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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FC522 it is the complementary color #B03ADD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FC522. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FC522 shade: #54C51D, #65D730, #76E943, #87FB56 and #98FF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FC522. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FC522 shade: #4FC522, #3EB30F, #2DA100, #1C8F00 and #0B7D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FC522 shade: #4EC421, #7AC421, #A6C421, #C4B621 and #C48A21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FC522 shade: #4EC421, #22C421, #21C44C, #21C478 and #21C4A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FC522 shade matches the following richer shades: #4EC421 and #46D70F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FC522 shade: #4EC421, #57B234, #5F9F46, #678D59 and #707A6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FC522 shade: #A6C421, #7BC421, #4FC421, #24C421 and #21C44A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FC522 shade: #327E15, #40A11B, #4EC421, #61DC32 and #7DE256

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FC522 shade: #4FC522, #21C4B7 and #C42191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FC522 shade: #4FC522, #214FC4 and #C4214F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FC522 shade: #4FC522, #21C4B7, #9621C4 and #C4212F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FC522 shade: #4FC522, #21A1C4, #9621C4 and #C44521

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 83 / 23

HEX #4FC522

RGB 79 197 34

HSL 103.44, 0.71%, 0.45%

LAB 70.67, -59.85, 64.54

 

Complementary color

CMYK 20 / 74 / 0 / 13

HEX #B03ADD

RGB 176 58 221

HSL 283.44, 0.71%, 0.55%

LAB 48.86, 69.98, -60.85

 

CMYK 57 / 0 / 85 / 23

HEX #54C51D

RGB 84 197 29

HSL 100.36, 0.74%, 0.44%

LAB 70.81, -58.82, 65.92

 

CMYK 53 / 0 / 78 / 16

HEX #65D730

RGB 101 215 48

HSL 100.96, 0.68%, 0.52%

LAB 77.03, -59.8, 66.8

 

CMYK 49 / 0 / 71 / 9

HEX #76E943

RGB 118 233 67

HSL 101.57, 0.79%, 0.59%

LAB 83.2, -60.45, 66.83

 

CMYK 46 / 0 / 66 / 2

HEX #87FB56

RGB 135 251 86

HSL 102.18, 0.95%, 0.66%

LAB 89.31, -60.87, 66.36

 

CMYK 40 / 0 / 59 / 0

HEX #98FF69

RGB 152 255 105

HSL 101.2, 1%, 0.71%

LAB 91.33, -55.65, 61.05

 

CMYK 60 / 0 / 83 / 23

HEX #4FC522

RGB 79 197 34

HSL 103.44, 0.71%, 0.45%

LAB 70.67, -59.85, 64.54

 

CMYK 65 / 0 / 92 / 30

HEX #3EB30F

RGB 62 179 15

HSL 102.8, 0.85%, 0.38%

LAB 64.4, -58.41, 62.86

 

CMYK 72 / 0 / 100 / 37

HEX #2DA100

RGB 45 161 0

HSL 103.23, 1%, 0.32%

LAB 58.08, -56.35, 59.63

 

CMYK 80 / 0 / 100 / 44

HEX #1C8F00

RGB 28 143 0

HSL 108.25, 1%, 0.28%

LAB 51.71, -53.48, 54.41

 

CMYK 91 / 0 / 100 / 51

HEX #0B7D00

RGB 11 125 0

HSL 114.72, 1%, 0.25%

LAB 45.27, -49.92, 49.17

 

CMYK 60 / 0 / 83 / 23

HEX #4EC421

RGB 78 196 33

HSL 103.44, 0.71%, 0.45%

LAB 70.32, -59.8, 64.47

 

CMYK 38 / 0 / 83 / 23

HEX #7AC421

RGB 122 196 33

HSL 87.24, 0.71%, 0.45%

LAB 72.05, -46.65, 66.66

 

