / 43

HEX #520792

RGB 82 7 146

HSL 272.37, 0.91%, 0.3%

LAB 23.74, 54.42, -57.92

 

CMYK 34 / 74 / 0 / 53

HEX #502079

RGB 80 32 121

HSL 272.36, 0.58%, 0.3%

LAB 24.06, 39.63, -41.7

 

CMYK 27 / 58 / 0 / 58

HEX #4F2D6C

RGB 79 45 108

HSL 272.38, 0.41%, 0.3%

LAB 25.63, 28.84, -30.87

 

CMYK 19 / 41 / 0 / 62

HEX #4E3960

RGB 78 57 96

HSL 272.31, 0.25%, 0.3%

LAB 27.82, 17.84, -19.68

 

CMYK 8 / 18 / 0 / 67

HEX #4D4554

RGB 77 69 84

HSL 272, 0.1%, 0.3%

LAB 30.58, 6.69, -7.71

 

CMYK 7 / 0 / 13 / 68

HEX #4C5247

RGB 76 82 71

HSL 92.73, 0.07%, 0.3%

LAB 34.04, -4.75, 5.64

 

CMYK 74 / 74 / 0 / 53

HEX #202079

RGB 32 32 121

HSL 240, 0.58%, 0.3%

LAB 18.89, 31.35, -50.37

 

CMYK 54 / 74 / 0 / 53

HEX #382079

RGB 56 32 121

HSL 256.18, 0.58%, 0.3%

LAB 21.03, 34.91, -46.76

 

CMYK 35 / 74 / 0 / 53

HEX #4F2079

RGB 79 32 121

HSL 271.69, 0.58%, 0.3%

LAB 23.92, 39.41, -41.94

 

CMYK 15 / 74 / 0 / 53

HEX #672079

RGB 103 32 121

HSL 287.87, 0.58%, 0.3%

LAB 27.56, 44.76, -35.88

 

CMYK 0 / 74 / 5 / 53

HEX #792073

RGB 121 32 115

HSL 304.04, 0.58%, 0.3%

LAB 30.24, 47.94, -27.62

 

CMYK 34 / 73 / 0 / 78

HEX #250F38

RGB 37 15 56

HSL 272.2, 0.58%, 0.14%

LAB 9.16, 20.95, -22.27

 

CMYK 34 / 74 / 0 / 65

HEX #3A1758

RGB 58 23 88

HSL 272.31, 0.59%, 0.22%

LAB 16.59, 30.7, -32.4

 

CMYK 34 / 74 / 0 / 53

HEX #502079

RGB 80 32 121

HSL 272.36, 0.58%, 0.3%

LAB 24.06, 39.63, -41.7

 

CMYK 33 / 73 / 0 / 40

HEX #662999

RGB 102 41 153

HSL 272.68, 0.58%, 0.38%

LAB 31.14, 47.8, -50.01

 

CMYK 34 / 74 / 0 / 27

HEX #7B31BA

RGB 123 49 186

HSL 272.41, 0.58%, 0.46%

LAB 37.76, 56.11, -58.91

 

CMYK 34 / 74 / 0 / 53

HEX #502079

RGB 80 32 121

HSL 272.36, 0.58%, 0.3%

LAB 24.06, 39.63, -41.7

 

CMYK 0 / 74 / 54 / 53

HEX #792038

RGB 121 32 56

HSL 343.82, 0.58%, 0.3%

LAB 27.8, 40.07, 7.41

 

CMYK 74 / 0 / 64 / 53

HEX #20792C

RGB 32 121 44

HSL 128.09, 0.58%, 0.3%

LAB 44.47, -42.54, 34.09

 

CMYK 34 / 74 / 0 / 53

HEX #502079

RGB 80 32 121

HSL 272.36, 0.58%, 0.3%

LAB 24.06, 39.63, -41.7

 

CMYK 0 / 35 / 74 / 53

HEX #794F20

RGB 121 79 32

HSL 31.69, 0.58%, 0.3%

LAB 37.41, 13.01, 33.95

 

CMYK 74 / 0 / 35 / 53

HEX #20794F

RGB 32 121 79

HSL 151.69, 0.58%, 0.3%

LAB 45.01, -36.38, 15.74

 

CMYK 34 / 74 / 0 / 53

HEX #502079

RGB 80 32 121

HSL 272.36, 0.58%, 0.3%

LAB 24.06, 39.63, -41.7

 

CMYK 0 / 74 / 54 / 53

HEX #792038

RGB 121 32 56

HSL 343.82, 0.58%, 0.3%

LAB 27.8, 40.07, 7.41

 

CMYK 39 / 0 / 74 / 53

HEX #4A7920

RGB 74 121 32

HSL 91.69, 0.58%, 0.3%

LAB 45.95, -31.62, 41.55

 

CMYK 74 / 0 / 20 / 53

HEX #207961

RGB 32 121 97

HSL 163.82, 0.58%, 0.3%

LAB 45.42, -31.97, 5.75

 

CMYK 34 / 74 / 0 / 53

HEX #502079

RGB 80 32 121

HSL 272.36, 0.58%, 0.3%

LAB 24.06, 39.63, -41.7

 

CMYK 0 / 71 / 74 / 53

HEX #792320

RGB 121 35 32

HSL 2.02, 0.58%, 0.3%

LAB 27.77, 37.09, 23.2

 

CMYK 39 / 0 / 74 / 53

HEX #4A7920

RGB 74 121 32

HSL 91.69, 0.58%, 0.3%

LAB 45.95, -31.62, 41.55

 

CMYK 74 / 2 / 0 / 53

HEX #207679

RGB 32 118 121

HSL 182.02, 0.58%, 0.3%

LAB 45.14, -23.44, -8.95

 

Description

Color code: HEX #502079 | qconv.com Color code: HEX #502079 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 32 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 32 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 74 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 74% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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