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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FC726 it is the complementary color #B038D9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FC726. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FC726 shade: #54C721, #65D934, #76EB47, #87FD5A and #98FF6D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FC726. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FC726 shade: #4FC726, #3EB513, #2DA300, #1C9100 and #0B7F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FC726 shade: #4EC526, #79C526, #A4C526, #C5BB26 and #C59026

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FC726 shade: #4EC526, #26C528, #26C553, #26C57E and #26C5A9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FC726 shade matches the following richer shades: #4EC526 and #45D813

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FC726 shade: #4EC526, #57B239, #619F4B, #6A8C5E and #737971

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FC726 shade: #A5C526, #7BC526, #50C526, #26C526 and #26C550

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FC726 shade: #338018, #40A21F, #4EC526, #63DA3A and #7EE05D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FC726 shade: #4FC726, #26C5BA and #C52690

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FC726 shade: #4FC726, #2650C5 and #C52650

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FC726 shade: #4FC726, #26C5BA, #9B26C5 and #C52630

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FC726 shade: #4FC726, #26A0C5, #9B26C5 and #C54B26

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 81 / 22

HEX #4FC726

RGB 79 199 38

HSL 104.72, 0.68%, 0.46%

LAB 71.32, -60.34, 64.07

 

Complementary color

CMYK 19 / 74 / 0 / 15

HEX #B038D9

RGB 176 56 217

HSL 284.72, 0.68%, 0.54%

LAB 48.35, 69.91, -59.39

 

CMYK 58 / 0 / 83 / 22

HEX #54C721

RGB 84 199 33

HSL 101.57, 0.72%, 0.45%

LAB 71.45, -59.35, 65.55

 

CMYK 53 / 0 / 76 / 15

HEX #65D934

RGB 101 217 52

HSL 102.18, 0.68%, 0.53%

LAB 77.66, -60.29, 66.17

 

CMYK 50 / 0 / 70 / 8

HEX #76EB47

RGB 118 235 71

HSL 102.8, 0.8%, 0.6%

LAB 83.82, -60.9, 66.04

 

CMYK 47 / 0 / 64 / 1

HEX #87FD5A

RGB 135 253 90

HSL 103.44, 0.98%, 0.67%

LAB 89.92, -61.29, 65.46

 

CMYK 40 / 0 / 57 / 0

HEX #98FF6D

RGB 152 255 109

HSL 102.33, 1%, 0.71%

LAB 91.37, -55.26, 59.37

 

CMYK 60 / 0 / 81 / 22

HEX #4FC726

RGB 79 199 38

HSL 104.72, 0.68%, 0.46%

LAB 71.32, -60.34, 64.07

 

CMYK 66 / 0 / 90 / 29

HEX #3EB513

RGB 62 181 19

HSL 104.07, 0.81%, 0.39%

LAB 65.06, -58.95, 62.73

 

CMYK 72 / 0 / 100 / 36

HEX #2DA300

RGB 45 163 0

HSL 103.44, 1%, 0.32%

LAB 58.74, -56.99, 60.15

 

CMYK 81 / 0 / 100 / 43

HEX #1C9100

RGB 28 145 0

HSL 108.41, 1%, 0.28%

LAB 52.4, -54.1, 54.96

 

CMYK 91 / 0 / 100 / 50

HEX #0B7F00

RGB 11 127 0

HSL 114.8, 1%, 0.25%

LAB 45.97, -50.53, 49.73

 

CMYK 60 / 0 / 81 / 23

HEX #4EC526

RGB 78 197 38

HSL 104.91, 0.68%, 0.46%

LAB 70.66, -59.89, 63.45

 

CMYK 39 / 0 / 81 / 23

HEX #79C526

RGB 121 197 38

HSL 88.68, 0.68%, 0.46%

LAB 72.32, -47.2, 65.59

 

CMYK 17 / 0 / 81 / 23

HEX #A4C526

RGB 164 197 38

HSL 72.45, 0.68%, 0.46%

LAB 74.8, -30.89, 68.75

 

CMYK 0 / 5 / 81 / 23

HEX #C5BB26

RGB 197 187 38

HSL 56.23, 0.68%, 0.46%

LAB 74.54, -12.02, 69.49

 

CMYK 0 / 27 / 81 / 23

HEX #C59026

RGB 197 144 38

HSL 40, 0.68%, 0.46%

LAB 63.31, 10.82, 59.61

 

CMYK 60 / 0 / 81 / 23

HEX #4EC526

RGB 78 197 38

HSL 104.91, 0.68%, 0.46%

LAB 70.66, -59.89, 63.45

 

CMYK 81 / 0 / 80 / 23

HEX #26C528

RGB 38 197 40

HSL 120.75, 0.68%, 0.46%

LAB 69.82, -66.94, 61.8

 

CMYK 81 / 0 / 58 / 23

HEX #26C553

RGB 38 197 83

HSL 136.98, 0.68%, 0.46%

LAB 70.15, -62.85, 45.44

 

CMYK 81 / 0 / 36 / 23

HEX #26C57E

RGB 38 197 126

HSL 153.21, 0.68%, 0.46%

LAB 70.77, -55.65, 24.69

 

CMYK 81 / 0 / 14 / 23

HEX #26C5A9

RGB 38 197 169

HSL 169.43, 0.68%, 0.46%

LAB 71.7, -45.6, 2.89

 

CMYK 60 / 0 / 81 / 23

HEX #4EC526

RGB 78 197 38

HSL 104.91, 0.68%, 0.46%

LAB 70.66, -59.89, 63.45

 

CMYK 68 / 0 / 91 / 15

HEX #45D813

RGB 69 216 19

HSL 104.77, 0.84%, 0.46%

LAB 76.33, -68.77, 72.33

 

