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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FE11B it is the complementary color #B01EE4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FE11B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FE11B shade: #54E116, #65F329, #76FF3C, #87FF4F and #98FF62

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FE11B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FE11B shade: #4FE11B, #3ECF08, #2DBD00, #1CAB00 and #0B9900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FE11B shade: #4EE01A, #83E01A, #B9E01A, #E0D21A and #E09C1A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FE11B shade: #4EE01A, #1AE01C, #1AE051, #1AE086 and #1AE0BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FE11B shade matches the following richer shades: #4EE01A and #44F406

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FE11B shade: #4EE01A, #58CB2E, #61B743, #6BA357 and #748F6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FE11B shade: #B8E01A, #84E01A, #4FE01A, #1AE01A and #1AE04F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FE11B shade: #349612, #41BB16, #4EE01A, #69E83B and #85EC60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FE11B shade: #4FE11B, #1AE0D2 and #E01A9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FE11B shade: #4FE11B, #1A4FE0 and #E01A4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FE11B shade: #4FE11B, #1AE0D2, #AB1AE0 and #E01A27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FE11B shade: #4FE11B, #1AB2E0, #AB1AE0 and #E0481A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 88 / 12

HEX #4FE11B

RGB 79 225 27

HSL 104.24, 0.79%, 0.49%

LAB 79.38, -69.38, 73.71

 

Complementary color

CMYK 23 / 87 / 0 / 11

HEX #B01EE4

RGB 176 30 228

HSL 284.24, 0.79%, 0.51%

LAB 46.66, 79.1, -68.39

 

CMYK 63 / 0 / 90 / 12

HEX #54E116

RGB 84 225 22

HSL 101.67, 0.82%, 0.48%

LAB 79.5, -68.46, 74.69

 

CMYK 58 / 0 / 83 / 5

HEX #65F329

RGB 101 243 41

HSL 102.18, 0.89%, 0.56%

LAB 85.52, -69.83, 76.44

 

CMYK 54 / 0 / 76 / 0

HEX #76FF3C

RGB 118 255 60

HSL 102.15, 1%, 0.62%

LAB 89.72, -68.76, 75.51

 

CMYK 47 / 0 / 69 / 0

HEX #87FF4F

RGB 135 255 79

HSL 100.91, 1%, 0.65%

LAB 90.43, -62.91, 70.15

 

CMYK 40 / 0 / 62 / 0

HEX #98FF62

RGB 152 255 98

HSL 99.36, 1%, 0.69%

LAB 91.27, -56.3, 63.91

 

CMYK 65 / 0 / 88 / 12

HEX #4FE11B

RGB 79 225 27

HSL 104.24, 0.79%, 0.49%

LAB 79.38, -69.38, 73.71

 

CMYK 70 / 0 / 96 / 19

HEX #3ECF08

RGB 62 207 8

HSL 103.72, 0.93%, 0.42%

LAB 73.33, -67.51, 71.09

 

CMYK 76 / 0 / 100 / 26

HEX #2DBD00

RGB 45 189 0

HSL 105.71, 1%, 0.37%

LAB 67.24, -65.02, 66.92

 

CMYK 84 / 0 / 100 / 33

HEX #1CAB00

RGB 28 171 0

HSL 110.18, 1%, 0.34%

LAB 61.11, -61.91, 61.92

 

CMYK 93 / 0 / 100 / 40

HEX #0B9900

RGB 11 153 0

HSL 115.69, 1%, 0.3%

LAB 54.92, -58.19, 56.9

 

CMYK 65 / 0 / 88 / 12

HEX #4EE01A

RGB 78 224 26

HSL 104.24, 0.79%, 0.49%

LAB 79.04, -69.3, 73.59

 

CMYK 42 / 0 / 88 / 12

HEX #83E01A

RGB 131 224 26

HSL 88.18, 0.79%, 0.49%

LAB 80.86, -55.04, 75.85

 

