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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50167ACE it is the complementary color #AFE985CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50167ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50167ACE shade: #551675CE, #662888CE, #773A9BCE, #884CAECE and #995EC1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50167ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50167ACE shade: #50167ACE, #3F0467CE, #2E0054CE, #1D0041CE and #0C002ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50167ACE shade: #4F1679, #6A1679, #79166D, #791652 and #791638

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50167ACE shade: #4F1679, #351679, #1A1679 and #161679

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50167ACE shade matches the following richer shades: #4F1679 and #510B84

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50167ACE shade: #4F1679, #4D226D, #4C2D62, #4A3956 and #48444A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50167ACE shade: #191679, #341679, #4E1679, #681679 and #79166F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50167ACE shade: #210933, #381056, #4F1679, #661D9C and #7D23BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50167ACE shade: #50167A, #79162D and #167927

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50167ACE shade: #50167A, #794E16 and #16794E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50167ACE shade: #50167A, #79162D, #417916 and #167962

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50167ACE shade: #50167A, #791D16, #417916 and #167279

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 66 / 0 / 42

HEX #50167ACE

RGBA 80 22 122 0.81

HSLA 274.8, 0.69%, 0.28%, 0.81

LABA 22.6, 44.28, -44.72, 0.81

 

Complementary color

CMYK 20 / 0 / 35 / 7

HEX #AFE985CE

RGBA 175 233 133 0.81

HSLA 94.8, 0.69%, 0.72%, 0.81

LABA 86.55, -35.57, 42.69, 0.81

 

CMYK 22 / 66 / 0 / 44

HEX #551675CE

RGBA 85 22 117 0.81

HSLA 279.79, 0.68%, 0.27%, 0.81

LABA 22.96, 44.05, -40.89, 0.81

 

CMYK 20 / 57 / 0 / 38

HEX #662888CE

RGBA 102 40 136 0.81

HSLA 278.75, 0.55%, 0.35%, 0.81

LABA 29.71, 44.25, -41.85, 0.81

 

CMYK 19 / 51 / 0 / 32

HEX #773A9BCE

RGBA 119 58 155 0.81

HSLA 277.73, 0.46%, 0.42%, 0.81

LABA 36.58, 43.77, -42.33, 0.81

 

CMYK 18 / 46 / 0 / 26

HEX #884CAECE

RGBA 136 76 174 0.81

HSLA 276.73, 0.39%, 0.49%, 0.81

LABA 43.45, 43.02, -42.59, 0.81

 

CMYK 17 / 42 / 0 / 20

HEX #995EC1CE

RGBA 153 94 193 0.81

HSLA 275.76, 0.44%, 0.56%, 0.81

LABA 50.25, 42.17, -42.74, 0.81

 

CMYK 28 / 66 / 0 / 42

HEX #50167ACE

RGBA 80 22 122 0.81

HSLA 274.8, 0.69%, 0.28%, 0.81

LABA 22.6, 44.28, -44.72, 0.81

 

CMYK 31 / 78 / 0 / 48

HEX #3F0467CE

RGBA 63 4 103 0.81

HSLA 275.76, 0.93%, 0.21%, 0.81

LABA 16.12, 42.99, -43.11, 0.81

 

CMYK 37 / 81 / 0 / 54

HEX #2E0054CE

RGBA 46 0 84 0.81

HSLA 272.86, 1%, 0.16%, 0.81

LABA 10.71, 37.93, -39.35, 0.81

 

CMYK 45 / 81 / 0 / 60

HEX #1D0041CE

RGBA 29 0 65 0.81

HSLA 266.77, 1%, 0.13%, 0.81

LABA 5.81, 30.32, -34.25, 0.81

 

CMYK 60 / 81 / 0 / 66

HEX #0C002ECE

RGBA 12 0 46 0.81

HSLA 255.65, 1%, 0.09%, 0.81

LABA 2.49, 15.69, -25.75, 0.81

 

