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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FF857 it is the complementary color #B007A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FF857. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FF857 shade: #54F852, #65FF65, #76FF78, #87FF8B and #98FF9E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FF857. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FF857 shade: #4FF857, #3EE644, #2DD431, #1CC21E and #0BB00B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FF857 shade: #4FF857, #74F84F, #A2F84F, #CFF84F and #F8F24F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FF857 shade: #4FF857, #4FF884, #4FF8B2, #4FF8DF and #4FE2F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FF857 shade matches the following richer shades: #4FF857

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FF857 shade: #4FF857, #5EE964, #6CDA72, #7BCB7F and #8ABC8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FF857 shade: #A3F84F, #76F84F, #4FF854, #4FF881 and #4FF8AE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FF857 shade: #0AEA14, #27F631, #4FF857, #76F97D and #9EFBA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FF857 shade: #4FF857, #4FD0F8 and #F84F8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FF857 shade: #4FF857, #544FF8 and #F8544F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FF857 shade: #4FF857, #4FD0F8, #F84FF2 and #F8764F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FF857 shade: #4FF857, #4F9EF8, #F84FF2 and #F8A94F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 65 / 3

HEX #4FF857

RGB 79 248 87

HSL 122.84, 0.92%, 0.64%

LAB 86.74, -72.87, 62.7

 

Complementary color

CMYK 0 / 96 / 5 / 31

HEX #B007A8

RGB 176 7 168

HSL 302.84, 0.92%, 0.36%

LAB 41.55, 72.52, -41.69

 

CMYK 66 / 0 / 67 / 3

HEX #54F852

RGB 84 248 82

HSL 119.28, 0.92%, 0.65%

LAB 86.81, -72.43, 64.76

 

CMYK 60 / 0 / 60 / 0

HEX #65FF65

RGB 101 255 101

HSL 120, 1%, 0.7%

LAB 89.5, -69.49, 60.18

 

CMYK 54 / 0 / 53 / 0

HEX #76FF78

RGB 118 255 120

HSL 120.88, 1%, 0.73%

LAB 90.2, -63.42, 52.78

 

CMYK 47 / 0 / 45 / 0

HEX #87FF8B

RGB 135 255 139

HSL 122, 1%, 0.76%

LAB 91.02, -56.58, 45.05

 

CMYK 40 / 0 / 38 / 0

HEX #98FF9E

RGB 152 255 158

HSL 123.5, 1%, 0.8%

LAB 91.98, -49.09, 37.17

 

CMYK 68 / 0 / 65 / 3

HEX #4FF857

RGB 79 248 87

HSL 122.84, 0.92%, 0.64%

LAB 86.74, -72.87, 62.7

 

CMYK 73 / 0 / 70 / 10

HEX #3EE644

RGB 62 230 68

HSL 122.14, 0.77%, 0.57%

LAB 80.76, -71.68, 63.49

 

CMYK 79 / 0 / 77 / 17

HEX #2DD431

RGB 45 212 49

HSL 121.44, 0.66%, 0.5%

LAB 74.74, -70, 63.82

 

CMYK 86 / 0 / 85 / 24

HEX #1CC21E

RGB 28 194 30

HSL 120.72, 0.75%, 0.44%

LAB 68.7, -67.65, 63.37

 

CMYK 94 / 0 / 94 / 31

HEX #0BB00B

RGB 11 176 11

HSL 120, 0.88%, 0.37%

LAB 62.63, -64.45, 61.64

 

CMYK 68 / 0 / 65 / 3

HEX #4FF857

RGB 79 248 87

HSL 122.84, 0.92%, 0.64%

LAB 86.74, -72.87, 62.7

 

CMYK 53 / 0 / 68 / 3

HEX #74F84F

RGB 116 248 79

HSL 106.86, 0.92%, 0.64%

LAB 87.68, -65.53, 67.09

 

CMYK 35 / 0 / 68 / 3

HEX #A2F84F

RGB 162 248 79

HSL 90.53, 0.92%, 0.64%

LAB 89.57, -51.75, 69.64

 

CMYK 17 / 0 / 68 / 3

HEX #CFF84F

RGB 207 248 79

HSL 74.56, 0.92%, 0.64%

LAB 92.12, -35.41, 73.05

 

CMYK 0 / 2 / 68 / 3

HEX #F8F24F

RGB 248 242 79

HSL 57.87, 0.92%, 0.64%

LAB 93.46, -16.29, 75.37

 

CMYK 68 / 0 / 65 / 3

HEX #4FF857

RGB 79 248 87

HSL 122.84, 0.92%, 0.64%

LAB 86.74, -72.87, 62.7

 

CMYK 68 / 0 / 47 / 3

HEX #4FF884

RGB 79 248 132

HSL 138.82, 0.92%, 0.64%

LAB 87.22, -67.27, 43.26

 

CMYK 68 / 0 / 28 / 3

HEX #4FF8B2

RGB 79 248 178

HSL 155.15, 0.92%, 0.64%

LAB 87.97, -58.96, 21.29

 

CMYK 68 / 0 / 10 / 3

HEX #4FF8DF

RGB 79 248 223

HSL 171.12, 0.92%, 0.64%

LAB 88.98, -48.58, -0.57

 

CMYK 68 / 9 / 0 / 3

HEX #4FE2F8

RGB 79 226 248

HSL 187.81, 0.92%, 0.64%

LAB 83.35, -31.84, -22.09

 

CMYK 68 / 0 / 65 / 3

HEX #4FF857

RGB 79 248 87

HSL 122.84, 0.92%, 0.64%

LAB 86.74, -72.87, 62.7

 

CMYK 68 / 0 / 65 / 3

HEX #4FF857

RGB 79 248 87

HSL 122.84, 0.92%, 0.64%

LAB 86.74, -72.87, 62.7

 

