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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FBD48 it is the complementary color #B042B7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FBD48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FBD48 shade: #54BD43, #65CF56, #76E169, #87F37C and #98FF8F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FBD48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FBD48 shade: #4FBD48, #3EAB35, #2D9922, #1C870F and #0B7500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FBD48 shade: #4EBD47, #6EBD47, #8EBD47, #ADBD47 and #BDAD47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FBD48 shade: #4EBD47, #47BD60, #47BD80, #47BD9F and #47BBBD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FBD48 shade matches the following richer shades: #4EBD47, #3DD133, #2BE51F and #19F90B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FBD48 shade: #4EBD47, #60A95C, #729470, #848084 and #966C98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FBD48 shade: #8EBD47, #6EBD47, #4FBD47, #47BD5F and #47BD7E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FBD48 shade: #34832F, #40A13A, #4EBD47, #6CC866 and #89D384

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FBD48 shade: #4FBD48, #47ADBD and #BD477E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FBD48 shade: #4FBD48, #474FBD and #BD474F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FBD48 shade: #4FBD48, #47ADBD, #B547BD and #BD5747

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FBD48 shade: #4FBD48, #478ABD, #B547BD and #BD7A47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 62 / 26

HEX #4FBD48

RGB 79 189 72

HSL 116.41, 0.47%, 0.51%

LAB 68.41, -54.1, 48.65

 

Complementary color

CMYK 4 / 64 / 0 / 28

HEX #B042B7

RGB 176 66 183

HSL 296.41, 0.47%, 0.49%

LAB 47.68, 59.78, -40.81

 

CMYK 56 / 0 / 65 / 26

HEX #54BD43

RGB 84 189 67

HSL 111.64, 0.48%, 0.5%

LAB 68.52, -53.35, 50.99

 

CMYK 51 / 0 / 58 / 19

HEX #65CF56

RGB 101 207 86

HSL 112.56, 0.56%, 0.57%

LAB 74.87, -53.67, 49.96

 

CMYK 48 / 0 / 53 / 12

HEX #76E169

RGB 118 225 105

HSL 113.5, 0.67%, 0.65%

LAB 81.14, -53.79, 48.8

 

CMYK 44 / 0 / 49 / 5

HEX #87F37C

RGB 135 243 124

HSL 114.45, 0.83%, 0.72%

LAB 87.34, -53.79, 47.59

 

CMYK 40 / 0 / 44 / 0

HEX #98FF8F

RGB 152 255 143

HSL 115.18, 1%, 0.78%

LAB 91.76, -51.24, 44.21

 

CMYK 58 / 0 / 62 / 26

HEX #4FBD48

RGB 79 189 72

HSL 116.41, 0.47%, 0.51%

LAB 68.41, -54.1, 48.65

 

CMYK 64 / 0 / 69 / 33

HEX #3EAB35

RGB 62 171 53

HSL 115.42, 0.53%, 0.44%

LAB 62, -53.45, 49.58

 

CMYK 71 / 0 / 78 / 40

HEX #2D9922

RGB 45 153 34

HSL 114.45, 0.64%, 0.37%

LAB 55.54, -52.32, 50.01

 

CMYK 79 / 0 / 89 / 47

HEX #1C870F

RGB 28 135 15

HSL 113.5, 0.8%, 0.29%

LAB 49.02, -50.44, 49.34

 

CMYK 91 / 0 / 100 / 54

HEX #0B7500

RGB 11 117 0

HSL 114.36, 1%, 0.23%

LAB 42.45, -47.48, 46.91

 

CMYK 59 / 0 / 62 / 26

HEX #4EBD47

RGB 78 189 71

HSL 116.44, 0.47%, 0.51%

LAB 68.37, -54.45, 49.03

 

CMYK 42 / 0 / 62 / 26

HEX #6EBD47

RGB 110 189 71

HSL 100.17, 0.47%, 0.51%

LAB 69.59, -45.31, 50.74

 

CMYK 25 / 0 / 62 / 26

HEX #8EBD47

RGB 142 189 71

HSL 83.9, 0.47%, 0.51%

LAB 71.28, -33.94, 53.09

 

