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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FEA5E it is the complementary color #B015A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FEA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FEA5E shade: #54EA59, #65FC6C, #76FF7F, #87FF92 and #98FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FEA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FEA5E shade: #4FEA5E, #3ED84B, #2DC638, #1CB425 and #0BA212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FEA5E shade: #4DEA5C, #68EA4D, #93EA4D, #BDEA4D and #E7EA4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FEA5E shade: #4DEA5C, #4DEA87, #4DEAB1, #4DEADB and #4DCFEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FEA5E shade matches the following richer shades: #4DEA5C and #3DFA4F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FEA5E shade: #4DEA5C, #5DDA69, #6DCA76, #7DBA83 and #8DAA90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FEA5E shade: #94EA4D, #6AEA4D, #4DEA5A, #4DEA84 and #4DEAAE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FEA5E shade: #18CD29, #28E63A, #4DEA5C, #72EE7E and #97F3A0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FEA5E shade: #4FEA5E, #4DBEEA and #EA4D7F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FEA5E shade: #4FEA5E, #5A4DEA and #EA5A4D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FEA5E shade: #4FEA5E, #4DBEEA, #EA4DDD and #EA7A4D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FEA5E shade: #4FEA5E, #4D8EEA, #EA4DDD and #EAA94D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 60 / 8

HEX #4FEA5E

RGB 79 234 94

HSL 125.81, 0.79%, 0.61%

LAB 82.55, -67.53, 55.1

 

Complementary color

CMYK 0 / 88 / 9 / 31

HEX #B015A1

RGB 176 21 161

HSL 305.81, 0.79%, 0.39%

LAB 41.75, 69.74, -37.18

 

CMYK 64 / 0 / 62 / 8

HEX #54EA59

RGB 84 234 89

HSL 122, 0.78%, 0.62%

LAB 82.62, -67.11, 57.35

 

CMYK 60 / 0 / 57 / 1

HEX #65FC6C

RGB 101 252 108

HSL 122.78, 0.96%, 0.69%

LAB 88.67, -67.68, 56.22

 

CMYK 54 / 0 / 50 / 0

HEX #76FF7F

RGB 118 255 127

HSL 123.94, 1%, 0.73%

LAB 90.28, -62.53, 49.66

 

CMYK 47 / 0 / 43 / 0

HEX #87FF92

RGB 135 255 146

HSL 125.5, 1%, 0.76%

LAB 91.12, -55.58, 41.8

 

CMYK 40 / 0 / 35 / 0

HEX #98FFA5

RGB 152 255 165

HSL 127.57, 1%, 0.8%

LAB 92.09, -48, 33.85

 

CMYK 66 / 0 / 60 / 8

HEX #4FEA5E

RGB 79 234 94

HSL 125.81, 0.79%, 0.61%

LAB 82.55, -67.53, 55.1

 

CMYK 71 / 0 / 65 / 15

HEX #3ED84B

RGB 62 216 75

HSL 125.06, 0.66%, 0.55%

LAB 76.46, -66.6, 56.2

 

CMYK 77 / 0 / 72 / 22

HEX #2DC638

RGB 45 198 56

HSL 124.31, 0.63%, 0.48%

LAB 70.34, -65.2, 57.02

 

CMYK 84 / 0 / 79 / 29

HEX #1CB425

RGB 28 180 37

HSL 123.55, 0.73%, 0.41%

LAB 64.18, -63.15, 57.28

 

CMYK 93 / 0 / 89 / 36

HEX #0BA212

RGB 11 162 18

HSL 122.78, 0.87%, 0.34%

LAB 57.99, -60.23, 56.5

 

CMYK 67 / 0 / 61 / 8

HEX #4DEA5C

RGB 77 234 92

HSL 125.73, 0.79%, 0.61%

LAB 82.48, -68.13, 55.88

 

CMYK 56 / 0 / 67 / 8

HEX #68EA4D

RGB 104 234 77

HSL 109.68, 0.79%, 0.61%

LAB 83.09, -63.76, 62.87

 

