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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FDB3E it is the complementary color #B024C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FDB3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FDB3E shade: #54DB39, #65ED4C, #76FF5F, #87FF72 and #98FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FDB3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FDB3E shade: #4FDB3E, #3EC92B, #2DB718, #1CA505 and #0B9300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FDB3E shade: #4EDB3D, #79DB3D, #A4DB3D, #CEDB3D and #DBBE3D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FDB3E shade: #4EDB3D, #3DDB57, #3DDB81, #3DDBAC and #3DDBD7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FDB3E shade matches the following richer shades: #4EDB3D and #40EE2B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FDB3E shade: #4EDB3D, #5DC950, #6BB662, #7AA475 and #889187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FDB3E shade: #A4DB3D, #7ADB3D, #50DB3D, #3DDB55 and #3DDB7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FDB3E shade: #2DA71F, #37CA25, #4EDB3D, #6EE260 and #8EE883

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FDB3E shade: #4FDB3E, #3DCEDB and #DB3D8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FDB3E shade: #4FDB3E, #3D50DB and #DB3D50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FDB3E shade: #4FDB3E, #3DCEDB, #C93DDB and #DB4A3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FDB3E shade: #4FDB3E, #3D9FDB, #C93DDB and #DB7A3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 72 / 14

HEX #4FDB3E

RGB 79 219 62

HSL 113.5, 0.69%, 0.55%

LAB 77.68, -65.55, 62.6

 

Complementary color

CMYK 9 / 81 / 0 / 24

HEX #B024C1

RGB 176 36 193

HSL 293.5, 0.69%, 0.45%

LAB 44.72, 71.61, -51.38

 

CMYK 62 / 0 / 74 / 14

HEX #54DB39

RGB 84 219 57

HSL 110, 0.69%, 0.54%

LAB 77.78, -64.84, 64.48

 

CMYK 57 / 0 / 68 / 7

HEX #65ED4C

RGB 101 237 76

HSL 110.68, 0.82%, 0.61%

LAB 83.89, -65.63, 64.08

 

CMYK 54 / 0 / 63 / 0

HEX #76FF5F

RGB 118 255 95

HSL 111.38, 1%, 0.69%

LAB 89.95, -66.13, 63.31

 

CMYK 47 / 0 / 55 / 0

HEX #87FF72

RGB 135 255 114

HSL 111.06, 1%, 0.72%

LAB 90.73, -59.69, 56.26

 

CMYK 40 / 0 / 48 / 0

HEX #98FF85

RGB 152 255 133

HSL 110.66, 1%, 0.76%

LAB 91.63, -52.55, 48.81

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3E

RGB 79 219 62

HSL 113.5, 0.69%, 0.55%

LAB 77.68, -65.55, 62.6

 

CMYK 69 / 0 / 79 / 21

HEX #3EC92B

RGB 62 201 43

HSL 112.78, 0.65%, 0.48%

LAB 71.54, -64.34, 62.68

 

CMYK 75 / 0 / 87 / 28

HEX #2DB718

RGB 45 183 24

HSL 112.08, 0.77%, 0.41%

LAB 65.35, -62.56, 61.84

 

CMYK 83 / 0 / 97 / 35

HEX #1CA505

RGB 28 165 5

HSL 111.38, 0.94%, 0.33%

LAB 59.13, -60.02, 59.62

 

CMYK 93 / 0 / 100 / 42

HEX #0B9300

RGB 11 147 0

HSL 115.51, 1%, 0.29%

LAB 52.88, -56.45, 55.27

 

CMYK 64 / 0 / 72 / 14

HEX #4EDB3D

RGB 78 219 61

HSL 113.54, 0.69%, 0.55%

LAB 77.65, -65.84, 62.92

 

CMYK 45 / 0 / 72 / 14

HEX #79DB3D

RGB 121 219 61

HSL 97.22, 0.69%, 0.55%

LAB 79.08, -54.68, 64.82

 

