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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FFD3E it is the complementary color #B002C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FFD3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FFD3E shade: #54FD39, #65FF4C, #76FF5F, #87FF72 and #98FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FFD3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FFD3E shade: #4FFD3E, #3EEB2B, #2DD918, #1CC705 and #0BB500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FFD3E shade: #50FD3F, #83FD3F, #B6FD3F, #EAFD3F and #FDDD3F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FFD3E shade: #50FD3F, #3FFD61, #3FFD95, #3FFDC8 and #3FFDFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FFD3E shade matches the following richer shades: #50FD3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FFD3E shade: #50FD3F, #5DED4F, #6ADE5E, #77CE6E and #84BE7E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FFD3E shade: #B7FD3F, #85FD3F, #52FD3F, #3FFD5F and #3FFD91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FFD3E shade: #17E702, #2BFD16, #50FD3F, #75FD68 and #9BFE91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FFD3E shade: #4FFD3E, #3FEAFD and #FD3F9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FFD3E shade: #4FFD3E, #3F52FD and #FD3F52

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FFD3E shade: #4FFD3E, #3FEAFD, #EA3FFD and #FD523F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FFD3E shade: #4FFD3E, #3FB1FD, #EA3FFD and #FD8B3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 75 / 1

HEX #4FFD3E

RGB 79 253 62

HSL 114.66, 0.98%, 0.62%

LAB 88.09, -76.44, 72.98

 

Complementary color

CMYK 9 / 99 / 0 / 24

HEX #B002C1

RGB 176 2 193

HSL 294.66, 0.98%, 0.38%

LAB 42.95, 76.82, -54.22

 

CMYK 67 / 0 / 77 / 1

HEX #54FD39

RGB 84 253 57

HSL 111.73, 0.98%, 0.61%

LAB 88.18, -75.84, 74.58

 

CMYK 60 / 0 / 70 / 0

HEX #65FF4C

RGB 101 255 76

HSL 111.62, 1%, 0.65%

LAB 89.3, -71.76, 69.72

 

CMYK 54 / 0 / 63 / 0

HEX #76FF5F

RGB 118 255 95

HSL 111.38, 1%, 0.69%

LAB 89.95, -66.13, 63.31

 

CMYK 47 / 0 / 55 / 0

HEX #87FF72

RGB 135 255 114

HSL 111.06, 1%, 0.72%

LAB 90.73, -59.69, 56.26

 

CMYK 40 / 0 / 48 / 0

HEX #98FF85

RGB 152 255 133

HSL 110.66, 1%, 0.76%

LAB 91.63, -52.55, 48.81

 

CMYK 69 / 0 / 75 / 1

HEX #4FFD3E

RGB 79 253 62

HSL 114.66, 0.98%, 0.62%

LAB 88.09, -76.44, 72.98

 

CMYK 74 / 0 / 82 / 8

HEX #3EEB2B

RGB 62 235 43

HSL 114.06, 0.83%, 0.55%

LAB 82.17, -74.84, 72.6

 

CMYK 79 / 0 / 89 / 15

HEX #2DD918

RGB 45 217 24

HSL 113.47, 0.8%, 0.47%

LAB 76.22, -72.69, 71.27

 

CMYK 86 / 0 / 97 / 22

HEX #1CC705

RGB 28 199 5

HSL 112.89, 0.95%, 0.4%

LAB 70.25, -69.83, 68.68

 

CMYK 94 / 0 / 100 / 29

HEX #0BB500

RGB 11 181 0

HSL 116.35, 1%, 0.35%

LAB 64.26, -66.1, 64.38

 

CMYK 68 / 0 / 75 / 1

HEX #50FD3F

RGB 80 253 63

HSL 114.63, 0.98%, 0.62%

LAB 88.12, -76.2, 72.7

 

CMYK 48 / 0 / 75 / 1

HEX #83FD3F

RGB 131 253 63

HSL 98.53, 0.98%, 0.62%

LAB 89.6, -64.36, 74.64

 