CMYK 35 / 82 / 0 / 53

HEX #4F1679

RGB 79 22 121

HSL 274.55, 0.69%, 0.28%

LAB 22.36, 43.86, -44.47

 

CMYK 12 / 82 / 0 / 53

HEX #6A1679

RGB 106 22 121

HSL 290.91, 0.69%, 0.28%

LAB 26.79, 49.09, -37.1

 

CMYK 0 / 82 / 10 / 53

HEX #79166D

RGB 121 22 109

HSL 307.27, 0.69%, 0.28%

LAB 28.75, 50.26, -26.13

 

CMYK 0 / 82 / 32 / 53

HEX #791652

RGB 121 22 82

HSL 323.64, 0.69%, 0.28%

LAB 27.43, 46.42, -10.55

 

CMYK 0 / 82 / 54 / 53

HEX #791638

RGB 121 22 56

HSL 339.39, 0.69%, 0.28%

LAB 26.52, 43.66, 5.6

 

CMYK 35 / 82 / 0 / 53

HEX #4F1679

RGB 79 22 121

HSL 274.55, 0.69%, 0.28%

LAB 22.36, 43.86, -44.47

 

CMYK 56 / 82 / 0 / 53

HEX #351679

RGB 53 22 121

HSL 258.79, 0.69%, 0.28%

LAB 18.85, 39.68, -50.37

 

CMYK 79 / 82 / 0 / 53

HEX #1A1679

RGB 26 22 121

HSL 242.42, 0.69%, 0.28%

LAB 16.37, 36.72, -54.53

 

CMYK 82 / 82 / 0 / 53

HEX #161679

RGB 22 22 121

HSL 240, 0.69%, 0.28%

LAB 16.13, 36.42, -54.95

 

CMYK 35 / 82 / 0 / 53

HEX #4F1679

RGB 79 22 121

HSL 274.55, 0.69%, 0.28%

LAB 22.36, 43.86, -44.47

 

CMYK 39 / 92 / 0 / 48

HEX #510B84

RGB 81 11 132

HSL 274.71, 0.85%, 0.28%

LAB 22.5, 50.21, -51.22

 

CMYK 35 / 82 / 0 / 53

HEX #4F1679

RGB 79 22 121

HSL 274.55, 0.69%, 0.28%

LAB 22.36, 43.86, -44.47

 

CMYK 29 / 69 / 0 / 57

HEX #4D226D

RGB 77 34 109

HSL 274.4, 0.52%, 0.28%

LAB 23.09, 34.86, -35.6

 

CMYK 22 / 54 / 0 / 62

HEX #4C2D62

RGB 76 45 98

HSL 275.09, 0.37%, 0.28%

LAB 24.62, 25.34, -26.01

 

CMYK 14 / 34 / 0 / 66

HEX #4A3956

RGB 74 57 86

HSL 275.17, 0.2%, 0.28%

LAB 26.89, 13.86, -14.65

 

CMYK 3 / 8 / 0 / 71

HEX #48444A

RGB 72 68 74

HSL 280, 0.04%, 0.28%

LAB 29.43, 3, -3.01

 

CMYK 79 / 82 / 0 / 53

HEX #191679

RGB 25 22 121

HSL 241.82, 0.69%, 0.28%

LAB 16.31, 36.64, -54.64

 

CMYK 57 / 82 / 0 / 53

HEX #341679

RGB 52 22 121

HSL 258.18, 0.69%, 0.28%

LAB 18.73, 39.54, -50.56

 

CMYK 36 / 82 / 0 / 53

HEX #4E1679

RGB 78 22 121

HSL 273.94, 0.69%, 0.28%

LAB 22.21, 43.68, -44.73

 

CMYK 14 / 82 / 0 / 53

HEX #681679

RGB 104 22 121

HSL 289.7, 0.69%, 0.28%

LAB 26.44, 48.68, -37.67

 

