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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #501638CE it is the complementary color #AFE9C7CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #501638CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #501638CE shade: #551633CE, #662846CE, #773A59CE, #884C6CCE and #995E7FCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #501638CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #501638CE shade: #501638CE, #3F0425CE, #2E0012CE, #1D0000CE and #0C0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #501638CE shade: #501638, #501628, #501619 and #501616

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #501638CE shade: #501638, #501648, #491650, #391650 and #291650

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #501638CE shade matches the following richer shades: #501638, #580E39 and #61053B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #501638CE shade: #501638, #481E37, #402635, #372F34 and #2F3732

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #501638CE shade: #481650, #501648, #501639, #501629 and #50161A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #501638CE shade: #0F040B, #300D21, #501638, #701F4F and #912865

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #501638CE shade: #501638, #503916 and #165050

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #501638CE shade: #501638, #395016 and #163950

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #501638CE shade: #501638, #503916, #16502D and #162D50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #501638CE shade: #501638, #504A16, #16502D and #161C50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 59 / 24 / 56

HEX #501638CE

RGBA 80 22 56 0.81

HSLA 324.83, 0.57%, 0.2%, 0.81

LABA 18.21, 30.83, -7.56, 0.81

 

Complementary color

CMYK 20 / 0 / 12 / 7

HEX #AFE9C7CE

RGBA 175 233 199 0.81

HSLA 144.83, 0.57%, 0.8%, 0.81

LABA 87.73, -25.17, 10.6, 0.81

 

CMYK 0 / 60 / 32 / 54

HEX #551633CE

RGBA 85 22 51 0.81

HSLA 332.38, 0.59%, 0.21%, 0.81

LABA 18.99, 31.8, -2.76, 0.81

 

CMYK 0 / 49 / 25 / 49

HEX #662846CE

RGBA 102 40 70 0.81

HSLA 330.97, 0.44%, 0.28%, 0.81

LABA 26.11, 31.44, -4.87, 0.81

 

CMYK 0 / 42 / 20 / 43

HEX #773A59CE

RGBA 119 58 89 0.81

HSLA 329.51, 0.34%, 0.35%, 0.81

LABA 33.28, 30.67, -6.32, 0.81

 

CMYK 0 / 36 / 17 / 38

HEX #884C6CCE

RGBA 136 76 108 0.81

HSLA 328, 0.28%, 0.42%, 0.81

LABA 40.39, 29.8, -7.41, 0.81

 

CMYK 0 / 31 / 14 / 32

HEX #995E7FCE

RGBA 153 94 127 0.81

HSLA 326.44, 0.24%, 0.48%, 0.81

LABA 47.38, 28.95, -8.3, 0.81

 

CMYK 0 / 59 / 24 / 56

HEX #501638CE

RGBA 80 22 56 0.81

HSLA 324.83, 0.57%, 0.2%, 0.81

LABA 18.21, 30.83, -7.56, 0.81

 

CMYK 0 / 76 / 33 / 61

HEX #3F0425CE

RGBA 63 4 37 0.81

HSLA 326.44, 0.88%, 0.13%, 0.81

LABA 11.11, 30.37, -4.84, 0.81

 

CMYK 0 / 81 / 49 / 66

HEX #2E0012CE

RGBA 46 0 18 0.81

HSLA 336.52, 1%, 0.09%, 0.81

LABA 5.64, 24.29, 0.75, 0.81

 

CMYK 0 / 81 / 81 / 72

HEX #1D0000CE

RGBA 29 0 0 0.81

HSLA 0, 1%, 0.06%, 0.81

LABA 2.36, 10.59, 3.73, 0.81

 

CMYK 0 / 81 / 81 / 77

HEX #0C0000CE

RGBA 12 0 0 0.81

HSLA 0, 1%, 0.02%, 0.81

LABA 0.71, 3.17, 1.12, 0.81

 

CMYK 0 / 73 / 30 / 69

HEX #501638

RGB 80 22 56

HSL 324.83, 0.57%, 0.2%

LAB 18.21, 30.83, -7.56

 

