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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FD034 it is the complementary color #B02FCB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FD034. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FD034 shade: #54D02F, #65E242, #76F455, #87FF68 and #98FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FD034. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FD034 shade: #4FD034, #3EBE21, #2DAC0E, #1C9A00 and #0B8800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FD034 shade: #4FD035, #79D035, #A3D035, #CDD035 and #D0A935

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FD034 shade: #4FD035, #35D044, #35D06D, #35D097 and #35D0C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FD034 shade matches the following richer shades: #4FD035, #42E420 and #35F80C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FD034 shade: #4FD035, #5DBB49, #6AA75D, #779371 and #847F85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FD034 shade: #A4D035, #7AD035, #51D035, #35D041 and #35D06B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FD034 shade: #359022, #41B12A, #4FD035, #6CD756 and #89DF77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FD034 shade: #4FD034, #35CDD0 and #D0358F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FD034 shade: #4FD034, #3551D0 and #D03551

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FD034 shade: #4FD034, #35CDD0, #B335D0 and #D03735

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FD034 shade: #4FD034, #359ED0, #B335D0 and #D06635

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 75 / 18

HEX #4FD034

RGB 79 208 52

HSL 109.62, 0.62%, 0.51%

LAB 74.2, -62.58, 62.56

 

Complementary color

CMYK 13 / 77 / 0 / 20

HEX #B02FCB

RGB 176 47 203

HSL 289.62, 0.62%, 0.49%

LAB 46.41, 70.28, -54.46

 

CMYK 60 / 0 / 77 / 18

HEX #54D02F

RGB 84 208 47

HSL 106.21, 0.63%, 0.5%

LAB 74.32, -61.74, 64.32

 

CMYK 55 / 0 / 71 / 11

HEX #65E242

RGB 101 226 66

HSL 106.88, 0.73%, 0.57%

LAB 80.49, -62.55, 64.24

 

CMYK 52 / 0 / 65 / 4

HEX #76F455

RGB 118 244 85

HSL 107.55, 0.88%, 0.65%

LAB 86.61, -63.07, 63.66

 

CMYK 47 / 0 / 59 / 0

HEX #87FF68

RGB 135 255 104

HSL 107.68, 1%, 0.7%

LAB 90.63, -60.75, 60.49

 

CMYK 40 / 0 / 52 / 0

HEX #98FF7B

RGB 152 255 123

HSL 106.82, 1%, 0.74%

LAB 91.52, -53.75, 53.3

 

CMYK 62 / 0 / 75 / 18

HEX #4FD034

RGB 79 208 52

HSL 109.62, 0.62%, 0.51%

LAB 74.2, -62.58, 62.56

 

CMYK 67 / 0 / 83 / 25

HEX #3EBE21

RGB 62 190 33

HSL 108.92, 0.7%, 0.44%

LAB 67.99, -61.33, 62.19

 

CMYK 74 / 0 / 92 / 33

HEX #2DAC0E

RGB 45 172 14

HSL 108.23, 0.85%, 0.36%

LAB 61.74, -59.49, 60.61

 

CMYK 82 / 0 / 100 / 40

HEX #1C9A00

RGB 28 154 0

HSL 109.09, 1%, 0.3%

LAB 55.44, -56.86, 57.39

 

CMYK 92 / 0 / 100 / 47

HEX #0B8800

RGB 11 136 0

HSL 115.15, 1%, 0.27%

LAB 49.11, -53.22, 52.24

 

CMYK 62 / 0 / 75 / 18

HEX #4FD035

RGB 79 208 53

HSL 109.94, 0.62%, 0.51%

LAB 74.21, -62.51, 62.24

 

CMYK 42 / 0 / 75 / 18

HEX #79D035

RGB 121 208 53

HSL 93.68, 0.62%, 0.51%

LAB 75.72, -50.86, 64.23

 

