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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FD8AC it is the complementary color #B02753. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FD8AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FD8AC shade: #54D8A7, #65EABA, #76FCCD, #87FFE0 and #98FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FD8AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FD8AC shade: #4FD8AC, #3EC699, #2DB486, #1CA273 and #0B9060

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FD8AC shade: #4FD8AC, #4FD887, #4FD862, #61D84F and #86D84F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FD8AC shade: #4FD8AC, #4FD8D1, #4FBAD8, #4F95D8 and #4F70D8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FD8AC shade matches the following richer shades: #4FD8AC, #3EE9B2 and #2CFBB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FD8AC shade: #4FD8AC, #60C7A6, #72B5A0, #83A499 and #949393

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FD8AC shade: #4FD861, #4FD886, #4FD8AA, #4FD8CF and #4FBDD8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FD8AC shade: #26AE83, #2DD09C, #4FD8AC, #71DFBC and #93E7CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FD8AC shade: #4FD8AC, #4F61D8 and #D8734F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FD8AC shade: #4FD8AC, #AA4FD8 and #D8AA4F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FD8AC shade: #4FD8AC, #4F61D8, #D84F7D and #D8C64F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FD8AC shade: #4FD8AC, #664FD8, #D84F7D and #C1D84F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 20 / 15

HEX #4FD8AC

RGB 79 216 172

HSL 160.73, 0.64%, 0.58%

LAB 78.32, -47.39, 10.88

 

Complementary color

CMYK 0 / 78 / 53 / 31

HEX #B02753

RGB 176 39 83

HSL 340.73, 0.64%, 0.42%

LAB 40.09, 56.57, 8.62

 

CMYK 61 / 0 / 23 / 15

HEX #54D8A7

RGB 84 216 167

HSL 157.73, 0.63%, 0.59%

LAB 78.34, -47.61, 13.58

 

CMYK 57 / 0 / 21 / 8

HEX #65EABA

RGB 101 234 186

HSL 158.35, 0.76%, 0.66%

LAB 84.56, -47.7, 12.45

 

CMYK 53 / 0 / 19 / 1

HEX #76FCCD

RGB 118 252 205

HSL 158.96, 0.96%, 0.73%

LAB 90.73, -47.7, 11.41

 

CMYK 47 / 0 / 12 / 0

HEX #87FFE0

RGB 135 255 224

HSL 164.5, 1%, 0.76%

LAB 92.6, -41.08, 4.36

 

CMYK 40 / 0 / 5 / 0

HEX #98FFF3

RGB 152 255 243

HSL 173.01, 1%, 0.8%

LAB 93.74, -32.75, -3.71

 

CMYK 63 / 0 / 20 / 15

HEX #4FD8AC

RGB 79 216 172

HSL 160.73, 0.64%, 0.58%

LAB 78.32, -47.39, 10.88

 

CMYK 69 / 0 / 23 / 22

HEX #3EC699

RGB 62 198 153

HSL 160.15, 0.54%, 0.51%

LAB 72.04, -47.05, 12.09

 

CMYK 75 / 0 / 26 / 29

HEX #2DB486

RGB 45 180 134

HSL 159.56, 0.6%, 0.44%

LAB 65.69, -46.48, 13.43

 

CMYK 83 / 0 / 29 / 36

HEX #1CA273

RGB 28 162 115

HSL 158.96, 0.71%, 0.37%

LAB 59.27, -45.57, 14.92

 

CMYK 92 / 0 / 33 / 44

HEX #0B9060

RGB 11 144 96

HSL 158.35, 0.86%, 0.3%

LAB 52.8, -44.17, 16.6

 

CMYK 63 / 0 / 20 / 15

HEX #4FD8AC

RGB 79 216 172

HSL 160.73, 0.64%, 0.58%

LAB 78.32, -47.39, 10.88

 

CMYK 63 / 0 / 38 / 15

HEX #4FD887

RGB 79 216 135

HSL 144.53, 0.64%, 0.58%

LAB 77.59, -55.03, 29.28

 

