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Color name
HEX #4FDFA6

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FDFA6 it is the complementary color #B02059. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FDFA6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FDFA6 shade: #54DFA1, #65F1B4, #76FFC7, #87FFDA and #98FFED

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FDFA6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FDFA6 shade: #4FDFA6, #3ECD93, #2DBB80, #1CA96D and #0B975A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FDFA6 shade: #4EDFA5, #4EDF7F, #4EDF58, #6CDF4E and #93DF4E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FDFA6 shade: #4EDFA5, #4EDFCC, #4ECADF, #4EA3DF and #4E7CDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FDFA6 shade matches the following richer shades: #4EDFA5 and #3DF0A9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FDFA6 shade: #4EDFA5, #5FCEA2, #70BD9E, #81AC9B and #929B97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FDFA6 shade: #4EDF58, #4EDF7E, #4EDFA5, #4EDFCB and #4ECBDF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FDFA6 shade: #22B97D, #2BD894, #4EDFA5, #71E5B7 and #94EBC9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FDFA6 shade: #4FDFA6, #4E6BDF and #DF6B4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FDFA6 shade: #4FDFA6, #A54EDF and #DFA54E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FDFA6 shade: #4FDFA6, #4E6BDF, #DF4E88 and #DFC24E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FDFA6 shade: #4FDFA6, #5D4EDF, #DF4E88 and #D0DF4E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 26 / 13

HEX #4FDFA6

RGB 79 223 166

HSL 156.25, 0.69%, 0.59%

LAB 80.29, -51.62, 16.83

 

Complementary color

CMYK 0 / 82 / 49 / 31

HEX #B02059

RGB 176 32 89

HSL 336.25, 0.69%, 0.41%

LAB 39.55, 59.04, 4.05

 

CMYK 62 / 0 / 28 / 13

HEX #54DFA1

RGB 84 223 161

HSL 153.24, 0.68%, 0.6%

LAB 80.31, -51.78, 19.5

 

CMYK 58 / 0 / 25 / 5

HEX #65F1B4

RGB 101 241 180

HSL 153.86, 0.83%, 0.67%

LAB 86.49, -51.9, 18.28

 

CMYK 54 / 0 / 22 / 0

HEX #76FFC7

RGB 118 255 199

HSL 155.47, 1%, 0.73%

LAB 91.46, -50.24, 15.54

 

CMYK 47 / 0 / 15 / 0

HEX #87FFDA

RGB 135 255 218

HSL 161.5, 1%, 0.76%

LAB 92.46, -42.4, 7.26

 

CMYK 40 / 0 / 7 / 0

HEX #98FFED

RGB 152 255 237

HSL 169.51, 1%, 0.8%

LAB 93.58, -34.11, -0.83

 

CMYK 65 / 0 / 26 / 13

HEX #4FDFA6

RGB 79 223 166

HSL 156.25, 0.69%, 0.59%

LAB 80.29, -51.62, 16.83

 

CMYK 70 / 0 / 28 / 20

HEX #3ECD93

RGB 62 205 147

HSL 155.66, 0.59%, 0.52%

LAB 74.06, -51.25, 18.13

 

CMYK 76 / 0 / 32 / 27

HEX #2DBB80

RGB 45 187 128

HSL 155.07, 0.61%, 0.45%

LAB 67.77, -50.63, 19.57

 

CMYK 83 / 0 / 36 / 34

HEX #1CA96D

RGB 28 169 109

HSL 154.47, 0.72%, 0.39%

LAB 61.42, -49.64, 21.16

 

CMYK 93 / 0 / 40 / 41

HEX #0B975A

RGB 11 151 90

HSL 153.86, 0.86%, 0.32%

LAB 55.01, -48.15, 22.92

 

CMYK 65 / 0 / 26 / 13

HEX #4EDFA5

RGB 78 223 165

HSL 156, 0.69%, 0.59%

LAB 80.24, -52, 17.28

 

