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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FEF18 it is the complementary color #B010E7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FEF18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FEF18 shade: #54EF13, #65FF26, #76FF39, #87FF4C and #98FF5F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FEF18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FEF18 shade: #4FEF18, #3EDD05, #2DCB00, #1CB900 and #0BA700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FEF18 shade: #51EF1A, #8AEF1A, #C3EF1A, #EFE11A and #EFA81A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FEF18 shade: #51EF1A, #1AEF1D, #1AEF56, #1AEF90 and #1AEFC9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FEF18 shade matches the following richer shades: #51EF1A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FEF18 shade: #51EF1A, #5ADB2E, #64C742, #6EB456 and #77A069

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FEF18 shade: #C4EF1A, #8CEF1A, #53EF1A, #1AEF1A and #1AEF53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FEF18 shade: #35AB0C, #40D10F, #51EF1A, #6EF241 and #8BF467

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FEF18 shade: #4FEF18, #1AEFE1 and #EF1AA8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FEF18 shade: #4FEF18, #1A53EF and #EF1A53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FEF18 shade: #4FEF18, #1AEFE1, #B61AEF and #EF1A28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FEF18 shade: #4FEF18, #1ABDEF, #B61AEF and #EF4C1A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 90 / 6

HEX #4FEF18

RGB 79 239 24

HSL 104.65, 0.87%, 0.52%

LAB 83.68, -73.85, 77.86

 

Complementary color

CMYK 24 / 93 / 0 / 9

HEX #B010E7

RGB 176 16 231

HSL 284.65, 0.87%, 0.48%

LAB 46.14, 81.85, -70.94

 

CMYK 65 / 0 / 92 / 6

HEX #54EF13

RGB 84 239 19

HSL 102.27, 0.87%, 0.51%

LAB 83.79, -72.98, 78.68

 

CMYK 60 / 0 / 85 / 0

HEX #65FF26

RGB 101 255 38

HSL 102.58, 1%, 0.57%

LAB 89.12, -73.87, 80.27

 

CMYK 54 / 0 / 78 / 0

HEX #76FF39

RGB 118 255 57

HSL 101.52, 1%, 0.61%

LAB 89.7, -68.92, 76.36

 

CMYK 47 / 0 / 70 / 0

HEX #87FF4C

RGB 135 255 76

HSL 100.22, 1%, 0.65%

LAB 90.41, -63.12, 71.2

 

CMYK 40 / 0 / 63 / 0

HEX #98FF5F

RGB 152 255 95

HSL 98.63, 1%, 0.69%

LAB 91.24, -56.56, 65.1

 

CMYK 67 / 0 / 90 / 6

HEX #4FEF18

RGB 79 239 24

HSL 104.65, 0.87%, 0.52%

LAB 83.68, -73.85, 77.86

 

CMYK 72 / 0 / 98 / 13

HEX #3EDD05

RGB 62 221 5

HSL 104.17, 0.96%, 0.44%

LAB 77.73, -71.81, 74.94

 

CMYK 78 / 0 / 100 / 20

HEX #2DCB00

RGB 45 203 0

HSL 106.7, 1%, 0.4%

LAB 71.74, -69.16, 70.51

 

CMYK 85 / 0 / 100 / 27

HEX #1CB900

RGB 28 185 0

HSL 110.92, 1%, 0.36%

LAB 65.71, -65.97, 65.6

 

CMYK 93 / 0 / 100 / 35

HEX #0BA700

RGB 11 167 0

HSL 116.05, 1%, 0.33%

LAB 59.62, -62.18, 60.67

 

CMYK 66 / 0 / 89 / 6

HEX #51EF1A

RGB 81 239 26

HSL 104.51, 0.87%, 0.52%

LAB 83.73, -73.41, 77.61

 

CMYK 42 / 0 / 89 / 6

HEX #8AEF1A

RGB 138 239 26

HSL 88.45, 0.87%, 0.52%

LAB 85.61, -58.55, 79.94

 

