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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #500792 it is the complementary color #AFF86D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #500792. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #500792 shade: #55078D, #6619A0, #772BB3, #883DC6 and #994FD9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #500792. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #500792 shade: #500792, #3F007F, #2E006C, #1D0059 and #0C0046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #500792 shade: #500792, #760792, #920789, #920764 and #92073E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #500792 shade: #500792, #2A0792 and #070792

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #500792 shade matches the following richer shades: #500792

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #500792 shade: #500792, #4F1386, #4F2079, #4E2C6D and #4E3861

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #500792 shade: #070992, #2A0792, #4F0792, #740792 and #92078B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #500792 shade: #250343, #3A056B, #500792, #6609BA and #7B0BE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #500792 shade: #500792, #92072E and #079217

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #500792 shade: #500792, #924F07 and #07924F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #500792 shade: #500792, #92072E, #4A9207 and #07926B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #500792 shade: #500792, #920907, #4A9207 and #079092

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 95 / 0 / 43

HEX #500792

RGB 80 7 146

HSL 271.51, 0.91%, 0.3%

LAB 23.45, 54.2, -58.41

 

Complementary color

CMYK 29 / 0 / 56 / 3

HEX #AFF86D

RGB 175 248 109

HSL 91.51, 0.91%, 0.7%

LAB 90.48, -44.85, 58.64

 

CMYK 40 / 95 / 0 / 45

HEX #55078D

RGB 85 7 141

HSL 274.93, 0.91%, 0.29%

LAB 23.69, 53.64, -54.87

 

CMYK 36 / 84 / 0 / 37

HEX #6619A0

RGB 102 25 160

HSL 274.22, 0.73%, 0.36%

LAB 29.56, 55.65, -56.85

 

CMYK 34 / 76 / 0 / 30

HEX #772BB3

RGB 119 43 179

HSL 273.53, 0.61%, 0.44%

LAB 35.8, 56.26, -57.98

 

CMYK 31 / 69 / 0 / 22

HEX #883DC6

RGB 136 61 198

HSL 272.85, 0.55%, 0.51%

LAB 42.23, 56.08, -58.6

 

CMYK 29 / 64 / 0 / 15

HEX #994FD9

RGB 153 79 217

HSL 272.17, 0.64%, 0.58%

LAB 48.73, 55.49, -58.93

 

CMYK 45 / 95 / 0 / 43

HEX #500792

RGB 80 7 146

HSL 271.51, 0.91%, 0.3%

LAB 23.45, 54.2, -58.41

 

CMYK 50 / 100 / 0 / 50

HEX #3F007F

RGB 63 0 127

HSL 269.76, 1%, 0.25%

LAB 18.32, 49.84, -55.03

 

CMYK 57 / 100 / 0 / 58

HEX #2E006C

RGB 46 0 108

HSL 265.56, 1%, 0.21%

LAB 13.61, 43.83, -50.62

 

CMYK 67 / 100 / 0 / 65

HEX #1D0059

RGB 29 0 89

HSL 259.55, 1%, 0.17%

LAB 8.84, 37.74, -45.93

 

CMYK 83 / 100 / 0 / 73

HEX #0C0046

RGB 12 0 70

HSL 250.29, 1%, 0.14%

LAB 4.7, 29.02, -39.69

 

CMYK 45 / 95 / 0 / 43

HEX #500792

RGB 80 7 146

HSL 271.51, 0.91%, 0.3%

LAB 23.45, 54.2, -58.41

 

CMYK 19 / 95 / 0 / 43

HEX #760792

RGB 118 7 146

HSL 287.91, 0.91%, 0.3%

LAB 29.61, 59.26, -48.08

 

CMYK 0 / 95 / 6 / 43

HEX #920789

RGB 146 7 137

HSL 303.88, 0.91%, 0.3%

LAB 34.13, 62.55, -34.99

 

CMYK 0 / 95 / 32 / 43

HEX #920764

RGB 146 7 100

HSL 319.86, 0.91%, 0.3%

LAB 32.22, 57.65, -14.56

 

CMYK 0 / 95 / 58 / 43

HEX #92073E

RGB 146 7 62

HSL 336.26, 0.91%, 0.3%

LAB 30.9, 54.11, 8.5

 

CMYK 45 / 95 / 0 / 43

HEX #500792

RGB 80 7 146

HSL 271.51, 0.91%, 0.3%

LAB 23.45, 54.2, -58.41

 

CMYK 71 / 95 / 0 / 43

HEX #2A0792

RGB 42 7 146

HSL 255.11, 0.91%, 0.3%

LAB 18.88, 51.12, -66.11

 

CMYK 95 / 95 / 0 / 43

HEX #070792

RGB 7 7 146

HSL 240, 0.91%, 0.3%

LAB 16.86, 50.02, -69.54

 

CMYK 45 / 95 / 0 / 43

HEX #500792

RGB 80 7 146

HSL 271.51, 0.91%, 0.3%

LAB 23.45, 54.2, -58.41

 

CMYK 45 / 95 / 0 / 43

HEX #500792

RGB 80 7 146

HSL 271.51, 0.91%, 0.3%

LAB 23.45, 54.2, -58.41

 

CMYK 41 / 86 / 0 / 47

HEX #4F1386

RGB 79 19 134

HSL 271.3, 0.75%, 0.3%

LAB 23.17, 48.09, -51.39

 

