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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FCC9B it is the complementary color #B03364. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FCC9B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FCC9B shade: #54CC96, #65DEA9, #76F0BC, #87FFCF and #98FFE2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FCC9B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FCC9B shade: #4FCC9B, #3EBA88, #2DA875, #1C9662 and #0B844F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FCC9B shade: #4DCB9A, #4DCB78, #4DCB56, #67CB4D and #89CB4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FCC9B shade: #4DCB9A, #4DCBBC, #4DB9CB, #4D97CB and #4D75CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FCC9B shade matches the following richer shades: #4DCB9A, #3BDE9E and #28F0A2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FCC9B shade: #4DCB9A, #60B996, #72A692, #85948E and #97818A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FCC9B shade: #4DCB56, #4DCB77, #4DCB99, #4DCBBB and #4DBBCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FCC9B shade: #2D996F, #36B986, #4DCB9A, #6DD5AC and #8DDEBE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FCC9B shade: #4FCC9B, #4D66CB and #CB664D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FCC9B shade: #4FCC9B, #994DCB and #CB994D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FCC9B shade: #4FCC9B, #4D66CB, #CB4D80 and #CBB24D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FCC9B shade: #4FCC9B, #5A4DCB, #CB4D80 and #BFCB4D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 24 / 20

HEX #4FCC9B

RGB 79 204 155

HSL 156.48, 0.55%, 0.55%

LAB 74.33, -46.15, 14.3

 

Complementary color

CMYK 0 / 71 / 43 / 31

HEX #B03364

RGB 176 51 100

HSL 336.48, 0.55%, 0.45%

LAB 42.03, 54.01, 0.7

 

CMYK 59 / 0 / 26 / 20

HEX #54CC96

RGB 84 204 150

HSL 153, 0.54%, 0.56%

LAB 74.36, -46.24, 17.05

 

CMYK 55 / 0 / 24 / 13

HEX #65DEA9

RGB 101 222 169

HSL 153.72, 0.65%, 0.63%

LAB 80.67, -46.25, 15.87

 

CMYK 51 / 0 / 22 / 6

HEX #76F0BC

RGB 118 240 188

HSL 154.43, 0.8%, 0.7%

LAB 86.9, -46.17, 14.79

 

CMYK 47 / 0 / 19 / 0

HEX #87FFCF

RGB 135 255 207

HSL 156, 1%, 0.76%

LAB 92.21, -44.74, 12.57

 

CMYK 40 / 0 / 11 / 0

HEX #98FFE2

RGB 152 255 226

HSL 163.11, 1%, 0.8%

LAB 93.31, -36.53, 4.45

 

CMYK 61 / 0 / 24 / 20

HEX #4FCC9B

RGB 79 204 155

HSL 156.48, 0.55%, 0.55%

LAB 74.33, -46.15, 14.3

 

CMYK 67 / 0 / 27 / 27

HEX #3EBA88

RGB 62 186 136

HSL 155.81, 0.5%, 0.49%

LAB 67.96, -45.92, 15.57

 

CMYK 73 / 0 / 30 / 34

HEX #2DA875

RGB 45 168 117

HSL 155.12, 0.58%, 0.42%

LAB 61.52, -45.45, 16.97

 

CMYK 81 / 0 / 35 / 41

HEX #1C9662

RGB 28 150 98

HSL 154.43, 0.69%, 0.35%

LAB 55.01, -44.63, 18.53

 

CMYK 92 / 0 / 40 / 48

HEX #0B844F

RGB 11 132 79

HSL 153.72, 0.85%, 0.28%

LAB 48.43, -43.27, 20.29

 

CMYK 62 / 0 / 24 / 20

HEX #4DCB9A

RGB 77 203 154

HSL 156.67, 0.55%, 0.55%

LAB 73.95, -46.33, 14.3

 

CMYK 62 / 0 / 41 / 20

HEX #4DCB78

RGB 77 203 120

HSL 140.48, 0.55%, 0.55%

LAB 73.32, -53.05, 31.34

 