CMYK 28 / 0 / 75 / 1

HEX #B6FD3F

RGB 182 253 63

HSL 82.42, 0.98%, 0.62%

LAB 91.93, -47.78, 77.69

 

CMYK 8 / 0 / 75 / 1

HEX #EAFD3F

RGB 234 253 63

HSL 66, 0.98%, 0.62%

LAB 95.2, -27.89, 81.92

 

CMYK 0 / 13 / 75 / 1

HEX #FDDD3F

RGB 253 221 63

HSL 49.89, 0.98%, 0.62%

LAB 88.43, -4.54, 76.21

 

CMYK 68 / 0 / 75 / 1

HEX #50FD3F

RGB 80 253 63

HSL 114.63, 0.98%, 0.62%

LAB 88.12, -76.2, 72.7

 

CMYK 75 / 0 / 62 / 1

HEX #3FFD61

RGB 63 253 97

HSL 130.74, 0.98%, 0.62%

LAB 88.05, -75.89, 60

 

CMYK 75 / 0 / 41 / 1

HEX #3FFD95

RGB 63 253 149

HSL 147.16, 0.98%, 0.62%

LAB 88.67, -68.54, 36.79

 

CMYK 75 / 0 / 21 / 1

HEX #3FFDC8

RGB 63 253 200

HSL 163.26, 0.98%, 0.62%

LAB 89.62, -58.18, 12.24

 

CMYK 75 / 0 / 1 / 1

HEX #3FFDFB

RGB 63 253 251

HSL 179.37, 0.98%, 0.62%

LAB 90.9, -45.18, -12.33

 

CMYK 68 / 0 / 75 / 1

HEX #50FD3F

RGB 80 253 63

HSL 114.63, 0.98%, 0.62%

LAB 88.12, -76.2, 72.7

 

CMYK 68 / 0 / 75 / 1

HEX #50FD3F

RGB 80 253 63

HSL 114.63, 0.98%, 0.62%

LAB 88.12, -76.2, 72.7

 

CMYK 61 / 0 / 67 / 7

HEX #5DED4F

RGB 93 237 79

HSL 114.68, 0.81%, 0.62%

LAB 83.68, -67.21, 62.64

 

CMYK 52 / 0 / 58 / 13

HEX #6ADE5E

RGB 106 222 94

HSL 114.38, 0.66%, 0.62%

LAB 79.68, -57.18, 51.99

 

CMYK 42 / 0 / 47 / 19

HEX #77CE6E

RGB 119 206 110

HSL 114.38, 0.49%, 0.62%

LAB 75.57, -45.08, 39.58

 

CMYK 31 / 0 / 34 / 25

HEX #84BE7E

RGB 132 190 126

HSL 114.38, 0.33%, 0.62%

LAB 71.72, -31.36, 26.5

 

CMYK 28 / 0 / 75 / 1

HEX #B7FD3F

RGB 183 253 63

HSL 82.11, 0.98%, 0.62%

LAB 91.99, -47.42, 77.76

 

CMYK 47 / 0 / 75 / 1

HEX #85FD3F

RGB 133 253 63

HSL 97.89, 0.98%, 0.62%

LAB 89.67, -63.79, 74.74

 

CMYK 68 / 0 / 75 / 1

HEX #52FD3F

RGB 82 253 63

HSL 114, 0.98%, 0.62%

LAB 88.16, -75.84, 72.76

 

CMYK 75 / 0 / 62 / 1

HEX #3FFD5F

RGB 63 253 95

HSL 130.11, 0.98%, 0.62%

LAB 88.03, -76.11, 60.81

 

CMYK 75 / 0 / 43 / 1

HEX #3FFD91

RGB 63 253 145

HSL 145.89, 0.98%, 0.62%

LAB 88.62, -69.23, 38.68

 

