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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FF563 it is the complementary color #B00A9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FF563. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FF563 shade: #54F55E, #65FF71, #76FF84, #87FF97 and #98FFAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FF563. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FF563 shade: #4FF563, #3EE350, #2DD13D, #1CBF2A and #0BAD17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FF563 shade: #51F565, #6AF551, #96F551, #C2F551 and #EEF551

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FF563 shade: #51F565, #51F591, #51F5BD, #51F5E9 and #51D4F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FF563 shade matches the following richer shades: #51F565

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FF563 shade: #51F565, #60E670, #6FD77C, #7EC887 and #8DB992

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FF563 shade: #96F551, #6AF551, #51F565, #51F590 and #51F5BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FF563 shade: #0DE628, #2BF343, #51F565, #78F788 and #9FF9AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FF563 shade: #4FF563, #51C1F5 and #F55180

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FF563 shade: #4FF563, #6551F5 and #F56551

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FF563 shade: #4FF563, #51C1F5, #F551E2 and #F58551

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FF563 shade: #4FF563, #5190F5, #F551E2 and #F5B651

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 0 / 60 / 4

HEX #4FF563

RGB 79 245 99

HSL 127.23, 0.89%, 0.64%

LAB 85.94, -70.64, 56.83

 

Complementary color

CMYK 0 / 94 / 11 / 31

HEX #B00A9C

RGB 176 10 156

HSL 307.23, 0.89%, 0.36%

LAB 40.97, 70.52, -35.4

 

CMYK 66 / 0 / 62 / 4

HEX #54F55E

RGB 84 245 94

HSL 123.73, 0.89%, 0.65%

LAB 86.01, -70.28, 59.06

 

CMYK 60 / 0 / 56 / 0

HEX #65FF71

RGB 101 255 113

HSL 124.68, 1%, 0.7%

LAB 89.62, -68.14, 55.12

 

CMYK 54 / 0 / 48 / 0

HEX #76FF84

RGB 118 255 132

HSL 126.13, 1%, 0.73%

LAB 90.34, -61.86, 47.39

 

CMYK 47 / 0 / 41 / 0

HEX #87FF97

RGB 135 255 151

HSL 128, 1%, 0.76%

LAB 91.19, -54.84, 39.45

 

CMYK 40 / 0 / 33 / 0

HEX #98FFAA

RGB 152 255 170

HSL 130.49, 1%, 0.8%

LAB 92.18, -47.19, 31.46

 

CMYK 68 / 0 / 60 / 4

HEX #4FF563

RGB 79 245 99

HSL 127.23, 0.89%, 0.64%

LAB 85.94, -70.64, 56.83

 

CMYK 73 / 0 / 65 / 11

HEX #3EE350

RGB 62 227 80

HSL 126.55, 0.75%, 0.57%

LAB 79.92, -69.64, 57.95

 

CMYK 78 / 0 / 71 / 18

HEX #2DD13D

RGB 45 209 61

HSL 125.85, 0.65%, 0.5%

LAB 73.87, -68.17, 58.82

 

CMYK 85 / 0 / 78 / 25

HEX #1CBF2A

RGB 28 191 42

HSL 125.15, 0.74%, 0.43%

LAB 67.78, -66.09, 59.2

 

CMYK 94 / 0 / 87 / 32

HEX #0BAD17

RGB 11 173 23

HSL 124.44, 0.88%, 0.36%

LAB 61.67, -63.18, 58.66

 

CMYK 67 / 0 / 59 / 4

HEX #51F565

RGB 81 245 101

HSL 127.32, 0.89%, 0.64%

LAB 86, -70.06, 56.05

 

CMYK 57 / 0 / 67 / 4

HEX #6AF551

RGB 106 245 81

HSL 110.85, 0.89%, 0.64%

LAB 86.49, -66.8, 64.97

 

CMYK 39 / 0 / 67 / 4

HEX #96F551

RGB 150 245 81

HSL 94.76, 0.89%, 0.64%

LAB 88.15, -54.35, 67.24

 

CMYK 21 / 0 / 67 / 4

HEX #C2F551

RGB 194 245 81

HSL 78.66, 0.89%, 0.64%

LAB 90.49, -38.89, 70.4

 

CMYK 3 / 0 / 67 / 4

HEX #EEF551

RGB 238 245 81

HSL 62.56, 0.89%, 0.64%

LAB 93.48, -21.68, 74.41

 

CMYK 67 / 0 / 59 / 4

HEX #51F565

RGB 81 245 101

HSL 127.32, 0.89%, 0.64%

LAB 86, -70.06, 56.05

 

CMYK 67 / 0 / 41 / 4

HEX #51F591

RGB 81 245 145

HSL 143.41, 0.89%, 0.64%

LAB 86.55, -63.77, 36.06

 

CMYK 67 / 0 / 23 / 4

HEX #51F5BD

RGB 81 245 189

HSL 159.51, 0.89%, 0.64%

LAB 87.35, -55.12, 14.76

 

CMYK 67 / 0 / 5 / 4

HEX #51F5E9

RGB 81 245 233

HSL 175.61, 0.89%, 0.64%

LAB 88.42, -44.43, -6.61

 

CMYK 67 / 13 / 0 / 4

HEX #51D4F5

RGB 81 212 245

HSL 192.07, 0.89%, 0.64%

LAB 79.29, -25.65, -26.68

 

CMYK 67 / 0 / 59 / 4

HEX #51F565

RGB 81 245 101

HSL 127.32, 0.89%, 0.64%

LAB 86, -70.06, 56.05

 

CMYK 67 / 0 / 59 / 4

HEX #51F565

RGB 81 245 101

HSL 127.32, 0.89%, 0.64%

LAB 86, -70.06, 56.05

 

