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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FECDD it is the complementary color #B01322. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FECDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FECDD shade: #54ECD8, #65FEEB, #76FFFE, #87FFFF and #98FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FECDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FECDD shade: #4FECDD, #3EDACA, #2DC8B7, #1CB6A4 and #0BA491

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FECDD shade: #4FECDD, #4FECB3, #4FEC88, #4FEC5E and #6AEC4F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FECDD shade: #4FECDD, #4FD1EC, #4FA6EC, #4F7CEC and #4F52EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FECDD shade matches the following richer shades: #4FECDD and #3FFCEA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FECDD shade: #4FECDD, #5FDCD0, #6ECDC4, #7EBDB7 and #8EADAA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FECDD shade: #4FEC89, #4FECB3, #4FECDC, #4FD2EC and #4FA8EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FECDD shade: #16D3C1, #2AE8D6, #4FECDD, #74F0E4 and #9AF4EB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FECDD shade: #4FECDD, #5F4FEC and #EC9E4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FECDD shade: #4FECDD, #DC4FEC and #ECDC4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FECDD shade: #4FECDD, #5F4FEC, #EC4F5F and #DCEC4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FECDD shade: #4FECDD, #8E4FEC, #EC4F5F and #ADEC4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 6 / 7

HEX #4FECDD

RGB 79 236 221

HSL 174.27, 0.81%, 0.62%

LAB 85.44, -43.91, -4.72

 

Complementary color

CMYK 0 / 89 / 81 / 31

HEX #B01322

RGB 176 19 34

HSL 354.27, 0.81%, 0.38%

LAB 37.5, 58.77, 35.89

 

CMYK 64 / 0 / 8 / 7

HEX #54ECD8

RGB 84 236 216

HSL 172.11, 0.8%, 0.63%

LAB 85.42, -44.46, -2.11

 

CMYK 60 / 0 / 7 / 0

HEX #65FEEB

RGB 101 254 235

HSL 172.55, 0.99%, 0.7%

LAB 91.53, -44.8, -3.02

 

CMYK 54 / 0 / 0 / 0

HEX #76FFFE

RGB 118 255 254

HSL 179.56, 1%, 0.73%

LAB 92.81, -37.42, -10.92

 

CMYK 47 / 0 / 0 / 0

HEX #87FFFF

RGB 135 255 255

HSL 180, 1%, 0.76%

LAB 93.4, -33.77, -10.49

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 67 / 0 / 6 / 7

HEX #4FECDD

RGB 79 236 221

HSL 174.27, 0.81%, 0.62%

LAB 85.44, -43.91, -4.72

 

CMYK 72 / 0 / 7 / 15

HEX #3EDACA

RGB 62 218 202

HSL 173.85, 0.68%, 0.55%

LAB 79.29, -43.3, -3.75

 

CMYK 78 / 0 / 9 / 22

HEX #2DC8B7

RGB 45 200 183

HSL 173.42, 0.63%, 0.48%

LAB 73.08, -42.46, -2.69

 

CMYK 85 / 0 / 10 / 29

HEX #1CB6A4

RGB 28 182 164

HSL 172.99, 0.73%, 0.41%

LAB 66.81, -41.32, -1.51

 

CMYK 93 / 0 / 12 / 36

HEX #0BA491

RGB 11 164 145

HSL 172.55, 0.87%, 0.34%

LAB 60.49, -39.79, -0.19

 

CMYK 67 / 0 / 6 / 7

HEX #4FECDD

RGB 79 236 221

HSL 174.27, 0.81%, 0.62%

LAB 85.44, -43.91, -4.72

 

CMYK 67 / 0 / 24 / 7

HEX #4FECB3

RGB 79 236 179

HSL 158.22, 0.81%, 0.62%

LAB 84.44, -54.03, 15.84

 

CMYK 67 / 0 / 42 / 7

HEX #4FEC88

RGB 79 236 136

HSL 141.78, 0.81%, 0.62%

LAB 83.67, -62.35, 36.76

 

