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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #500347CE it is the complementary color #AFFCB8CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #500347CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #500347CE shade: #550342CE, #661555CE, #772768CE, #88397BCE and #994B8ECE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #500347CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #500347CE shade: #500347CE, #3F0034CE, #2E0021CE, #1D000ECE and #0C0000CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #500347CE shade: #4F0346, #4F0331, #4F031D, #4F0308 and #4F0303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #500347CE shade: #4F0346, #43034F, #2F034F, #1A034F and #06034F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #500347CE shade matches the following richer shades: #4F0346

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #500347CE shade: #4F0346, #480941, #42103C, #3B1737 and #341D32

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #500347CE shade: #2F034F, #43034F, #4F0346, #4F0332 and #4F031D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #500347CE shade: #000000, #270123, #4F0346, #770469 and #9E068D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #500347CE shade: #500347, #4F1B03 and #034F39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #500347CE shade: #500347, #464F03 and #03464F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #500347CE shade: #500347, #4F1B03, #034F0C and #03374F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #500347CE shade: #500347, #4F3203, #034F0C and #03204F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 9 / 56

HEX #500347CE

RGBA 80 3 71 0.81

HSLA 307.01, 0.93%, 0.16%, 0.81

LABA 16.63, 39.95, -20.5, 0.81

 

Complementary color

CMYK 25 / 0 / 22 / 1

HEX #AFFCB8CE

RGBA 175 252 184 0.81

HSLA 127.01, 0.93%, 0.84%, 0.81

LABA 92.66, -36.75, 25.23, 0.81

 

CMYK 0 / 78 / 18 / 54

HEX #550342CE

RGBA 85 3 66 0.81

HSLA 313.9, 0.93%, 0.17%, 0.81

LABA 17.41, 40.31, -15.71, 0.81

 

CMYK 0 / 64 / 14 / 49

HEX #661555CE

RGBA 102 21 85 0.81

HSLA 312.59, 0.66%, 0.24%, 0.81

LABA 23.73, 42.14, -18.56, 0.81

 

CMYK 0 / 54 / 10 / 43

HEX #772768CE

RGBA 119 39 104 0.81

HSLA 311.25, 0.51%, 0.31%, 0.81

LABA 30.33, 42.7, -20.47, 0.81

 

CMYK 0 / 47 / 8 / 38

HEX #88397BCE

RGBA 136 57 123 0.81

HSLA 309.87, 0.41%, 0.38%, 0.81

LABA 37.1, 42.48, -21.74, 0.81

 

CMYK 0 / 41 / 6 / 32

HEX #994B8ECE

RGBA 153 75 142 0.81

HSLA 308.46, 0.34%, 0.45%, 0.81

LABA 43.88, 41.91, -22.66, 0.81

 

CMYK 0 / 78 / 9 / 56

HEX #500347CE

RGBA 80 3 71 0.81

HSLA 307.01, 0.93%, 0.16%, 0.81

LABA 16.63, 39.95, -20.5, 0.81

 

CMYK 0 / 81 / 14 / 61

HEX #3F0034CE

RGBA 63 0 52 0.81

HSLA 310.48, 1%, 0.12%, 0.81

LABA 11.31, 34.28, -15.65, 0.81

 

CMYK 0 / 81 / 23 / 66

HEX #2E0021CE

RGBA 46 0 33 0.81

HSLA 316.96, 1%, 0.09%, 0.81

LABA 6.24, 26.74, -9.58, 0.81

 

CMYK 0 / 81 / 42 / 72

HEX #1D000ECE

RGBA 29 0 14 0.81

HSLA 331.03, 1%, 0.06%, 0.81

LABA 2.65, 12.6, -1.75, 0.81

 

CMYK 0 / 81 / 81 / 77

HEX #0C0000CE

RGBA 12 0 0 0.81

HSLA 0, 1%, 0.02%, 0.81

LABA 0.71, 3.17, 1.12, 0.81

 

