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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FD7AB it is the complementary color #B02854. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FD7AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FD7AB shade: #54D7A6, #65E9B9, #76FBCC, #87FFDF and #98FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FD7AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FD7AB shade: #4FD7AB, #3EC598, #2DB385, #1CA172 and #0B8F5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FD7AB shade: #50D7AC, #50D787, #50D763, #62D750 and #87D750

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FD7AB shade: #50D7AC, #50D7D0, #50BAD7, #5096D7 and #5071D7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FD7AB shade matches the following richer shades: #50D7AC, #3FE9B2 and #2EFAB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FD7AB shade: #50D7AC, #62C6A6, #73B59F, #84A399 and #969293

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FD7AB shade: #50D762, #50D786, #50D7AA, #50D7CE and #50BCD7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FD7AB shade: #27AE82, #2FCF9C, #50D7AC, #72DFBC and #94E7CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FD7AB shade: #4FD7AB, #5062D7 and #D77450

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FD7AB shade: #4FD7AB, #AA50D7 and #D7AA50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FD7AB shade: #4FD7AB, #5062D7, #D7507D and #D7C550

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FD7AB shade: #4FD7AB, #6750D7, #D7507D and #C1D750

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 20 / 16

HEX #4FD7AB

RGB 79 215 171

HSL 160.59, 0.63%, 0.58%

LAB 77.99, -47.19, 10.95

 

Complementary color

CMYK 0 / 77 / 52 / 31

HEX #B02854

RGB 176 40 84

HSL 340.59, 0.63%, 0.42%

LAB 40.23, 56.34, 8.18

 

CMYK 61 / 0 / 23 / 16

HEX #54D7A6

RGB 84 215 166

HSL 157.56, 0.62%, 0.59%

LAB 78.02, -47.41, 13.66

 

CMYK 57 / 0 / 21 / 9

HEX #65E9B9

RGB 101 233 185

HSL 158.18, 0.75%, 0.65%

LAB 84.25, -47.49, 12.53

 

CMYK 53 / 0 / 19 / 2

HEX #76FBCC

RGB 118 251 204

HSL 158.8, 0.94%, 0.72%

LAB 90.42, -47.49, 11.49

 

CMYK 47 / 0 / 13 / 0

HEX #87FFDF

RGB 135 255 223

HSL 164, 1%, 0.76%

LAB 92.57, -41.3, 4.85

 

CMYK 40 / 0 / 5 / 0

HEX #98FFF2

RGB 152 255 242

HSL 172.43, 1%, 0.8%

LAB 93.71, -32.98, -3.23

 

CMYK 63 / 0 / 20 / 16

HEX #4FD7AB

RGB 79 215 171

HSL 160.59, 0.63%, 0.58%

LAB 77.99, -47.19, 10.95

 

CMYK 69 / 0 / 23 / 23

HEX #3EC598

RGB 62 197 152

HSL 160, 0.54%, 0.51%

LAB 71.71, -46.86, 12.17

 

CMYK 75 / 0 / 26 / 30

HEX #2DB385

RGB 45 179 133

HSL 159.4, 0.6%, 0.44%

LAB 65.35, -46.3, 13.51

 

CMYK 83 / 0 / 29 / 37

HEX #1CA172

RGB 28 161 114

HSL 158.8, 0.7%, 0.37%

LAB 58.93, -45.4, 15

 

CMYK 92 / 0 / 34 / 44

HEX #0B8F5F

RGB 11 143 95

HSL 158.18, 0.86%, 0.3%

LAB 52.44, -44.01, 16.69

 

CMYK 63 / 0 / 20 / 16

HEX #50D7AC

RGB 80 215 172

HSL 160.89, 0.63%, 0.58%

LAB 78.04, -46.79, 10.49

 

CMYK 63 / 0 / 37 / 16

HEX #50D787

RGB 80 215 135

HSL 144.44, 0.63%, 0.58%

LAB 77.31, -54.45, 28.91

 