CMYK 15 / 0 / 83 / 23

HEX #A6C421

RGB 166 196 33

HSL 71.04, 0.71%, 0.45%

LAB 74.63, -29.77, 69.92

 

CMYK 0 / 7 / 83 / 23

HEX #C4B621

RGB 196 182 33

HSL 54.85, 0.71%, 0.45%

LAB 73.09, -10.04, 69.53

 

CMYK 0 / 30 / 83 / 23

HEX #C48A21

RGB 196 138 33

HSL 38.65, 0.71%, 0.45%

LAB 61.67, 13.5, 59.81

 

CMYK 60 / 0 / 83 / 23

HEX #4EC421

RGB 78 196 33

HSL 103.44, 0.71%, 0.45%

LAB 70.32, -59.8, 64.47

 

CMYK 83 / 0 / 83 / 23

HEX #22C421

RGB 34 196 33

HSL 119.63, 0.71%, 0.45%

LAB 69.42, -67.49, 63.31

 

CMYK 83 / 0 / 61 / 23

HEX #21C44C

RGB 33 196 76

HSL 135.83, 0.71%, 0.45%

LAB 69.7, -63.94, 48.08

 

CMYK 83 / 0 / 39 / 23

HEX #21C478

RGB 33 196 120

HSL 152.02, 0.71%, 0.45%

LAB 70.29, -56.97, 27.19

 

CMYK 83 / 0 / 16 / 23

HEX #21C4A4

RGB 33 196 164

HSL 168.22, 0.71%, 0.45%

LAB 71.2, -46.92, 4.88

 

CMYK 60 / 0 / 83 / 23

HEX #4EC421

RGB 78 196 33

HSL 103.44, 0.71%, 0.45%

LAB 70.32, -59.8, 64.47

 

CMYK 67 / 0 / 93 / 16

HEX #46D70F

RGB 70 215 15

HSL 103.5, 0.87%, 0.45%

LAB 76.03, -68.36, 72.62

 

CMYK 60 / 0 / 83 / 23

HEX #4EC421

RGB 78 196 33

HSL 103.44, 0.71%, 0.45%

LAB 70.32, -59.8, 64.47

 

CMYK 51 / 0 / 71 / 30

HEX #57B234

RGB 87 178 52

HSL 103.33, 0.55%, 0.45%

LAB 65.05, -49.66, 53.43

 

CMYK 40 / 0 / 56 / 38

HEX #5F9F46

RGB 95 159 70

HSL 103.15, 0.39%, 0.45%

LAB 59.59, -37.51, 39.57

 

CMYK 27 / 0 / 37 / 45

HEX #678D59

RGB 103 141 89

HSL 103.85, 0.23%, 0.45%

LAB 54.71, -23.53, 23.61

 

CMYK 8 / 0 / 11 / 52

HEX #707A6C

RGB 112 122 108

HSL 102.86, 0.06%, 0.45%

LAB 50.03, -6.56, 6.4

 

CMYK 15 / 0 / 83 / 23

HEX #A6C421

RGB 166 196 33

HSL 71.04, 0.71%, 0.45%

LAB 74.63, -29.77, 69.92

 

CMYK 37 / 0 / 83 / 23

HEX #7BC421

RGB 123 196 33

HSL 86.87, 0.71%, 0.45%

LAB 72.1, -46.3, 66.72

 

CMYK 60 / 0 / 83 / 23

HEX #4FC421

RGB 79 196 33

HSL 103.07, 0.71%, 0.45%

LAB 70.35, -59.55, 64.5

 

CMYK 82 / 0 / 83 / 23

HEX #24C421

RGB 36 196 33

HSL 118.9, 0.71%, 0.45%

LAB 69.44, -67.27, 63.34

 

CMYK 83 / 0 / 62 / 23

HEX #21C44A

RGB 33 196 74

HSL 135.09, 0.71%, 0.45%

LAB 69.68, -64.18, 48.95

 

