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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #4FBCFB it is the complementary color #B04304. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #4FBCFB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #4FBCFB shade: #54BCF6, #65CEFF, #76E0FF, #87F2FF and #98FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #4FBCFB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #4FBCFB shade: #4FBCFB, #3EAAE8, #2D98D5, #1C86C2 and #0B74AF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #4FBCFB shade: #50BDFB, #508EFB, #5060FB, #6E50FB and #9C50FB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #4FBCFB shade: #50BDFB, #508EFB, #5060FB and #5050FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #4FBCFB shade matches the following richer shades: #50BDFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #4FBCFB shade: #50BDFB, #5FB9ED, #6DB5DF, #7BB1D0 and #8AADC2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #4FBCFB shade: #50FBDC, #50EDFB, #50BFFB, #5092FB and #5064FB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #4FBCFB shade: #059CF4, #28ADFB, #50BDFB, #79CCFC and #A1DBFD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #4FBCFB shade: #4FBCFB, #AE50FB and #FBF350

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #4FBCFB shade: #4FBCFB, #FB50BF and #BFFB50

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #4FBCFB shade: #4FBCFB, #AE50FB, #FB8C50 and #9DFB50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #4FBCFB shade: #4FBCFB, #E250FB, #FB8C50 and #6AFB50

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 69 / 25 / 0 / 2

HEX #4FBCFB

RGB 79 188 251

HSL 201.98, 0.96%, 0.65%

LAB 72.62, -11.66, -40.2

 

Complementary color

CMYK 0 / 62 / 98 / 31

HEX #B04304

RGB 176 67 4

HSL 21.98, 0.96%, 0.35%

LAB 43.14, 42.14, 52.75

 

CMYK 66 / 24 / 0 / 4

HEX #54BCF6

RGB 84 188 246

HSL 201.48, 0.9%, 0.65%

LAB 72.56, -12.52, -37.58

 

CMYK 60 / 19 / 0 / 0

HEX #65CEFF

RGB 101 206 255

HSL 199.09, 1%, 0.7%

LAB 78.54, -16.39, -33.12

 

CMYK 54 / 12 / 0 / 0

HEX #76E0FF

RGB 118 224 255

HSL 193.58, 1%, 0.73%

LAB 84.16, -22.34, -24.45

 

CMYK 47 / 5 / 0 / 0

HEX #87F2FF

RGB 135 242 255

HSL 186.5, 1%, 0.76%

LAB 89.8, -27.61, -15.87

 

CMYK 40 / 0 / 0 / 0

HEX #98FFFF

RGB 152 255 255

HSL 180, 1%, 0.8%

LAB 94.06, -29.95, -9.43

 

CMYK 69 / 25 / 0 / 2

HEX #4FBCFB

RGB 79 188 251

HSL 201.98, 0.96%, 0.65%

LAB 72.62, -11.66, -40.2

 

CMYK 73 / 27 / 0 / 9

HEX #3EAAE8

RGB 62 170 232

HSL 201.88, 0.79%, 0.58%

LAB 66.21, -10.46, -39.91

 

CMYK 79 / 29 / 0 / 16

HEX #2D98D5

RGB 45 152 213

HSL 201.79, 0.67%, 0.51%

LAB 59.72, -8.97, -39.59

 

CMYK 86 / 31 / 0 / 24

HEX #1C86C2

RGB 28 134 194

HSL 201.69, 0.75%, 0.44%

LAB 53.16, -7.08, -39.21

 

CMYK 94 / 34 / 0 / 31

HEX #0B74AF

RGB 11 116 175

HSL 201.59, 0.88%, 0.36%

LAB 46.52, -4.67, -38.75

 

CMYK 68 / 25 / 0 / 2

HEX #50BDFB

RGB 80 189 251

HSL 201.75, 0.96%, 0.65%

LAB 72.94, -12.05, -39.71

 

CMYK 68 / 43 / 0 / 2

HEX #508EFB

RGB 80 142 251

HSL 218.25, 0.96%, 0.65%

LAB 59.9, 14.74, -60.29

 

CMYK 68 / 62 / 0 / 2

HEX #5060FB

RGB 80 96 251

HSL 234.39, 0.96%, 0.65%

LAB 48.31, 42.77, -79.05

 

CMYK 56 / 68 / 0 / 2

HEX #6E50FB

RGB 110 80 251

HSL 250.53, 0.96%, 0.65%

LAB 47, 55.97, -81.11

 

CMYK 38 / 68 / 0 / 2

HEX #9C50FB

RGB 156 80 251

HSL 266.67, 0.96%, 0.65%

LAB 51.58, 63.63, -73.45

 

CMYK 68 / 25 / 0 / 2

HEX #50BDFB

RGB 80 189 251

HSL 201.75, 0.96%, 0.65%

LAB 72.94, -12.05, -39.71

 

CMYK 68 / 43 / 0 / 2

HEX #508EFB

RGB 80 142 251

HSL 218.25, 0.96%, 0.65%

LAB 59.9, 14.74, -60.29

 

CMYK 68 / 62 / 0 / 2

HEX #5060FB

RGB 80 96 251

HSL 234.39, 0.96%, 0.65%

LAB 48.31, 42.77, -79.05

 

CMYK 68 / 68 / 0 / 2

HEX #5050FB

RGB 80 80 251

HSL 240, 0.96%, 0.65%

LAB 44.81, 52.1, -84.78

 

CMYK 68 / 25 / 0 / 2

HEX #50BDFB

RGB 80 189 251

HSL 201.75, 0.96%, 0.65%

LAB 72.94, -12.05, -39.71

 

CMYK 68 / 25 / 0 / 2

HEX #50BDFB

RGB 80 189 251

HSL 201.75, 0.96%, 0.65%

LAB 72.94, -12.05, -39.71

 