CMYK 25 / 0 / 72 / 14

HEX #A4DB3D

RGB 164 219 61

HSL 80.89, 0.69%, 0.55%

LAB 81.23, -39.83, 67.68

 

CMYK 6 / 0 / 72 / 14

HEX #CEDB3D

RGB 206 219 61

HSL 64.94, 0.69%, 0.55%

LAB 84.03, -23.2, 71.35

 

CMYK 0 / 13 / 72 / 14

HEX #DBBE3D

RGB 219 190 61

HSL 48.99, 0.69%, 0.55%

LAB 77.41, -3.18, 65.33

 

CMYK 64 / 0 / 72 / 14

HEX #4EDB3D

RGB 78 219 61

HSL 113.54, 0.69%, 0.55%

LAB 77.65, -65.84, 62.92

 

CMYK 72 / 0 / 60 / 14

HEX #3DDB57

RGB 61 219 87

HSL 129.87, 0.69%, 0.55%

LAB 77.49, -66.44, 52.25

 

CMYK 72 / 0 / 41 / 14

HEX #3DDB81

RGB 61 219 129

HSL 145.82, 0.69%, 0.55%

LAB 78.02, -60.26, 32.83

 

CMYK 72 / 0 / 21 / 14

HEX #3DDBAC

RGB 61 219 172

HSL 162.15, 0.69%, 0.55%

LAB 78.83, -51.39, 11.55

 

CMYK 72 / 0 / 2 / 14

HEX #3DDBD7

RGB 61 219 215

HSL 178.48, 0.69%, 0.55%

LAB 79.93, -40.31, -9.74

 

CMYK 64 / 0 / 72 / 14

HEX #4EDB3D

RGB 78 219 61

HSL 113.54, 0.69%, 0.55%

LAB 77.65, -65.84, 62.92

 

CMYK 73 / 0 / 82 / 7

HEX #40EE2B

RGB 64 238 43

HSL 113.54, 0.85%, 0.55%

LAB 83.13, -75.43, 73.49

 

CMYK 64 / 0 / 72 / 14

HEX #4EDB3D

RGB 78 219 61

HSL 113.54, 0.69%, 0.55%

LAB 77.65, -65.84, 62.92

 

CMYK 54 / 0 / 60 / 21

HEX #5DC950

RGB 93 201 80

HSL 113.55, 0.53%, 0.55%

LAB 72.68, -54.17, 50.07

 

CMYK 41 / 0 / 46 / 29

HEX #6BB662

RGB 107 182 98

HSL 113.57, 0.37%, 0.55%

LAB 67.62, -40.1, 35.5

 

CMYK 26 / 0 / 29 / 36

HEX #7AA475

RGB 122 164 117

HSL 113.62, 0.21%, 0.55%

LAB 63.32, -23.64, 19.92

 

CMYK 6 / 0 / 7 / 43

HEX #889187

RGB 136 145 135

HSL 114, 0.04%, 0.55%

LAB 59.19, -5.23, 4.18

 

CMYK 25 / 0 / 72 / 14

HEX #A4DB3D

RGB 164 219 61

HSL 80.89, 0.69%, 0.55%

LAB 81.23, -39.83, 67.68

 

CMYK 44 / 0 / 72 / 14

HEX #7ADB3D

RGB 122 219 61

HSL 96.84, 0.69%, 0.55%

LAB 79.12, -54.37, 64.88

 

CMYK 63 / 0 / 72 / 14

HEX #50DB3D

RGB 80 219 61

HSL 112.78, 0.69%, 0.55%

LAB 77.7, -65.42, 62.98

 

CMYK 72 / 0 / 61 / 14

HEX #3DDB55

RGB 61 219 85

HSL 129.11, 0.69%, 0.55%

LAB 77.47, -66.67, 53.1

 