CMYK 62 / 0 / 58 / 20

HEX #4DCB56

RGB 77 203 86

HSL 124.29, 0.55%, 0.55%

LAB 72.87, -58.07, 47.44

 

CMYK 49 / 0 / 62 / 20

HEX #67CB4D

RGB 103 203 77

HSL 107.62, 0.55%, 0.55%

LAB 73.63, -52.51, 52.56

 

CMYK 33 / 0 / 62 / 20

HEX #89CB4D

RGB 137 203 77

HSL 91.43, 0.55%, 0.55%

LAB 75.18, -41.56, 54.71

 

CMYK 62 / 0 / 24 / 20

HEX #4DCB9A

RGB 77 203 154

HSL 156.67, 0.55%, 0.55%

LAB 73.95, -46.33, 14.3

 

CMYK 62 / 0 / 7 / 20

HEX #4DCBBC

RGB 77 203 188

HSL 172.86, 0.55%, 0.55%

LAB 74.77, -38.11, -2.83

 

CMYK 62 / 9 / 0 / 20

HEX #4DB9CB

RGB 77 185 203

HSL 188.57, 0.55%, 0.55%

LAB 69.89, -25.33, -18.3

 

CMYK 62 / 26 / 0 / 20

HEX #4D97CB

RGB 77 151 203

HSL 204.76, 0.55%, 0.55%

LAB 59.91, -7.24, -33.63

 

CMYK 62 / 42 / 0 / 20

HEX #4D75CB

RGB 77 117 203

HSL 220.95, 0.55%, 0.55%

LAB 50.23, 12.91, -48.89

 

CMYK 62 / 0 / 24 / 20

HEX #4DCB9A

RGB 77 203 154

HSL 156.67, 0.55%, 0.55%

LAB 73.95, -46.33, 14.3

 

CMYK 73 / 0 / 29 / 13

HEX #3BDE9E

RGB 59 222 158

HSL 156.44, 0.71%, 0.55%

LAB 79.41, -55.97, 19.73

 

CMYK 83 / 0 / 33 / 6

HEX #28F0A2

RGB 40 240 162

HSL 156.6, 0.87%, 0.55%

LAB 84.68, -63.83, 24.86

 

CMYK 62 / 0 / 24 / 20

HEX #4DCB9A

RGB 77 203 154

HSL 156.67, 0.55%, 0.55%

LAB 73.95, -46.33, 14.3

 

CMYK 48 / 0 / 19 / 27

HEX #60B996

RGB 96 185 150

HSL 156.4, 0.39%, 0.55%

LAB 69.03, -35.1, 9.6

 

CMYK 31 / 0 / 12 / 35

HEX #72A692

RGB 114 166 146

HSL 156.92, 0.23%, 0.55%

LAB 64.1, -21.67, 4.87

 

CMYK 10 / 0 / 4 / 42

HEX #85948E

RGB 133 148 142

HSL 156, 0.07%, 0.55%

LAB 60, -6.59, 1.33

 

CMYK 0 / 15 / 9 / 41

HEX #97818A

RGB 151 129 138

HSL 335.45, 0.1%, 0.55%

LAB 56.2, 9.99, -1.74

 

CMYK 62 / 0 / 58 / 20

HEX #4DCB56

RGB 77 203 86

HSL 124.29, 0.55%, 0.55%

LAB 72.87, -58.07, 47.44

 

CMYK 62 / 0 / 41 / 20

HEX #4DCB77

RGB 77 203 119

HSL 140, 0.55%, 0.55%

LAB 73.3, -53.23, 31.83

 

CMYK 62 / 0 / 25 / 20

HEX #4DCB99

RGB 77 203 153

HSL 156.19, 0.55%, 0.55%

LAB 73.93, -46.55, 14.81

 

CMYK 62 / 0 / 8 / 20

HEX #4DCBBB

RGB 77 203 187

HSL 172.38, 0.55%, 0.55%

LAB 74.75, -38.37, -2.33

 