CMYK 0 / 96 / 11 / 69

HEX #4F0346

RGB 79 3 70

HSL 307.11, 0.93%, 0.16%

LAB 16.35, 39.57, -20.25

 

CMYK 0 / 96 / 38 / 69

HEX #4F0331

RGB 79 3 49

HSL 323.68, 0.93%, 0.16%

LAB 15.22, 36.58, -7.12

 

CMYK 0 / 96 / 63 / 69

HEX #4F031D

RGB 79 3 29

HSL 339.47, 0.93%, 0.16%

LAB 14.49, 34.58, 6.52

 

CMYK 0 / 96 / 90 / 69

HEX #4F0308

RGB 79 3 8

HSL 356.05, 0.93%, 0.16%

LAB 14.09, 33.44, 18.67

 

CMYK 0 / 96 / 96 / 69

HEX #4F0303

RGB 79 3 3

HSL 0, 0.93%, 0.16%

LAB 14.02, 33.26, 20.63

 

CMYK 0 / 96 / 11 / 69

HEX #4F0346

RGB 79 3 70

HSL 307.11, 0.93%, 0.16%

LAB 16.35, 39.57, -20.25

 

CMYK 15 / 96 / 0 / 69

HEX #43034F

RGB 67 3 79

HSL 290.53, 0.93%, 0.16%

LAB 14.53, 38.75, -29.53

 

CMYK 41 / 96 / 0 / 69

HEX #2F034F

RGB 47 3 79

HSL 274.74, 0.93%, 0.16%

LAB 10.81, 35.42, -35.76

 

CMYK 67 / 96 / 0 / 69

HEX #1A034F

RGB 26 3 79

HSL 258.16, 0.93%, 0.16%

LAB 7.67, 32.95, -41.03

 

CMYK 92 / 96 / 0 / 69

HEX #06034F

RGB 6 3 79

HSL 242.37, 0.93%, 0.16%

LAB 6.04, 30.95, -43.79

 

CMYK 0 / 96 / 11 / 69

HEX #4F0346

RGB 79 3 70

HSL 307.11, 0.93%, 0.16%

LAB 16.35, 39.57, -20.25

 

CMYK 0 / 96 / 11 / 69

HEX #4F0346

RGB 79 3 70

HSL 307.11, 0.93%, 0.16%

LAB 16.35, 39.57, -20.25

 

CMYK 0 / 88 / 10 / 72

HEX #480941

RGB 72 9 65

HSL 306.67, 0.78%, 0.16%

LAB 15.25, 35.14, -18.6

 

CMYK 0 / 76 / 9 / 74

HEX #42103C

RGB 66 16 60

HSL 307.2, 0.61%, 0.16%

LAB 14.71, 29.89, -16.01

 

CMYK 0 / 61 / 7 / 77

HEX #3B1737

RGB 59 23 55

HSL 306.67, 0.44%, 0.16%

LAB 14.5, 22.93, -12.87

 

CMYK 0 / 44 / 4 / 80

HEX #341D32

RGB 52 29 50

HSL 305.22, 0.28%, 0.16%

LAB 14.62, 15.34, -9.21

 

CMYK 41 / 96 / 0 / 69

HEX #2F034F

RGB 47 3 79

HSL 274.74, 0.93%, 0.16%

LAB 10.81, 35.42, -35.76

 

CMYK 15 / 96 / 0 / 69

HEX #43034F

RGB 67 3 79

HSL 290.53, 0.93%, 0.16%

LAB 14.53, 38.75, -29.53

 

CMYK 0 / 96 / 11 / 69

HEX #4F0346

RGB 79 3 70

HSL 307.11, 0.93%, 0.16%

LAB 16.35, 39.57, -20.25

 

CMYK 0 / 96 / 37 / 69

HEX #4F0332

RGB 79 3 50

HSL 322.89, 0.93%, 0.16%

LAB 15.26, 36.7, -7.78

 