CMYK 37 / 0 / 67 / 8

HEX #93EA4D

RGB 147 234 77

HSL 93.25, 0.79%, 0.61%

LAB 84.78, -51.19, 65.18

 

CMYK 19 / 0 / 67 / 8

HEX #BDEA4D

RGB 189 234 77

HSL 77.2, 0.79%, 0.61%

LAB 87.09, -36.1, 68.3

 

CMYK 1 / 0 / 67 / 8

HEX #E7EA4D

RGB 231 234 77

HSL 61.15, 0.79%, 0.61%

LAB 90.03, -19.43, 72.23

 

CMYK 67 / 0 / 61 / 8

HEX #4DEA5C

RGB 77 234 92

HSL 125.73, 0.79%, 0.61%

LAB 82.48, -68.13, 55.88

 

CMYK 67 / 0 / 42 / 8

HEX #4DEA87

RGB 77 234 135

HSL 142.17, 0.79%, 0.61%

LAB 83.01, -62.14, 36.38

 

CMYK 67 / 0 / 24 / 8

HEX #4DEAB1

RGB 77 234 177

HSL 158.22, 0.79%, 0.61%

LAB 83.76, -53.98, 15.92

 

CMYK 67 / 0 / 6 / 8

HEX #4DEADB

RGB 77 234 219

HSL 174.27, 0.79%, 0.61%

LAB 84.76, -43.84, -4.68

 

CMYK 67 / 12 / 0 / 8

HEX #4DCFEA

RGB 77 207 234

HSL 190.32, 0.79%, 0.61%

LAB 77.37, -27.05, -23.74

 

CMYK 67 / 0 / 61 / 8

HEX #4DEA5C

RGB 77 234 92

HSL 125.73, 0.79%, 0.61%

LAB 82.48, -68.13, 55.88

 

CMYK 76 / 0 / 68 / 2

HEX #3DFA4F

RGB 61 250 79

HSL 125.71, 0.95%, 0.61%

LAB 86.96, -77.01, 65.92

 

CMYK 67 / 0 / 61 / 8

HEX #4DEA5C

RGB 77 234 92

HSL 125.73, 0.79%, 0.61%

LAB 82.48, -68.13, 55.88

 

CMYK 57 / 0 / 52 / 15

HEX #5DDA69

RGB 93 218 105

HSL 125.76, 0.63%, 0.61%

LAB 78.16, -57.55, 45

 

CMYK 46 / 0 / 42 / 21

HEX #6DCA76

RGB 109 202 118

HSL 125.81, 0.47%, 0.61%

LAB 74.06, -45.15, 33.54

 

CMYK 33 / 0 / 30 / 27

HEX #7DBA83

RGB 125 186 131

HSL 125.9, 0.31%, 0.61%

LAB 70.26, -30.94, 21.81

 

CMYK 17 / 0 / 15 / 33

HEX #8DAA90

RGB 141 170 144

HSL 126.21, 0.15%, 0.61%

LAB 66.84, -15.17, 10.12

 

CMYK 37 / 0 / 67 / 8

HEX #94EA4D

RGB 148 234 77

HSL 92.87, 0.79%, 0.61%

LAB 84.83, -50.86, 65.25

 

CMYK 55 / 0 / 67 / 8

HEX #6AEA4D

RGB 106 234 77

HSL 108.92, 0.79%, 0.61%

LAB 83.15, -63.26, 62.96

 

CMYK 67 / 0 / 62 / 8

HEX #4DEA5A

RGB 77 234 90

HSL 124.97, 0.79%, 0.61%

LAB 82.47, -68.34, 56.71

 

CMYK 67 / 0 / 44 / 8

HEX #4DEA84

RGB 77 234 132

HSL 141.02, 0.79%, 0.61%

LAB 82.96, -62.63, 37.81

 

CMYK 67 / 0 / 26 / 8

HEX #4DEAAE

RGB 77 234 174

HSL 157.07, 0.79%, 0.61%

LAB 83.69, -54.64, 17.4

 