CMYK 22 / 0 / 75 / 18

HEX #A3D035

RGB 163 208 53

HSL 77.42, 0.62%, 0.51%

LAB 77.97, -35.71, 67.17

 

CMYK 1 / 0 / 75 / 18

HEX #CDD035

RGB 205 208 53

HSL 61.16, 0.62%, 0.51%

LAB 80.93, -18.6, 71.02

 

CMYK 0 / 19 / 75 / 18

HEX #D0A935

RGB 208 169 53

HSL 44.9, 0.62%, 0.51%

LAB 70.9, 2.74, 61.65

 

CMYK 62 / 0 / 75 / 18

HEX #4FD035

RGB 79 208 53

HSL 109.94, 0.62%, 0.51%

LAB 74.21, -62.51, 62.24

 

CMYK 75 / 0 / 67 / 18

HEX #35D044

RGB 53 208 68

HSL 125.81, 0.62%, 0.51%

LAB 73.73, -66.12, 56.02

 

CMYK 75 / 0 / 48 / 18

HEX #35D06D

RGB 53 208 109

HSL 141.68, 0.62%, 0.51%

LAB 74.17, -60.87, 37.89

 

CMYK 75 / 0 / 27 / 18

HEX #35D097

RGB 53 208 151

HSL 157.94, 0.62%, 0.51%

LAB 74.89, -52.82, 17.14

 

CMYK 75 / 0 / 7 / 18

HEX #35D0C1

RGB 53 208 193

HSL 174.19, 0.62%, 0.51%

LAB 75.9, -42.39, -3.94

 

CMYK 62 / 0 / 75 / 18

HEX #4FD035

RGB 79 208 53

HSL 109.94, 0.62%, 0.51%

LAB 74.21, -62.51, 62.24

 

CMYK 71 / 0 / 86 / 11

HEX #42E420

RGB 66 228 32

HSL 109.59, 0.78%, 0.51%

LAB 80.04, -72.58, 73.22

 

CMYK 79 / 0 / 95 / 3

HEX #35F80C

RGB 53 248 12

HSL 109.58, 0.94%, 0.51%

LAB 85.97, -80.78, 80.97

 

CMYK 62 / 0 / 75 / 18

HEX #4FD035

RGB 79 208 53

HSL 109.94, 0.62%, 0.51%

LAB 74.21, -62.51, 62.24

 

CMYK 50 / 0 / 61 / 27

HEX #5DBB49

RGB 93 187 73

HSL 109.47, 0.46%, 0.51%

LAB 68.28, -49.5, 48.19

 

CMYK 37 / 0 / 44 / 35

HEX #6AA75D

RGB 106 167 93

HSL 109.46, 0.3%, 0.51%

LAB 62.92, -34.4, 32.12

 

CMYK 19 / 0 / 23 / 42

HEX #779371

RGB 119 147 113

HSL 109.41, 0.14%, 0.51%

LAB 58.02, -16.67, 14.83

 

CMYK 1 / 5 / 0 / 48

HEX #847F85

RGB 132 127 133

HSL 290, 0.02%, 0.51%

LAB 53.79, 3.07, -2.58

 

CMYK 21 / 0 / 75 / 18

HEX #A4D035

RGB 164 208 53

HSL 77.03, 0.62%, 0.51%

LAB 78.03, -35.32, 67.26

 

CMYK 41 / 0 / 75 / 18

HEX #7AD035

RGB 122 208 53

HSL 93.29, 0.62%, 0.51%

LAB 75.77, -50.54, 64.29

 

CMYK 61 / 0 / 75 / 18

HEX #51D035

RGB 81 208 53

HSL 109.16, 0.62%, 0.51%

LAB 74.27, -62.06, 62.31

 

CMYK 75 / 0 / 69 / 18

HEX #35D041

RGB 53 208 65

HSL 124.65, 0.62%, 0.51%

LAB 73.71, -66.4, 57.18

 

CMYK 75 / 0 / 49 / 18

HEX #35D06B

RGB 53 208 107

HSL 140.9, 0.62%, 0.51%

LAB 74.15, -61.18, 38.85

 