CMYK 58 / 0 / 51 / 10

HEX #60E670

RGB 96 230 112

HSL 127.16, 0.73%, 0.64%

LAB 81.97, -60.39, 46.36

 

CMYK 48 / 0 / 42 / 16

HEX #6FD77C

RGB 111 215 124

HSL 127.5, 0.57%, 0.64%

LAB 78.13, -49.09, 35.77

 

CMYK 37 / 0 / 33 / 22

HEX #7EC887

RGB 126 200 135

HSL 127.3, 0.4%, 0.64%

LAB 74.5, -36.46, 25.44

 

CMYK 24 / 0 / 21 / 27

HEX #8DB992

RGB 141 185 146

HSL 126.82, 0.24%, 0.64%

LAB 71.17, -22.47, 15.12

 

CMYK 39 / 0 / 67 / 4

HEX #96F551

RGB 150 245 81

HSL 94.76, 0.89%, 0.64%

LAB 88.15, -54.35, 67.24

 

CMYK 57 / 0 / 67 / 4

HEX #6AF551

RGB 106 245 81

HSL 110.85, 0.89%, 0.64%

LAB 86.49, -66.8, 64.97

 

CMYK 67 / 0 / 59 / 4

HEX #51F565

RGB 81 245 101

HSL 127.32, 0.89%, 0.64%

LAB 86, -70.06, 56.05

 

CMYK 67 / 0 / 41 / 4

HEX #51F590

RGB 81 245 144

HSL 143.05, 0.89%, 0.64%

LAB 86.54, -63.94, 36.53

 

CMYK 67 / 0 / 23 / 4

HEX #51F5BC

RGB 81 245 188

HSL 159.15, 0.89%, 0.64%

LAB 87.33, -55.34, 15.25

 

CMYK 94 / 0 / 83 / 10

HEX #0DE628

RGB 13 230 40

HSL 127.47, 0.89%, 0.48%

LAB 80.09, -78.15, 71.24

 

CMYK 82 / 0 / 72 / 5

HEX #2BF343

RGB 43 243 67

HSL 127.2, 0.89%, 0.56%

LAB 84.49, -78.02, 67.58

 

CMYK 67 / 0 / 59 / 4

HEX #51F565

RGB 81 245 101

HSL 127.32, 0.89%, 0.64%

LAB 86, -70.06, 56.05

 

CMYK 51 / 0 / 45 / 3

HEX #78F788

RGB 120 247 136

HSL 127.56, 0.89%, 0.72%

LAB 88.11, -57.75, 42.69

 

CMYK 36 / 0 / 32 / 2

HEX #9FF9AA

RGB 159 249 170

HSL 127.33, 0.88%, 0.8%

LAB 90.79, -42.57, 29.65

 

CMYK 68 / 0 / 60 / 4

HEX #4FF563

RGB 79 245 99

HSL 127.23, 0.89%, 0.64%

LAB 85.94, -70.64, 56.83

 

CMYK 67 / 21 / 0 / 4

HEX #51C1F5

RGB 81 193 245

HSL 199.02, 0.89%, 0.64%

LAB 73.86, -15.95, -35.04

 

CMYK 0 / 67 / 48 / 4

HEX #F55180

RGB 245 81 128

HSL 342.8, 0.89%, 0.64%

LAB 58.84, 65.65, 9.48

 

CMYK 68 / 0 / 60 / 4

HEX #4FF563

RGB 79 245 99

HSL 127.23, 0.89%, 0.64%

LAB 85.94, -70.64, 56.83

 

CMYK 59 / 67 / 0 / 4

HEX #6551F5

RGB 101 81 245

HSL 247.32, 0.89%, 0.64%

LAB 45.97, 52.36, -79.47

 

CMYK 0 / 59 / 67 / 4

HEX #F56551

RGB 245 101 81

HSL 7.32, 0.89%, 0.64%

LAB 61.06, 54.04, 39.33

 

CMYK 68 / 0 / 60 / 4

HEX #4FF563

RGB 79 245 99

HSL 127.23, 0.89%, 0.64%

LAB 85.94, -70.64, 56.83

 

CMYK 67 / 21 / 0 / 4

HEX #51C1F5

RGB 81 193 245

HSL 199.02, 0.89%, 0.64%

LAB 73.86, -15.95, -35.04

 

CMYK 0 / 67 / 8 / 4

HEX #F551E2

RGB 245 81 226

HSL 306.95, 0.89%, 0.64%

LAB 62.33, 77.32, -41.6

 

CMYK 0 / 46 / 67 / 4

HEX #F58551

RGB 245 133 81

HSL 19.02, 0.89%, 0.64%

LAB 67.11, 38.62, 46.41

 

CMYK 68 / 0 / 60 / 4

HEX #4FF563

RGB 79 245 99

HSL 127.23, 0.89%, 0.64%

LAB 85.94, -70.64, 56.83

 

CMYK 67 / 41 / 0 / 4

HEX #5190F5

RGB 81 144 245

HSL 216.95, 0.89%, 0.64%

LAB 60.15, 11.63, -56.6

 

CMYK 0 / 67 / 8 / 4

HEX #F551E2

RGB 245 81 226

HSL 306.95, 0.89%, 0.64%

LAB 62.33, 77.32, -41.6

 

CMYK 0 / 26 / 67 / 4

HEX #F5B651

RGB 245 182 81

HSL 36.95, 0.89%, 0.64%

LAB 78.15, 13.03, 58.66

 

Description

Color code: HEX #4FF563 | qconv.com Color code: HEX #4FF563 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 245 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 245 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, none magenta, 60 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 0% 60% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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