CMYK 67 / 0 / 60 / 7

HEX #4FEC5E

RGB 79 236 94

HSL 125.73, 0.81%, 0.62%

LAB 83.16, -68.21, 55.8

 

CMYK 55 / 0 / 67 / 7

HEX #6AEC4F

RGB 106 236 79

HSL 109.68, 0.81%, 0.62%

LAB 83.77, -63.8, 62.84

 

CMYK 67 / 0 / 6 / 7

HEX #4FECDD

RGB 79 236 221

HSL 174.27, 0.81%, 0.62%

LAB 85.44, -43.91, -4.72

 

CMYK 67 / 11 / 0 / 7

HEX #4FD1EC

RGB 79 209 236

HSL 190.32, 0.81%, 0.62%

LAB 78.06, -27.15, -23.75

 

CMYK 67 / 30 / 0 / 7

HEX #4FA6EC

RGB 79 166 236

HSL 206.75, 0.81%, 0.62%

LAB 65.74, -4.5, -42.8

 

CMYK 67 / 47 / 0 / 7

HEX #4F7CEC

RGB 79 124 236

HSL 222.8, 0.81%, 0.62%

LAB 54.17, 20.34, -61.19

 

CMYK 67 / 65 / 0 / 7

HEX #4F52EC

RGB 79 82 236

HSL 238.85, 0.81%, 0.62%

LAB 43.88, 46, -77.9

 

CMYK 67 / 0 / 6 / 7

HEX #4FECDD

RGB 79 236 221

HSL 174.27, 0.81%, 0.62%

LAB 85.44, -43.91, -4.72

 

CMYK 75 / 0 / 7 / 1

HEX #3FFCEA

RGB 63 252 234

HSL 174.29, 0.97%, 0.62%

LAB 90.15, -49.34, -4.62

 

CMYK 67 / 0 / 6 / 7

HEX #4FECDD

RGB 79 236 221

HSL 174.27, 0.81%, 0.62%

LAB 85.44, -43.91, -4.72

 

CMYK 57 / 0 / 5 / 14

HEX #5FDCD0

RGB 95 220 208

HSL 174.24, 0.64%, 0.62%

LAB 80.84, -37.47, -4.59

 

CMYK 46 / 0 / 4 / 20

HEX #6ECDC4

RGB 110 205 196

HSL 174.32, 0.49%, 0.62%

LAB 76.66, -30.31, -4.26

 

CMYK 33 / 0 / 3 / 26

HEX #7EBDB7

RGB 126 189 183

HSL 174.29, 0.32%, 0.62%

LAB 72.4, -21.44, -3.4

 

CMYK 18 / 0 / 2 / 32

HEX #8EADAA

RGB 142 173 170

HSL 174.19, 0.16%, 0.62%

LAB 68.42, -11.19, -1.99

 

CMYK 67 / 0 / 42 / 7

HEX #4FEC89

RGB 79 236 137

HSL 142.17, 0.81%, 0.62%

LAB 83.68, -62.19, 36.28

 

CMYK 67 / 0 / 24 / 7

HEX #4FECB3

RGB 79 236 179

HSL 158.22, 0.81%, 0.62%

LAB 84.44, -54.03, 15.84

 

CMYK 67 / 0 / 7 / 7

HEX #4FECDC

RGB 79 236 220

HSL 173.89, 0.81%, 0.62%

LAB 85.41, -44.17, -4.24

 

CMYK 67 / 11 / 0 / 7

HEX #4FD2EC

RGB 79 210 236

HSL 189.94, 0.81%, 0.62%

LAB 78.35, -27.64, -23.31

 

CMYK 67 / 29 / 0 / 7

HEX #4FA8EC

RGB 79 168 236

HSL 205.99, 0.81%, 0.62%

LAB 66.31, -5.62, -41.92

 

