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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FD7B7 it is the complementary color #B02848. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FD7B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FD7B7 shade: #54D7B2, #65E9C5, #76FBD8, #87FFEB and #98FFFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FD7B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FD7B7 shade: #4FD7B7, #3EC5A4, #2DB391, #1CA17E and #0B8F6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FD7B7 shade: #50D7B8, #50D793, #50D76F, #56D750 and #7BD750

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FD7B7 shade: #50D7B8, #50D3D7, #50AED7, #508AD7 and #5066D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FD7B7 shade matches the following richer shades: #50D7B8, #3FE9C1 and #2EFACA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FD7B7 shade: #50D7B8, #62C6AE, #73B5A5, #84A39C and #969293

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FD7B7 shade: #50D76E, #50D792, #50D7B6, #50D5D7 and #50B1D7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FD7B7 shade: #27AE8E, #2FCFAA, #50D7B8, #72DFC5 and #94E7D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FD7B7 shade: #4FD7B7, #5057D7 and #D78050

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FD7B7 shade: #4FD7B7, #B650D7 and #D7B650

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FD7B7 shade: #4FD7B7, #5057D7, #D75072 and #D7D150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FD7B7 shade: #4FD7B7, #7250D7, #D75072 and #B6D750

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 15 / 16

HEX #4FD7B7

RGB 79 215 183

HSL 165.88, 0.63%, 0.58%

LAB 78.28, -44.36, 4.96

 

Complementary color

CMYK 0 / 77 / 59 / 31

HEX #B02848

RGB 176 40 72

HSL 345.88, 0.63%, 0.42%

LAB 39.94, 55.44, 15.39

 

CMYK 61 / 0 / 17 / 16

HEX #54D7B2

RGB 84 215 178

HSL 163.05, 0.62%, 0.59%

LAB 78.29, -44.67, 7.66

 

CMYK 57 / 0 / 15 / 9

HEX #65E9C5

RGB 101 233 197

HSL 163.64, 0.75%, 0.65%

LAB 84.52, -44.8, 6.63

 

CMYK 53 / 0 / 14 / 2

HEX #76FBD8

RGB 118 251 216

HSL 164.21, 0.94%, 0.72%

LAB 90.69, -44.83, 5.67

 

CMYK 47 / 0 / 8 / 0

HEX #87FFEB

RGB 135 255 235

HSL 170, 1%, 0.76%

LAB 92.87, -38.57, -0.93

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFE

RGB 152 255 254

HSL 179.42, 1%, 0.8%

LAB 94.03, -30.19, -8.96

 

CMYK 63 / 0 / 15 / 16

HEX #4FD7B7

RGB 79 215 183

HSL 165.88, 0.63%, 0.58%

LAB 78.28, -44.36, 4.96

 

CMYK 69 / 0 / 17 / 23

HEX #3EC5A4

RGB 62 197 164

HSL 165.33, 0.54%, 0.51%

LAB 71.99, -43.98, 6.07

 

CMYK 75 / 0 / 19 / 30

HEX #2DB391

RGB 45 179 145

HSL 164.78, 0.6%, 0.44%

LAB 65.63, -43.39, 7.3

 

CMYK 83 / 0 / 22 / 37

HEX #1CA17E

RGB 28 161 126

HSL 164.21, 0.7%, 0.37%

LAB 59.2, -42.48, 8.67

 

CMYK 92 / 0 / 25 / 44

HEX #0B8F6B

RGB 11 143 107

HSL 163.64, 0.86%, 0.3%

LAB 52.71, -41.1, 10.23

 

CMYK 63 / 0 / 14 / 16

HEX #50D7B8

RGB 80 215 184

HSL 166.22, 0.63%, 0.58%

LAB 78.33, -43.94, 4.5

 

CMYK 63 / 0 / 32 / 16

HEX #50D793

RGB 80 215 147

HSL 149.78, 0.63%, 0.58%

LAB 77.53, -52.16, 22.97

 