CMYK 18 / 0 / 89 / 6

HEX #C3EF1A

RGB 195 239 26

HSL 72.39, 0.87%, 0.52%

LAB 88.64, -38.06, 83.67

 

CMYK 0 / 6 / 89 / 6

HEX #EFE11A

RGB 239 225 26

HSL 56.06, 0.87%, 0.52%

LAB 88.1, -13.44, 84.61

 

CMYK 0 / 30 / 89 / 6

HEX #EFA81A

RGB 239 168 26

HSL 40, 0.87%, 0.52%

LAB 73.82, 15.88, 73.56

 

CMYK 66 / 0 / 89 / 6

HEX #51EF1A

RGB 81 239 26

HSL 104.51, 0.87%, 0.52%

LAB 83.73, -73.41, 77.61

 

CMYK 89 / 0 / 88 / 6

HEX #1AEF1D

RGB 26 239 29

HSL 120.85, 0.87%, 0.52%

LAB 82.94, -80.38, 76.1

 

CMYK 89 / 0 / 64 / 6

HEX #1AEF56

RGB 26 239 86

HSL 136.9, 0.87%, 0.52%

LAB 83.24, -76.45, 59.05

 

CMYK 89 / 0 / 40 / 6

HEX #1AEF90

RGB 26 239 144

HSL 153.24, 0.87%, 0.52%

LAB 83.95, -67.96, 32.99

 

CMYK 89 / 0 / 16 / 6

HEX #1AEFC9

RGB 26 239 201

HSL 169.3, 0.87%, 0.52%

LAB 85.08, -55.36, 5.17

 

CMYK 66 / 0 / 89 / 6

HEX #51EF1A

RGB 81 239 26

HSL 104.51, 0.87%, 0.52%

LAB 83.73, -73.41, 77.61

 

CMYK 66 / 0 / 89 / 6

HEX #51EF1A

RGB 81 239 26

HSL 104.51, 0.87%, 0.52%

LAB 83.73, -73.41, 77.61

 

CMYK 59 / 0 / 79 / 14

HEX #5ADB2E

RGB 90 219 46

HSL 104.74, 0.71%, 0.52%

LAB 77.9, -64.13, 68.07

 

CMYK 50 / 0 / 67 / 22

HEX #64C742

RGB 100 199 66

HSL 104.66, 0.54%, 0.52%

LAB 72.19, -52.84, 55.56

 

CMYK 39 / 0 / 52 / 29

HEX #6EB456

RGB 110 180 86

HSL 104.68, 0.39%, 0.52%

LAB 67, -39.84, 40.76

 

CMYK 26 / 0 / 34 / 37

HEX #77A069

RGB 119 160 105

HSL 104.73, 0.22%, 0.52%

LAB 61.73, -24.68, 24.3

 

CMYK 18 / 0 / 89 / 6

HEX #C4EF1A

RGB 196 239 26

HSL 72.11, 0.87%, 0.52%

LAB 88.71, -37.67, 83.75

 

CMYK 41 / 0 / 89 / 6

HEX #8CEF1A

RGB 140 239 26

HSL 87.89, 0.87%, 0.52%

LAB 85.7, -57.91, 80.05

 

CMYK 65 / 0 / 89 / 6

HEX #53EF1A

RGB 83 239 26

HSL 103.94, 0.87%, 0.52%

LAB 83.78, -73.01, 77.67

 

CMYK 89 / 0 / 89 / 6

HEX #1AEF1A

RGB 26 239 26

HSL 120, 0.87%, 0.52%

LAB 82.93, -80.48, 76.6

 

CMYK 89 / 0 / 65 / 6

HEX #1AEF53

RGB 26 239 83

HSL 136.06, 0.87%, 0.52%

LAB 83.22, -76.77, 60.23

 

