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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FD093 it is the complementary color #B02F6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FD093. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FD093 shade: #54D08E, #65E2A1, #76F4B4, #87FFC7 and #98FFDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FD093. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FD093 shade: #4FD093, #3EBE80, #2DAC6D, #1C9A5A and #0B8847

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FD093 shade: #4ED092, #4ED06F, #4FD04E, #72D04E and #96D04E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FD093 shade: #4ED092, #4ED0B5, #4EC7D0, #4EA4D0 and #4E81D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FD093 shade matches the following richer shades: #4ED092, #3CE293 and #29F494

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FD093 shade: #4ED092, #60BE91, #72AC90, #84998F and #96878E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FD093 shade: #50D04E, #4ED06E, #4ED091, #4ED0B4 and #4EC9D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FD093 shade: #2BA069, #33C17E, #4ED092, #6ED9A6 and #8FE1BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FD093 shade: #4FD093, #4E73D0 and #D05D4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FD093 shade: #4FD093, #914ED0 and #D0914E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FD093 shade: #4FD093, #4E73D0, #D04E8D and #D0AB4E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FD093 shade: #4FD093, #504ED0, #D04E8D and #CED04E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 29 / 18

HEX #4FD093

RGB 79 208 147

HSL 151.63, 0.58%, 0.56%

LAB 75.38, -49.52, 20.02

 

Complementary color

CMYK 0 / 73 / 39 / 31

HEX #B02F6C

RGB 176 47 108

HSL 331.63, 0.58%, 0.44%

LAB 41.76, 56.29, -4.69

 

CMYK 60 / 0 / 32 / 18

HEX #54D08E

RGB 84 208 142

HSL 148.06, 0.57%, 0.57%

LAB 75.42, -49.53, 22.74

 

CMYK 55 / 0 / 29 / 11

HEX #65E2A1

RGB 101 226 161

HSL 148.8, 0.68%, 0.64%

LAB 81.69, -49.56, 21.48

 

CMYK 52 / 0 / 26 / 4

HEX #76F4B4

RGB 118 244 180

HSL 149.52, 0.85%, 0.71%

LAB 87.9, -49.49, 20.32

 

CMYK 47 / 0 / 22 / 0

HEX #87FFC7

RGB 135 255 199

HSL 152, 1%, 0.76%

LAB 92.04, -46.37, 16.44

 

CMYK 40 / 0 / 15 / 0

HEX #98FFDA

RGB 152 255 218

HSL 158.45, 1%, 0.8%

LAB 93.13, -38.23, 8.31

 

CMYK 62 / 0 / 29 / 18

HEX #4FD093

RGB 79 208 147

HSL 151.63, 0.58%, 0.56%

LAB 75.38, -49.52, 20.02

 

CMYK 67 / 0 / 33 / 25

HEX #3EBE80

RGB 62 190 128

HSL 150.94, 0.51%, 0.49%

LAB 69.05, -49.26, 21.37

 

CMYK 74 / 0 / 37 / 33

HEX #2DAC6D

RGB 45 172 109

HSL 150.24, 0.59%, 0.43%

LAB 62.65, -48.74, 22.86

 

CMYK 82 / 0 / 42 / 40

HEX #1C9A5A

RGB 28 154 90

HSL 149.52, 0.69%, 0.36%

LAB 56.18, -47.84, 24.5

 

CMYK 92 / 0 / 48 / 47

HEX #0B8847

RGB 11 136 71

HSL 148.8, 0.85%, 0.29%

LAB 49.66, -46.35, 26.31

 

CMYK 63 / 0 / 30 / 18

HEX #4ED092

RGB 78 208 146

HSL 151.38, 0.58%, 0.56%

LAB 75.33, -49.92, 20.48

 

CMYK 63 / 0 / 47 / 18

HEX #4ED06F

RGB 78 208 111

HSL 135.23, 0.58%, 0.56%

LAB 74.75, -56.23, 37.74

 