CMYK 8 / 0 / 62 / 26

HEX #ADBD47

RGB 173 189 71

HSL 68.14, 0.47%, 0.51%

LAB 73.37, -21.57, 55.96

 

CMYK 0 / 8 / 62 / 26

HEX #BDAD47

RGB 189 173 71

HSL 51.86, 0.47%, 0.51%

LAB 70.29, -6.63, 53.01

 

CMYK 59 / 0 / 62 / 26

HEX #4EBD47

RGB 78 189 71

HSL 116.44, 0.47%, 0.51%

LAB 68.37, -54.45, 49.03

 

CMYK 62 / 0 / 49 / 26

HEX #47BD60

RGB 71 189 96

HSL 132.71, 0.47%, 0.51%

LAB 68.45, -52.83, 37.26

 

CMYK 62 / 0 / 32 / 26

HEX #47BD80

RGB 71 189 128

HSL 148.98, 0.47%, 0.51%

LAB 68.96, -47.18, 21.3

 

CMYK 62 / 0 / 16 / 26

HEX #47BD9F

RGB 71 189 159

HSL 164.75, 0.47%, 0.51%

LAB 69.64, -40.23, 5.45

 

CMYK 62 / 1 / 0 / 26

HEX #47BBBD

RGB 71 187 189

HSL 181.02, 0.47%, 0.51%

LAB 69.86, -31.36, -10.67

 

CMYK 59 / 0 / 62 / 26

HEX #4EBD47

RGB 78 189 71

HSL 116.44, 0.47%, 0.51%

LAB 68.37, -54.45, 49.03

 

CMYK 71 / 0 / 76 / 18

HEX #3DD133

RGB 61 209 51

HSL 116.2, 0.63%, 0.51%

LAB 74.08, -66.55, 62.63

 

CMYK 81 / 0 / 86 / 10

HEX #2BE51F

RGB 43 229 31

HSL 116.36, 0.79%, 0.51%

LAB 79.98, -76.1, 73.23

 

CMYK 90 / 0 / 96 / 2

HEX #19F90B

RGB 25 249 11

HSL 116.47, 0.95%, 0.51%

LAB 86, -83.54, 80.97

 

CMYK 59 / 0 / 62 / 26

HEX #4EBD47

RGB 78 189 71

HSL 116.44, 0.47%, 0.51%

LAB 68.37, -54.45, 49.03

 

CMYK 43 / 0 / 46 / 34

HEX #60A95C

RGB 96 169 92

HSL 116.88, 0.31%, 0.51%

LAB 63.04, -38.69, 32.69

 

CMYK 23 / 0 / 24 / 42

HEX #729470

RGB 114 148 112

HSL 116.67, 0.14%, 0.51%

LAB 57.97, -19.2, 15.27

 

CMYK 0 / 3 / 0 / 48

HEX #848084

RGB 132 128 132

HSL 300, 0.02%, 0.51%

LAB 54.04, 2.29, -1.63

 

CMYK 1 / 29 / 0 / 40

HEX #966C98

RGB 150 108 152

HSL 297.27, 0.18%, 0.51%

LAB 51.24, 24.47, -17.35

 

CMYK 25 / 0 / 62 / 26

HEX #8EBD47

RGB 142 189 71

HSL 83.9, 0.47%, 0.51%

LAB 71.28, -33.94, 53.09

 

CMYK 42 / 0 / 62 / 26

HEX #6EBD47

RGB 110 189 71

HSL 100.17, 0.47%, 0.51%

LAB 69.59, -45.31, 50.74

 

CMYK 58 / 0 / 62 / 26

HEX #4FBD47

RGB 79 189 71

HSL 115.93, 0.47%, 0.51%

LAB 68.4, -54.2, 49.08

 

CMYK 62 / 0 / 50 / 26

HEX #47BD5F

RGB 71 189 95

HSL 132.2, 0.47%, 0.51%

LAB 68.43, -52.98, 37.74

 

