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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FE034 it is the complementary color #B01FCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FE034. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FE034 shade: #54E02F, #65F242, #76FF55, #87FF68 and #98FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FE034. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FE034 shade: #4FE034, #3ECE21, #2DBC0E, #1CAA00 and #0B9800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FE034 shade: #4EE133, #7DE133, #ACE133, #DBE133 and #E1B833

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FE034 shade: #4EE133, #33E146, #33E175, #33E1A4 and #33E1D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FE034 shade matches the following richer shades: #4EE133 and #41F320

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FE034 shade: #4EE133, #5BCE46, #68BB59, #75A86C and #82957F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FE034 shade: #ACE133, #7EE133, #50E133, #33E144 and #33E173

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FE034 shade: #2FA819, #3ACC1E, #4EE133, #6DE657 and #8CEB7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FE034 shade: #4FE034, #33DBE1 and #E13395

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FE034 shade: #4FE034, #3350E1 and #E13350

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FE034 shade: #4FE034, #33DBE1, #C433E1 and #E13933

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FE034 shade: #4FE034, #33A7E1, #C433E1 and #E16D33

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 77 / 12

HEX #4FE034

RGB 79 224 52

HSL 110.58, 0.74%, 0.54%

LAB 79.17, -67.9, 67.4

 

Complementary color

CMYK 13 / 85 / 0 / 20

HEX #B01FCB

RGB 176 31 203

HSL 290.58, 0.74%, 0.46%

LAB 44.97, 74.47, -56.78

 

CMYK 63 / 0 / 79 / 12

HEX #54E02F

RGB 84 224 47

HSL 107.46, 0.74%, 0.53%

LAB 79.27, -67.13, 69.02

 

CMYK 58 / 0 / 73 / 5

HEX #65F242

RGB 101 242 66

HSL 108.07, 0.87%, 0.6%

LAB 85.33, -68.11, 69.14

 

CMYK 54 / 0 / 67 / 0

HEX #76FF55

RGB 118 255 85

HSL 108.35, 1%, 0.67%

LAB 89.87, -67.02, 67.16

 

CMYK 47 / 0 / 59 / 0

HEX #87FF68

RGB 135 255 104

HSL 107.68, 1%, 0.7%

LAB 90.63, -60.75, 60.49

 

CMYK 40 / 0 / 52 / 0

HEX #98FF7B

RGB 152 255 123

HSL 106.82, 1%, 0.74%

LAB 91.52, -53.75, 53.3

 

CMYK 65 / 0 / 77 / 12

HEX #4FE034

RGB 79 224 52

HSL 110.58, 0.74%, 0.54%

LAB 79.17, -67.9, 67.4

 

CMYK 70 / 0 / 84 / 19

HEX #3ECE21

RGB 62 206 33

HSL 109.94, 0.72%, 0.47%

LAB 73.07, -66.46, 66.79

 

CMYK 76 / 0 / 93 / 26

HEX #2DBC0E

RGB 45 188 14

HSL 109.31, 0.86%, 0.4%

LAB 66.94, -64.42, 64.99

 

CMYK 84 / 0 / 100 / 33

HEX #1CAA00

RGB 28 170 0

HSL 110.12, 1%, 0.33%

LAB 60.78, -61.62, 61.66

 

CMYK 93 / 0 / 100 / 40

HEX #0B9800

RGB 11 152 0

HSL 115.66, 1%, 0.3%

LAB 54.58, -57.9, 56.63

 

CMYK 65 / 0 / 77 / 12

HEX #4EE133

RGB 78 225 51

HSL 110.69, 0.74%, 0.54%

LAB 79.45, -68.49, 67.97

 

CMYK 44 / 0 / 77 / 12

HEX #7DE133

RGB 125 225 51

HSL 94.48, 0.74%, 0.54%

LAB 80.99, -56.35, 69.97

 

CMYK 24 / 0 / 77 / 12

HEX #ACE133

RGB 172 225 51

HSL 78.28, 0.74%, 0.54%

LAB 83.37, -39.96, 73.05

 

CMYK 3 / 0 / 77 / 12

HEX #DBE133

RGB 219 225 51

HSL 62.07, 0.74%, 0.54%

LAB 86.58, -21.15, 77.16

 

CMYK 0 / 18 / 77 / 12

HEX #E1B833

RGB 225 184 51

HSL 45.86, 0.74%, 0.54%

LAB 76.39, 2.1, 68.13

 

CMYK 65 / 0 / 77 / 12

HEX #4EE133

RGB 78 225 51

HSL 110.69, 0.74%, 0.54%

LAB 79.45, -68.49, 67.97

 

CMYK 77 / 0 / 69 / 12

HEX #33E146

RGB 51 225 70

HSL 126.55, 0.74%, 0.54%

LAB 79.04, -71.52, 60.89

 

CMYK 77 / 0 / 48 / 12

HEX #33E175

RGB 51 225 117

HSL 142.76, 0.74%, 0.54%

LAB 79.52, -65.71, 40.7

 

CMYK 77 / 0 / 27 / 12

HEX #33E1A4

RGB 51 225 164

HSL 158.97, 0.74%, 0.54%

LAB 80.31, -56.78, 17.83

 

CMYK 77 / 0 / 6 / 12

HEX #33E1D3

RGB 51 225 211

HSL 175.17, 0.74%, 0.54%

LAB 81.43, -45.12, -5.41

 

CMYK 65 / 0 / 77 / 12

HEX #4EE133

RGB 78 225 51

HSL 110.69, 0.74%, 0.54%

LAB 79.45, -68.49, 67.97

 

CMYK 73 / 0 / 87 / 5

HEX #41F320

RGB 65 243 32

HSL 110.62, 0.9%, 0.54%

LAB 84.65, -77.21, 77.23

 