CMYK 63 / 0 / 54 / 16

HEX #50D763

RGB 80 215 99

HSL 128.44, 0.63%, 0.58%

LAB 76.8, -60.11, 46.1

 

CMYK 54 / 0 / 63 / 16

HEX #62D750

RGB 98 215 80

HSL 112, 0.63%, 0.58%

LAB 77.15, -58.12, 55.14

 

CMYK 37 / 0 / 63 / 16

HEX #87D750

RGB 135 215 80

HSL 95.56, 0.63%, 0.58%

LAB 78.65, -47.1, 57.24

 

CMYK 63 / 0 / 20 / 16

HEX #50D7AC

RGB 80 215 172

HSL 160.89, 0.63%, 0.58%

LAB 78.04, -46.79, 10.49

 

CMYK 63 / 0 / 3 / 16

HEX #50D7D0

RGB 80 215 208

HSL 176.89, 0.63%, 0.58%

LAB 78.96, -37.79, -7.4

 

CMYK 63 / 13 / 0 / 16

HEX #50BAD7

RGB 80 186 215

HSL 192.89, 0.63%, 0.58%

LAB 70.68, -21.75, -23.65

 

CMYK 63 / 30 / 0 / 16

HEX #5096D7

RGB 80 150 215

HSL 208.89, 0.63%, 0.58%

LAB 60.27, -2.19, -39.77

 

CMYK 63 / 47 / 0 / 16

HEX #5071D7

RGB 80 113 215

HSL 225.33, 0.63%, 0.58%

LAB 50, 20.05, -56.07

 

CMYK 63 / 0 / 20 / 16

HEX #50D7AC

RGB 80 215 172

HSL 160.89, 0.63%, 0.58%

LAB 78.04, -46.79, 10.49

 

CMYK 73 / 0 / 24 / 9

HEX #3FE9B2

RGB 63 233 178

HSL 160.59, 0.79%, 0.58%

LAB 83.2, -55.35, 14.59

 

CMYK 82 / 0 / 26 / 2

HEX #2EFAB8

RGB 46 250 184

HSL 160.59, 0.95%, 0.58%

LAB 88.17, -62.31, 18.4

 

CMYK 63 / 0 / 20 / 16

HEX #50D7AC

RGB 80 215 172

HSL 160.89, 0.63%, 0.58%

LAB 78.04, -46.79, 10.49

 

CMYK 51 / 0 / 16 / 22

HEX #62C6A6

RGB 98 198 166

HSL 160.8, 0.47%, 0.58%

LAB 73.38, -36.99, 7.12

 

CMYK 36 / 0 / 12 / 29

HEX #73B59F

RGB 115 181 159

HSL 160, 0.31%, 0.58%

LAB 68.89, -26.05, 4.58

 

CMYK 19 / 0 / 6 / 36

HEX #84A399

RGB 132 163 153

HSL 160.65, 0.14%, 0.58%

LAB 64.48, -12.79, 1.64

 

CMYK 0 / 3 / 2 / 41

HEX #969293

RGB 150 146 147

HSL 345, 0.02%, 0.58%

LAB 60.91, 1.66, -0.01

 

CMYK 63 / 0 / 54 / 16

HEX #50D762

RGB 80 215 98

HSL 128, 0.63%, 0.58%

LAB 76.79, -60.24, 46.56

 

CMYK 63 / 0 / 38 / 16

HEX #50D786

RGB 80 215 134

HSL 144, 0.63%, 0.58%

LAB 77.3, -54.63, 29.41

 

CMYK 63 / 0 / 21 / 16

HEX #50D7AA

RGB 80 215 170

HSL 160, 0.63%, 0.58%

LAB 78, -47.24, 11.49

 

CMYK 63 / 0 / 4 / 16

HEX #50D7CE

RGB 80 215 206

HSL 176, 0.63%, 0.58%

LAB 78.9, -38.32, -6.42

 