CMYK 62 / 8 / 0 / 20

HEX #4DBBCB

RGB 77 187 203

HSL 187.62, 0.55%, 0.55%

LAB 70.48, -26.32, -17.41

 

CMYK 71 / 0 / 27 / 40

HEX #2D996F

RGB 45 153 111

HSL 156.67, 0.55%, 0.39%

LAB 56.57, -40.57, 13.45

 

CMYK 71 / 0 / 28 / 27

HEX #36B986

RGB 54 185 134

HSL 156.64, 0.55%, 0.47%

LAB 67.43, -47.25, 15.89

 

CMYK 62 / 0 / 24 / 20

HEX #4DCB9A

RGB 77 203 154

HSL 156.67, 0.55%, 0.55%

LAB 73.95, -46.33, 14.3

 

CMYK 49 / 0 / 19 / 16

HEX #6DD5AC

RGB 109 213 172

HSL 156.35, 0.55%, 0.63%

LAB 78.36, -39.83, 11.06

 

CMYK 36 / 0 / 14 / 13

HEX #8DDEBE

RGB 141 222 190

HSL 156.3, 0.55%, 0.71%

LAB 82.71, -31.79, 7.92

 

CMYK 61 / 0 / 24 / 20

HEX #4FCC9B

RGB 79 204 155

HSL 156.48, 0.55%, 0.55%

LAB 74.33, -46.15, 14.3

 

CMYK 62 / 50 / 0 / 20

HEX #4D66CB

RGB 77 102 203

HSL 228.1, 0.55%, 0.55%

LAB 46.17, 22.28, -55.4

 

CMYK 0 / 50 / 62 / 20

HEX #CB664D

RGB 203 102 77

HSL 11.9, 0.55%, 0.55%

LAB 54.8, 37.97, 32.47

 

CMYK 61 / 0 / 24 / 20

HEX #4FCC9B

RGB 79 204 155

HSL 156.48, 0.55%, 0.55%

LAB 74.33, -46.15, 14.3

 

CMYK 25 / 62 / 0 / 20

HEX #994DCB

RGB 153 77 203

HSL 276.19, 0.55%, 0.55%

LAB 47.48, 53.29, -52.92

 

CMYK 0 / 25 / 62 / 20

HEX #CB994D

RGB 203 153 77

HSL 36.19, 0.55%, 0.55%

LAB 66.53, 10.52, 46.4

 

CMYK 61 / 0 / 24 / 20

HEX #4FCC9B

RGB 79 204 155

HSL 156.48, 0.55%, 0.55%

LAB 74.33, -46.15, 14.3

 

CMYK 62 / 50 / 0 / 20

HEX #4D66CB

RGB 77 102 203

HSL 228.1, 0.55%, 0.55%

LAB 46.17, 22.28, -55.4

 

CMYK 0 / 62 / 37 / 20

HEX #CB4D80

RGB 203 77 128

HSL 335.71, 0.55%, 0.55%

LAB 51.34, 54.58, -2.24

 

CMYK 0 / 12 / 62 / 20

HEX #CBB24D

RGB 203 178 77

HSL 48.1, 0.55%, 0.55%

LAB 72.94, -2.86, 53.58

 

CMYK 61 / 0 / 24 / 20

HEX #4FCC9B

RGB 79 204 155

HSL 156.48, 0.55%, 0.55%

LAB 74.33, -46.15, 14.3

 

CMYK 56 / 62 / 0 / 20

HEX #5A4DCB

RGB 90 77 203

HSL 246.19, 0.55%, 0.55%

LAB 40.89, 40.06, -63.9

 

CMYK 0 / 62 / 37 / 20

HEX #CB4D80

RGB 203 77 128

HSL 335.71, 0.55%, 0.55%

LAB 51.34, 54.58, -2.24

 

CMYK 6 / 0 / 62 / 20

HEX #BFCB4D

RGB 191 203 77

HSL 65.71, 0.55%, 0.55%

LAB 78.65, -20.66, 59.49

 

Description

Color code: HEX #4FCC9B | qconv.com Color code: HEX #4FCC9B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 204 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 204 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 24 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 24% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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