CMYK 63 / 0 / 48 / 16

HEX #50D76F

RGB 80 215 111

HSL 133.78, 0.63%, 0.58%

LAB 76.95, -58.43, 40.53

 

CMYK 60 / 0 / 63 / 16

HEX #56D750

RGB 86 215 80

HSL 117.33, 0.63%, 0.58%

LAB 76.77, -61.03, 54.63

 

CMYK 43 / 0 / 63 / 16

HEX #7BD750

RGB 123 215 80

HSL 100.89, 0.63%, 0.58%

LAB 78.11, -50.98, 56.48

 

CMYK 63 / 0 / 14 / 16

HEX #50D7B8

RGB 80 215 184

HSL 166.22, 0.63%, 0.58%

LAB 78.33, -43.94, 4.5

 

CMYK 63 / 2 / 0 / 16

HEX #50D3D7

RGB 80 211 215

HSL 181.78, 0.63%, 0.58%

LAB 77.99, -34.02, -12.6

 

CMYK 63 / 19 / 0 / 16

HEX #50AED7

RGB 80 174 215

HSL 198.22, 0.63%, 0.58%

LAB 67.19, -15.48, -29.01

 

CMYK 63 / 36 / 0 / 16

HEX #508AD7

RGB 80 138 215

HSL 214.22, 0.63%, 0.58%

LAB 56.87, 4.82, -45.13

 

CMYK 63 / 53 / 0 / 16

HEX #5066D7

RGB 80 102 215

HSL 230.22, 0.63%, 0.58%

LAB 47.12, 26.91, -60.71

 

CMYK 63 / 0 / 14 / 16

HEX #50D7B8

RGB 80 215 184

HSL 166.22, 0.63%, 0.58%

LAB 78.33, -43.94, 4.5

 

CMYK 73 / 0 / 17 / 9

HEX #3FE9C1

RGB 63 233 193

HSL 165.88, 0.79%, 0.58%

LAB 83.54, -51.83, 7.2

 

CMYK 82 / 0 / 19 / 2

HEX #2EFACA

RGB 46 250 202

HSL 165.88, 0.95%, 0.58%

LAB 88.55, -58.16, 9.65

 

CMYK 63 / 0 / 14 / 16

HEX #50D7B8

RGB 80 215 184

HSL 166.22, 0.63%, 0.58%

LAB 78.33, -43.94, 4.5

 

CMYK 51 / 0 / 12 / 22

HEX #62C6AE

RGB 98 198 174

HSL 165.6, 0.47%, 0.58%

LAB 73.57, -35.12, 3.07

 

CMYK 36 / 0 / 9 / 29

HEX #73B5A5

RGB 115 181 165

HSL 165.45, 0.31%, 0.58%

LAB 69.05, -24.7, 1.5

 

CMYK 19 / 0 / 4 / 36

HEX #84A39C

RGB 132 163 156

HSL 166.45, 0.14%, 0.58%

LAB 64.56, -12.15, 0.08

 

CMYK 0 / 3 / 2 / 41

HEX #969293

RGB 150 146 147

HSL 345, 0.02%, 0.58%

LAB 60.91, 1.66, -0.01

 

CMYK 63 / 0 / 49 / 16

HEX #50D76E

RGB 80 215 110

HSL 133.33, 0.63%, 0.58%

LAB 76.94, -58.58, 41

 

CMYK 63 / 0 / 32 / 16

HEX #50D792

RGB 80 215 146

HSL 149.33, 0.63%, 0.58%

LAB 77.51, -52.35, 23.47

 

CMYK 63 / 0 / 15 / 16

HEX #50D7B6

RGB 80 215 182

HSL 165.33, 0.63%, 0.58%

LAB 78.28, -44.43, 5.5

 

CMYK 63 / 1 / 0 / 16

HEX #50D5D7

RGB 80 213 215

HSL 180.89, 0.63%, 0.58%

LAB 78.58, -34.95, -11.72

 

CMYK 63 / 18 / 0 / 16

HEX #50B1D7

RGB 80 177 215

HSL 196.89, 0.63%, 0.58%

LAB 68.06, -17.07, -27.67

 