CMYK 60 / 0 / 81 / 23

HEX #4EC526

RGB 78 197 38

HSL 104.91, 0.68%, 0.46%

LAB 70.66, -59.89, 63.45

 

CMYK 51 / 0 / 68 / 30

HEX #57B239

RGB 87 178 57

HSL 105.12, 0.51%, 0.46%

LAB 65.09, -49.24, 51.48

 

CMYK 39 / 0 / 53 / 38

HEX #619F4B

RGB 97 159 75

HSL 104.29, 0.36%, 0.46%

LAB 59.75, -36.23, 37.31

 

CMYK 24 / 0 / 33 / 45

HEX #6A8C5E

RGB 106 140 94

HSL 104.35, 0.2%, 0.46%

LAB 54.69, -21.1, 20.83

 

CMYK 5 / 0 / 7 / 53

HEX #737971

RGB 115 121 113

HSL 105, 0.03%, 0.46%

LAB 50.11, -3.87, 3.6

 

CMYK 16 / 0 / 81 / 23

HEX #A5C526

RGB 165 197 38

HSL 72.08, 0.68%, 0.46%

LAB 74.87, -30.48, 68.83

 

CMYK 38 / 0 / 81 / 23

HEX #7BC526

RGB 123 197 38

HSL 87.92, 0.68%, 0.46%

LAB 72.42, -46.51, 65.71

 

CMYK 59 / 0 / 81 / 23

HEX #50C526

RGB 80 197 38

HSL 104.15, 0.68%, 0.46%

LAB 70.72, -59.41, 63.53

 

CMYK 81 / 0 / 81 / 23

HEX #26C526

RGB 38 197 38

HSL 120, 0.68%, 0.46%

LAB 69.81, -67.06, 62.36

 

CMYK 81 / 0 / 59 / 23

HEX #26C550

RGB 38 197 80

HSL 135.85, 0.68%, 0.46%

LAB 70.12, -63.23, 46.78

 

CMYK 60 / 0 / 81 / 50

HEX #338018

RGB 51 128 24

HSL 104.42, 0.68%, 0.3%

LAB 47.25, -42.63, 45.42

 

CMYK 60 / 0 / 81 / 36

HEX #40A21F

RGB 64 162 31

HSL 104.89, 0.68%, 0.38%

LAB 59, -51.4, 54.46

 

CMYK 60 / 0 / 81 / 23

HEX #4EC526

RGB 78 197 38

HSL 104.91, 0.68%, 0.46%

LAB 70.66, -59.89, 63.45

 

CMYK 55 / 0 / 73 / 15

HEX #63DA3A

RGB 99 218 58

HSL 104.63, 0.68%, 0.54%

LAB 77.93, -60.79, 64.44

 

CMYK 44 / 0 / 58 / 12

HEX #7EE05D

RGB 126 224 93

HSL 104.89, 0.68%, 0.62%

LAB 81.04, -52.41, 54.2

 

CMYK 60 / 0 / 81 / 22

HEX #4FC726

RGB 79 199 38

HSL 104.72, 0.68%, 0.46%

LAB 71.32, -60.34, 64.07

 

CMYK 81 / 0 / 6 / 23

HEX #26C5BA

RGB 38 197 186

HSL 175.85, 0.68%, 0.46%

LAB 72.15, -40.96, -5.7

 

CMYK 0 / 81 / 27 / 23

HEX #C52690

RGB 197 38 144

HSL 320, 0.68%, 0.46%

LAB 46, 68.4, -20.01

 

CMYK 60 / 0 / 81 / 22

HEX #4FC726

RGB 79 199 38

HSL 104.72, 0.68%, 0.46%

LAB 71.32, -60.34, 64.07

 

CMYK 81 / 59 / 0 / 23

HEX #2650C5

RGB 38 80 197

HSL 224.15, 0.68%, 0.46%

LAB 38.16, 28.98, -64.98

 

CMYK 0 / 81 / 59 / 23

HEX #C52650

RGB 197 38 80

HSL 344.15, 0.68%, 0.46%

LAB 44, 62.47, 16.54

 

CMYK 60 / 0 / 81 / 22

HEX #4FC726

RGB 79 199 38

HSL 104.72, 0.68%, 0.46%

LAB 71.32, -60.34, 64.07

 

CMYK 81 / 0 / 6 / 23

HEX #26C5BA

RGB 38 197 186

HSL 175.85, 0.68%, 0.46%

LAB 72.15, -40.96, -5.7

 

CMYK 21 / 81 / 0 / 23

HEX #9B26C5

RGB 155 38 197

HSL 284.15, 0.68%, 0.46%

LAB 41.82, 68.05, -58.55

 

CMYK 0 / 81 / 76 / 23

HEX #C52630

RGB 197 38 48

HSL 356.23, 0.68%, 0.46%

LAB 43.46, 60.83, 35.39

 

CMYK 60 / 0 / 81 / 22

HEX #4FC726

RGB 79 199 38

HSL 104.72, 0.68%, 0.46%

LAB 71.32, -60.34, 64.07

 

CMYK 81 / 19 / 0 / 23

HEX #26A0C5

RGB 38 160 197

HSL 193.96, 0.68%, 0.46%

LAB 61.29, -19.58, -28.2

 

CMYK 21 / 81 / 0 / 23

HEX #9B26C5

RGB 155 38 197

HSL 284.15, 0.68%, 0.46%

LAB 41.82, 68.05, -58.55

 

CMYK 0 / 62 / 81 / 23

HEX #C54B26

RGB 197 75 38

HSL 13.96, 0.68%, 0.46%

LAB 48.31, 46.91, 45.76

 

Description

Color code: HEX #4FC726 | qconv.com Color code: HEX #4FC726 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 199 green and 38 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 199 38 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 81 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 81% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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