CMYK 17 / 0 / 88 / 12

HEX #B9E01A

RGB 185 224 26

HSL 71.82, 0.79%, 0.49%

LAB 83.81, -35.25, 79.5

 

CMYK 0 / 6 / 88 / 12

HEX #E0D21A

RGB 224 210 26

HSL 55.76, 0.79%, 0.49%

LAB 82.92, -12.34, 80.01

 

CMYK 0 / 30 / 88 / 12

HEX #E09C1A

RGB 224 156 26

HSL 39.39, 0.79%, 0.49%

LAB 69.25, 15.81, 69.3

 

CMYK 65 / 0 / 88 / 12

HEX #4EE01A

RGB 78 224 26

HSL 104.24, 0.79%, 0.49%

LAB 79.04, -69.3, 73.59

 

CMYK 88 / 0 / 88 / 12

HEX #1AE01C

RGB 26 224 28

HSL 120.61, 0.79%, 0.49%

LAB 78.24, -76.33, 72.21

 

CMYK 88 / 0 / 64 / 12

HEX #1AE051

RGB 26 224 81

HSL 136.67, 0.79%, 0.49%

LAB 78.53, -72.55, 55.88

 

CMYK 88 / 0 / 40 / 12

HEX #1AE086

RGB 26 224 134

HSL 152.73, 0.79%, 0.49%

LAB 79.19, -64.69, 31.75

 

CMYK 88 / 0 / 17 / 12

HEX #1AE0BB

RGB 26 224 187

HSL 168.79, 0.79%, 0.49%

LAB 80.25, -52.92, 5.57

 

CMYK 65 / 0 / 88 / 12

HEX #4EE01A

RGB 78 224 26

HSL 104.24, 0.79%, 0.49%

LAB 79.04, -69.3, 73.59

 

CMYK 72 / 0 / 98 / 4

HEX #44F406

RGB 68 244 6

HSL 104.37, 0.95%, 0.49%

LAB 84.97, -77.62, 80.74

 

CMYK 65 / 0 / 88 / 12

HEX #4EE01A

RGB 78 224 26

HSL 104.24, 0.79%, 0.49%

LAB 79.04, -69.3, 73.59

 

CMYK 57 / 0 / 77 / 20

HEX #58CB2E

RGB 88 203 46

HSL 103.95, 0.63%, 0.49%

LAB 72.88, -59.06, 63.3

 

CMYK 47 / 0 / 63 / 28

HEX #61B743

RGB 97 183 67

HSL 104.48, 0.46%, 0.49%

LAB 67.14, -47.33, 49.6

 

CMYK 34 / 0 / 47 / 36

HEX #6BA357

RGB 107 163 87

HSL 104.21, 0.3%, 0.49%

LAB 61.66, -33.05, 33.66

 

CMYK 19 / 0 / 25 / 44

HEX #748F6B

RGB 116 143 107

HSL 105, 0.14%, 0.49%

LAB 56.51, -16.73, 16.09

 

CMYK 18 / 0 / 88 / 12

HEX #B8E01A

RGB 184 224 26

HSL 72.12, 0.79%, 0.49%

LAB 83.74, -35.64, 79.42

 

CMYK 41 / 0 / 88 / 12

HEX #84E01A

RGB 132 224 26

HSL 87.88, 0.79%, 0.49%

LAB 80.9, -54.72, 75.9

 

CMYK 65 / 0 / 88 / 12

HEX #4FE01A

RGB 79 224 26

HSL 103.94, 0.79%, 0.49%

LAB 79.07, -69.1, 73.62

 

CMYK 88 / 0 / 88 / 12

HEX #1AE01A

RGB 26 224 26

HSL 120, 0.79%, 0.49%

LAB 78.23, -76.4, 72.57

 

CMYK 88 / 0 / 65 / 12

HEX #1AE04F

RGB 26 224 79

HSL 136.06, 0.79%, 0.49%

LAB 78.52, -72.77, 56.69

 