CMYK 90 / 0 / 9 / 17

HEX #16D3C1

RGB 22 211 193

HSL 174.29, 0.81%, 0.46%

LAB 76.44, -46.15, -3.18

 

CMYK 82 / 0 / 8 / 9

HEX #2AE8D6

RGB 42 232 214

HSL 174.32, 0.81%, 0.54%

LAB 83.47, -48.08, -4

 

CMYK 67 / 0 / 6 / 7

HEX #4FECDD

RGB 79 236 221

HSL 174.27, 0.81%, 0.62%

LAB 85.44, -43.91, -4.72

 

CMYK 52 / 0 / 5 / 6

HEX #74F0E4

RGB 116 240 228

HSL 174.19, 0.81%, 0.7%

LAB 87.79, -37.48, -4.82

 

CMYK 37 / 0 / 4 / 4

HEX #9AF4EB

RGB 154 244 235

HSL 174, 0.8%, 0.78%

LAB 90.58, -28.9, -4.19

 

CMYK 67 / 0 / 6 / 7

HEX #4FECDD

RGB 79 236 221

HSL 174.27, 0.81%, 0.62%

LAB 85.44, -43.91, -4.72

 

CMYK 60 / 67 / 0 / 7

HEX #5F4FEC

RGB 95 79 236

HSL 246.11, 0.81%, 0.62%

LAB 44.35, 49.89, -77.08

 

CMYK 0 / 33 / 67 / 7

HEX #EC9E4F

RGB 236 158 79

HSL 30.19, 0.81%, 0.62%

LAB 71.45, 21.85, 51.98

 

CMYK 67 / 0 / 6 / 7

HEX #4FECDD

RGB 79 236 221

HSL 174.27, 0.81%, 0.62%

LAB 85.44, -43.91, -4.72

 

CMYK 7 / 67 / 0 / 7

HEX #DC4FEC

RGB 220 79 236

HSL 293.89, 0.81%, 0.62%

LAB 58.85, 74.03, -52.94

 

CMYK 0 / 7 / 67 / 7

HEX #ECDC4F

RGB 236 220 79

HSL 53.89, 0.81%, 0.62%

LAB 86.79, -10.38, 68.32

 

CMYK 67 / 0 / 6 / 7

HEX #4FECDD

RGB 79 236 221

HSL 174.27, 0.81%, 0.62%

LAB 85.44, -43.91, -4.72

 

CMYK 60 / 67 / 0 / 7

HEX #5F4FEC

RGB 95 79 236

HSL 246.11, 0.81%, 0.62%

LAB 44.35, 49.89, -77.08

 

CMYK 0 / 67 / 60 / 7

HEX #EC4F5F

RGB 236 79 95

HSL 353.89, 0.81%, 0.62%

LAB 56.34, 61.18, 25.17

 

CMYK 7 / 0 / 67 / 7

HEX #DCEC4F

RGB 220 236 79

HSL 66.11, 0.81%, 0.62%

LAB 89.75, -24.73, 70.94

 

CMYK 67 / 0 / 6 / 7

HEX #4FECDD

RGB 79 236 221

HSL 174.27, 0.81%, 0.62%

LAB 85.44, -43.91, -4.72

 

CMYK 40 / 67 / 0 / 7

HEX #8E4FEC

RGB 142 79 236

HSL 264.08, 0.81%, 0.62%

LAB 48.76, 57.83, -69.7

 

CMYK 0 / 67 / 60 / 7

HEX #EC4F5F

RGB 236 79 95

HSL 353.89, 0.81%, 0.62%

LAB 56.34, 61.18, 25.17

 

CMYK 27 / 0 / 67 / 7

HEX #ADEC4F

RGB 173 236 79

HSL 84.08, 0.81%, 0.62%

LAB 86.72, -42.83, 66.86

 

Description

Color code: HEX #4FECDD | qconv.com Color code: HEX #4FECDD | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 236 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 236 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 6 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 6% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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