CMYK 65 / 0 / 43 / 13

HEX #4EDF7F

RGB 78 223 127

HSL 140.28, 0.69%, 0.59%

LAB 79.57, -59.25, 35.93

 

CMYK 65 / 0 / 61 / 13

HEX #4EDF58

RGB 78 223 88

HSL 124.14, 0.69%, 0.59%

LAB 79.1, -64.66, 53.75

 

CMYK 52 / 0 / 65 / 13

HEX #6CDF4E

RGB 108 223 78

HSL 107.59, 0.69%, 0.59%

LAB 79.91, -58.63, 59.1

 

CMYK 34 / 0 / 65 / 13

HEX #93DF4E

RGB 147 223 78

HSL 91.45, 0.69%, 0.59%

LAB 81.58, -46.55, 61.4

 

CMYK 65 / 0 / 26 / 13

HEX #4EDFA5

RGB 78 223 165

HSL 156, 0.69%, 0.59%

LAB 80.24, -52, 17.28

 

CMYK 65 / 0 / 9 / 13

HEX #4EDFCC

RGB 78 223 204

HSL 172.14, 0.69%, 0.59%

LAB 81.16, -42.75, -2.04

 

CMYK 65 / 9 / 0 / 13

HEX #4ECADF

RGB 78 202 223

HSL 188.69, 0.69%, 0.59%

LAB 75.57, -27.71, -20.56

 

CMYK 65 / 27 / 0 / 13

HEX #4EA3DF

RGB 78 163 223

HSL 204.83, 0.69%, 0.59%

LAB 64.28, -7.26, -37.95

 

CMYK 65 / 44 / 0 / 13

HEX #4E7CDF

RGB 78 124 223

HSL 220.97, 0.69%, 0.59%

LAB 53.34, 15.67, -55.24

 

CMYK 65 / 0 / 26 / 13

HEX #4EDFA5

RGB 78 223 165

HSL 156, 0.69%, 0.59%

LAB 80.24, -52, 17.28

 

CMYK 75 / 0 / 30 / 6

HEX #3DF0A9

RGB 61 240 169

HSL 156.2, 0.86%, 0.59%

LAB 85.09, -60.26, 21.87

 

CMYK 65 / 0 / 26 / 13

HEX #4EDFA5

RGB 78 223 165

HSL 156, 0.69%, 0.59%

LAB 80.24, -52, 17.28

 

CMYK 54 / 0 / 21 / 19

HEX #5FCEA2

RGB 95 206 162

HSL 156.22, 0.53%, 0.59%

LAB 75.57, -42.15, 12.38

 

CMYK 41 / 0 / 16 / 26

HEX #70BD9E

RGB 112 189 158

HSL 155.84, 0.37%, 0.59%

LAB 71.08, -31, 8.26

 

CMYK 25 / 0 / 10 / 33

HEX #81AC9B

RGB 129 172 155

HSL 156.28, 0.21%, 0.59%

LAB 66.93, -18.08, 4.05

 

CMYK 6 / 0 / 3 / 39

HEX #929B97

RGB 146 155 151

HSL 153.33, 0.04%, 0.59%

LAB 63.17, -4.01, 0.97

 

CMYK 65 / 0 / 61 / 13

HEX #4EDF58

RGB 78 223 88

HSL 124.14, 0.69%, 0.59%

LAB 79.1, -64.66, 53.75

 

CMYK 65 / 0 / 43 / 13

HEX #4EDF7E

RGB 78 223 126

HSL 139.86, 0.69%, 0.59%

LAB 79.56, -59.42, 36.41

 

CMYK 65 / 0 / 26 / 13

HEX #4EDFA5

RGB 78 223 165

HSL 156, 0.69%, 0.59%

LAB 80.24, -52, 17.28

 

CMYK 65 / 0 / 9 / 13

HEX #4EDFCB

RGB 78 223 203

HSL 171.72, 0.69%, 0.59%

LAB 81.13, -43.01, -1.54

 

CMYK 65 / 9 / 0 / 13

HEX #4ECBDF

RGB 78 203 223

HSL 188.28, 0.69%, 0.59%

LAB 75.86, -28.2, -20.12

 