CMYK 63 / 0 / 55 / 15

HEX #4FD862

RGB 79 216 98

HSL 128.32, 0.64%, 0.58%

LAB 77.07, -60.81, 46.89

 

CMYK 55 / 0 / 63 / 15

HEX #61D84F

RGB 97 216 79

HSL 112.12, 0.64%, 0.58%

LAB 77.41, -58.84, 55.85

 

CMYK 38 / 0 / 63 / 15

HEX #86D84F

RGB 134 216 79

HSL 95.91, 0.64%, 0.58%

LAB 78.89, -47.94, 57.9

 

CMYK 63 / 0 / 20 / 15

HEX #4FD8AC

RGB 79 216 172

HSL 160.73, 0.64%, 0.58%

LAB 78.32, -47.39, 10.88

 

CMYK 63 / 0 / 3 / 15

HEX #4FD8D1

RGB 79 216 209

HSL 176.93, 0.64%, 0.58%

LAB 79.26, -38.13, -7.5

 

CMYK 63 / 14 / 0 / 15

HEX #4FBAD8

RGB 79 186 216

HSL 193.14, 0.64%, 0.58%

LAB 70.69, -21.61, -24.19

 

CMYK 63 / 31 / 0 / 15

HEX #4F95D8

RGB 79 149 216

HSL 209.34, 0.64%, 0.58%

LAB 59.99, -1.46, -40.77

 

CMYK 63 / 48 / 0 / 15

HEX #4F70D8

RGB 79 112 216

HSL 225.55, 0.64%, 0.58%

LAB 49.75, 20.84, -57.05

 

CMYK 63 / 0 / 20 / 15

HEX #4FD8AC

RGB 79 216 172

HSL 160.73, 0.64%, 0.58%

LAB 78.32, -47.39, 10.88

 

CMYK 73 / 0 / 24 / 9

HEX #3EE9B2

RGB 62 233 178

HSL 160.7, 0.8%, 0.58%

LAB 83.19, -55.47, 14.56

 

CMYK 82 / 0 / 27 / 2

HEX #2CFBB8

RGB 44 251 184

HSL 160.58, 0.96%, 0.58%

LAB 88.44, -62.85, 18.78

 

CMYK 63 / 0 / 20 / 15

HEX #4FD8AC

RGB 79 216 172

HSL 160.73, 0.64%, 0.58%

LAB 78.32, -47.39, 10.88

 

CMYK 52 / 0 / 17 / 22

HEX #60C7A6

RGB 96 199 166

HSL 160.78, 0.48%, 0.58%

LAB 73.6, -37.91, 7.44

 

CMYK 37 / 0 / 12 / 29

HEX #72B5A0

RGB 114 181 160

HSL 161.19, 0.31%, 0.58%

LAB 68.87, -26.11, 3.99

 

CMYK 20 / 0 / 7 / 36

HEX #83A499

RGB 131 164 153

HSL 160, 0.15%, 0.58%

LAB 64.7, -13.65, 1.96

 

CMYK 0 / 1 / 1 / 42

HEX #949393

RGB 148 147 147

HSL 0, 0%, 0.58%

LAB 61.02, 0.37, 0.12

 

CMYK 63 / 0 / 55 / 15

HEX #4FD861

RGB 79 216 97

HSL 127.88, 0.64%, 0.58%

LAB 77.06, -60.94, 47.34

 

CMYK 63 / 0 / 38 / 15

HEX #4FD886

RGB 79 216 134

HSL 144.09, 0.64%, 0.58%

LAB 77.58, -55.21, 29.77

 

CMYK 63 / 0 / 21 / 15

HEX #4FD8AA

RGB 79 216 170

HSL 159.85, 0.64%, 0.58%

LAB 78.27, -47.84, 11.88

 

CMYK 63 / 0 / 4 / 15

HEX #4FD8CF

RGB 79 216 207

HSL 176.06, 0.64%, 0.58%

LAB 79.2, -38.67, -6.51

 