CMYK 62 / 0 / 63 / 18

HEX #4FD04E

RGB 79 208 78

HSL 119.54, 0.58%, 0.56%

LAB 74.4, -60.33, 52.77

 

CMYK 45 / 0 / 63 / 18

HEX #72D04E

RGB 114 208 78

HSL 103.38, 0.58%, 0.56%

LAB 75.6, -51.13, 54.44

 

CMYK 28 / 0 / 63 / 18

HEX #96D04E

RGB 150 208 78

HSL 86.77, 0.58%, 0.56%

LAB 77.37, -38.99, 56.89

 

CMYK 63 / 0 / 30 / 18

HEX #4ED092

RGB 78 208 146

HSL 151.38, 0.58%, 0.56%

LAB 75.33, -49.92, 20.48

 

CMYK 63 / 0 / 13 / 18

HEX #4ED0B5

RGB 78 208 181

HSL 167.54, 0.58%, 0.56%

LAB 76.11, -41.96, 2.9

 

CMYK 63 / 4 / 0 / 18

HEX #4EC7D0

RGB 78 199 208

HSL 184.15, 0.58%, 0.56%

LAB 74.2, -30.59, -14.51

 

CMYK 63 / 21 / 0 / 18

HEX #4EA4D0

RGB 78 164 208

HSL 200.31, 0.58%, 0.56%

LAB 63.94, -12.65, -30.17

 

CMYK 63 / 38 / 0 / 18

HEX #4E81D0

RGB 78 129 208

HSL 216.46, 0.58%, 0.56%

LAB 53.89, 7.48, -45.9

 

CMYK 63 / 0 / 30 / 18

HEX #4ED092

RGB 78 208 146

HSL 151.38, 0.58%, 0.56%

LAB 75.33, -49.92, 20.48

 

CMYK 73 / 0 / 35 / 11

HEX #3CE293

RGB 60 226 147

HSL 151.45, 0.74%, 0.56%

LAB 80.44, -59.61, 26.85

 

CMYK 83 / 0 / 39 / 4

HEX #29F494

RGB 41 244 148

HSL 151.63, 0.9%, 0.56%

LAB 85.66, -67.89, 33.27

 

CMYK 63 / 0 / 30 / 18

HEX #4ED092

RGB 78 208 146

HSL 151.38, 0.58%, 0.56%

LAB 75.33, -49.92, 20.48

 

CMYK 49 / 0 / 24 / 25

HEX #60BE91

RGB 96 190 145

HSL 151.28, 0.42%, 0.56%

LAB 70.43, -38.46, 14.29

 

CMYK 34 / 0 / 16 / 33

HEX #72AC90

RGB 114 172 144

HSL 151.03, 0.26%, 0.56%

LAB 65.82, -25.12, 8.45

 

CMYK 14 / 0 / 7 / 40

HEX #84998F

RGB 132 153 143

HSL 151.43, 0.09%, 0.56%

LAB 61.37, -9.48, 2.75

 

CMYK 0 / 10 / 5 / 41

HEX #96878E

RGB 150 135 142

HSL 332, 0.07%, 0.56%

LAB 57.81, 6.93, -1.69

 

CMYK 62 / 0 / 63 / 18

HEX #50D04E

RGB 80 208 78

HSL 119.08, 0.58%, 0.56%

LAB 74.42, -60.11, 52.81

 

CMYK 63 / 0 / 47 / 18

HEX #4ED06E

RGB 78 208 110

HSL 134.77, 0.58%, 0.56%

LAB 74.73, -56.39, 38.22

 

CMYK 63 / 0 / 30 / 18

HEX #4ED091

RGB 78 208 145

HSL 150.92, 0.58%, 0.56%

LAB 75.31, -50.12, 20.98

 

CMYK 63 / 0 / 13 / 18

HEX #4ED0B4

RGB 78 208 180

HSL 167.08, 0.58%, 0.56%

LAB 76.09, -42.21, 3.4

 

CMYK 63 / 3 / 0 / 18

HEX #4EC9D0

RGB 78 201 208

HSL 183.23, 0.58%, 0.56%

LAB 74.79, -31.55, -13.63

 