CMYK 60 / 22 / 0 / 7

HEX #5FB9ED

RGB 95 185 237

HSL 201.97, 0.8%, 0.65%

LAB 71.72, -11.86, -33.99

 

CMYK 51 / 19 / 0 / 13

HEX #6DB5DF

RGB 109 181 223

HSL 202.11, 0.64%, 0.65%

LAB 70.61, -11.07, -28.03

 

CMYK 41 / 15 / 0 / 18

HEX #7BB1D0

RGB 123 177 208

HSL 201.88, 0.47%, 0.65%

LAB 69.62, -9.72, -21.28

 

CMYK 29 / 11 / 0 / 24

HEX #8AADC2

RGB 138 173 194

HSL 202.5, 0.31%, 0.65%

LAB 68.89, -6.95, -14.6

 

CMYK 68 / 0 / 12 / 2

HEX #50FBDC

RGB 80 251 220

HSL 169.12, 0.96%, 0.65%

LAB 89.8, -50.46, 2.18

 

CMYK 68 / 6 / 0 / 2

HEX #50EDFB

RGB 80 237 251

HSL 184.91, 0.96%, 0.65%

LAB 86.62, -36.02, -18.72

 

CMYK 68 / 24 / 0 / 2

HEX #50BFFB

RGB 80 191 251

HSL 201.05, 0.96%, 0.65%

LAB 73.5, -13.12, -38.83

 

CMYK 68 / 42 / 0 / 2

HEX #5092FB

RGB 80 146 251

HSL 216.84, 0.96%, 0.65%

LAB 60.98, 12.35, -58.57

 

CMYK 68 / 60 / 0 / 2

HEX #5064FB

RGB 80 100 251

HSL 232.98, 0.96%, 0.65%

LAB 49.23, 40.36, -77.54

 

CMYK 98 / 36 / 0 / 4

HEX #059CF4

RGB 5 156 244

HSL 202.09, 0.96%, 0.49%

LAB 61.95, -2.18, -53.27

 

CMYK 84 / 31 / 0 / 2

HEX #28ADFB

RGB 40 173 251

HSL 202.18, 0.96%, 0.57%

LAB 67.5, -7.69, -48.28

 

CMYK 68 / 25 / 0 / 2

HEX #50BDFB

RGB 80 189 251

HSL 201.75, 0.96%, 0.65%

LAB 72.94, -12.05, -39.71

 

CMYK 52 / 19 / 0 / 1

HEX #79CCFC

RGB 121 204 252

HSL 201.98, 0.96%, 0.73%

LAB 78.62, -12.34, -31.32

 

CMYK 36 / 13 / 0 / 1

HEX #A1DBFD

RGB 161 219 253

HSL 202.17, 0.96%, 0.81%

LAB 84.65, -10.35, -22.47

 

CMYK 69 / 25 / 0 / 2

HEX #4FBCFB

RGB 79 188 251

HSL 201.98, 0.96%, 0.65%

LAB 72.62, -11.66, -40.2

 

CMYK 31 / 68 / 0 / 2

HEX #AE50FB

RGB 174 80 251

HSL 272.98, 0.96%, 0.65%

LAB 53.71, 67.02, -69.89

 

CMYK 0 / 3 / 68 / 2

HEX #FBF350

RGB 251 243 80

HSL 57.19, 0.96%, 0.65%

LAB 93.96, -15.5, 75.58

 

CMYK 69 / 25 / 0 / 2

HEX #4FBCFB

RGB 79 188 251

HSL 201.98, 0.96%, 0.65%

LAB 72.62, -11.66, -40.2

 

CMYK 0 / 68 / 24 / 2

HEX #FB50BF

RGB 251 80 191

HSL 321.05, 0.96%, 0.65%

LAB 61.66, 74.34, -22.77

 

CMYK 24 / 0 / 68 / 2

HEX #BFFB50

RGB 191 251 80

HSL 81.05, 0.96%, 0.65%

LAB 91.98, -42.71, 72.23

 

CMYK 69 / 25 / 0 / 2

HEX #4FBCFB

RGB 79 188 251

HSL 201.98, 0.96%, 0.65%

LAB 72.62, -11.66, -40.2

 

CMYK 31 / 68 / 0 / 2

HEX #AE50FB

RGB 174 80 251

HSL 272.98, 0.96%, 0.65%

LAB 53.71, 67.02, -69.89

 

CMYK 0 / 44 / 68 / 2

HEX #FB8C50

RGB 251 140 80

HSL 21.05, 0.96%, 0.65%

LAB 69.36, 37.34, 49.68

 

CMYK 37 / 0 / 68 / 2

HEX #9DFB50

RGB 157 251 80

HSL 92.98, 0.96%, 0.65%

LAB 90.2, -54.55, 69.85

 

CMYK 69 / 25 / 0 / 2

HEX #4FBCFB

RGB 79 188 251

HSL 201.98, 0.96%, 0.65%

LAB 72.62, -11.66, -40.2

 

CMYK 10 / 68 / 0 / 2

HEX #E250FB

RGB 226 80 251

HSL 291.23, 0.96%, 0.65%

LAB 60.67, 77.54, -58.33

 

CMYK 0 / 44 / 68 / 2

HEX #FB8C50

RGB 251 140 80

HSL 21.05, 0.96%, 0.65%

LAB 69.36, 37.34, 49.68

 

CMYK 58 / 0 / 68 / 2

HEX #6AFB50

RGB 106 251 80

HSL 110.88, 0.96%, 0.65%

LAB 88.27, -68.96, 67.24

 

Description

Color code: HEX #4FBCFB | qconv.com Color code: HEX #4FBCFB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 79 red, 188 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
79 188 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 69 cyan, 25 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
69% 25% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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