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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #50095B it is the complementary color #AFF6A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #50095B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #50095B shade: #550956, #661B69, #772D7C, #883F8F and #9951A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #50095B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #50095B shade: #50095B, #3F0048, #2E0035, #1D0022 and #0C000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #50095B shade: #52095D, #5D0951, #5D093B, #5D0924 and #5D090E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #50095B shade: #52095D, #3B095D, #24095D, #0E095D and #09095D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #50095B shade matches the following richer shades: #52095D and #580165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #50095B shade: #52095D, #4C1155, #461A4C, #3F2244 and #392A3C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #50095B shade: #24095D, #3A095D, #50095D, #5D0953 and #5D093D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #50095B shade: #100212, #310537, #52095D, #730D82 and #9411A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #50095B shade: #50095B, #5D0D09 and #095D2F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #50095B shade: #50095B, #5D5009 and #095D50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #50095B shade: #50095B, #5D0D09, #165D09 and #09595D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #50095B shade: #50095B, #5D2609, #165D09 and #09405D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 90 / 0 / 64

HEX #50095B

RGB 80 9 91

HSL 291.95, 0.82%, 0.2%

LAB 18.61, 41.77, -30.95

 

Complementary color

CMYK 29 / 0 / 33 / 4

HEX #AFF6A4

RGB 175 246 164

HSL 111.95, 0.82%, 0.8%

LAB 90.65, -37.21, 32.62

 

CMYK 1 / 90 / 0 / 66

HEX #550956

RGB 85 9 86

HSL 299.22, 0.81%, 0.19%

LAB 19.22, 41.87, -26.57

 

CMYK 3 / 74 / 0 / 59

HEX #661B69

RGB 102 27 105

HSL 297.69, 0.59%, 0.26%

LAB 25.65, 43.38, -28.69

 

CMYK 4 / 64 / 0 / 51

HEX #772D7C

RGB 119 45 124

HSL 296.2, 0.47%, 0.33%

LAB 32.38, 43.58, -29.95

 

CMYK 5 / 56 / 0 / 44

HEX #883F8F

RGB 136 63 143

HSL 294.75, 0.39%, 0.4%

LAB 39.19, 43.19, -30.76

 

CMYK 6 / 50 / 0 / 36

HEX #9951A2

RGB 153 81 162

HSL 293.33, 0.33%, 0.48%

LAB 46, 42.54, -31.33

 

CMYK 12 / 90 / 0 / 64

HEX #50095B

RGB 80 9 91

HSL 291.95, 0.82%, 0.2%

LAB 18.61, 41.77, -30.95

 

CMYK 13 / 100 / 0 / 72

HEX #3F0048

RGB 63 0 72

HSL 292.5, 1%, 0.14%

LAB 12.76, 37.8, -27.58

 

CMYK 13 / 100 / 0 / 79

HEX #2E0035

RGB 46 0 53

HSL 292.08, 1%, 0.1%

LAB 7.57, 30.92, -22.57

 

CMYK 15 / 100 / 0 / 87

HEX #1D0022

RGB 29 0 34

HSL 291.18, 1%, 0.07%

LAB 3.4, 17.92, -14.96

 

CMYK 20 / 100 / 0 / 94

HEX #0C000F

RGB 12 0 15

HSL 288, 1%, 0.03%

LAB 1.02, 5.36, -4.84

 

CMYK 12 / 90 / 0 / 64

HEX #52095D

RGB 82 9 93

HSL 292.14, 0.82%, 0.2%

LAB 19.14, 42.56, -31.42

 

CMYK 0 / 90 / 13 / 64

HEX #5D0951

RGB 93 9 81

HSL 308.57, 0.82%, 0.2%

LAB 20.5, 42.81, -21.05

 

CMYK 0 / 90 / 37 / 64

HEX #5D093B

RGB 93 9 59

HSL 324.29, 0.82%, 0.2%

LAB 19.38, 39.71, -7.63

 

CMYK 0 / 90 / 61 / 64

HEX #5D0924

RGB 93 9 36

HSL 340.71, 0.82%, 0.2%

LAB 18.58, 37.41, 7.56

 

CMYK 0 / 90 / 85 / 64

HEX #5D090E

RGB 93 9 14

HSL 356.43, 0.82%, 0.2%

LAB 18.16, 36.16, 21.86

 

CMYK 12 / 90 / 0 / 64

HEX #52095D

RGB 82 9 93

HSL 292.14, 0.82%, 0.2%

LAB 19.14, 42.56, -31.42

 

CMYK 37 / 90 / 0 / 64

HEX #3B095D

RGB 59 9 93

HSL 275.71, 0.82%, 0.2%

LAB 15.04, 38.34, -38.26

 

CMYK 61 / 90 / 0 / 64

HEX #24095D

RGB 36 9 93

HSL 259.29, 0.82%, 0.2%

LAB 11.69, 35.07, -43.88

 

CMYK 85 / 90 / 0 / 64

HEX #0E095D

RGB 14 9 93

HSL 243.57, 0.82%, 0.2%

LAB 9.63, 33.17, -47.36

 

CMYK 90 / 90 / 0 / 64

HEX #09095D

RGB 9 9 93

HSL 240, 0.82%, 0.2%

LAB 9.35, 32.92, -47.84

 

CMYK 12 / 90 / 0 / 64

HEX #52095D

RGB 82 9 93

HSL 292.14, 0.82%, 0.2%

LAB 19.14, 42.56, -31.42

 

CMYK 13 / 99 / 0 / 60

HEX #580165

RGB 88 1 101

HSL 292.2, 0.98%, 0.2%

LAB 20.19, 47.27, -34.97

 