CMYK 88 / 0 / 80 / 20

HEX #18CD29

RGB 24 205 41

HSL 125.64, 0.79%, 0.45%

LAB 72.24, -70.55, 63.74

 

CMYK 83 / 0 / 75 / 10

HEX #28E63A

RGB 40 230 58

HSL 125.68, 0.79%, 0.53%

LAB 80.38, -75.23, 66.45

 

CMYK 67 / 0 / 61 / 8

HEX #4DEA5C

RGB 77 234 92

HSL 125.73, 0.79%, 0.61%

LAB 82.48, -68.13, 55.88

 

CMYK 52 / 0 / 47 / 7

HEX #72EE7E

RGB 114 238 126

HSL 125.81, 0.78%, 0.69%

LAB 85.12, -57.19, 43.69

 

CMYK 38 / 0 / 34 / 5

HEX #97F3A0

RGB 151 243 160

HSL 125.87, 0.79%, 0.77%

LAB 88.55, -43.93, 31.63

 

CMYK 66 / 0 / 60 / 8

HEX #4FEA5E

RGB 79 234 94

HSL 125.81, 0.79%, 0.61%

LAB 82.55, -67.53, 55.1

 

CMYK 67 / 19 / 0 / 8

HEX #4DBEEA

RGB 77 190 234

HSL 196.82, 0.79%, 0.61%

LAB 72.46, -18.44, -31.27

 

CMYK 0 / 67 / 46 / 8

HEX #EA4D7F

RGB 234 77 127

HSL 340.89, 0.79%, 0.61%

LAB 56.42, 63.84, 6.37

 

CMYK 66 / 0 / 60 / 8

HEX #4FEA5E

RGB 79 234 94

HSL 125.81, 0.79%, 0.61%

LAB 82.55, -67.53, 55.1

 

CMYK 62 / 67 / 0 / 8

HEX #5A4DEA

RGB 90 77 234

HSL 244.97, 0.79%, 0.61%

LAB 43.39, 49.69, -77.53

 

CMYK 0 / 62 / 67 / 8

HEX #EA5A4D

RGB 234 90 77

HSL 4.97, 0.79%, 0.61%

LAB 57.41, 54.91, 36.75

 

CMYK 66 / 0 / 60 / 8

HEX #4FEA5E

RGB 79 234 94

HSL 125.81, 0.79%, 0.61%

LAB 82.55, -67.53, 55.1

 

CMYK 67 / 19 / 0 / 8

HEX #4DBEEA

RGB 77 190 234

HSL 196.82, 0.79%, 0.61%

LAB 72.46, -18.44, -31.27

 

CMYK 0 / 67 / 6 / 8

HEX #EA4DDD

RGB 234 77 221

HSL 304.97, 0.79%, 0.61%

LAB 59.91, 75.46, -42.72

 

CMYK 0 / 48 / 67 / 8

HEX #EA7A4D

RGB 234 122 77

HSL 17.2, 0.79%, 0.61%

LAB 63.3, 39.73, 43.68

 

CMYK 66 / 0 / 60 / 8

HEX #4FEA5E

RGB 79 234 94

HSL 125.81, 0.79%, 0.61%

LAB 82.55, -67.53, 55.1

 

CMYK 67 / 39 / 0 / 8

HEX #4D8EEA

RGB 77 142 234

HSL 215.16, 0.79%, 0.61%

LAB 58.85, 8.42, -52.6

 

CMYK 0 / 67 / 6 / 8

HEX #EA4DDD

RGB 234 77 221

HSL 304.97, 0.79%, 0.61%

LAB 59.91, 75.46, -42.72

 

CMYK 0 / 28 / 67 / 8

HEX #EAA94D

RGB 234 169 77

HSL 35.16, 0.79%, 0.61%

LAB 73.81, 15.07, 55.43

 

Description

Color code: HEX #4FEA5E | qconv.com Color code: HEX #4FEA5E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 234 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 234 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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