CMYK 62 / 0 / 33 / 26

HEX #47BD7E

RGB 71 189 126

HSL 147.97, 0.47%, 0.51%

LAB 68.93, -47.58, 22.31

 

CMYK 60 / 0 / 64 / 49

HEX #34832F

RGB 52 131 47

HSL 116.43, 0.47%, 0.35%

LAB 48.47, -41.49, 37.34

 

CMYK 60 / 0 / 64 / 37

HEX #40A13A

RGB 64 161 58

HSL 116.5, 0.47%, 0.43%

LAB 58.87, -48.82, 44.05

 

CMYK 59 / 0 / 62 / 26

HEX #4EBD47

RGB 78 189 71

HSL 116.44, 0.47%, 0.51%

LAB 68.37, -54.45, 49.03

 

CMYK 46 / 0 / 49 / 22

HEX #6CC866

RGB 108 200 102

HSL 116.33, 0.47%, 0.59%

LAB 73.19, -46.92, 40.46

 

CMYK 35 / 0 / 37 / 17

HEX #89D384

RGB 137 211 132

HSL 116.2, 0.47%, 0.67%

LAB 78.21, -38.47, 32.03

 

CMYK 58 / 0 / 62 / 26

HEX #4FBD48

RGB 79 189 72

HSL 116.41, 0.47%, 0.51%

LAB 68.41, -54.1, 48.65

 

CMYK 62 / 8 / 0 / 26

HEX #47ADBD

RGB 71 173 189

HSL 188.14, 0.47%, 0.51%

LAB 65.67, -24.46, -16.98

 

CMYK 0 / 62 / 33 / 26

HEX #BD477E

RGB 189 71 126

HSL 332.03, 0.47%, 0.51%

LAB 48.05, 52.64, -6.15

 

CMYK 58 / 0 / 62 / 26

HEX #4FBD48

RGB 79 189 72

HSL 116.41, 0.47%, 0.51%

LAB 68.41, -54.1, 48.65

 

CMYK 62 / 58 / 0 / 26

HEX #474FBD

RGB 71 79 189

HSL 235.93, 0.47%, 0.51%

LAB 38.91, 30.98, -59.03

 

CMYK 0 / 62 / 58 / 26

HEX #BD474F

RGB 189 71 79

HSL 355.93, 0.47%, 0.51%

LAB 46.83, 48.04, 20.68

 

CMYK 58 / 0 / 62 / 26

HEX #4FBD48

RGB 79 189 72

HSL 116.41, 0.47%, 0.51%

LAB 68.41, -54.1, 48.65

 

CMYK 62 / 8 / 0 / 26

HEX #47ADBD

RGB 71 173 189

HSL 188.14, 0.47%, 0.51%

LAB 65.67, -24.46, -16.98

 

CMYK 4 / 62 / 0 / 26

HEX #B547BD

RGB 181 71 189

HSL 295.93, 0.47%, 0.51%

LAB 49.5, 59.96, -41.38

 

CMYK 0 / 54 / 62 / 26

HEX #BD5747

RGB 189 87 71

HSL 8.14, 0.47%, 0.51%

LAB 49.61, 39.83, 28.97

 

CMYK 58 / 0 / 62 / 26

HEX #4FBD48

RGB 79 189 72

HSL 116.41, 0.47%, 0.51%

LAB 68.41, -54.1, 48.65

 

CMYK 62 / 27 / 0 / 26

HEX #478ABD

RGB 71 138 189

HSL 205.93, 0.47%, 0.51%

LAB 55.27, -5.53, -32.97

 

CMYK 4 / 62 / 0 / 26

HEX #B547BD

RGB 181 71 189

HSL 295.93, 0.47%, 0.51%

LAB 49.5, 59.96, -41.38

 

CMYK 0 / 35 / 62 / 26

HEX #BD7A47

RGB 189 122 71

HSL 25.93, 0.47%, 0.51%

LAB 57.26, 21.14, 38.26

 

Description

Color code: HEX #4FBD48 | qconv.com Color code: HEX #4FBD48 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 189 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 189 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 62 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 62% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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