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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FE731 it is the complementary color #B018CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FE731. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FE731 shade: #54E72C, #65F93F, #76FF52, #87FF65 and #98FF78

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FE731. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FE731 shade: #4FE731, #3ED51E, #2DC30B, #1CB100 and #0B9F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FE731 shade: #4FE732, #80E732, #B1E732, #E2E732 and #E7BB32

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FE731 shade: #4FE732, #32E745, #32E775, #32E7A6 and #32E7D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FE731 shade matches the following richer shades: #4FE732 and #43F91F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FE731 shade: #4FE732, #5CD444, #68C257, #75AF69 and #819D7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FE731 shade: #B1E732, #80E732, #50E732, #32E744 and #32E774

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FE731 shade: #2FB115, #38D619, #4FE732, #6FEB57 and #8FF07B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FE731 shade: #4FE731, #32E1E7 and #E73298

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FE731 shade: #4FE731, #3250E7 and #E73250

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FE731 shade: #4FE731, #32E1E7, #C932E7 and #E73832

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FE731 shade: #4FE731, #32AAE7, #C932E7 and #E76E32

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 79 / 9

HEX #4FE731

RGB 79 231 49

HSL 110.11, 0.79%, 0.55%

LAB 81.31, -70.33, 70.33

 

Complementary color

CMYK 15 / 88 / 0 / 19

HEX #B018CE

RGB 176 24 206

HSL 290.11, 0.79%, 0.45%

LAB 44.72, 76.33, -58.93

 

CMYK 64 / 0 / 81 / 9

HEX #54E72C

RGB 84 231 44

HSL 107.17, 0.8%, 0.54%

LAB 81.41, -69.57, 71.82

 

CMYK 59 / 0 / 75 / 2

HEX #65F93F

RGB 101 249 63

HSL 107.74, 0.94%, 0.61%

LAB 87.43, -70.67, 72.19

 

CMYK 54 / 0 / 68 / 0

HEX #76FF52

RGB 118 255 82

HSL 107.51, 1%, 0.66%

LAB 89.85, -67.26, 68.27

 

CMYK 47 / 0 / 60 / 0

HEX #87FF65

RGB 135 255 101

HSL 106.75, 1%, 0.7%

LAB 90.6, -61.04, 61.73

 

CMYK 40 / 0 / 53 / 0

HEX #98FF78

RGB 152 255 120

HSL 105.78, 1%, 0.74%

LAB 91.48, -54.09, 54.63

 

CMYK 66 / 0 / 79 / 9

HEX #4FE731

RGB 79 231 49

HSL 110.11, 0.79%, 0.55%

LAB 81.31, -70.33, 70.33

 

CMYK 71 / 0 / 86 / 16

HEX #3ED51E

RGB 62 213 30

HSL 109.51, 0.75%, 0.48%

LAB 75.27, -68.76, 69.41

 

CMYK 77 / 0 / 94 / 24

HEX #2DC30B

RGB 45 195 11

HSL 108.91, 0.89%, 0.4%

LAB 69.19, -66.59, 67.25

 

CMYK 84 / 0 / 100 / 31

HEX #1CB100

RGB 28 177 0

HSL 110.51, 1%, 0.35%

LAB 63.09, -63.66, 63.5

 

CMYK 93 / 0 / 100 / 38

HEX #0B9F00

RGB 11 159 0

HSL 115.85, 1%, 0.31%

LAB 56.95, -59.91, 58.52

 

CMYK 66 / 0 / 78 / 9

HEX #4FE732

RGB 79 231 50

HSL 110.39, 0.79%, 0.55%

LAB 81.32, -70.27, 70.05

 

CMYK 45 / 0 / 78 / 9

HEX #80E732

RGB 128 231 50

HSL 94.14, 0.79%, 0.55%

LAB 82.9, -57.77, 72.1

 

CMYK 23 / 0 / 78 / 9

HEX #B1E732

RGB 177 231 50

HSL 77.9, 0.79%, 0.55%

LAB 85.37, -40.75, 75.27

 

CMYK 2 / 0 / 78 / 9

HEX #E2E732

RGB 226 231 50

HSL 61.66, 0.79%, 0.55%

LAB 88.71, -21.19, 79.53

 

CMYK 0 / 19 / 78 / 9

HEX #E7BB32

RGB 231 187 50

HSL 45.41, 0.79%, 0.55%

LAB 77.73, 3.08, 69.9

 

CMYK 66 / 0 / 78 / 9

HEX #4FE732

RGB 79 231 50

HSL 110.39, 0.79%, 0.55%

LAB 81.32, -70.27, 70.05

 

CMYK 78 / 0 / 70 / 9

HEX #32E745

RGB 50 231 69

HSL 126.3, 0.79%, 0.55%

LAB 80.88, -73.55, 63.19

 

CMYK 78 / 0 / 49 / 9

HEX #32E775

RGB 50 231 117

HSL 142.21, 0.79%, 0.55%

LAB 81.35, -67.85, 42.99

 

CMYK 78 / 0 / 28 / 9

HEX #32E7A6

RGB 50 231 166

HSL 158.45, 0.79%, 0.55%

LAB 82.15, -58.74, 19.34

 

CMYK 78 / 0 / 7 / 9

HEX #32E7D7

RGB 50 231 215

HSL 174.7, 0.79%, 0.55%

LAB 83.3, -46.72, -4.77

 

CMYK 66 / 0 / 78 / 9

HEX #4FE732

RGB 79 231 50

HSL 110.39, 0.79%, 0.55%

LAB 81.32, -70.27, 70.05

 

CMYK 73 / 0 / 88 / 2

HEX #43F91F

RGB 67 249 31

HSL 110.09, 0.95%, 0.55%

LAB 86.53, -78.7, 79.04

 

