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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FFB95 it is the complementary color #B0046A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FFB95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FFB95 shade: #54FB90, #65FFA3, #76FFB6, #87FFC9 and #98FFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FFB95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FFB95 shade: #4FFB95, #3EE982, #2DD76F, #1CC55C and #0BB349

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FFB95 shade: #50FB96, #50FB68, #67FB50, #95FB50 and #C3FB50

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FFB95 shade: #50FB96, #50FBC4, #50FBF2, #50D6FB and #50A8FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FFB95 shade matches the following richer shades: #50FB96

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FFB95 shade: #50FB96, #5FED98, #6DDF9B, #7BD09E and #8AC2A1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FFB95 shade: #67FB50, #50FB67, #50FB95, #50FBC2 and #50FBF0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FFB95 shade: #05F466, #28FB7E, #50FB96, #79FCAE and #A1FDC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FFB95 shade: #4FFB95, #5095FB and #FB5050

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FFB95 shade: #4FFB95, #9550FB and #FB9550

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FFB95 shade: #4FFB95, #5095FB, #FB50B7 and #FBB750

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FFB95 shade: #4FFB95, #5061FB, #FB50B7 and #FBEA50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 0 / 41 / 2

HEX #4FFB95

RGB 79 251 149

HSL 144.42, 0.96%, 0.65%

LAB 88.36, -65.58, 36.44

 

Complementary color

CMYK 0 / 98 / 40 / 31

HEX #B0046A

RGB 176 4 106

HSL 324.42, 0.96%, 0.35%

LAB 38.48, 65.28, -8.33

 

CMYK 67 / 0 / 43 / 2

HEX #54FB90

RGB 84 251 144

HSL 141.56, 0.95%, 0.66%

LAB 88.4, -65.59, 38.96

 

CMYK 60 / 0 / 36 / 0

HEX #65FFA3

RGB 101 255 163

HSL 144.16, 1%, 0.7%

LAB 90.29, -60.7, 32.13

 

CMYK 54 / 0 / 29 / 0

HEX #76FFB6

RGB 118 255 182

HSL 148.03, 1%, 0.73%

LAB 91.12, -53.64, 23.75

 

CMYK 47 / 0 / 21 / 0

HEX #87FFC9

RGB 135 255 201

HSL 153, 1%, 0.76%

LAB 92.08, -45.97, 15.47

 

CMYK 40 / 0 / 14 / 0

HEX #98FFDC

RGB 152 255 220

HSL 159.61, 1%, 0.8%

LAB 93.17, -37.81, 7.34

 

CMYK 69 / 0 / 41 / 2

HEX #4FFB95

RGB 79 251 149

HSL 144.42, 0.96%, 0.65%

LAB 88.36, -65.58, 36.44

 

CMYK 73 / 0 / 44 / 9

HEX #3EE982

RGB 62 233 130

HSL 143.86, 0.8%, 0.58%

LAB 82.33, -64.94, 37.93

 

CMYK 79 / 0 / 48 / 16

HEX #2DD76F

RGB 45 215 111

HSL 143.29, 0.68%, 0.51%

LAB 76.26, -63.97, 39.51

 

CMYK 86 / 0 / 53 / 23

HEX #1CC55C

RGB 28 197 92

HSL 142.72, 0.75%, 0.44%

LAB 70.14, -62.56, 41.14

 

CMYK 94 / 0 / 59 / 30

HEX #0BB349

RGB 11 179 73

HSL 142.14, 0.88%, 0.37%

LAB 63.99, -60.56, 42.8

 

CMYK 68 / 0 / 40 / 2

HEX #50FB96

RGB 80 251 150

HSL 144.56, 0.96%, 0.65%

LAB 88.4, -65.25, 36

 

CMYK 68 / 0 / 59 / 2

HEX #50FB68

RGB 80 251 104

HSL 128.42, 0.96%, 0.65%

LAB 87.82, -71.87, 56.85

 

CMYK 59 / 0 / 68 / 2

HEX #67FB50

RGB 103 251 80

HSL 111.93, 0.96%, 0.65%

LAB 88.19, -69.65, 67.12

 

CMYK 41 / 0 / 68 / 2

HEX #95FB50

RGB 149 251 80

HSL 95.79, 0.96%, 0.65%

LAB 89.84, -57.11, 69.36

 

CMYK 22 / 0 / 68 / 2

HEX #C3FB50

RGB 195 251 80

HSL 79.65, 0.96%, 0.65%

LAB 92.21, -41.23, 72.54

 

CMYK 68 / 0 / 40 / 2

HEX #50FB96

RGB 80 251 150

HSL 144.56, 0.96%, 0.65%

LAB 88.4, -65.25, 36

 

CMYK 68 / 0 / 22 / 2

HEX #50FBC4

RGB 80 251 196

HSL 160.7, 0.96%, 0.65%

LAB 89.25, -56.11, 13.82

 

CMYK 68 / 0 / 4 / 2

HEX #50FBF2

RGB 80 251 242

HSL 176.84, 0.96%, 0.65%

LAB 90.37, -44.82, -8.41

 

CMYK 68 / 15 / 0 / 2

HEX #50D6FB

RGB 80 214 251

HSL 192.98, 0.96%, 0.65%

LAB 80.05, -24.97, -28.72

 

CMYK 68 / 33 / 0 / 2

HEX #50A8FB

RGB 80 168 251

HSL 209.12, 0.96%, 0.65%

LAB 67.03, -0.47, -48.96

 

CMYK 68 / 0 / 40 / 2

HEX #50FB96

RGB 80 251 150

HSL 144.56, 0.96%, 0.65%

LAB 88.4, -65.25, 36

 