CMYK 72 / 0 / 42 / 14

HEX #3DDB7F

RGB 61 219 127

HSL 145.06, 0.69%, 0.55%

LAB 77.99, -60.62, 33.8

 

CMYK 73 / 0 / 81 / 35

HEX #2DA71F

RGB 45 167 31

HSL 113.82, 0.69%, 0.39%

LAB 60.15, -57.16, 55.36

 

CMYK 73 / 0 / 82 / 21

HEX #37CA25

RGB 55 202 37

HSL 113.45, 0.69%, 0.47%

LAB 71.68, -66.22, 64.47

 

CMYK 64 / 0 / 72 / 14

HEX #4EDB3D

RGB 78 219 61

HSL 113.54, 0.69%, 0.55%

LAB 77.65, -65.84, 62.92

 

CMYK 51 / 0 / 58 / 11

HEX #6EE260

RGB 110 226 96

HSL 113.54, 0.69%, 0.63%

LAB 81.04, -57.41, 52.72

 

CMYK 39 / 0 / 44 / 9

HEX #8EE883

RGB 142 232 131

HSL 113.47, 0.69%, 0.71%

LAB 84.54, -46.24, 40.76

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3E

RGB 79 219 62

HSL 113.5, 0.69%, 0.55%

LAB 77.68, -65.55, 62.6

 

CMYK 72 / 6 / 0 / 14

HEX #3DCEDB

RGB 61 206 219

HSL 184.94, 0.69%, 0.55%

LAB 76.22, -33.14, -17.45

 

CMYK 0 / 72 / 35 / 14

HEX #DB3D8F

RGB 219 61 143

HSL 328.86, 0.69%, 0.55%

LAB 52.26, 66.98, -9.53

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3E

RGB 79 219 62

HSL 113.5, 0.69%, 0.55%

LAB 77.68, -65.55, 62.6

 

CMYK 72 / 63 / 0 / 14

HEX #3D50DB

RGB 61 80 219

HSL 232.78, 0.69%, 0.55%

LAB 40.97, 39.33, -73.05

 

CMYK 0 / 72 / 63 / 14

HEX #DB3D50

RGB 219 61 80

HSL 352.78, 0.69%, 0.55%

LAB 50.66, 61.7, 26.08

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3E

RGB 79 219 62

HSL 113.5, 0.69%, 0.55%

LAB 77.68, -65.55, 62.6

 

CMYK 72 / 6 / 0 / 14

HEX #3DCEDB

RGB 61 206 219

HSL 184.94, 0.69%, 0.55%

LAB 76.22, -33.14, -17.45

 

CMYK 8 / 72 / 0 / 14

HEX #C93DDB

RGB 201 61 219

HSL 293.16, 0.69%, 0.55%

LAB 52.81, 73.51, -53.17

 

CMYK 0 / 66 / 72 / 14

HEX #DB4A3D

RGB 219 74 61

HSL 4.94, 0.69%, 0.55%

LAB 52.17, 55.82, 38.89

 

CMYK 64 / 0 / 72 / 14

HEX #4FDB3E

RGB 79 219 62

HSL 113.5, 0.69%, 0.55%

LAB 77.68, -65.55, 62.6

 

CMYK 72 / 27 / 0 / 14

HEX #3D9FDB

RGB 61 159 219

HSL 202.78, 0.69%, 0.55%

LAB 62.43, -8.92, -38.67

 

CMYK 8 / 72 / 0 / 14

HEX #C93DDB

RGB 201 61 219

HSL 293.16, 0.69%, 0.55%

LAB 52.81, 73.51, -53.17

 

CMYK 0 / 44 / 72 / 14

HEX #DB7A3D

RGB 219 122 61

HSL 23.16, 0.69%, 0.55%

LAB 61.06, 32.98, 48.67

 

Description

Color code: HEX #4FDB3E | qconv.com Color code: HEX #4FDB3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 219 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 219 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 72 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 72% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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