CMYK 66 / 0 / 78 / 9

HEX #4FE732

RGB 79 231 50

HSL 110.39, 0.79%, 0.55%

LAB 81.32, -70.27, 70.05

 

CMYK 57 / 0 / 68 / 17

HEX #5CD444

RGB 92 212 68

HSL 110, 0.63%, 0.55%

LAB 75.93, -59.66, 58.66

 

CMYK 46 / 0 / 55 / 24

HEX #68C257

RGB 104 194 87

HSL 110.47, 0.47%, 0.55%

LAB 71.02, -47.53, 45.03

 

CMYK 33 / 0 / 40 / 31

HEX #75AF69

RGB 117 175 105

HSL 109.71, 0.3%, 0.55%

LAB 66.11, -32.63, 30.04

 

CMYK 18 / 0 / 21 / 38

HEX #819D7C

RGB 129 157 124

HSL 110.91, 0.14%, 0.55%

LAB 61.86, -16.31, 14.1

 

CMYK 23 / 0 / 78 / 9

HEX #B1E732

RGB 177 231 50

HSL 77.9, 0.79%, 0.55%

LAB 85.37, -40.75, 75.27

 

CMYK 45 / 0 / 78 / 9

HEX #80E732

RGB 128 231 50

HSL 94.14, 0.79%, 0.55%

LAB 82.9, -57.77, 72.1

 

CMYK 65 / 0 / 78 / 9

HEX #50E732

RGB 80 231 50

HSL 110.06, 0.79%, 0.55%

LAB 81.34, -70.07, 70.08

 

CMYK 78 / 0 / 71 / 9

HEX #32E744

RGB 50 231 68

HSL 125.97, 0.79%, 0.55%

LAB 80.88, -73.64, 63.55

 

CMYK 78 / 0 / 50 / 9

HEX #32E774

RGB 50 231 116

HSL 141.88, 0.79%, 0.55%

LAB 81.34, -68, 43.45

 

CMYK 73 / 0 / 88 / 31

HEX #2FB115

RGB 47 177 21

HSL 110, 0.79%, 0.39%

LAB 63.43, -60.48, 60.8

 

CMYK 74 / 0 / 88 / 16

HEX #38D619

RGB 56 214 25

HSL 110.16, 0.79%, 0.47%

LAB 75.45, -70.24, 70.51

 

CMYK 66 / 0 / 78 / 9

HEX #4FE732

RGB 79 231 50

HSL 110.39, 0.79%, 0.55%

LAB 81.32, -70.27, 70.05

 

CMYK 53 / 0 / 63 / 8

HEX #6FEB57

RGB 111 235 87

HSL 110.27, 0.79%, 0.63%

LAB 83.7, -61.44, 59.6

 

CMYK 40 / 0 / 49 / 6

HEX #8FF07B

RGB 143 240 123

HSL 109.74, 0.8%, 0.71%

LAB 86.8, -50.34, 47.46

 

CMYK 66 / 0 / 79 / 9

HEX #4FE731

RGB 79 231 49

HSL 110.11, 0.79%, 0.55%

LAB 81.31, -70.33, 70.33

 

CMYK 78 / 3 / 0 / 9

HEX #32E1E7

RGB 50 225 231

HSL 181.99, 0.79%, 0.55%

LAB 82, -39.58, -15.18

 

CMYK 0 / 78 / 34 / 9

HEX #E73298

RGB 231 50 152

HSL 326.19, 0.79%, 0.55%

LAB 53.53, 74.24, -12.77

 

CMYK 66 / 0 / 79 / 9

HEX #4FE731

RGB 79 231 49

HSL 110.11, 0.79%, 0.55%

LAB 81.31, -70.33, 70.33

 

CMYK 78 / 65 / 0 / 9

HEX #3250E7

RGB 50 80 231

HSL 230.06, 0.79%, 0.55%

LAB 41.51, 42.45, -79.01

 

CMYK 0 / 78 / 65 / 9

HEX #E73250

RGB 231 50 80

HSL 350.06, 0.79%, 0.55%

LAB 51.67, 68.56, 27.81

 

CMYK 66 / 0 / 79 / 9

HEX #4FE731

RGB 79 231 49

HSL 110.11, 0.79%, 0.55%

LAB 81.31, -70.33, 70.33

 

CMYK 78 / 3 / 0 / 9

HEX #32E1E7

RGB 50 225 231

HSL 181.99, 0.79%, 0.55%

LAB 82, -39.58, -15.18

 

CMYK 13 / 78 / 0 / 9

HEX #C932E7

RGB 201 50 231

HSL 290.06, 0.79%, 0.55%

LAB 52.36, 78.94, -60.68

 

CMYK 0 / 76 / 78 / 9

HEX #E73832

RGB 231 56 50

HSL 1.99, 0.79%, 0.55%

LAB 51.89, 65.56, 45.22

 

CMYK 66 / 0 / 79 / 9

HEX #4FE731

RGB 79 231 49

HSL 110.11, 0.79%, 0.55%

LAB 81.31, -70.33, 70.33

 

CMYK 78 / 26 / 0 / 9

HEX #32AAE7

RGB 50 170 231

HSL 200.22, 0.79%, 0.55%

LAB 65.9, -12.16, -39.87

 

CMYK 13 / 78 / 0 / 9

HEX #C932E7

RGB 201 50 231

HSL 290.06, 0.79%, 0.55%

LAB 52.36, 78.94, -60.68

 

CMYK 0 / 52 / 78 / 9

HEX #E76E32

RGB 231 110 50

HSL 19.89, 0.79%, 0.55%

LAB 60.22, 43.34, 53.52

 

Description

Color code: HEX #4FE731 | qconv.com Color code: HEX #4FE731 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 231 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 231 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 79 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 79% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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