CMYK 73 / 0 / 34 / 37

HEX #2BA069

RGB 43 160 105

HSL 151.79, 0.58%, 0.4%

LAB 58.67, -45.12, 19.67

 

CMYK 74 / 0 / 35 / 24

HEX #33C17E

RGB 51 193 126

HSL 151.69, 0.58%, 0.48%

LAB 69.72, -52.57, 23.31

 

CMYK 63 / 0 / 30 / 18

HEX #4ED092

RGB 78 208 146

HSL 151.38, 0.58%, 0.56%

LAB 75.33, -49.92, 20.48

 

CMYK 49 / 0 / 24 / 15

HEX #6ED9A6

RGB 110 217 166

HSL 151.4, 0.58%, 0.64%

LAB 79.44, -42.63, 15.78

 

CMYK 36 / 0 / 17 / 12

HEX #8FE1BA

RGB 143 225 186

HSL 151.46, 0.58%, 0.72%

LAB 83.57, -33.45, 11.26

 

CMYK 62 / 0 / 29 / 18

HEX #4FD093

RGB 79 208 147

HSL 151.63, 0.58%, 0.56%

LAB 75.38, -49.52, 20.02

 

CMYK 63 / 45 / 0 / 18

HEX #4E73D0

RGB 78 115 208

HSL 222.92, 0.58%, 0.56%

LAB 50.02, 16.05, -52.07

 

CMYK 0 / 55 / 63 / 18

HEX #D05D4E

RGB 208 93 78

HSL 6.92, 0.58%, 0.56%

LAB 53.8, 44.42, 30.83

 

CMYK 62 / 0 / 29 / 18

HEX #4FD093

RGB 79 208 147

HSL 151.63, 0.58%, 0.56%

LAB 75.38, -49.52, 20.02

 

CMYK 30 / 63 / 0 / 18

HEX #914ED0

RGB 145 78 208

HSL 270.92, 0.58%, 0.56%

LAB 47, 52.12, -56.61

 

CMYK 0 / 30 / 63 / 18

HEX #D0914E

RGB 208 145 78

HSL 30.92, 0.58%, 0.56%

LAB 65.13, 17.07, 44.43

 

CMYK 62 / 0 / 29 / 18

HEX #4FD093

RGB 79 208 147

HSL 151.63, 0.58%, 0.56%

LAB 75.38, -49.52, 20.02

 

CMYK 63 / 45 / 0 / 18

HEX #4E73D0

RGB 78 115 208

HSL 222.92, 0.58%, 0.56%

LAB 50.02, 16.05, -52.07

 

CMYK 0 / 63 / 32 / 18

HEX #D04E8D

RGB 208 78 141

HSL 330.92, 0.58%, 0.56%

LAB 52.71, 57.18, -7.87

 

CMYK 0 / 18 / 63 / 18

HEX #D0AB4E

RGB 208 171 78

HSL 42.92, 0.58%, 0.56%

LAB 71.61, 3.05, 51.79

 

CMYK 62 / 0 / 29 / 18

HEX #4FD093

RGB 79 208 147

HSL 151.63, 0.58%, 0.56%

LAB 75.38, -49.52, 20.02

 

CMYK 62 / 63 / 0 / 18

HEX #504ED0

RGB 80 78 208

HSL 240.92, 0.58%, 0.56%

LAB 40.75, 39.4, -67.05

 

CMYK 0 / 63 / 32 / 18

HEX #D04E8D

RGB 208 78 141

HSL 330.92, 0.58%, 0.56%

LAB 52.71, 57.18, -7.87

 

CMYK 1 / 0 / 63 / 18

HEX #CED04E

RGB 206 208 78

HSL 60.92, 0.58%, 0.56%

LAB 81.17, -16.88, 62.11

 

Description

Color code: HEX #4FD093 | qconv.com Color code: HEX #4FD093 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 208 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 208 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 29 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 29% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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