CMYK 65 / 0 / 88 / 41

HEX #349612

RGB 52 150 18

HSL 104.55, 0.79%, 0.33%

LAB 54.64, -50.69, 53.81

 

CMYK 65 / 0 / 88 / 27

HEX #41BB16

RGB 65 187 22

HSL 104.36, 0.79%, 0.41%

LAB 67.07, -60.19, 63.92

 

CMYK 65 / 0 / 88 / 12

HEX #4EE01A

RGB 78 224 26

HSL 104.24, 0.79%, 0.49%

LAB 79.04, -69.3, 73.59

 

CMYK 55 / 0 / 75 / 9

HEX #69E83B

RGB 105 232 59

HSL 104.05, 0.79%, 0.57%

LAB 82.4, -64.14, 68.59

 

CMYK 44 / 0 / 59 / 7

HEX #85EC60

RGB 133 236 96

HSL 104.14, 0.79%, 0.65%

LAB 84.91, -54.77, 57.39

 

CMYK 65 / 0 / 88 / 12

HEX #4FE11B

RGB 79 225 27

HSL 104.24, 0.79%, 0.49%

LAB 79.38, -69.38, 73.71

 

CMYK 88 / 0 / 6 / 12

HEX #1AE0D2

RGB 26 224 210

HSL 175.76, 0.79%, 0.49%

LAB 80.84, -46.78, -5.78

 

CMYK 0 / 88 / 29 / 12

HEX #E01A9E

RGB 224 26 158

HSL 320, 0.79%, 0.49%

LAB 50.75, 78.29, -20.68

 

CMYK 65 / 0 / 88 / 12

HEX #4FE11B

RGB 79 225 27

HSL 104.24, 0.79%, 0.49%

LAB 79.38, -69.38, 73.71

 

CMYK 88 / 65 / 0 / 12

HEX #1A4FE0

RGB 26 79 224

HSL 223.94, 0.79%, 0.49%

LAB 39.9, 38.95, -77.7

 

CMYK 0 / 88 / 65 / 12

HEX #E01A4F

RGB 224 26 79

HSL 343.94, 0.79%, 0.49%

LAB 48.45, 71.92, 24.02

 

CMYK 65 / 0 / 88 / 12

HEX #4FE11B

RGB 79 225 27

HSL 104.24, 0.79%, 0.49%

LAB 79.38, -69.38, 73.71

 

CMYK 88 / 0 / 6 / 12

HEX #1AE0D2

RGB 26 224 210

HSL 175.76, 0.79%, 0.49%

LAB 80.84, -46.78, -5.78

 

CMYK 24 / 88 / 0 / 12

HEX #AB1AE0

RGB 171 26 224

HSL 283.94, 0.79%, 0.49%

LAB 45.33, 78.41, -68.31

 

CMYK 0 / 88 / 83 / 12

HEX #E01A27

RGB 224 26 39

HSL 356.06, 0.79%, 0.49%

LAB 47.92, 70.4, 46.68

 

CMYK 65 / 0 / 88 / 12

HEX #4FE11B

RGB 79 225 27

HSL 104.24, 0.79%, 0.49%

LAB 79.38, -69.38, 73.71

 

CMYK 88 / 21 / 0 / 12

HEX #1AB2E0

RGB 26 178 224

HSL 193.94, 0.79%, 0.49%

LAB 67.61, -20.7, -33.4

 

CMYK 24 / 88 / 0 / 12

HEX #AB1AE0

RGB 171 26 224

HSL 283.94, 0.79%, 0.49%

LAB 45.33, 78.41, -68.31

 

CMYK 0 / 68 / 88 / 12

HEX #E0481A

RGB 224 72 26

HSL 13.94, 0.79%, 0.49%

LAB 52.46, 57.2, 56.36

 

Description

Color code: HEX #4FE11B | qconv.com Color code: HEX #4FE11B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 225 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 225 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 88 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 88% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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