CMYK 63 / 13 / 0 / 16

HEX #50BCD7

RGB 80 188 215

HSL 192, 0.63%, 0.58%

LAB 71.27, -22.77, -22.76

 

CMYK 78 / 0 / 25 / 32

HEX #27AE82

RGB 39 174 130

HSL 160.44, 0.63%, 0.42%

LAB 63.6, -45.71, 12.69

 

CMYK 77 / 0 / 25 / 19

HEX #2FCF9C

RGB 47 207 156

HSL 160.88, 0.63%, 0.5%

LAB 74.59, -52, 14.04

 

CMYK 63 / 0 / 20 / 16

HEX #50D7AC

RGB 80 215 172

HSL 160.89, 0.63%, 0.58%

LAB 78.04, -46.79, 10.49

 

CMYK 49 / 0 / 16 / 13

HEX #72DFBC

RGB 114 223 188

HSL 160.73, 0.63%, 0.66%

LAB 81.83, -39.62, 7.56

 

CMYK 36 / 0 / 12 / 9

HEX #94E7CC

RGB 148 231 204

HSL 160.48, 0.63%, 0.74%

LAB 85.91, -31.15, 5.18

 

CMYK 63 / 0 / 20 / 16

HEX #4FD7AB

RGB 79 215 171

HSL 160.59, 0.63%, 0.58%

LAB 77.99, -47.19, 10.95

 

CMYK 63 / 54 / 0 / 16

HEX #5062D7

RGB 80 98 215

HSL 232, 0.63%, 0.58%

LAB 46.11, 29.41, -62.35

 

CMYK 0 / 46 / 63 / 16

HEX #D77450

RGB 215 116 80

HSL 16, 0.63%, 0.58%

LAB 59.45, 35.6, 36.89

 

CMYK 63 / 0 / 20 / 16

HEX #4FD7AB

RGB 79 215 171

HSL 160.59, 0.63%, 0.58%

LAB 77.99, -47.19, 10.95

 

CMYK 21 / 63 / 0 / 16

HEX #AA50D7

RGB 170 80 215

HSL 280, 0.63%, 0.58%

LAB 50.91, 58.39, -54.18

 

CMYK 0 / 21 / 63 / 16

HEX #D7AA50

RGB 215 170 80

HSL 40, 0.63%, 0.58%

LAB 72.08, 6.69, 51.57

 

CMYK 63 / 0 / 20 / 16

HEX #4FD7AB

RGB 79 215 171

HSL 160.59, 0.63%, 0.58%

LAB 77.99, -47.19, 10.95

 

CMYK 63 / 54 / 0 / 16

HEX #5062D7

RGB 80 98 215

HSL 232, 0.63%, 0.58%

LAB 46.11, 29.41, -62.35

 

CMYK 0 / 63 / 42 / 16

HEX #D7507D

RGB 215 80 125

HSL 340, 0.63%, 0.58%

LAB 53.67, 56.69, 3.19

 

CMYK 0 / 8 / 63 / 16

HEX #D7C550

RGB 215 197 80

HSL 52, 0.63%, 0.58%

LAB 79.02, -7.45, 59.19

 

CMYK 63 / 0 / 20 / 16

HEX #4FD7AB

RGB 79 215 171

HSL 160.59, 0.63%, 0.58%

LAB 77.99, -47.19, 10.95

 

CMYK 52 / 63 / 0 / 16

HEX #6750D7

RGB 103 80 215

HSL 250.22, 0.63%, 0.58%

LAB 43.55, 44.29, -66.43

 

CMYK 0 / 63 / 42 / 16

HEX #D7507D

RGB 215 80 125

HSL 340, 0.63%, 0.58%

LAB 53.67, 56.69, 3.19

 

CMYK 10 / 0 / 63 / 16

HEX #C1D750

RGB 193 215 80

HSL 69.78, 0.63%, 0.58%

LAB 82.12, -25.47, 62

 

Description

Color code: HEX #4FD7AB | qconv.com Color code: HEX #4FD7AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 215 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 215 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 20 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 20% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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