CMYK 69 / 0 / 93 / 33

HEX #35AB0C

RGB 53 171 12

HSL 104.53, 0.87%, 0.36%

LAB 61.58, -57.74, 60.85

 

CMYK 69 / 0 / 93 / 18

HEX #40D10F

RGB 64 209 15

HSL 104.85, 0.87%, 0.44%

LAB 74.01, -67.63, 70.9

 

CMYK 66 / 0 / 89 / 6

HEX #51EF1A

RGB 81 239 26

HSL 104.51, 0.87%, 0.52%

LAB 83.73, -73.41, 77.61

 

CMYK 55 / 0 / 73 / 5

HEX #6EF241

RGB 110 242 65

HSL 104.75, 0.87%, 0.6%

LAB 85.61, -65.97, 69.84

 

CMYK 43 / 0 / 58 / 4

HEX #8BF467

RGB 139 244 103

HSL 104.68, 0.87%, 0.68%

LAB 87.57, -55.43, 57.46

 

CMYK 67 / 0 / 90 / 6

HEX #4FEF18

RGB 79 239 24

HSL 104.65, 0.87%, 0.52%

LAB 83.68, -73.85, 77.86

 

CMYK 89 / 0 / 6 / 6

HEX #1AEFE1

RGB 26 239 225

HSL 176.06, 0.87%, 0.52%

LAB 85.7, -49, -6.53

 

CMYK 0 / 89 / 30 / 6

HEX #EF1AA8

RGB 239 26 168

HSL 320, 0.87%, 0.52%

LAB 53.94, 82.48, -21.46

 

CMYK 67 / 0 / 90 / 6

HEX #4FEF18

RGB 79 239 24

HSL 104.65, 0.87%, 0.52%

LAB 83.68, -73.85, 77.86

 

CMYK 89 / 65 / 0 / 6

HEX #1A53EF

RGB 26 83 239

HSL 223.94, 0.87%, 0.52%

LAB 42.21, 41.94, -82.4

 

CMYK 0 / 89 / 65 / 6

HEX #EF1A53

RGB 239 26 83

HSL 343.94, 0.87%, 0.52%

LAB 51.51, 75.81, 26.13

 

CMYK 67 / 0 / 90 / 6

HEX #4FEF18

RGB 79 239 24

HSL 104.65, 0.87%, 0.52%

LAB 83.68, -73.85, 77.86

 

CMYK 89 / 0 / 6 / 6

HEX #1AEFE1

RGB 26 239 225

HSL 176.06, 0.87%, 0.52%

LAB 85.7, -49, -6.53

 

CMYK 24 / 89 / 0 / 6

HEX #B61AEF

RGB 182 26 239

HSL 283.94, 0.87%, 0.52%

LAB 48.15, 82.68, -72.14

 

CMYK 0 / 89 / 83 / 6

HEX #EF1A28

RGB 239 26 40

HSL 356.06, 0.87%, 0.52%

LAB 50.97, 74.27, 50.07

 

CMYK 67 / 0 / 90 / 6

HEX #4FEF18

RGB 79 239 24

HSL 104.65, 0.87%, 0.52%

LAB 83.68, -73.85, 77.86

 

CMYK 89 / 21 / 0 / 6

HEX #1ABDEF

RGB 26 189 239

HSL 194.08, 0.87%, 0.52%

LAB 71.45, -21.3, -35.61

 

CMYK 24 / 89 / 0 / 6

HEX #B61AEF

RGB 182 26 239

HSL 283.94, 0.87%, 0.52%

LAB 48.15, 82.68, -72.14

 

CMYK 0 / 68 / 89 / 6

HEX #EF4C1A

RGB 239 76 26

HSL 14.08, 0.87%, 0.52%

LAB 55.68, 60.56, 59.94

 

Description

Color code: HEX #4FEF18 | qconv.com Color code: HEX #4FEF18 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 239 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 239 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 90 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 90% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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