CMYK 82 / 0 / 32 / 27

HEX #22B97D

RGB 34 185 125

HSL 156.16, 0.69%, 0.43%

LAB 66.91, -51.75, 19.99

 

CMYK 80 / 0 / 31 / 15

HEX #2BD894

RGB 43 216 148

HSL 156.42, 0.69%, 0.51%

LAB 77.14, -57.67, 21.8

 

CMYK 65 / 0 / 26 / 13

HEX #4EDFA5

RGB 78 223 165

HSL 156, 0.69%, 0.59%

LAB 80.24, -52, 17.28

 

CMYK 51 / 0 / 20 / 10

HEX #71E5B7

RGB 113 229 183

HSL 156.21, 0.69%, 0.67%

LAB 83.43, -43.6, 12.46

 

CMYK 37 / 0 / 14 / 8

HEX #94EBC9

RGB 148 235 201

HSL 156.55, 0.69%, 0.75%

LAB 86.96, -33.65, 8.27

 

CMYK 65 / 0 / 26 / 13

HEX #4FDFA6

RGB 79 223 166

HSL 156.25, 0.69%, 0.59%

LAB 80.29, -51.62, 16.83

 

CMYK 65 / 52 / 0 / 13

HEX #4E6BDF

RGB 78 107 223

HSL 228, 0.69%, 0.59%

LAB 48.84, 26.21, -62.48

 

CMYK 0 / 52 / 65 / 13

HEX #DF6B4E

RGB 223 107 78

HSL 12, 0.69%, 0.59%

LAB 58.75, 43.12, 37.4

 

CMYK 65 / 0 / 26 / 13

HEX #4FDFA6

RGB 79 223 166

HSL 156.25, 0.69%, 0.59%

LAB 80.29, -51.62, 16.83

 

CMYK 26 / 65 / 0 / 13

HEX #A54EDF

RGB 165 78 223

HSL 276, 0.69%, 0.59%

LAB 50.42, 59.93, -59.54

 

CMYK 0 / 26 / 65 / 13

HEX #DFA54E

RGB 223 165 78

HSL 36, 0.69%, 0.59%

LAB 71.66, 12.63, 52.27

 

CMYK 65 / 0 / 26 / 13

HEX #4FDFA6

RGB 79 223 166

HSL 156.25, 0.69%, 0.59%

LAB 80.29, -51.62, 16.83

 

CMYK 65 / 52 / 0 / 13

HEX #4E6BDF

RGB 78 107 223

HSL 228, 0.69%, 0.59%

LAB 48.84, 26.21, -62.48

 

CMYK 0 / 65 / 39 / 13

HEX #DF4E88

RGB 223 78 136

HSL 336, 0.69%, 0.59%

LAB 54.98, 61.08, -1.27

 

CMYK 0 / 13 / 65 / 13

HEX #DFC24E

RGB 223 194 78

HSL 48, 0.69%, 0.59%

LAB 78.94, -2.66, 60.17

 

CMYK 65 / 0 / 26 / 13

HEX #4FDFA6

RGB 79 223 166

HSL 156.25, 0.69%, 0.59%

LAB 80.29, -51.62, 16.83

 

CMYK 58 / 65 / 0 / 13

HEX #5D4EDF

RGB 93 78 223

HSL 246.21, 0.69%, 0.59%

LAB 42.92, 46.17, -72.06

 

CMYK 0 / 65 / 39 / 13

HEX #DF4E88

RGB 223 78 136

HSL 336, 0.69%, 0.59%

LAB 54.98, 61.08, -1.27

 

CMYK 7 / 0 / 65 / 13

HEX #D0DF4E

RGB 208 223 78

HSL 66.21, 0.69%, 0.59%

LAB 85.37, -23.4, 66.55

 

Description

Color code: HEX #4FDFA6 | qconv.com Color code: HEX #4FDFA6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 223 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 223 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 26 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 26% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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