CMYK 35 / 74 / 0 / 53

HEX #4F2079

RGB 79 32 121

HSL 271.69, 0.58%, 0.3%

LAB 23.92, 39.41, -41.94

 

CMYK 28 / 60 / 0 / 57

HEX #4E2C6D

RGB 78 44 109

HSL 271.38, 0.42%, 0.3%

LAB 25.34, 29.42, -31.98

 

CMYK 20 / 42 / 0 / 62

HEX #4E3861

RGB 78 56 97

HSL 272.2, 0.27%, 0.3%

LAB 27.6, 18.74, -20.66

 

CMYK 95 / 94 / 0 / 43

HEX #070992

RGB 7 9 146

HSL 239.14, 0.91%, 0.3%

LAB 17.06, 49.38, -69.2

 

CMYK 71 / 95 / 0 / 43

HEX #2A0792

RGB 42 7 146

HSL 255.11, 0.91%, 0.3%

LAB 18.88, 51.12, -66.11

 

CMYK 46 / 95 / 0 / 43

HEX #4F0792

RGB 79 7 146

HSL 271.08, 0.91%, 0.3%

LAB 23.3, 54.09, -58.65

 

CMYK 21 / 95 / 0 / 43

HEX #740792

RGB 116 7 146

HSL 287.05, 0.91%, 0.3%

LAB 29.26, 58.95, -48.67

 

CMYK 0 / 95 / 5 / 43

HEX #92078B

RGB 146 7 139

HSL 303.02, 0.91%, 0.3%

LAB 34.25, 62.85, -36.03

 

CMYK 45 / 96 / 0 / 74

HEX #250343

RGB 37 3 67

HSL 271.88, 0.91%, 0.14%

LAB 7.8, 30.89, -32.36

 

CMYK 46 / 95 / 0 / 58

HEX #3A056B

RGB 58 5 107

HSL 271.18, 0.91%, 0.22%

LAB 15.85, 42.97, -46.21

 

CMYK 45 / 95 / 0 / 43

HEX #500792

RGB 80 7 146

HSL 271.51, 0.91%, 0.3%

LAB 23.45, 54.2, -58.41

 

CMYK 45 / 95 / 0 / 27

HEX #6609BA

RGB 102 9 186

HSL 271.53, 0.91%, 0.38%

LAB 30.8, 65.09, -70.43

 

CMYK 45 / 95 / 0 / 12

HEX #7B0BE1

RGB 123 11 225

HSL 271.4, 0.91%, 0.46%

LAB 37.64, 75.23, -81.75

 

CMYK 45 / 95 / 0 / 43

HEX #500792

RGB 80 7 146

HSL 271.51, 0.91%, 0.3%

LAB 23.45, 54.2, -58.41

 

CMYK 0 / 95 / 68 / 43

HEX #92072E

RGB 146 7 46

HSL 343.17, 0.91%, 0.3%

LAB 30.55, 53.12, 18.68

 

CMYK 95 / 0 / 84 / 43

HEX #079217

RGB 7 146 23

HSL 126.91, 0.91%, 0.3%

LAB 52.58, -55.53, 50.43

 

CMYK 45 / 95 / 0 / 43

HEX #500792

RGB 80 7 146

HSL 271.51, 0.91%, 0.3%

LAB 23.45, 54.2, -58.41

 

CMYK 0 / 46 / 95 / 43

HEX #924F07

RGB 146 79 7

HSL 31.08, 0.91%, 0.3%

LAB 40.76, 23.64, 47.99

 

CMYK 95 / 0 / 46 / 43

HEX #07924F

RGB 7 146 79

HSL 151.08, 0.91%, 0.3%

LAB 53.13, -48.71, 26.44

 

CMYK 45 / 95 / 0 / 43

HEX #500792

RGB 80 7 146

HSL 271.51, 0.91%, 0.3%

LAB 23.45, 54.2, -58.41

 

CMYK 0 / 95 / 68 / 43

HEX #92072E

RGB 146 7 46

HSL 343.17, 0.91%, 0.3%

LAB 30.55, 53.12, 18.68

 

CMYK 49 / 0 / 95 / 43

HEX #4A9207

RGB 74 146 7

HSL 91.08, 0.91%, 0.3%

LAB 54.06, -43.43, 55.66

 

CMYK 95 / 0 / 27 / 43

HEX #07926B

RGB 7 146 107

HSL 163.17, 0.91%, 0.3%

LAB 53.67, -42.55, 11.58

 

CMYK 45 / 95 / 0 / 43

HEX #500792

RGB 80 7 146

HSL 271.51, 0.91%, 0.3%

LAB 23.45, 54.2, -58.41

 

CMYK 0 / 94 / 95 / 43

HEX #920907

RGB 146 9 7

HSL 0.86, 0.91%, 0.3%

LAB 30.21, 51.58, 40.8

 

CMYK 49 / 0 / 95 / 43

HEX #4A9207

RGB 74 146 7

HSL 91.08, 0.91%, 0.3%

LAB 54.06, -43.43, 55.66

 

CMYK 95 / 1 / 0 / 43

HEX #079092

RGB 7 144 146

HSL 180.86, 0.91%, 0.3%

LAB 54.1, -30.46, -10.22

 

Description

Color code: HEX #500792 | qconv.com Color code: HEX #500792 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 7 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 7 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 95 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 95% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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