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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FE153 it is the complementary color #B01EAC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FE153. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FE153 shade: #54E14E, #65F361, #76FF74, #87FF87 and #98FF9A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FE153. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FE153 shade: #4FE153, #3ECF40, #2DBD2D, #1CAB1A and #0B9907

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FE153 shade: #51E155, #74E151, #9BE151, #C2E151 and #E1DA51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FE153 shade: #51E155, #51E17C, #51E1A3, #51E1CA and #51D2E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FE153 shade matches the following richer shades: #51E155 and #40F245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FE153 shade: #51E155, #61D164, #72C074, #82B083 and #939F93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FE153 shade: #9BE151, #75E151, #51E153, #51E17A and #51E1A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FE153 shade: #20BF25, #2DDB32, #51E155, #74E777 and #97ED99

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FE153 shade: #4FE153, #51C2E1 and #E15188

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FE153 shade: #4FE153, #5351E1 and #E15351

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FE153 shade: #4FE153, #51C2E1, #E151DF and #E17051

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FE153 shade: #4FE153, #5197E1, #E151DF and #E19B51

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 63 / 12

HEX #4FE153

RGB 79 225 83

HSL 121.64, 0.71%, 0.6%

LAB 79.69, -65.68, 56.56

 

Complementary color

CMYK 0 / 83 / 2 / 31

HEX #B01EAC

RGB 176 30 172

HSL 301.64, 0.71%, 0.4%

LAB 42.97, 69.63, -41.81

 

CMYK 63 / 0 / 65 / 12

HEX #54E14E

RGB 84 225 78

HSL 117.55, 0.71%, 0.59%

LAB 79.78, -65.15, 58.75

 

CMYK 58 / 0 / 60 / 5

HEX #65F361

RGB 101 243 97

HSL 118.36, 0.86%, 0.67%

LAB 85.87, -65.74, 57.76

 

CMYK 54 / 0 / 55 / 0

HEX #76FF74

RGB 118 255 116

HSL 119.14, 1%, 0.73%

LAB 90.15, -63.9, 54.53

 

CMYK 47 / 0 / 47 / 0

HEX #87FF87

RGB 135 255 135

HSL 120, 1%, 0.76%

LAB 90.97, -57.12, 46.89

 

CMYK 40 / 0 / 40 / 0

HEX #98FF9A

RGB 152 255 154

HSL 121.17, 1%, 0.8%

LAB 91.92, -49.68, 39.06

 

CMYK 65 / 0 / 63 / 12

HEX #4FE153

RGB 79 225 83

HSL 121.64, 0.71%, 0.6%

LAB 79.69, -65.68, 56.56

 

CMYK 70 / 0 / 69 / 19

HEX #3ECF40

RGB 62 207 64

HSL 120.83, 0.6%, 0.53%

LAB 73.56, -64.71, 57.46

 

CMYK 76 / 0 / 76 / 26

HEX #2DBD2D

RGB 45 189 45

HSL 120, 0.62%, 0.46%

LAB 67.38, -63.25, 57.92

 

CMYK 84 / 0 / 85 / 33

HEX #1CAB1A

RGB 28 171 26

HSL 119.17, 0.74%, 0.39%

LAB 61.17, -61.08, 57.55

 

CMYK 93 / 0 / 95 / 40

HEX #0B9907

RGB 11 153 7

HSL 118.36, 0.91%, 0.31%

LAB 54.94, -57.98, 55.79

 

CMYK 64 / 0 / 62 / 12

HEX #51E155

RGB 81 225 85

HSL 121.67, 0.71%, 0.6%

LAB 79.76, -65.07, 55.81

 

CMYK 48 / 0 / 64 / 12

HEX #74E151

RGB 116 225 81

HSL 105.42, 0.71%, 0.6%

LAB 80.83, -56.89, 58.97

 

CMYK 31 / 0 / 64 / 12

HEX #9BE151

RGB 155 225 81

HSL 89.17, 0.71%, 0.6%

LAB 82.6, -44.38, 61.41

 

CMYK 14 / 0 / 64 / 12

HEX #C2E151

RGB 194 225 81

HSL 72.92, 0.71%, 0.6%

LAB 84.95, -29.75, 64.62

 

CMYK 0 / 3 / 64 / 12

HEX #E1DA51

RGB 225 218 81

HSL 57.08, 0.71%, 0.6%

LAB 85.37, -13.82, 65.77

 

CMYK 64 / 0 / 62 / 12

HEX #51E155

RGB 81 225 85

HSL 121.67, 0.71%, 0.6%

LAB 79.76, -65.07, 55.81

 

CMYK 64 / 0 / 45 / 12

HEX #51E17C

RGB 81 225 124

HSL 137.92, 0.71%, 0.6%

LAB 80.21, -59.92, 38.26

 

CMYK 64 / 0 / 28 / 12

HEX #51E1A3

RGB 81 225 163

HSL 154.17, 0.71%, 0.6%

LAB 80.87, -52.71, 19.22

 

CMYK 64 / 0 / 10 / 12

HEX #51E1CA

RGB 81 225 202

HSL 170.42, 0.71%, 0.6%

LAB 81.76, -43.67, -0.08

 

CMYK 64 / 7 / 0 / 12

HEX #51D2E1

RGB 81 210 225

HSL 186.25, 0.71%, 0.6%

LAB 78.04, -30.55, -17.89

 

CMYK 64 / 0 / 62 / 12

HEX #51E155

RGB 81 225 85

HSL 121.67, 0.71%, 0.6%

LAB 79.76, -65.07, 55.81

 

CMYK 74 / 0 / 71 / 5

HEX #40F245

RGB 64 242 69

HSL 121.69, 0.87%, 0.6%

LAB 84.5, -74.99, 66.99

 