CMYK 78 / 0 / 18 / 32

HEX #27AE8E

RGB 39 174 142

HSL 165.78, 0.63%, 0.42%

LAB 63.88, -42.74, 6.45

 

CMYK 77 / 0 / 18 / 19

HEX #2FCFAA

RGB 47 207 170

HSL 166.13, 0.63%, 0.5%

LAB 74.91, -48.63, 6.99

 

CMYK 63 / 0 / 14 / 16

HEX #50D7B8

RGB 80 215 184

HSL 166.22, 0.63%, 0.58%

LAB 78.33, -43.94, 4.5

 

CMYK 49 / 0 / 12 / 13

HEX #72DFC5

RGB 114 223 197

HSL 165.69, 0.63%, 0.66%

LAB 82.05, -37.58, 3.11

 

CMYK 36 / 0 / 9 / 9

HEX #94E7D3

RGB 148 231 211

HSL 165.54, 0.63%, 0.74%

LAB 86.08, -29.64, 1.75

 

CMYK 63 / 0 / 15 / 16

HEX #4FD7B7

RGB 79 215 183

HSL 165.88, 0.63%, 0.58%

LAB 78.28, -44.36, 4.96

 

CMYK 63 / 60 / 0 / 16

HEX #5057D7

RGB 80 87 215

HSL 236.89, 0.63%, 0.58%

LAB 43.4, 36.22, -66.74

 

CMYK 0 / 40 / 63 / 16

HEX #D78050

RGB 215 128 80

HSL 21.33, 0.63%, 0.58%

LAB 62.05, 29.28, 40.01

 

CMYK 63 / 0 / 15 / 16

HEX #4FD7B7

RGB 79 215 183

HSL 165.88, 0.63%, 0.58%

LAB 78.28, -44.36, 4.96

 

CMYK 15 / 63 / 0 / 16

HEX #B650D7

RGB 182 80 215

HSL 285.33, 0.63%, 0.58%

LAB 52.5, 61.17, -51.55

 

CMYK 0 / 15 / 63 / 16

HEX #D7B650

RGB 215 182 80

HSL 45.33, 0.63%, 0.58%

LAB 75.13, 0.34, 54.96

 

CMYK 63 / 0 / 15 / 16

HEX #4FD7B7

RGB 79 215 183

HSL 165.88, 0.63%, 0.58%

LAB 78.28, -44.36, 4.96

 

CMYK 63 / 60 / 0 / 16

HEX #5057D7

RGB 80 87 215

HSL 236.89, 0.63%, 0.58%

LAB 43.4, 36.22, -66.74

 

CMYK 0 / 63 / 47 / 16

HEX #D75072

RGB 215 80 114

HSL 344.89, 0.63%, 0.58%

LAB 53.38, 55.63, 9.33

 

CMYK 0 / 3 / 63 / 16

HEX #D7D150

RGB 215 209 80

HSL 57.33, 0.63%, 0.58%

LAB 82.18, -13.53, 62.57

 

CMYK 63 / 0 / 15 / 16

HEX #4FD7B7

RGB 79 215 183

HSL 165.88, 0.63%, 0.58%

LAB 78.28, -44.36, 4.96

 

CMYK 47 / 63 / 0 / 16

HEX #7250D7

RGB 114 80 215

HSL 255.11, 0.63%, 0.58%

LAB 44.55, 46.35, -64.76

 

CMYK 0 / 63 / 47 / 16

HEX #D75072

RGB 215 80 114

HSL 344.89, 0.63%, 0.58%

LAB 53.38, 55.63, 9.33

 

CMYK 15 / 0 / 63 / 16

HEX #B6D750

RGB 182 215 80

HSL 74.67, 0.63%, 0.58%

LAB 81.36, -29.84, 60.96

 

Description

Color code: HEX #4FD7B7 | qconv.com Color code: HEX #4FD7B7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 215 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 215 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 15 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 15% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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