CMYK 68 / 0 / 40 / 2

HEX #50FB96

RGB 80 251 150

HSL 144.56, 0.96%, 0.65%

LAB 88.4, -65.25, 36

 

CMYK 60 / 0 / 36 / 7

HEX #5FED98

RGB 95 237 152

HSL 144.08, 0.8%, 0.65%

LAB 84.62, -56.94, 30.06

 

CMYK 51 / 0 / 30 / 13

HEX #6DDF9B

RGB 109 223 155

HSL 144.21, 0.64%, 0.65%

LAB 80.96, -47.61, 23.63

 

CMYK 41 / 0 / 24 / 18

HEX #7BD09E

RGB 123 208 158

HSL 144.71, 0.47%, 0.65%

LAB 77.16, -36.79, 16.9

 

CMYK 29 / 0 / 17 / 24

HEX #8AC2A1

RGB 138 194 161

HSL 144.64, 0.31%, 0.65%

LAB 73.91, -25.08, 10.83

 

CMYK 59 / 0 / 68 / 2

HEX #67FB50

RGB 103 251 80

HSL 111.93, 0.96%, 0.65%

LAB 88.19, -69.65, 67.12

 

CMYK 68 / 0 / 59 / 2

HEX #50FB67

RGB 80 251 103

HSL 128.07, 0.96%, 0.65%

LAB 87.81, -71.99, 57.27

 

CMYK 68 / 0 / 41 / 2

HEX #50FB95

RGB 80 251 149

HSL 144.21, 0.96%, 0.65%

LAB 88.39, -65.42, 36.47

 

CMYK 68 / 0 / 23 / 2

HEX #50FBC2

RGB 80 251 194

HSL 160, 0.96%, 0.65%

LAB 89.2, -56.56, 14.79

 

CMYK 68 / 0 / 4 / 2

HEX #50FBF0

RGB 80 251 240

HSL 176.14, 0.96%, 0.65%

LAB 90.32, -45.35, -7.45

 

CMYK 98 / 0 / 58 / 4

HEX #05F466

RGB 5 244 102

HSL 144.35, 0.96%, 0.49%

LAB 84.84, -76.92, 54.04

 

CMYK 84 / 0 / 50 / 2

HEX #28FB7E

RGB 40 251 126

HSL 144.45, 0.96%, 0.57%

LAB 87.46, -73.97, 46.29

 

CMYK 68 / 0 / 40 / 2

HEX #50FB96

RGB 80 251 150

HSL 144.56, 0.96%, 0.65%

LAB 88.4, -65.25, 36

 

CMYK 52 / 0 / 31 / 1

HEX #79FCAE

RGB 121 252 174

HSL 144.27, 0.96%, 0.73%

LAB 90.2, -53.24, 26.57

 

CMYK 36 / 0 / 22 / 1

HEX #A1FDC6

RGB 161 253 198

HSL 144.13, 0.96%, 0.81%

LAB 92.53, -38.86, 17.8

 

CMYK 69 / 0 / 41 / 2

HEX #4FFB95

RGB 79 251 149

HSL 144.42, 0.96%, 0.65%

LAB 88.36, -65.58, 36.44

 

CMYK 68 / 41 / 0 / 2

HEX #5095FB

RGB 80 149 251

HSL 215.79, 0.96%, 0.65%

LAB 61.8, 10.57, -57.27

 

CMYK 0 / 68 / 68 / 2

HEX #FB5050

RGB 251 80 80

HSL 0, 0.96%, 0.65%

LAB 58.81, 64.61, 37.44

 

CMYK 69 / 0 / 41 / 2

HEX #4FFB95

RGB 79 251 149

HSL 144.42, 0.96%, 0.65%

LAB 88.36, -65.58, 36.44

 

CMYK 41 / 68 / 0 / 2

HEX #9550FB

RGB 149 80 251

HSL 264.21, 0.96%, 0.65%

LAB 50.79, 62.36, -74.75

 

CMYK 0 / 41 / 68 / 2

HEX #FB9550

RGB 251 149 80

HSL 24.21, 0.96%, 0.65%

LAB 71.27, 32.71, 51.81

 

CMYK 69 / 0 / 41 / 2

HEX #4FFB95

RGB 79 251 149

HSL 144.42, 0.96%, 0.65%

LAB 88.36, -65.58, 36.44

 

CMYK 68 / 41 / 0 / 2

HEX #5095FB

RGB 80 149 251

HSL 215.79, 0.96%, 0.65%

LAB 61.8, 10.57, -57.27

 

CMYK 0 / 68 / 27 / 2

HEX #FB50B7

RGB 251 80 183

HSL 323.86, 0.96%, 0.65%

LAB 61.36, 73.36, -18.64

 

CMYK 0 / 27 / 68 / 2

HEX #FBB750

RGB 251 183 80

HSL 36.14, 0.96%, 0.65%

LAB 79.02, 14.95, 60.23

 

CMYK 69 / 0 / 41 / 2

HEX #4FFB95

RGB 79 251 149

HSL 144.42, 0.96%, 0.65%

LAB 88.36, -65.58, 36.44

 

CMYK 68 / 61 / 0 / 2

HEX #5061FB

RGB 80 97 251

HSL 234.04, 0.96%, 0.65%

LAB 48.54, 42.17, -78.68

 

CMYK 0 / 68 / 27 / 2

HEX #FB50B7

RGB 251 80 183

HSL 323.86, 0.96%, 0.65%

LAB 61.36, 73.36, -18.64

 

CMYK 0 / 7 / 68 / 2

HEX #FBEA50

RGB 251 234 80

HSL 54.04, 0.96%, 0.65%

LAB 91.66, -11.1, 73.28

 

Description

Color code: HEX #4FFB95 | qconv.com Color code: HEX #4FFB95 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 251 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 251 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, none magenta, 41 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 0% 41% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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