CMYK 12 / 90 / 0 / 64

HEX #52095D

RGB 82 9 93

HSL 292.14, 0.82%, 0.2%

LAB 19.14, 42.56, -31.42

 

CMYK 11 / 80 / 0 / 67

HEX #4C1155

RGB 76 17 85

HSL 292.06, 0.67%, 0.2%

LAB 18.34, 37.08, -27.41

 

CMYK 8 / 66 / 0 / 70

HEX #461A4C

RGB 70 26 76

HSL 292.8, 0.49%, 0.2%

LAB 18.2, 29.35, -21.58

 

CMYK 7 / 50 / 0 / 73

HEX #3F2244

RGB 63 34 68

HSL 291.18, 0.33%, 0.2%

LAB 18.44, 20.46, -15.78

 

CMYK 5 / 30 / 0 / 76

HEX #392A3C

RGB 57 42 60

HSL 290, 0.18%, 0.2%

LAB 19.44, 10.86, -8.8

 

CMYK 61 / 90 / 0 / 64

HEX #24095D

RGB 36 9 93

HSL 259.29, 0.82%, 0.2%

LAB 11.69, 35.07, -43.88

 

CMYK 38 / 90 / 0 / 64

HEX #3A095D

RGB 58 9 93

HSL 275, 0.82%, 0.2%

LAB 14.87, 38.17, -38.54

 

CMYK 14 / 90 / 0 / 64

HEX #50095D

RGB 80 9 93

HSL 290.71, 0.82%, 0.2%

LAB 18.76, 42.16, -32.05

 

CMYK 0 / 90 / 11 / 64

HEX #5D0953

RGB 93 9 83

HSL 307.14, 0.82%, 0.2%

LAB 20.62, 43.12, -22.22

 

CMYK 0 / 90 / 34 / 64

HEX #5D093D

RGB 93 9 61

HSL 322.86, 0.82%, 0.2%

LAB 19.47, 39.96, -8.9

 

CMYK 11 / 89 / 0 / 93

HEX #100212

RGB 16 2 18

HSL 292.5, 0.8%, 0.04%

LAB 1.78, 6.44, -5.4

 

CMYK 11 / 91 / 0 / 78

HEX #310537

RGB 49 5 55

HSL 292.8, 0.83%, 0.12%

LAB 9.3, 29.23, -21.21

 

CMYK 12 / 90 / 0 / 64

HEX #52095D

RGB 82 9 93

HSL 292.14, 0.82%, 0.2%

LAB 19.14, 42.56, -31.42

 

CMYK 12 / 90 / 0 / 49

HEX #730D82

RGB 115 13 130

HSL 292.31, 0.82%, 0.28%

LAB 28.23, 54.79, -40.37

 

CMYK 12 / 90 / 0 / 34

HEX #9411A8

RGB 148 17 168

HSL 292.05, 0.82%, 0.36%

LAB 36.97, 66.46, -49.3

 

CMYK 12 / 90 / 0 / 64

HEX #50095B

RGB 80 9 91

HSL 291.95, 0.82%, 0.2%

LAB 18.61, 41.77, -30.95

 

CMYK 0 / 86 / 90 / 64

HEX #5D0D09

RGB 93 13 9

HSL 2.86, 0.82%, 0.2%

LAB 18.52, 34.84, 24.5

 

CMYK 90 / 0 / 49 / 64

HEX #095D2F

RGB 9 93 47

HSL 147.14, 0.82%, 0.2%

LAB 34.17, -34.85, 19.95

 

CMYK 12 / 90 / 0 / 64

HEX #50095B

RGB 80 9 91

HSL 291.95, 0.82%, 0.2%

LAB 18.61, 41.77, -30.95

 

CMYK 0 / 14 / 90 / 64

HEX #5D5009

RGB 93 80 9

HSL 50.71, 0.82%, 0.2%

LAB 34.16, -2.39, 39.32

 

CMYK 90 / 0 / 14 / 64

HEX #095D50

RGB 9 93 80

HSL 170.71, 0.82%, 0.2%

LAB 34.94, -26.45, 0.91

 

CMYK 12 / 90 / 0 / 64

HEX #50095B

RGB 80 9 91

HSL 291.95, 0.82%, 0.2%

LAB 18.61, 41.77, -30.95

 

CMYK 0 / 86 / 90 / 64

HEX #5D0D09

RGB 93 13 9

HSL 2.86, 0.82%, 0.2%

LAB 18.52, 34.84, 24.5

 

CMYK 76 / 0 / 90 / 64

HEX #165D09

RGB 22 93 9

HSL 110.71, 0.82%, 0.2%

LAB 34.02, -37.53, 37.46

 

CMYK 90 / 4 / 0 / 64

HEX #09595D

RGB 9 89 93

HSL 182.86, 0.82%, 0.2%

LAB 33.97, -20.12, -8.66

 

CMYK 12 / 90 / 0 / 64

HEX #50095B

RGB 80 9 91

HSL 291.95, 0.82%, 0.2%

LAB 18.61, 41.77, -30.95

 

CMYK 0 / 59 / 90 / 64

HEX #5D2609

RGB 93 38 9

HSL 20.71, 0.82%, 0.2%

LAB 22.77, 23.39, 29.22

 

CMYK 76 / 0 / 90 / 64

HEX #165D09

RGB 22 93 9

HSL 110.71, 0.82%, 0.2%

LAB 34.02, -37.53, 37.46

 

CMYK 90 / 31 / 0 / 64

HEX #09405D

RGB 9 64 93

HSL 200.71, 0.82%, 0.2%

LAB 25.31, -5.27, -21.99

 

Description

Color code: HEX #50095B | qconv.com Color code: HEX #50095B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 9 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 9 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 90 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 90% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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