CMYK 0 / 96 / 63 / 69

HEX #4F031D

RGB 79 3 29

HSL 339.47, 0.93%, 0.16%

LAB 14.49, 34.58, 6.52

 

CMYK 0 / 97 / 10 / 85

HEX #270123

RGB 39 1 35

HSL 306.32, 0.95%, 0.08%

LAB 5.19, 23.49, -12.86

 

CMYK 0 / 96 / 11 / 69

HEX #4F0346

RGB 79 3 70

HSL 307.11, 0.93%, 0.16%

LAB 16.35, 39.57, -20.25

 

CMYK 0 / 97 / 12 / 53

HEX #770469

RGB 119 4 105

HSL 307.3, 0.93%, 0.24%

LAB 26.82, 53.06, -26.64

 

CMYK 0 / 96 / 11 / 38

HEX #9E068D

RGB 158 6 141

HSL 306.71, 0.93%, 0.32%

LAB 36.6, 65.5, -33.39

 

CMYK 0 / 96 / 11 / 69

HEX #500347

RGB 80 3 71

HSL 307.01, 0.93%, 0.16%

LAB 16.63, 39.95, -20.5

 

CMYK 0 / 66 / 96 / 69

HEX #4F1B03

RGB 79 27 3

HSL 18.95, 0.93%, 0.16%

LAB 17.7, 23.15, 25.26

 

CMYK 96 / 0 / 28 / 69

HEX #034F39

RGB 3 79 57

HSL 162.63, 0.93%, 0.16%

LAB 29.18, -27.24, 7.13

 

CMYK 0 / 96 / 11 / 69

HEX #500347

RGB 80 3 71

HSL 307.01, 0.93%, 0.16%

LAB 16.63, 39.95, -20.5

 

CMYK 11 / 0 / 96 / 69

HEX #464F03

RGB 70 79 3

HSL 67.11, 0.93%, 0.16%

LAB 31.58, -13.61, 38.32

 

CMYK 96 / 11 / 0 / 69

HEX #03464F

RGB 3 70 79

HSL 187.11, 0.93%, 0.16%

LAB 26.63, -15.24, -10.83

 

CMYK 0 / 96 / 11 / 69

HEX #500347

RGB 80 3 71

HSL 307.01, 0.93%, 0.16%

LAB 16.63, 39.95, -20.5

 

CMYK 0 / 66 / 96 / 69

HEX #4F1B03

RGB 79 27 3

HSL 18.95, 0.93%, 0.16%

LAB 17.7, 23.15, 25.26

 

CMYK 96 / 0 / 85 / 69

HEX #034F0C

RGB 3 79 12

HSL 127.11, 0.93%, 0.16%

LAB 28.48, -35.49, 31.18

 

CMYK 96 / 30 / 0 / 69

HEX #03374F

RGB 3 55 79

HSL 198.95, 0.93%, 0.16%

LAB 21.27, -5.94, -19.12

 

CMYK 0 / 96 / 11 / 69

HEX #500347

RGB 80 3 71

HSL 307.01, 0.93%, 0.16%

LAB 16.63, 39.95, -20.5

 

CMYK 0 / 37 / 96 / 69

HEX #4F3203

RGB 79 50 3

HSL 37.11, 0.93%, 0.16%

LAB 23.51, 9, 31.69

 

CMYK 96 / 0 / 85 / 69

HEX #034F0C

RGB 3 79 12

HSL 127.11, 0.93%, 0.16%

LAB 28.48, -35.49, 31.18

 

CMYK 96 / 59 / 0 / 69

HEX #03204F

RGB 3 32 79

HSL 217.11, 0.93%, 0.16%

LAB 13.33, 10.8, -31.79

 

Description

Color code: HEX #500347CE | qconv.com Color code: HEX #500347CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 80 red, 3 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
80 3 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 9 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 9% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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