CMYK 0 / 73 / 50 / 69

HEX #501628

RGB 80 22 40

HSL 341.38, 0.57%, 0.2%

LAB 17.61, 28.73, 2.93

 

CMYK 0 / 73 / 69 / 69

HEX #501619

RGB 80 22 25

HSL 356.9, 0.57%, 0.2%

LAB 17.22, 27.32, 13.09

 

CMYK 0 / 73 / 73 / 69

HEX #501616

RGB 80 22 22

HSL 0, 0.57%, 0.2%

LAB 17.17, 27.11, 15.12

 

CMYK 0 / 73 / 30 / 69

HEX #501638

RGB 80 22 56

HSL 324.83, 0.57%, 0.2%

LAB 18.21, 30.83, -7.56

 

CMYK 0 / 73 / 10 / 69

HEX #501648

RGB 80 22 72

HSL 308.28, 0.57%, 0.2%

LAB 19, 33.49, -17.46

 

CMYK 9 / 73 / 0 / 69

HEX #491650

RGB 73 22 80

HSL 292.76, 0.57%, 0.2%

LAB 18.23, 33.1, -24.22

 

CMYK 29 / 73 / 0 / 69

HEX #391650

RGB 57 22 80

HSL 276.21, 0.57%, 0.2%

LAB 15.61, 28.87, -28.57

 

CMYK 49 / 73 / 0 / 69

HEX #291650

RGB 41 22 80

HSL 259.66, 0.57%, 0.2%

LAB 13.38, 24.97, -32.28

 

CMYK 0 / 73 / 30 / 69

HEX #501638

RGB 80 22 56

HSL 324.83, 0.57%, 0.2%

LAB 18.21, 30.83, -7.56

 

CMYK 0 / 84 / 35 / 65

HEX #580E39

RGB 88 14 57

HSL 325.14, 0.73%, 0.2%

LAB 18.73, 36.64, -7.31

 

CMYK 0 / 95 / 39 / 62

HEX #61053B

RGB 97 5 59

HSL 324.78, 0.9%, 0.2%

LAB 19.91, 41.78, -6.76

 

CMYK 0 / 73 / 30 / 69

HEX #501638

RGB 80 22 56

HSL 324.83, 0.57%, 0.2%

LAB 18.21, 30.83, -7.56

 

CMYK 0 / 58 / 24 / 72

HEX #481E37

RGB 72 30 55

HSL 324.29, 0.41%, 0.2%

LAB 18.29, 23.58, -6.88

 

CMYK 0 / 41 / 17 / 75

HEX #402635

RGB 64 38 53

HSL 325.38, 0.25%, 0.2%

LAB 18.94, 14.94, -4.62

 

CMYK 0 / 15 / 5 / 78

HEX #372F34

RGB 55 47 52

HSL 322.5, 0.08%, 0.2%

LAB 20.41, 4.7, -1.86

 

CMYK 15 / 0 / 9 / 78

HEX #2F3732

RGB 47 55 50

HSL 142.5, 0.08%, 0.2%

LAB 22.18, -4.6, 1.99

 

CMYK 10 / 73 / 0 / 69

HEX #481650

RGB 72 22 80

HSL 291.72, 0.57%, 0.2%

LAB 18.06, 32.83, -24.51

 

CMYK 0 / 73 / 10 / 69

HEX #501648

RGB 80 22 72

HSL 308.28, 0.57%, 0.2%

LAB 19, 33.49, -17.46

 

CMYK 0 / 73 / 29 / 69

HEX #501639

RGB 80 22 57

HSL 323.79, 0.57%, 0.2%

LAB 18.25, 30.98, -8.19

 

CMYK 0 / 73 / 49 / 69

HEX #501629

RGB 80 22 41

HSL 340.34, 0.57%, 0.2%

LAB 17.64, 28.84, 2.26

 

