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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FFBC9 it is the complementary color #B00436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FFBC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FFBC9 shade: #54FBC4, #65FFD7, #76FFEA, #87FFFD and #98FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FFBC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FFBC9 shade: #4FFBC9, #3EE9B6, #2DD7A3, #1CC590 and #0BB37D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FFBC9 shade: #50FBCA, #50FB9B, #50FB6D, #61FB50 and #8FFB50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FFBC9 shade: #50FBCA, #50FBF8, #50D1FB, #50A3FB and #5074FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FFBC9 shade matches the following richer shades: #50FBCA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FFBC9 shade: #50FBCA, #5FEDC4, #6DDFBE, #7BD0B7 and #8AC2B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FFBC9 shade: #50FB6D, #50FB9A, #50FBC8, #50FBF6 and #50D3FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FFBC9 shade: #05F4AF, #28FBBD, #50FBCA, #79FCD6 and #A1FDE2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FFBC9 shade: #4FFBC9, #5061FB and #FB8350

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FFBC9 shade: #4FFBC9, #C850FB and #FBC850

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FFBC9 shade: #4FFBC9, #5061FB, #FB5083 and #FBEA50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FFBC9 shade: #4FFBC9, #7250FB, #FB5083 and #D9FB50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 20 / 2

HEX #4FFBC9

RGB 79 251 201

HSL 162.56, 0.96%, 0.65%

LAB 89.33, -55.12, 11.36

 

Complementary color

CMYK 0 / 98 / 69 / 31

HEX #B00436

RGB 176 4 54

HSL 342.56, 0.96%, 0.35%

LAB 37.08, 61.55, 23.11

 

CMYK 67 / 0 / 22 / 2

HEX #54FBC4

RGB 84 251 196

HSL 160.24, 0.95%, 0.66%

LAB 89.33, -55.51, 13.95

 

CMYK 60 / 0 / 16 / 0

HEX #65FFD7

RGB 101 255 215

HSL 164.42, 1%, 0.7%

LAB 91.32, -50.04, 7.04

 

CMYK 54 / 0 / 8 / 0

HEX #76FFEA

RGB 118 255 234

HSL 170.8, 1%, 0.73%

LAB 92.27, -42.38, -1.35

 

CMYK 47 / 0 / 1 / 0

HEX #87FFFD

RGB 135 255 253

HSL 179, 1%, 0.76%

LAB 93.35, -34.27, -9.53

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 69 / 0 / 20 / 2

HEX #4FFBC9

RGB 79 251 201

HSL 162.56, 0.96%, 0.65%

LAB 89.33, -55.12, 11.36

 

CMYK 73 / 0 / 22 / 9

HEX #3EE9B6

RGB 62 233 182

HSL 162.11, 0.8%, 0.58%

LAB 83.27, -54.56, 12.59

 

CMYK 79 / 0 / 24 / 16

HEX #2DD7A3

RGB 45 215 163

HSL 161.65, 0.68%, 0.51%

LAB 77.16, -53.75, 13.93

 

CMYK 86 / 0 / 27 / 23

HEX #1CC590

RGB 28 197 144

HSL 161.18, 0.75%, 0.44%

LAB 71, -52.62, 15.41

 

CMYK 94 / 0 / 30 / 30

HEX #0BB37D

RGB 11 179 125

HSL 160.71, 0.88%, 0.37%

LAB 64.8, -51.07, 17.05

 

CMYK 68 / 0 / 20 / 2

HEX #50FBCA

RGB 80 251 202

HSL 162.81, 0.96%, 0.65%

LAB 89.38, -54.75, 10.9

 

CMYK 68 / 0 / 38 / 2

HEX #50FB9B

RGB 80 251 155

HSL 146.32, 0.96%, 0.65%

LAB 88.48, -64.37, 33.62

 

CMYK 68 / 0 / 57 / 2

HEX #50FB6D

RGB 80 251 109

HSL 130.18, 0.96%, 0.65%

LAB 87.87, -71.28, 54.71

 

CMYK 61 / 0 / 68 / 2

HEX #61FB50

RGB 97 251 80

HSL 114.04, 0.96%, 0.65%

LAB 88.02, -70.97, 66.9

 

CMYK 43 / 0 / 68 / 2

HEX #8FFB50

RGB 143 251 80

HSL 97.89, 0.96%, 0.65%

LAB 89.59, -58.96, 69.02

 

CMYK 68 / 0 / 20 / 2

HEX #50FBCA

RGB 80 251 202

HSL 162.81, 0.96%, 0.65%

LAB 89.38, -54.75, 10.9

 

CMYK 68 / 0 / 1 / 2

HEX #50FBF8

RGB 80 251 248

HSL 178.95, 0.96%, 0.65%

LAB 90.54, -43.21, -11.28

 

CMYK 68 / 17 / 0 / 2

HEX #50D1FB

RGB 80 209 251

HSL 194.74, 0.96%, 0.65%

LAB 78.62, -22.46, -30.91

 

CMYK 68 / 35 / 0 / 2

HEX #50A3FB

RGB 80 163 251

HSL 210.88, 0.96%, 0.65%

LAB 65.64, 2.39, -51.16

 

CMYK 68 / 54 / 0 / 2

HEX #5074FB

RGB 80 116 251

HSL 227.37, 0.96%, 0.65%

LAB 53.13, 30.59, -71.21

 

CMYK 68 / 0 / 20 / 2

HEX #50FBCA

RGB 80 251 202

HSL 162.81, 0.96%, 0.65%

LAB 89.38, -54.75, 10.9

 

CMYK 68 / 0 / 20 / 2

HEX #50FBCA

RGB 80 251 202

HSL 162.81, 0.96%, 0.65%

LAB 89.38, -54.75, 10.9

 

