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Color name
HEX #4FBF2A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FBF2A it is the complementary color #B040D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FBF2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FBF2A shade: #54BF25, #65D138, #76E34B, #87F55E and #98FF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FBF2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FBF2A shade: #4FBF2A, #3EAD17, #2D9B04, #1C8900 and #0B7700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FBF2A shade: #50C02A, #78C02A, #A0C02A, #C0B82A and #C08F2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FBF2A shade: #50C02A, #2AC02D, #2AC056, #2AC07E and #2AC0A7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FBF2A shade matches the following richer shades: #50C02A, #46D317 and #3CE604

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FBF2A shade: #50C02A, #59AD3D, #639A50, #6C8763 and #767476

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FBF2A shade: #A0C02A, #78C02A, #50C02A, #2AC02D and #2AC055

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FBF2A shade: #347D1B, #429F23, #50C02A, #64D53F and #7FDC61

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FBF2A shade: #4FBF2A, #2AC0B9 and #C02A8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FBF2A shade: #4FBF2A, #2A50C0 and #C02A50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FBF2A shade: #4FBF2A, #2AC0B9, #9B2AC0 and #C02A32

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FBF2A shade: #4FBF2A, #2A9BC0, #9B2AC0 and #C0502A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 78 / 25

HEX #4FBF2A

RGB 79 191 42

HSL 105.1, 0.64%, 0.46%

LAB 68.82, -57.33, 60.55

 

Complementary color

CMYK 17 / 70 / 0 / 16

HEX #B040D5

RGB 176 64 213

HSL 285.1, 0.64%, 0.54%

LAB 49.13, 66.18, -55.84

 

CMYK 56 / 0 / 81 / 25

HEX #54BF25

RGB 84 191 37

HSL 101.69, 0.68%, 0.45%

LAB 68.95, -56.32, 62.22

 

CMYK 52 / 0 / 73 / 18

HEX #65D138

RGB 101 209 56

HSL 102.35, 0.62%, 0.52%

LAB 75.24, -57.11, 62.46

 

CMYK 48 / 0 / 67 / 11

HEX #76E34B

RGB 118 227 75

HSL 103.03, 0.73%, 0.59%

LAB 81.45, -57.6, 62.06

 

CMYK 45 / 0 / 62 / 4

HEX #87F55E

RGB 135 245 94

HSL 103.71, 0.88%, 0.66%

LAB 87.61, -57.88, 61.3

 

CMYK 40 / 0 / 56 / 0

HEX #98FF71

RGB 152 255 113

HSL 103.52, 1%, 0.72%

LAB 91.41, -54.85, 57.67

 

CMYK 59 / 0 / 78 / 25

HEX #4FBF2A

RGB 79 191 42

HSL 105.1, 0.64%, 0.46%

LAB 68.82, -57.33, 60.55

 

CMYK 64 / 0 / 87 / 32

HEX #3EAD17

RGB 62 173 23

HSL 104.4, 0.77%, 0.38%

LAB 62.48, -56.12, 59.69

 

CMYK 71 / 0 / 97 / 39

HEX #2D9B04

RGB 45 155 4

HSL 103.71, 0.95%, 0.31%

LAB 56.1, -54.31, 57.42

 

CMYK 80 / 0 / 100 / 46

HEX #1C8900

RGB 28 137 0

HSL 107.74, 1%, 0.27%

LAB 49.66, -51.61, 52.78

 

CMYK 91 / 0 / 100 / 53

HEX #0B7700

RGB 11 119 0

HSL 114.45, 1%, 0.23%

LAB 43.16, -48.1, 47.48

 

CMYK 58 / 0 / 78 / 25

HEX #50C02A

RGB 80 192 42

HSL 104.8, 0.64%, 0.46%

LAB 69.16, -57.43, 60.89

 

CMYK 38 / 0 / 78 / 25

HEX #78C02A

RGB 120 192 42

HSL 88.8, 0.64%, 0.46%

LAB 70.77, -45.29, 62.99

 