CMYK 0 / 82 / 8 / 53

HEX #79166F

RGB 121 22 111

HSL 306.06, 0.69%, 0.28%

LAB 28.87, 50.57, -27.24

 

CMYK 35 / 82 / 0 / 80

HEX #210933

RGB 33 9 51

HSL 274.29, 0.7%, 0.12%

LAB 6.84, 21.79, -22.39

 

CMYK 35 / 81 / 0 / 66

HEX #381056

RGB 56 16 86

HSL 274.29, 0.69%, 0.2%

LAB 14.86, 33.26, -33.86

 

CMYK 35 / 82 / 0 / 53

HEX #4F1679

RGB 79 22 121

HSL 274.55, 0.69%, 0.28%

LAB 22.36, 43.86, -44.47

 

CMYK 35 / 81 / 0 / 39

HEX #661D9C

RGB 102 29 156

HSL 274.49, 0.69%, 0.36%

LAB 29.67, 53.41, -54.23

 

CMYK 34 / 82 / 0 / 25

HEX #7D23BE

RGB 125 35 190

HSL 274.84, 0.69%, 0.44%

LAB 36.52, 62.63, -63.28

 

CMYK 34 / 82 / 0 / 52

HEX #50167A

RGB 80 22 122

HSL 274.8, 0.69%, 0.28%

LAB 22.6, 44.28, -44.72

 

CMYK 0 / 82 / 63 / 53

HEX #79162D

RGB 121 22 45

HSL 346.06, 0.69%, 0.28%

LAB 26.24, 42.8, 12.7

 

CMYK 82 / 0 / 68 / 53

HEX #167927

RGB 22 121 39

HSL 130.3, 0.69%, 0.28%

LAB 44.22, -44.79, 36.13

 

CMYK 34 / 82 / 0 / 52

HEX #50167A

RGB 80 22 122

HSL 274.8, 0.69%, 0.28%

LAB 22.6, 44.28, -44.72

 

CMYK 0 / 36 / 82 / 53

HEX #794E16

RGB 121 78 22

HSL 33.94, 0.69%, 0.28%

LAB 37.06, 13.12, 38.37

 

CMYK 82 / 0 / 36 / 53

HEX #16794E

RGB 22 121 78

HSL 153.94, 0.69%, 0.28%

LAB 44.79, -38.07, 16

 

CMYK 34 / 82 / 0 / 52

HEX #50167A

RGB 80 22 122

HSL 274.8, 0.69%, 0.28%

LAB 22.6, 44.28, -44.72

 

CMYK 0 / 82 / 63 / 53

HEX #79162D

RGB 121 22 45

HSL 346.06, 0.69%, 0.28%

LAB 26.24, 42.8, 12.7

 

CMYK 46 / 0 / 82 / 53

HEX #417916

RGB 65 121 22

HSL 93.94, 0.69%, 0.28%

LAB 45.44, -35.56, 44.57

 

CMYK 82 / 0 / 19 / 53

HEX #167962

RGB 22 121 98

HSL 166.06, 0.69%, 0.28%

LAB 45.26, -33.04, 4.9

 

CMYK 34 / 82 / 0 / 52

HEX #50167A

RGB 80 22 122

HSL 274.8, 0.69%, 0.28%

LAB 22.6, 44.28, -44.72

 

CMYK 0 / 76 / 82 / 53

HEX #791D16

RGB 121 29 22

HSL 4.24, 0.69%, 0.28%

LAB 26.74, 39.11, 28.24

 

CMYK 46 / 0 / 82 / 53

HEX #417916

RGB 65 121 22

HSL 93.94, 0.69%, 0.28%

LAB 45.44, -35.56, 44.57

 

CMYK 82 / 6 / 0 / 53

HEX #167279

RGB 22 114 121

HSL 184.24, 0.69%, 0.28%

LAB 43.63, -22.58, -11.24

 

Description

Color code: HEX #50167ACE | qconv.com Color code: HEX #50167ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 22 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 22 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, 66 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 66% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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