CMYK 60 / 0 / 83 / 51

HEX #327E15

RGB 50 126 21

HSL 103.43, 0.71%, 0.29%

LAB 46.52, -42.32, 45.68

 

CMYK 60 / 0 / 83 / 37

HEX #40A11B

RGB 64 161 27

HSL 103.43, 0.71%, 0.37%

LAB 58.66, -51.25, 55.29

 

CMYK 60 / 0 / 83 / 23

HEX #4EC421

RGB 78 196 33

HSL 103.44, 0.71%, 0.45%

LAB 70.32, -59.8, 64.47

 

CMYK 56 / 0 / 77 / 14

HEX #61DC32

RGB 97 220 50

HSL 103.41, 0.71%, 0.53%

LAB 78.44, -62.52, 67.49

 

CMYK 45 / 0 / 62 / 11

HEX #7DE256

RGB 125 226 86

HSL 103.29, 0.71%, 0.61%

LAB 81.52, -54.19, 57.76

 

CMYK 60 / 0 / 83 / 23

HEX #4FC522

RGB 79 197 34

HSL 103.44, 0.71%, 0.45%

LAB 70.67, -59.85, 64.54

 

CMYK 83 / 0 / 7 / 23

HEX #21C4B7

RGB 33 196 183

HSL 175.21, 0.71%, 0.45%

LAB 71.71, -41.77, -4.73

 

CMYK 0 / 83 / 26 / 23

HEX #C42191

RGB 196 33 145

HSL 318.77, 0.71%, 0.45%

LAB 45.45, 69.46, -21.47

 

CMYK 60 / 0 / 83 / 23

HEX #4FC522

RGB 79 197 34

HSL 103.44, 0.71%, 0.45%

LAB 70.67, -59.85, 64.54

 

CMYK 83 / 60 / 0 / 23

HEX #214FC4

RGB 33 79 196

HSL 223.07, 0.71%, 0.45%

LAB 37.66, 28.84, -65.23

 

CMYK 0 / 83 / 60 / 23

HEX #C4214F

RGB 196 33 79

HSL 343.07, 0.71%, 0.45%

LAB 43.34, 63.37, 16.24

 

CMYK 60 / 0 / 83 / 23

HEX #4FC522

RGB 79 197 34

HSL 103.44, 0.71%, 0.45%

LAB 70.67, -59.85, 64.54

 

CMYK 83 / 0 / 7 / 23

HEX #21C4B7

RGB 33 196 183

HSL 175.21, 0.71%, 0.45%

LAB 71.71, -41.77, -4.73

 

CMYK 23 / 83 / 0 / 23

HEX #9621C4

RGB 150 33 196

HSL 283.07, 0.71%, 0.45%

LAB 40.5, 68.41, -60.14

 

CMYK 0 / 83 / 76 / 23

HEX #C4212F

RGB 196 33 47

HSL 354.85, 0.71%, 0.45%

LAB 42.81, 61.77, 35.19

 

CMYK 60 / 0 / 83 / 23

HEX #4FC522

RGB 79 197 34

HSL 103.44, 0.71%, 0.45%

LAB 70.67, -59.85, 64.54

 

CMYK 83 / 18 / 0 / 23

HEX #21A1C4

RGB 33 161 196

HSL 192.88, 0.71%, 0.45%

LAB 61.48, -20.88, -27.36

 

CMYK 23 / 83 / 0 / 23

HEX #9621C4

RGB 150 33 196

HSL 283.07, 0.71%, 0.45%

LAB 40.5, 68.41, -60.14

 

CMYK 0 / 65 / 83 / 23

HEX #C44521

RGB 196 69 33

HSL 13.25, 0.71%, 0.45%

LAB 47.11, 49.06, 46.96

 

Description

Color code: HEX #4FC522 | qconv.com Color code: HEX #4FC522 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 197 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 197 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 83 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 83% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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