CMYK 63 / 0 / 76 / 44

HEX #359022

RGB 53 144 34

HSL 109.64, 0.62%, 0.35%

LAB 52.75, -47.4, 47.33

 

CMYK 63 / 0 / 76 / 31

HEX #41B12A

RGB 65 177 42

HSL 109.78, 0.62%, 0.43%

LAB 63.95, -55.77, 55.7

 

CMYK 62 / 0 / 75 / 18

HEX #4FD035

RGB 79 208 53

HSL 109.94, 0.62%, 0.51%

LAB 74.21, -62.51, 62.24

 

CMYK 50 / 0 / 60 / 16

HEX #6CD756

RGB 108 215 86

HSL 109.77, 0.62%, 0.59%

LAB 77.56, -54.83, 53.11

 

CMYK 39 / 0 / 47 / 13

HEX #89DF77

RGB 137 223 119

HSL 109.62, 0.62%, 0.67%

LAB 81.52, -45.57, 42.79

 

CMYK 62 / 0 / 75 / 18

HEX #4FD034

RGB 79 208 52

HSL 109.62, 0.62%, 0.51%

LAB 74.2, -62.58, 62.56

 

CMYK 75 / 1 / 0 / 18

HEX #35CDD0

RGB 53 205 208

HSL 181.16, 0.62%, 0.51%

LAB 75.43, -36.81, -12.72

 

CMYK 0 / 75 / 31 / 18

HEX #D0358F

RGB 208 53 143

HSL 325.16, 0.62%, 0.51%

LAB 49.42, 66.72, -14.01

 

CMYK 62 / 0 / 75 / 18

HEX #4FD034

RGB 79 208 52

HSL 109.62, 0.62%, 0.51%

LAB 74.2, -62.58, 62.56

 

CMYK 75 / 61 / 0 / 18

HEX #3551D0

RGB 53 81 208

HSL 229.16, 0.62%, 0.51%

LAB 39.91, 33.91, -68.48

 

CMYK 0 / 75 / 61 / 18

HEX #D03551

RGB 208 53 81

HSL 349.16, 0.62%, 0.51%

LAB 47.69, 61.2, 21.22

 

CMYK 62 / 0 / 75 / 18

HEX #4FD034

RGB 79 208 52

HSL 109.62, 0.62%, 0.51%

LAB 74.2, -62.58, 62.56

 

CMYK 75 / 1 / 0 / 18

HEX #35CDD0

RGB 53 205 208

HSL 181.16, 0.62%, 0.51%

LAB 75.43, -36.81, -12.72

 

CMYK 14 / 75 / 0 / 18

HEX #B335D0

RGB 179 53 208

HSL 288.77, 0.62%, 0.51%

LAB 47.86, 69.84, -55

 

CMYK 0 / 74 / 75 / 18

HEX #D03735

RGB 208 55 53

HSL 0.77, 0.62%, 0.51%

LAB 47.49, 59.1, 37.58

 

CMYK 62 / 0 / 75 / 18

HEX #4FD034

RGB 79 208 52

HSL 109.62, 0.62%, 0.51%

LAB 74.2, -62.58, 62.56

 

CMYK 75 / 24 / 0 / 18

HEX #359ED0

RGB 53 158 208

HSL 199.35, 0.62%, 0.51%

LAB 61.45, -13.14, -34.08

 

CMYK 14 / 75 / 0 / 18

HEX #B335D0

RGB 179 53 208

HSL 288.77, 0.62%, 0.51%

LAB 47.86, 69.84, -55

 

CMYK 0 / 51 / 75 / 18

HEX #D06635

RGB 208 102 53

HSL 18.97, 0.62%, 0.51%

LAB 55.25, 38.57, 45.96

 

Description

Color code: HEX #4FD034 | qconv.com Color code: HEX #4FD034 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 208 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 208 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 75 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 75% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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