CMYK 17 / 0 / 78 / 25

HEX #A0C02A

RGB 160 192 42

HSL 72.8, 0.64%, 0.46%

LAB 73.12, -30, 66

 

CMYK 0 / 4 / 78 / 25

HEX #C0B82A

RGB 192 184 42

HSL 56.8, 0.64%, 0.46%

LAB 73.32, -12.52, 67.1

 

CMYK 0 / 26 / 78 / 25

HEX #C08F2A

RGB 192 143 42

HSL 40.4, 0.64%, 0.46%

LAB 62.52, 9.3, 57.25

 

CMYK 58 / 0 / 78 / 25

HEX #50C02A

RGB 80 192 42

HSL 104.8, 0.64%, 0.46%

LAB 69.16, -57.43, 60.89

 

CMYK 78 / 0 / 77 / 25

HEX #2AC02D

RGB 42 192 45

HSL 121.2, 0.64%, 0.46%

LAB 68.3, -64.6, 58.8

 

CMYK 78 / 0 / 55 / 25

HEX #2AC056

RGB 42 192 86

HSL 137.6, 0.64%, 0.46%

LAB 68.65, -60.3, 42.26

 

CMYK 78 / 0 / 34 / 25

HEX #2AC07E

RGB 42 192 126

HSL 153.6, 0.64%, 0.46%

LAB 69.25, -53.34, 22.66

 

CMYK 78 / 0 / 13 / 25

HEX #2AC0A7

RGB 42 192 167

HSL 170, 0.64%, 0.46%

LAB 70.16, -43.61, 1.76

 

CMYK 58 / 0 / 78 / 25

HEX #50C02A

RGB 80 192 42

HSL 104.8, 0.64%, 0.46%

LAB 69.16, -57.43, 60.89

 

CMYK 67 / 0 / 89 / 17

HEX #46D317

RGB 70 211 23

HSL 105, 0.8%, 0.46%

LAB 74.79, -66.89, 70.41

 

CMYK 74 / 0 / 98 / 10

HEX #3CE604

RGB 60 230 4

HSL 105.13, 0.97%, 0.46%

LAB 80.5, -74.81, 77.25

 

CMYK 58 / 0 / 78 / 25

HEX #50C02A

RGB 80 192 42

HSL 104.8, 0.64%, 0.46%

LAB 69.16, -57.43, 60.89

 

CMYK 49 / 0 / 65 / 32

HEX #59AD3D

RGB 89 173 61

HSL 105, 0.48%, 0.46%

LAB 63.63, -46.3, 48.25

 

CMYK 36 / 0 / 48 / 40

HEX #639A50

RGB 99 154 80

HSL 104.59, 0.32%, 0.46%

LAB 58.36, -32.6, 33.08

 

CMYK 20 / 0 / 27 / 47

HEX #6C8763

RGB 108 135 99

HSL 105, 0.15%, 0.46%

LAB 53.4, -16.88, 16.28

 

CMYK 0 / 2 / 0 / 54

HEX #767476

RGB 118 116 118

HSL 300, 0.01%, 0.46%

LAB 49.07, 1.17, -0.84

 

CMYK 17 / 0 / 78 / 25

HEX #A0C02A

RGB 160 192 42

HSL 72.8, 0.64%, 0.46%

LAB 73.12, -30, 66

 

CMYK 38 / 0 / 78 / 25

HEX #78C02A

RGB 120 192 42

HSL 88.8, 0.64%, 0.46%

LAB 70.77, -45.29, 62.99

 

CMYK 58 / 0 / 78 / 25

HEX #50C02A

RGB 80 192 42

HSL 104.8, 0.64%, 0.46%

LAB 69.16, -57.43, 60.89

 

CMYK 78 / 0 / 77 / 25

HEX #2AC02D

RGB 42 192 45

HSL 121.2, 0.64%, 0.46%

LAB 68.3, -64.6, 58.8

 

CMYK 78 / 0 / 56 / 25

HEX #2AC055

RGB 42 192 85

HSL 137.2, 0.64%, 0.46%

LAB 68.64, -60.44, 42.72

 