CMYK 60 / 0 / 17 / 7

HEX #5FEDC4

RGB 95 237 196

HSL 162.68, 0.8%, 0.65%

LAB 85.5, -47.88, 8.53

 

CMYK 51 / 0 / 15 / 13

HEX #6DDFBE

RGB 109 223 190

HSL 162.63, 0.64%, 0.65%

LAB 81.7, -40.31, 6.29

 

CMYK 41 / 0 / 12 / 18

HEX #7BD0B7

RGB 123 208 183

HSL 162.35, 0.47%, 0.65%

LAB 77.72, -31.57, 4.35

 

CMYK 29 / 0 / 9 / 24

HEX #8AC2B1

RGB 138 194 177

HSL 161.79, 0.31%, 0.65%

LAB 74.29, -21.79, 2.71

 

CMYK 68 / 0 / 57 / 2

HEX #50FB6D

RGB 80 251 109

HSL 130.18, 0.96%, 0.65%

LAB 87.87, -71.28, 54.71

 

CMYK 68 / 0 / 39 / 2

HEX #50FB9A

RGB 80 251 154

HSL 145.96, 0.96%, 0.65%

LAB 88.46, -64.55, 34.1

 

CMYK 68 / 0 / 20 / 2

HEX #50FBC8

RGB 80 251 200

HSL 162.11, 0.96%, 0.65%

LAB 89.33, -55.21, 11.87

 

CMYK 68 / 0 / 2 / 2

HEX #50FBF6

RGB 80 251 246

HSL 178.25, 0.96%, 0.65%

LAB 90.48, -43.75, -10.33

 

CMYK 68 / 16 / 0 / 2

HEX #50D3FB

RGB 80 211 251

HSL 194.04, 0.96%, 0.65%

LAB 79.19, -23.47, -30.03

 

CMYK 98 / 0 / 28 / 4

HEX #05F4AF

RGB 5 244 175

HSL 162.68, 0.96%, 0.49%

LAB 85.92, -64.15, 19.86

 

CMYK 84 / 0 / 25 / 2

HEX #28FBBD

RGB 40 251 189

HSL 162.37, 0.96%, 0.57%

LAB 88.5, -62.03, 16.29

 

CMYK 68 / 0 / 20 / 2

HEX #50FBCA

RGB 80 251 202

HSL 162.81, 0.96%, 0.65%

LAB 89.38, -54.75, 10.9

 

CMYK 52 / 0 / 15 / 1

HEX #79FCD6

RGB 121 252 214

HSL 162.6, 0.96%, 0.73%

LAB 91.03, -45.08, 7.2

 

CMYK 36 / 0 / 11 / 1

HEX #A1FDE2

RGB 161 253 226

HSL 162.39, 0.96%, 0.81%

LAB 93.15, -33.27, 4.27

 

CMYK 69 / 0 / 20 / 2

HEX #4FFBC9

RGB 79 251 201

HSL 162.56, 0.96%, 0.65%

LAB 89.33, -55.12, 11.36

 

CMYK 68 / 61 / 0 / 2

HEX #5061FB

RGB 80 97 251

HSL 234.04, 0.96%, 0.65%

LAB 48.54, 42.17, -78.68

 

CMYK 0 / 48 / 68 / 2

HEX #FB8350

RGB 251 131 80

HSL 17.89, 0.96%, 0.65%

LAB 67.52, 41.88, 47.6

 

CMYK 69 / 0 / 20 / 2

HEX #4FFBC9

RGB 79 251 201

HSL 162.56, 0.96%, 0.65%

LAB 89.33, -55.12, 11.36

 

CMYK 20 / 68 / 0 / 2

HEX #C850FB

RGB 200 80 251

HSL 282.11, 0.96%, 0.65%

LAB 57.06, 72.18, -64.32

 

CMYK 0 / 20 / 68 / 2

HEX #FBC850

RGB 251 200 80

HSL 42.11, 0.96%, 0.65%

LAB 83.12, 6.11, 64.55

 

CMYK 69 / 0 / 20 / 2

HEX #4FFBC9

RGB 79 251 201

HSL 162.56, 0.96%, 0.65%

LAB 89.33, -55.12, 11.36

 

CMYK 68 / 61 / 0 / 2

HEX #5061FB

RGB 80 97 251

HSL 234.04, 0.96%, 0.65%

LAB 48.54, 42.17, -78.68

 

CMYK 0 / 68 / 48 / 2

HEX #FB5083

RGB 251 80 131

HSL 342.11, 0.96%, 0.65%

LAB 59.78, 68.02, 9.2

 

CMYK 0 / 7 / 68 / 2

HEX #FBEA50

RGB 251 234 80

HSL 54.04, 0.96%, 0.65%

LAB 91.66, -11.1, 73.28

 

CMYK 69 / 0 / 20 / 2

HEX #4FFBC9

RGB 79 251 201

HSL 162.56, 0.96%, 0.65%

LAB 89.33, -55.12, 11.36

 

CMYK 55 / 68 / 0 / 2

HEX #7250FB

RGB 114 80 251

HSL 251.93, 0.96%, 0.65%

LAB 47.34, 56.56, -80.54

 

CMYK 0 / 68 / 48 / 2

HEX #FB5083

RGB 251 80 131

HSL 342.11, 0.96%, 0.65%

LAB 59.78, 68.02, 9.2

 

CMYK 14 / 0 / 68 / 2

HEX #D9FB50

RGB 217 251 80

HSL 71.93, 0.96%, 0.65%

LAB 93.59, -32.86, 74.39

 

Description

Color code: HEX #4FFBC9 | qconv.com Color code: HEX #4FFBC9 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 251 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 251 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 20 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 20% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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