CMYK 63 / 13 / 0 / 15

HEX #4FBDD8

RGB 79 189 216

HSL 191.82, 0.64%, 0.58%

LAB 71.57, -23.14, -22.85

 

CMYK 78 / 0 / 25 / 32

HEX #26AE83

RGB 38 174 131

HSL 161.03, 0.64%, 0.42%

LAB 63.61, -45.59, 12.14

 

CMYK 78 / 0 / 25 / 18

HEX #2DD09C

RGB 45 208 156

HSL 160.86, 0.64%, 0.5%

LAB 74.87, -52.62, 14.43

 

CMYK 63 / 0 / 20 / 15

HEX #4FD8AC

RGB 79 216 172

HSL 160.73, 0.64%, 0.58%

LAB 78.32, -47.39, 10.88

 

CMYK 49 / 0 / 16 / 13

HEX #71DFBC

RGB 113 223 188

HSL 160.91, 0.63%, 0.66%

LAB 81.79, -39.85, 7.5

 

CMYK 36 / 0 / 12 / 9

HEX #93E7CC

RGB 147 231 204

HSL 160.71, 0.64%, 0.74%

LAB 85.86, -31.42, 5.11

 

CMYK 63 / 0 / 20 / 15

HEX #4FD8AC

RGB 79 216 172

HSL 160.73, 0.64%, 0.58%

LAB 78.32, -47.39, 10.88

 

CMYK 63 / 55 / 0 / 15

HEX #4F61D8

RGB 79 97 216

HSL 232.12, 0.64%, 0.58%

LAB 45.87, 30.21, -63.32

 

CMYK 0 / 47 / 63 / 15

HEX #D8734F

RGB 216 115 79

HSL 15.77, 0.64%, 0.58%

LAB 59.37, 36.45, 37.36

 

CMYK 63 / 0 / 20 / 15

HEX #4FD8AC

RGB 79 216 172

HSL 160.73, 0.64%, 0.58%

LAB 78.32, -47.39, 10.88

 

CMYK 21 / 63 / 0 / 15

HEX #AA4FD8

RGB 170 79 216

HSL 279.85, 0.64%, 0.58%

LAB 50.8, 59.07, -54.92

 

CMYK 0 / 21 / 63 / 15

HEX #D8AA4F

RGB 216 170 79

HSL 39.85, 0.64%, 0.58%

LAB 72.17, 7.05, 52.17

 

CMYK 63 / 0 / 20 / 15

HEX #4FD8AC

RGB 79 216 172

HSL 160.73, 0.64%, 0.58%

LAB 78.32, -47.39, 10.88

 

CMYK 63 / 55 / 0 / 15

HEX #4F61D8

RGB 79 97 216

HSL 232.12, 0.64%, 0.58%

LAB 45.87, 30.21, -63.32

 

CMYK 0 / 63 / 42 / 15

HEX #D84F7D

RGB 216 79 125

HSL 339.85, 0.64%, 0.58%

LAB 53.68, 57.42, 3.22

 

CMYK 0 / 8 / 63 / 15

HEX #D8C64F

RGB 216 198 79

HSL 52.12, 0.64%, 0.58%

LAB 79.36, -7.6, 60.01

 

CMYK 63 / 0 / 20 / 15

HEX #4FD8AC

RGB 79 216 172

HSL 160.73, 0.64%, 0.58%

LAB 78.32, -47.39, 10.88

 

CMYK 53 / 63 / 0 / 15

HEX #664FD8

RGB 102 79 216

HSL 250.07, 0.64%, 0.58%

LAB 43.32, 44.98, -67.37

 

CMYK 0 / 63 / 42 / 15

HEX #D84F7D

RGB 216 79 125

HSL 339.85, 0.64%, 0.58%

LAB 53.68, 57.42, 3.22

 

CMYK 11 / 0 / 63 / 15

HEX #C1D84F

RGB 193 216 79

HSL 70.07, 0.64%, 0.58%

LAB 82.39, -26.02, 62.69

 

Description

Color code: HEX #4FD8AC | qconv.com Color code: HEX #4FD8AC | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 216 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 216 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 20 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 20% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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