CMYK 64 / 0 / 62 / 12

HEX #51E155

RGB 81 225 85

HSL 121.67, 0.71%, 0.6%

LAB 79.76, -65.07, 55.81

 

CMYK 54 / 0 / 52 / 18

HEX #61D164

RGB 97 209 100

HSL 121.61, 0.55%, 0.6%

LAB 75.49, -53.81, 44.16

 

CMYK 41 / 0 / 40 / 25

HEX #72C074

RGB 114 192 116

HSL 121.54, 0.38%, 0.6%

LAB 71.24, -39.65, 30.94

 

CMYK 26 / 0 / 26 / 31

HEX #82B083

RGB 130 176 131

HSL 121.3, 0.23%, 0.6%

LAB 67.6, -24.41, 18.21

 

CMYK 8 / 0 / 8 / 38

HEX #939F93

RGB 147 159 147

HSL 120, 0.06%, 0.6%

LAB 64.25, -6.61, 4.79

 

CMYK 31 / 0 / 64 / 12

HEX #9BE151

RGB 155 225 81

HSL 89.17, 0.71%, 0.6%

LAB 82.6, -44.38, 61.41

 

CMYK 48 / 0 / 64 / 12

HEX #75E151

RGB 117 225 81

HSL 105, 0.71%, 0.6%

LAB 80.86, -56.61, 59.02

 

CMYK 64 / 0 / 63 / 12

HEX #51E153

RGB 81 225 83

HSL 120.83, 0.71%, 0.6%

LAB 79.74, -65.28, 56.63

 

CMYK 64 / 0 / 46 / 12

HEX #51E17A

RGB 81 225 122

HSL 137.08, 0.71%, 0.6%

LAB 80.18, -60.23, 39.21

 

CMYK 64 / 0 / 29 / 12

HEX #51E1A0

RGB 81 225 160

HSL 152.92, 0.71%, 0.6%

LAB 80.82, -53.33, 20.71

 

CMYK 83 / 0 / 81 / 25

HEX #20BF25

RGB 32 191 37

HSL 121.89, 0.71%, 0.44%

LAB 67.8, -66.01, 60.73

 

CMYK 79 / 0 / 77 / 14

HEX #2DDB32

RGB 45 219 50

HSL 121.72, 0.71%, 0.52%

LAB 76.95, -72.01, 65.65

 

CMYK 64 / 0 / 62 / 12

HEX #51E155

RGB 81 225 85

HSL 121.67, 0.71%, 0.6%

LAB 79.76, -65.07, 55.81

 

CMYK 50 / 0 / 48 / 9

HEX #74E777

RGB 116 231 119

HSL 121.57, 0.71%, 0.68%

LAB 83.02, -54.91, 44.46

 

CMYK 36 / 0 / 35 / 7

HEX #97ED99

RGB 151 237 153

HSL 121.4, 0.7%, 0.76%

LAB 86.73, -42.42, 32.72

 

CMYK 65 / 0 / 63 / 12

HEX #4FE153

RGB 79 225 83

HSL 121.64, 0.71%, 0.6%

LAB 79.69, -65.68, 56.56

 

CMYK 64 / 14 / 0 / 12

HEX #51C2E1

RGB 81 194 225

HSL 192.92, 0.71%, 0.6%

LAB 73.4, -22.64, -24.94

 

CMYK 0 / 64 / 40 / 12

HEX #E15188

RGB 225 81 136

HSL 337.08, 0.71%, 0.6%

LAB 55.76, 60.46, -0.1

 

CMYK 65 / 0 / 63 / 12

HEX #4FE153

RGB 79 225 83

HSL 121.64, 0.71%, 0.6%

LAB 79.69, -65.68, 56.56

 

CMYK 63 / 64 / 0 / 12

HEX #5351E1

RGB 83 81 225

HSL 240.83, 0.71%, 0.6%

LAB 43, 43.57, -73.09

 

CMYK 0 / 63 / 64 / 12

HEX #E15351

RGB 225 83 81

HSL 0.83, 0.71%, 0.6%

LAB 54.85, 55.12, 31.02

 

CMYK 65 / 0 / 63 / 12

HEX #4FE153

RGB 79 225 83

HSL 121.64, 0.71%, 0.6%

LAB 79.69, -65.68, 56.56

 

CMYK 64 / 14 / 0 / 12

HEX #51C2E1

RGB 81 194 225

HSL 192.92, 0.71%, 0.6%

LAB 73.4, -22.64, -24.94

 

CMYK 0 / 64 / 1 / 12

HEX #E151DF

RGB 225 81 223

HSL 300.83, 0.71%, 0.6%

LAB 59.18, 72.22, -45.09

 

CMYK 0 / 50 / 64 / 12

HEX #E17051

RGB 225 112 81

HSL 12.92, 0.71%, 0.6%

LAB 60.06, 41.56, 37.41

 

CMYK 65 / 0 / 63 / 12

HEX #4FE153

RGB 79 225 83

HSL 121.64, 0.71%, 0.6%

LAB 79.69, -65.68, 56.56

 

CMYK 64 / 33 / 0 / 12

HEX #5197E1

RGB 81 151 225

HSL 210.83, 0.71%, 0.6%

LAB 61.06, 0.73, -44.09

 

CMYK 0 / 64 / 1 / 12

HEX #E151DF

RGB 225 81 223

HSL 300.83, 0.71%, 0.6%

LAB 59.18, 72.22, -45.09

 

CMYK 0 / 31 / 64 / 12

HEX #E19B51

RGB 225 155 81

HSL 30.83, 0.71%, 0.6%

LAB 69.5, 19, 48.48

 

Description

Color code: HEX #4FE153 | qconv.com Color code: HEX #4FE153 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 225 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 225 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 63 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 63% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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