CMYK 90 / 0 / 99 / 9

HEX #17E702

RGB 23 231 2

HSL 114.5, 0.98%, 0.46%

LAB 80.37, -79.01, 77.14

 

CMYK 83 / 0 / 91 / 1

HEX #2BFD16

RGB 43 253 22

HSL 114.55, 0.98%, 0.54%

LAB 87.4, -83.03, 81.02

 

CMYK 68 / 0 / 75 / 1

HEX #50FD3F

RGB 80 253 63

HSL 114.63, 0.98%, 0.62%

LAB 88.12, -76.2, 72.7

 

CMYK 54 / 0 / 59 / 1

HEX #75FD68

RGB 117 253 104

HSL 114.77, 0.97%, 0.7%

LAB 89.41, -64.76, 58.93

 

CMYK 39 / 0 / 43 / 0

HEX #9BFE91

RGB 155 254 145

HSL 114.5, 0.98%, 0.78%

LAB 91.64, -49.66, 43.11

 

CMYK 69 / 0 / 75 / 1

HEX #4FFD3E

RGB 79 253 62

HSL 114.66, 0.98%, 0.62%

LAB 88.09, -76.44, 72.98

 

CMYK 75 / 8 / 0 / 1

HEX #3FEAFD

RGB 63 234 253

HSL 186, 0.98%, 0.62%

LAB 85.5, -36.04, -21.5

 

CMYK 0 / 75 / 38 / 1

HEX #FD3F9E

RGB 253 63 158

HSL 330, 0.98%, 0.62%

LAB 58.89, 76.64, -7.87

 

CMYK 69 / 0 / 75 / 1

HEX #4FFD3E

RGB 79 253 62

HSL 114.66, 0.98%, 0.62%

LAB 88.09, -76.44, 72.98

 

CMYK 75 / 68 / 0 / 1

HEX #3F52FD

RGB 63 82 253

HSL 234, 0.98%, 0.62%

LAB 44.49, 49.91, -86.45

 

CMYK 0 / 75 / 68 / 1

HEX #FD3F52

RGB 253 63 82

HSL 354, 0.98%, 0.62%

LAB 57.12, 71.05, 34.33

 

CMYK 69 / 0 / 75 / 1

HEX #4FFD3E

RGB 79 253 62

HSL 114.66, 0.98%, 0.62%

LAB 88.09, -76.44, 72.98

 

CMYK 75 / 8 / 0 / 1

HEX #3FEAFD

RGB 63 234 253

HSL 186, 0.98%, 0.62%

LAB 85.5, -36.04, -21.5

 

CMYK 8 / 75 / 0 / 1

HEX #EA3FFD

RGB 234 63 253

HSL 294, 0.98%, 0.62%

LAB 60.01, 85.03, -60.41

 

CMYK 0 / 68 / 75 / 1

HEX #FD523F

RGB 253 82 63

HSL 6, 0.98%, 0.62%

LAB 59.23, 63.76, 47.26

 

CMYK 69 / 0 / 75 / 1

HEX #4FFD3E

RGB 79 253 62

HSL 114.66, 0.98%, 0.62%

LAB 88.09, -76.44, 72.98

 

CMYK 75 / 30 / 0 / 1

HEX #3FB1FD

RGB 63 177 253

HSL 204, 0.98%, 0.62%

LAB 69.18, -7.06, -46.7

 

CMYK 8 / 75 / 0 / 1

HEX #EA3FFD

RGB 234 63 253

HSL 294, 0.98%, 0.62%

LAB 60.01, 85.03, -60.41

 

CMYK 0 / 45 / 75 / 1

HEX #FD8B3F

RGB 253 139 63

HSL 24, 0.98%, 0.62%

LAB 69.26, 37.84, 57.68

 

Description

Color code: HEX #4FFD3E | qconv.com Color code: HEX #4FFD3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 253 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 253 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 75 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 75% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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