CMYK 0 / 73 / 68 / 69

HEX #50161A

RGB 80 22 26

HSL 355.86, 0.57%, 0.2%

LAB 17.24, 27.4, 12.41

 

CMYK 0 / 73 / 27 / 94

HEX #0F040B

RGB 15 4 11

HSL 321.82, 0.58%, 0.04%

LAB 1.92, 4.05, -1.58

 

CMYK 0 / 73 / 31 / 81

HEX #300D21

RGB 48 13 33

HSL 325.71, 0.57%, 0.12%

LAB 9.21, 20.48, -5.02

 

CMYK 0 / 73 / 30 / 69

HEX #501638

RGB 80 22 56

HSL 324.83, 0.57%, 0.2%

LAB 18.21, 30.83, -7.56

 

CMYK 0 / 72 / 29 / 56

HEX #701F4F

RGB 112 31 79

HSL 324.44, 0.57%, 0.28%

LAB 26.7, 40.26, -9.82

 

CMYK 0 / 72 / 30 / 43

HEX #912865

RGB 145 40 101

HSL 325.14, 0.57%, 0.36%

LAB 34.96, 49.26, -11.05

 

CMYK 0 / 73 / 30 / 69

HEX #501638

RGB 80 22 56

HSL 324.83, 0.57%, 0.2%

LAB 18.21, 30.83, -7.56

 

CMYK 0 / 29 / 73 / 69

HEX #503916

RGB 80 57 22

HSL 36.21, 0.57%, 0.2%

LAB 25.83, 5.99, 25.21

 

CMYK 73 / 0 / 0 / 69

HEX #165050

RGB 22 80 80

HSL 180, 0.57%, 0.2%

LAB 30.61, -18.07, -5.44

 

CMYK 0 / 73 / 30 / 69

HEX #501638

RGB 80 22 56

HSL 324.83, 0.57%, 0.2%

LAB 18.21, 30.83, -7.56

 

CMYK 29 / 0 / 73 / 69

HEX #395016

RGB 57 80 22

HSL 83.79, 0.57%, 0.2%

LAB 31.03, -19.19, 30.16

 

CMYK 73 / 29 / 0 / 69

HEX #163950

RGB 22 57 80

HSL 203.79, 0.57%, 0.2%

LAB 22.57, -4.1, -17.71

 

CMYK 0 / 73 / 30 / 69

HEX #501638

RGB 80 22 56

HSL 324.83, 0.57%, 0.2%

LAB 18.21, 30.83, -7.56

 

CMYK 0 / 29 / 73 / 69

HEX #503916

RGB 80 57 22

HSL 36.21, 0.57%, 0.2%

LAB 25.83, 5.99, 25.21

 

CMYK 73 / 0 / 44 / 69

HEX #16502D

RGB 22 80 45

HSL 143.79, 0.57%, 0.2%

LAB 29.66, -27.75, 15.33

 

CMYK 73 / 44 / 0 / 69

HEX #162D50

RGB 22 45 80

HSL 216.21, 0.57%, 0.2%

LAB 18.48, 4.26, -24.15

 

CMYK 0 / 73 / 30 / 69

HEX #501638

RGB 80 22 56

HSL 324.83, 0.57%, 0.2%

LAB 18.21, 30.83, -7.56

 

CMYK 0 / 7 / 73 / 69

HEX #504A16

RGB 80 74 22

HSL 53.79, 0.57%, 0.2%

LAB 31.02, -4.69, 30.76

 

CMYK 73 / 0 / 44 / 69

HEX #16502D

RGB 22 80 45

HSL 143.79, 0.57%, 0.2%

LAB 29.66, -27.75, 15.33

 

CMYK 73 / 65 / 0 / 69

HEX #161C50

RGB 22 28 80

HSL 233.79, 0.57%, 0.2%

LAB 13.11, 16.89, -32.8

 

Description

Color code: HEX #501638CE | qconv.com Color code: HEX #501638CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 22 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 22 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 59 magenta, 24 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 59% 24% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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