CMYK 60 / 0 / 57 / 9

HEX #5EE964

RGB 94 233 100

HSL 122.59, 0.76%, 0.64%

LAB 82.69, -63.43, 52.72

 

CMYK 50 / 0 / 48 / 15

HEX #6CDA72

RGB 108 218 114

HSL 123.27, 0.6%, 0.64%

LAB 78.78, -52.58, 41.53

 

CMYK 39 / 0 / 37 / 20

HEX #7BCB7F

RGB 123 203 127

HSL 123, 0.43%, 0.64%

LAB 75.11, -40.04, 30.4

 

CMYK 27 / 0 / 25 / 26

HEX #8ABC8D

RGB 138 188 141

HSL 123.6, 0.27%, 0.64%

LAB 71.75, -25.86, 18.6

 

CMYK 34 / 0 / 68 / 3

HEX #A3F84F

RGB 163 248 79

HSL 90.18, 0.92%, 0.64%

LAB 89.62, -51.41, 69.7

 

CMYK 52 / 0 / 68 / 3

HEX #76F84F

RGB 118 248 79

HSL 106.15, 0.92%, 0.64%

LAB 87.75, -65.01, 67.18

 

CMYK 68 / 0 / 66 / 3

HEX #4FF854

RGB 79 248 84

HSL 121.78, 0.92%, 0.64%

LAB 86.72, -73.15, 63.86

 

CMYK 68 / 0 / 48 / 3

HEX #4FF881

RGB 79 248 129

HSL 137.75, 0.92%, 0.64%

LAB 87.18, -67.72, 44.65

 

CMYK 68 / 0 / 30 / 3

HEX #4FF8AE

RGB 79 248 174

HSL 153.73, 0.92%, 0.64%

LAB 87.9, -59.78, 23.23

 

CMYK 96 / 0 / 91 / 8

HEX #0AEA14

RGB 10 234 20

HSL 122.68, 0.92%, 0.48%

LAB 81.27, -80.07, 76.05

 

CMYK 84 / 0 / 80 / 4

HEX #27F631

RGB 39 246 49

HSL 122.9, 0.92%, 0.56%

LAB 85.28, -80.43, 73.82

 

CMYK 68 / 0 / 65 / 3

HEX #4FF857

RGB 79 248 87

HSL 122.84, 0.92%, 0.64%

LAB 86.74, -72.87, 62.7

 

CMYK 53 / 0 / 50 / 2

HEX #76F97D

RGB 118 249 125

HSL 123.21, 0.92%, 0.72%

LAB 88.49, -60.54, 48.39

 

CMYK 37 / 0 / 35 / 2

HEX #9EFBA2

RGB 158 251 162

HSL 122.58, 0.92%, 0.8%

LAB 91.18, -45.01, 34.17

 

CMYK 68 / 0 / 65 / 3

HEX #4FF857

RGB 79 248 87

HSL 122.84, 0.92%, 0.64%

LAB 86.74, -72.87, 62.7

 

CMYK 68 / 16 / 0 / 3

HEX #4FD0F8

RGB 79 208 248

HSL 194.2, 0.92%, 0.64%

LAB 78.2, -23.02, -29.96

 

CMYK 0 / 68 / 43 / 3

HEX #F84F8D

RGB 248 79 141

HSL 337.99, 0.92%, 0.64%

LAB 59.41, 68.42, 2.74

 

CMYK 68 / 0 / 65 / 3

HEX #4FF857

RGB 79 248 87

HSL 122.84, 0.92%, 0.64%

LAB 86.74, -72.87, 62.7

 

CMYK 66 / 68 / 0 / 3

HEX #544FF8

RGB 84 79 248

HSL 241.78, 0.92%, 0.64%

LAB 44.6, 52.17, -83.45

 

CMYK 0 / 66 / 68 / 3

HEX #F8544F

RGB 248 84 79

HSL 1.78, 0.92%, 0.64%

LAB 58.85, 62.09, 37.92

 

CMYK 68 / 0 / 65 / 3

HEX #4FF857

RGB 79 248 87

HSL 122.84, 0.92%, 0.64%

LAB 86.74, -72.87, 62.7

 

CMYK 68 / 16 / 0 / 3

HEX #4FD0F8

RGB 79 208 248

HSL 194.2, 0.92%, 0.64%

LAB 78.2, -23.02, -29.96

 

CMYK 0 / 68 / 2 / 3

HEX #F84FF2

RGB 248 79 242

HSL 302.13, 0.92%, 0.64%

LAB 63.31, 81.11, -48.95

 

CMYK 0 / 52 / 68 / 3

HEX #F8764F

RGB 248 118 79

HSL 13.85, 0.92%, 0.64%

LAB 64.55, 47.09, 44.6

 

CMYK 68 / 0 / 65 / 3

HEX #4FF857

RGB 79 248 87

HSL 122.84, 0.92%, 0.64%

LAB 86.74, -72.87, 62.7

 

CMYK 68 / 36 / 0 / 3

HEX #4F9EF8

RGB 79 158 248

HSL 211.95, 0.92%, 0.64%

LAB 64.07, 4.11, -52.01

 

CMYK 0 / 68 / 2 / 3

HEX #F84FF2

RGB 248 79 242

HSL 302.13, 0.92%, 0.64%

LAB 63.31, 81.11, -48.95

 

CMYK 0 / 32 / 68 / 3

HEX #F8A94F

RGB 248 169 79

HSL 31.95, 0.92%, 0.64%

LAB 75.39, 21, 56.68

 

Description

Color code: HEX #4FF857 | qconv.com Color code: HEX #4FF857 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 248 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 248 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 65 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 65% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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