CMYK 65 / 0 / 77 / 12

HEX #4EE133

RGB 78 225 51

HSL 110.69, 0.74%, 0.54%

LAB 79.45, -68.49, 67.97

 

CMYK 56 / 0 / 66 / 19

HEX #5BCE46

RGB 91 206 70

HSL 110.74, 0.58%, 0.54%

LAB 74.07, -57.56, 55.85

 

CMYK 44 / 0 / 52 / 27

HEX #68BB59

RGB 104 187 89

HSL 110.82, 0.42%, 0.54%

LAB 68.9, -44.39, 41.53

 

CMYK 30 / 0 / 36 / 34

HEX #75A86C

RGB 117 168 108

HSL 111, 0.26%, 0.54%

LAB 64.06, -28.84, 25.75

 

CMYK 13 / 0 / 15 / 42

HEX #82957F

RGB 130 149 127

HSL 111.82, 0.09%, 0.54%

LAB 59.68, -11.14, 9.36

 

CMYK 24 / 0 / 77 / 12

HEX #ACE133

RGB 172 225 51

HSL 78.28, 0.74%, 0.54%

LAB 83.37, -39.96, 73.05

 

CMYK 44 / 0 / 77 / 12

HEX #7EE133

RGB 126 225 51

HSL 94.14, 0.74%, 0.54%

LAB 81.03, -56.04, 70.03

 

CMYK 64 / 0 / 77 / 12

HEX #50E133

RGB 80 225 51

HSL 110, 0.74%, 0.54%

LAB 79.5, -68.08, 68.03

 

CMYK 77 / 0 / 70 / 12

HEX #33E144

RGB 51 225 68

HSL 125.86, 0.74%, 0.54%

LAB 79.02, -71.7, 61.62

 

CMYK 77 / 0 / 49 / 12

HEX #33E173

RGB 51 225 115

HSL 142.07, 0.74%, 0.54%

LAB 79.5, -66.03, 41.64

 

CMYK 72 / 0 / 85 / 34

HEX #2FA819

RGB 47 168 25

HSL 110.77, 0.74%, 0.38%

LAB 60.5, -57.44, 57.31

 

CMYK 72 / 0 / 85 / 20

HEX #3ACC1E

RGB 58 204 30

HSL 110.34, 0.74%, 0.46%

LAB 72.35, -66.67, 66.8

 

CMYK 65 / 0 / 77 / 12

HEX #4EE133

RGB 78 225 51

HSL 110.69, 0.74%, 0.54%

LAB 79.45, -68.49, 67.97

 

CMYK 53 / 0 / 62 / 10

HEX #6DE657

RGB 109 230 87

HSL 110.77, 0.74%, 0.62%

LAB 82.13, -60.12, 57.84

 

CMYK 40 / 0 / 48 / 8

HEX #8CEB7B

RGB 140 235 123

HSL 110.89, 0.74%, 0.7%

LAB 85.21, -49.18, 45.48

 

CMYK 65 / 0 / 77 / 12

HEX #4FE034

RGB 79 224 52

HSL 110.58, 0.74%, 0.54%

LAB 79.17, -67.9, 67.4

 

CMYK 77 / 3 / 0 / 12

HEX #33DBE1

RGB 51 219 225

HSL 182.07, 0.74%, 0.54%

LAB 80.07, -38.5, -14.89

 

CMYK 0 / 77 / 34 / 12

HEX #E13395

RGB 225 51 149

HSL 326.21, 0.74%, 0.54%

LAB 52.45, 72.21, -12.72

 

CMYK 65 / 0 / 77 / 12

HEX #4FE034

RGB 79 224 52

HSL 110.58, 0.74%, 0.54%

LAB 79.17, -67.9, 67.4

 

CMYK 77 / 64 / 0 / 12

HEX #3350E1

RGB 51 80 225

HSL 230, 0.74%, 0.54%

LAB 41.02, 40.42, -76.4

 

CMYK 0 / 77 / 64 / 12

HEX #E13350

RGB 225 51 80

HSL 350, 0.74%, 0.54%

LAB 50.63, 66.62, 26.27

 

CMYK 65 / 0 / 77 / 12

HEX #4FE034

RGB 79 224 52

HSL 110.58, 0.74%, 0.54%

LAB 79.17, -67.9, 67.4

 

CMYK 77 / 3 / 0 / 12

HEX #33DBE1

RGB 51 219 225

HSL 182.07, 0.74%, 0.54%

LAB 80.07, -38.5, -14.89

 

CMYK 13 / 77 / 0 / 12

HEX #C433E1

RGB 196 51 225

HSL 290, 0.74%, 0.54%

LAB 51.31, 76.71, -59.01

 

CMYK 0 / 75 / 77 / 12

HEX #E13933

RGB 225 57 51

HSL 2.07, 0.74%, 0.54%

LAB 50.89, 63.51, 43.29

 

CMYK 65 / 0 / 77 / 12

HEX #4FE034

RGB 79 224 52

HSL 110.58, 0.74%, 0.54%

LAB 79.17, -67.9, 67.4

 

CMYK 77 / 26 / 0 / 12

HEX #33A7E1

RGB 51 167 225

HSL 200, 0.74%, 0.54%

LAB 64.79, -12.48, -38.31

 

CMYK 13 / 77 / 0 / 12

HEX #C433E1

RGB 196 51 225

HSL 290, 0.74%, 0.54%

LAB 51.31, 76.71, -59.01

 

CMYK 0 / 52 / 77 / 12

HEX #E16D33

RGB 225 109 51

HSL 20, 0.74%, 0.54%

LAB 59.14, 41.57, 51.7

 

Description

Color code: HEX #4FE034 | qconv.com Color code: HEX #4FE034 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 224 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 224 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 77 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 77% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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