CMYK 58 / 0 / 78 / 51

HEX #347D1B

RGB 52 125 27

HSL 104.69, 0.64%, 0.3%

LAB 46.28, -40.99, 43.47

 

CMYK 58 / 0 / 78 / 38

HEX #429F23

RGB 66 159 35

HSL 105, 0.64%, 0.38%

LAB 58.11, -49.54, 52.37

 

CMYK 58 / 0 / 78 / 25

HEX #50C02A

RGB 80 192 42

HSL 104.8, 0.64%, 0.46%

LAB 69.16, -57.43, 60.89

 

CMYK 53 / 0 / 70 / 16

HEX #64D53F

RGB 100 213 63

HSL 105.2, 0.64%, 0.54%

LAB 76.47, -58.35, 61.2

 

CMYK 42 / 0 / 56 / 14

HEX #7FDC61

RGB 127 220 97

HSL 105.37, 0.64%, 0.62%

LAB 79.93, -50.06, 51.14

 

CMYK 59 / 0 / 78 / 25

HEX #4FBF2A

RGB 79 191 42

HSL 105.1, 0.64%, 0.46%

LAB 68.82, -57.33, 60.55

 

CMYK 78 / 0 / 4 / 25

HEX #2AC0B9

RGB 42 192 185

HSL 177.2, 0.64%, 0.46%

LAB 70.66, -38.63, -7.36

 

CMYK 0 / 78 / 27 / 25

HEX #C02A8C

RGB 192 42 140

HSL 320.8, 0.64%, 0.46%

LAB 45.3, 65.68, -18.74

 

CMYK 59 / 0 / 78 / 25

HEX #4FBF2A

RGB 79 191 42

HSL 105.1, 0.64%, 0.46%

LAB 68.82, -57.33, 60.55

 

CMYK 78 / 58 / 0 / 25

HEX #2A50C0

RGB 42 80 192

HSL 224.8, 0.64%, 0.46%

LAB 37.91, 27.48, -62.49

 

CMYK 0 / 78 / 58 / 25

HEX #C02A50

RGB 192 42 80

HSL 344.8, 0.64%, 0.46%

LAB 43.42, 59.97, 15.59

 

CMYK 59 / 0 / 78 / 25

HEX #4FBF2A

RGB 79 191 42

HSL 105.1, 0.64%, 0.46%

LAB 68.82, -57.33, 60.55

 

CMYK 78 / 0 / 4 / 25

HEX #2AC0B9

RGB 42 192 185

HSL 177.2, 0.64%, 0.46%

LAB 70.66, -38.63, -7.36

 

CMYK 19 / 78 / 0 / 25

HEX #9B2AC0

RGB 155 42 192

HSL 285.2, 0.64%, 0.46%

LAB 41.89, 65.88, -55.52

 

CMYK 0 / 78 / 74 / 25

HEX #C02A32

RGB 192 42 50

HSL 356.8, 0.64%, 0.46%

LAB 42.9, 58.33, 33.32

 

CMYK 59 / 0 / 78 / 25

HEX #4FBF2A

RGB 79 191 42

HSL 105.1, 0.64%, 0.46%

LAB 68.82, -57.33, 60.55

 

CMYK 78 / 19 / 0 / 25

HEX #2A9BC0

RGB 42 155 192

HSL 194.8, 0.64%, 0.46%

LAB 59.65, -18.21, -27.93

 

CMYK 19 / 78 / 0 / 25

HEX #9B2AC0

RGB 155 42 192

HSL 285.2, 0.64%, 0.46%

LAB 41.89, 65.88, -55.52

 

CMYK 0 / 58 / 78 / 25

HEX #C0502A

RGB 192 80 42

HSL 15.2, 0.64%, 0.46%

LAB 48.4, 42.88, 43.6

 

Description

Color code: HEX #4FBF2A | qconv.com Color code: HEX #4FBF2A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 191 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 191 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 78 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 78% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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